Buying Guide Lenses

Best Canon 1D X Mark II Lenses

We independently review everything we recommend. When you buy through our links, we may earn a commission.

Searching for the best Canon EOS-1D X Mark II lenses? Look no further. We’ve compiled a comprehensive list of the best Canon 1D X Mark II DSLR lenses for a variety of applications, including portraits, weddings, landscapes, street photography, macro photography, videography, sports, and wildlife photography.

The flagship Canon EOS-1D X Mark II (Amazon, B&H, Adorama) is being built and created with feedback from the international community of EOS-1D X and EOS-1D X Mark II photographers. It is ideal for professional sports, photojournalism, wildlife, and wedding photographers.

The EOS-1D X Mark II, which builds on Canon’s long history of producing high-quality optical products, features an upgraded focusing mechanism, as well as drastically improved still and video picture quality and communication. The EOS-1D X Mark II is available now.

In addition to its rapid speed, the Canon EOS-1D X Mark II has excellent precision and dependability, as well as high-performance autofocus and subject tracking, giving photographers a tool that will assist them in capturing the image they are after.

A newly designed 20.1MP full-frame CMOS sensor, as well as an updated DIGIC X image processor, enable the Canon EOS-1D X Mark II DSLR camera to shoot at up to 16 frames per second with the optical viewfinder or 20 frames per second in live view while maintaining a 1000-shot buffer when shooting raw+JPEG.

Aside from being the most powerful DSLR for video shooting to date, the EOS-1D X Mark II is also equipped with 4K 60p video capability, as well as the ability to shoot 5.5K RAW video or 10-bit 4:2:2 video with Canon Log, all of which can be recorded to a CFexpress card in either or both of the available dual card slots.

With built-in Wi-Fi for the first time in an EOS-1D series camera for the first time ever, this groundbreaking, dust- and the weather-resistant camera provide the connection to share photographs and videos with customers, colleagues, and family members from nearly anywhere.

In terms of picture quality, we all know that the lenses (as well as your talents) make the difference between a mediocre shot and a professional-looking shot. To assist you in getting a professional-looking shot, I put together this buying guide: best lenses for Canon EOS-1D X Mark II, which includes the best choices for portraits, wide-angles, weddings and landscapes, macros, and other close-up photography, street photography, wildlife photography, and sports photography lenses for the Canon 1D X Mark II DSLR camera. Simply select the one you require!

Best Lenses for Canon EOS-1D X Mark II DSLR Camera

With the goal of assisting you in determining which lens is most suited for your intended usage, I have divided the lenses into the following categories. If you follow these instructions, you should have a lot simpler time finding the lens that you are seeking. Alternatively, you may click on any of the links in the table below to move directly to the sort of lens that most interests you.

Indoor Sports Lenses for Canon EOS-1D X Mark II

1. Canon EF 70-200mm f/2.8L IS III USM

Five out of five stars! The Canon EF 70-200mm f/2.8L IS III USM is one of the most versatile lenses available, and it delivers outstanding performance with a constant f/2.8 maximum aperture for fast shutter speeds and beautiful background blur, as well as Canon’s Air Sphere Coating (ASC), which works in conjunction with enhanced Super Spectra Coatings to reduce lens flare and ghosting.

In addition to being ideal for topics ranging from portraits to sports photography, the quick continuous f/2.8 maximum aperture shines in challenging lighting circumstances and also allows for more control over depth of focus when isolating subjects in a scene.

Because of its 8-blade circular aperture, the EF 70–200mm f/2.8L IS III USM lens is designed to generate dramatic shots with beautiful background blur when used in conjunction with other Canon lenses. With one fluorite element and five UD elements, the optical arrangement is designed to minimize chromatic aberrations as well as color fringing to provide a high level of clarity across the zoom range.

With an Optical Image Stabilizer, you can reduce the impression of camera shake by up to 3.5 shutter speed stops, which will allow you to operate more effectively in low light and with slower shutter speeds.

A ring-type USM and an internal focusing mechanism further contribute to the camera’s rapid, quiet, and accurate autofocus performance, as well as the ability to override the autofocus system completely.

Furthermore, the rugged, weather-sealed shell makes it an excellent choice for shooting outside in adverse weather situations. Weddings, portraiture, wildlife, street photography, and sports photography are all possible with this lens.

2. Canon EF 135mm f/2L USM

The 135mm telephoto lens is the quickest in its class. Indoor sports and portraits with a blurred background are ideal subjects for this lens. A quick, lightweight telephoto lens with excellent image quality, the Canon EF 135mm f/2 L USM is an excellent choice for photographing indoor sports in low light circumstances and for taking portrait photographs.

As a result of the long focal length combined with the f/2 maximum aperture, the photographer has a great lot of control over the depth of field when isolating subject matter and employing selective focus. The bright aperture is especially advantageous while shooting handheld in low-light settings.

In terms of optical design, the lens makes use of two ultra-low dispersion elements to control chromatic aberrations and color fringing for high clarity, as well as a Super Spectra coating to suppress flare and ghosting for increased contrast and color accuracy.

The lens is available in two sizes: 35mm and 50mm. Additionally, a ring-type USM is utilized to provide speedy and silent autofocus performance, as well as full-time manual focus adjustment, to complement the image capabilities. In addition, the Canon EF 135mm f/2 L USM lens is compatible with the optional EF 1.4X and EF 2X teleconverters, which may be purchased separately from Canon.

3. Canon EF 200mm f/2L IS USM

The Canon EF 200mm f/2L IS USM lens is an extraordinarily fast medium telephoto prime lens that is suitable for portraiture as well as indoor sports photography and other low-light, rapid-motion applications.

The big f/2 maximum aperture is advantageous when working in low light conditions and also allows for significant control over the depth of field when selectively focusing on the subject matter. With the internal USM and enhanced AF algorithms, autofocusing is quick and silent, and the circular aperture may even generate gorgeous out-of-focus shots.

In addition to its image qualities, this 200mm f/2 lens is equipped with a four-stop-effective Image Stabilizer technology, which reduces the appearance of camera shake for smoother handheld photography. Consequently, the Canon EF 200mm f/2L IS USM lens is truly remarkable, and it excels in a wide range of low-light situations, including indoor sports, theater work, fashion photography, and candid shots at events. If you can’t afford it, you might want to explore the less expensive Canon EF 200mm f/2.8L II USM.

4. Tamron SP 70-200mm f/2.8 Di VC USD G2

Fantastic optics that deliver outstanding image quality and performance. SP 70-200mm F2.8 G2 (Model A025) is an evolution of the widely regarded Model A009, including increased optical performance, improved VC (Vibration Compensation), quicker autofocus speed, and accuracy, and shorter MOD (Minimum Object Distance) for greater versatility.

Furthermore, the lens is compatible with Tamron teleconverters, which adds an extra focal length. In terms of optics, an improved layout contains one XLD element and five LD elements to suppress color fringing and chromatic aberrations, resulting in improved clarity and color accuracy. Additionally, both BBAR and eBAND coatings have been applied to reduce flare and ghosting, resulting in a noticeable improvement in clarity and color accuracy.

The Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is distinguished by its brilliant f/2.8 constant maximum aperture, as well as its innovative optical and physical features. It is perfect for travel, street, landscape, portrait, wedding, and sports photography.

5. Canon EF 70-300mm f/4-5.6L IS USM

Excellent optical instrument! The Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens is designed to offer very high-quality photographs while operating at breakneck speed. It is the latest addition to the well-established Canon L-series of lenses, which already includes a popular zoom range.

It incorporates two Ultra-Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration, as well as a floating focusing mechanism for sharpness from close up to infinity, as well as an IS system that increases usability by approximately four stops. It is available in black or silver. A ring-type USM and an internal focusing mechanism further contribute to the camera’s rapid, quiet, and accurate autofocus performance, as well as the ability to override the autofocus system completely.

A wide zoom range and excellent picture quality are combined in rugged and compact construction to create the Canon EF 70-300mm f/4-5.6L IS USM lens, which is ideal for nature, landscape, and sports photography as well as travel photography. The lens is available in black or silver. If you routinely shoot in low light conditions, the Canon EF 70-200mm f/2.8 IS STM is a good option.

Best Outdoor Sports and Wildlife Lenses for Canon EOS-1D X Mark II

6. Canon EF 100-400mm f/4.5-5.6L IS II USM

Five stars for this lens, which is perfect for sports and wildlife photography! The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens offers a wonderful mix of cutting-edge performance, compact design, and exceptional resolving power that makes it ideal for sports and wildlife photography, as well as general photography in general.

There are two fluorite elements and one Super UD element in the lens’ design, and each of these elements contributes to the reduction of aberrations and distortions across the zoom range, resulting in exceptional clarity, picture sharpness, and true color reproduction. Lens elements have also been treated with an Air Sphere Coating to decrease lens flare and ghosting, resulting in a more contrast-rich picture.

A 9-blade circular aperture creates attractive, soft backgrounds, and an Optical Image Stabilizer with three modes (standard, panning, and exposure only) allows for up to four stages of image correction in each shot. The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is a superb performer with improved controls for a broad range of scenarios. It is ruggedly designed with superior dust and water sealing for longevity in a variety of conditions.

7. Canon EF 200-400mm f/4L IS USM Lens with 1.4x Extender

The Best “Slow” Telephoto Zoom Lens on the Market! The Canon EF 200-400mm f/4L IS USM Extender 1.4x is a high-performance super-telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. It is designed to satisfy the discriminating needs of sports and wildlife photographers, as well as landscape and architecture photographers.

You may easily and simply switch between the native 200-400mm focal length and an effective 280-560mm focal length for extended reach, thanks to the inclusion of a built-in 1.4x extender. This functionality is highly beneficial in applications where it is not feasible to change lenses fast, as well as in safeguarding delicate equipment such as the image sensor of a digital SLR camera when operating in dusty or humid settings.

This lens incorporates one fluorite and four Ultra-Low Dispersion (UD) lens elements, which provide excellent chromatic aberration correction throughout the entire zoom range for professional quality images with high resolution, contrast, and color fidelity. A 9-blade circular aperture contributes to the creation of beautiful and soft backgrounds.

It is possible to reduce the impression of camera shake by up to four shutter speed stops when using an optical image stabilizer, which makes working in low-light circumstances and with slower shutter speeds more convenient. Autofocus performance is enhanced by the use of a ring-type Ultrasonic Motor (USM), which works in conjunction with refined focusing algorithms and a high-speed CPU to provide quick, precise, and silent autofocus performance as well as full-time manual focus override. Amazing, to say the least.

8. Canon EF 400mm f/2.8L IS III USM

The 400mm f/2.8 lens is the world’s smallest and lightest! The EF 400mm f/2.8L IS III USM is a Canon L-series lens that combines a popular super-telephoto focal length with a brilliant f/2.8 maximum aperture to create a lens that is well-suited for outdoor, wildlife, and sports photography applications. This highly regarded lens has been upgraded to version III, which has a reduced weight construction, a smart optical arrangement, and improved handling characteristics.

The quick maximum f/2.8 aperture allows for great control over depth of field when isolating subjects with selective focus, and it is especially advantageous when working in low-light settings or in low contrast situations. Both Super UD and fluorite elements are used in the optical design to help reduce color fringing and chromatic aberrations for high clarity and color accuracy, and Super Spectra and Air Sphere Coatings have been applied to individual elements to suppress flare and ghosting for increased contrast and color neutrality when working in backlit conditions.

Super Spectra and Air Sphere Coatings have also been applied to individual elements to suppress flare and ghosting for increased contrast and color neutrality when working in backlit conditions. Additionally, the Canon EF 400mm f/2.8L IS III USM is distinguished by its superior five-stop-effective Image Stabilizer technology, which features three distinct stabilization modes to accommodate a wide range of shooting situations and conditions.

A combination of precise image quality and great operability allows pros and experienced photographers to carry the EF 400mm f/2.8L IS III USM with them wherever they go in order to create superb images of nature, sports, and other subjects.

9. Canon EF 600mm f/4L IS III USM

The 600mm f/4 lens is the world’s smallest and lightest! The EF 600mm f/4L IS III USM is a Canon L-series super-telephoto lens that is particularly well suited for sports and wildlife photography. Its innovative, lightweight construction, quick and intuitive handling and high-speed performance separate it from the competition.

Both chromatic and spherical aberrations are minimized to a bare minimum by the use of fluorite, Super UD, and aspherical elements, resulting in crisp, clear picture quality with accurate rendering and color fidelity, as well as accurate rendering and color fidelity. Both Super Spectra and Air Sphere Coatings serve to improve color accuracy while also reducing flare and ghosting while working in backlit or harsh lighting circumstances, respectively.

As well to having outstanding optical performance, the 600mm f/4 has an innovative five-stop effective Image Stabilizer technology with three distinct stabilization settings to accommodate a wide range of shooting situations. Its handling is also enhanced by an advanced ring-type USM that delivers rapid, silent, and accurate autofocus performance while also providing full-time manual focus override.

10. Sigma 150-600mm f/5-6.3 DG OS HSM Sports

The Telephoto Zoom Lens with the Best Value! The Sigma 150-600mm 5-6.3 DG HSM OS Sports lens is a telephoto zoom lens that has been designed and built for the most demanding sorts of photography. It is the new standard in telephoto zooms.

The Sigma 150-600mm Sports lens features two FLD glass elements (with performance comparable to fluorite) and three SLD glass elements, resulting in very crisp pictures over the whole zoom range. By optimizing the design of the glass elements at the long end of the focal length, chromatic aberration can be reduced, and the lens’s dust and splash-proof construction provide a high level of endurance.

A revised optical stabilizer (OS) now includes an accelerometer, which allows for superior panning photography both horizontally and vertically, which is crucial for birding, wildlife, and motorsports photography, among other things.

11. Sigma 120-300mm f/2.8 DG OS HSM

Excellent Telephoto Zoom Lens with “Fast” Focusing! A fast-moving subject such as wildlife, nature, aviation, racing or other similar scenarios is well-suited for this Sigma 120-300mm f/2.8 lens since it is the first lens created under Sigma’s new Sports brand of lenses, which includes a variety of other lenses.

Due to the fact that it has a dust- and splash-proof structure, it is perfect for usage in outdoor and harsh situations. In-camera optical stabilization reduces the impression of camera shake by four stops (equivalent) or more, making handheld photography and low-light shooting more manageable. Fast, smooth, and silent autofocus is provided by the Hyper Sonic AF Motor, resulting in speedier performance, which is especially beneficial while video recording.

Best Portrait Lenses for Canon EOS-1D X Mark II

12. Canon EF 85mm f/1.2L II USM

The best professional portrait lens on the market! This lens is referred to as Canon’s “ultimate portraiture lens.” It is regarded as the ideal professional portrait photography lens because of its exceptionally wide aperture, which results in a small depth of field and dramatic focus fall-off.

The Canon EF 85mm f/1.2L II USM is a medium telephoto prime lens with an extraordinarily fast maximum aperture of f/1.2. A large degree of control over depth of field is possible because of the extremely fast f/1.2 maximum aperture, which is ideal for isolating subjects and achieving appealing selective focus effects. Beyond portrait photography, the Canon EF 85mm F1.2L II USM lens is also one of the greatest wedding lenses available, as well as a great low-light lens for handholding at parties and other gatherings.

Thanks to its excellent floating optical system and aspherical lens element, it produces pictures of exceptional quality with the least amount of reflections, glare, and ghosting. It is the largest-aperture 85mm lens currently available, and it is great for low-light shooting indoors without the use of a flash in general, as well as for portrait photography in particular. Many professionals believe this to be the best portrait lens available.

13. Canon EF 85mm f/1.4L IS USM

85mm lens with image stabilization, weather sealing, and improved balance! The Canon EF 85mm f/1.4L IS USM is a remarkable medium-telephoto lens for portraiture applications, thanks to a fantastic mix of optics, performance, sophisticated features, and a sturdy build.

The Canon EF 85mm f/1.4L IS USM lens is Canon’s first 85mm L-series lens to include image stabilization (IS), and it features an advanced optical formula that includes a large-diameter aspherical lens as well as a bright f/1.4 maximum aperture to deliver gorgeous, sharp, and detailed images suitable for virtually any application. Its adaptable mix of built-in picture stabilization and superior design make it ideal for handheld usage in a variety of scenarios, including hostile environments.

The EF 85mm f/1.4L IS USM is a high-performance lens that is designed to perform and produce the results that photographers demand. It is ideal for portraiture and for generating a natural feeling of distance between the user and the subject with a range of scenarios and topics.

14. Sigma 85mm f/1.4 DG HSM Art

An almost flawless 85mm professional portrait lens with an f/2.8 aperture! Incredibly sharp, with exceptional subject isolation and bokeh performance, the Sigma 85mm f/1.4 DG HSM Art lens delivers remarkable image quality at a very low price.

It also has outstanding class-leading sharpness. It has the sharpest 85mm lens we’ve seen so far, and it’s priced around two-thirds less than its competition, which is a good deal. As well as for portrait photography, the Sigma 85mm 1.4 DG HSM Art lens is an excellent choice for low-light events and wedding photography, as demonstrated by the following examples.

The main drawback is that it is a little too hefty and bulky, and it is not particularly weather-resistant. However, it is a very remarkable tool for portrait photography, with a stunning bokeh to boot. Extremely Recommendable!

15. Tamron SP 85mm f/1.8 Di VC USD

Option for those on a tight budget! The Canon EF 85mm f/1.8 USM Lens is a very practical lens that is well suited for a variety of photographic tasks, including portraits, landscapes, and high-speed outdoor photography.

A very shallow depth of focus is achieved by using the wide-open f/1.8 aperture, resulting in stunning portraits and exquisite background bokeh. Using an ultrasonic autofocus motor (USM), you can get lightning-fast autofocus performance that is smooth and silent. In addition, because the front lens group does not move while focusing, you may employ polarizing and special filter effects to their full potential.

Best Travel, Street, and Walkaround Lenses for Canon EOS-1D X Mark II

16. Canon EF 24-70mm f/2.8L II USM

Perfect lens for the job! This flexible lens features a zoom range that spans focal lengths ranging from landscape to portrait, is highly crisp, and has fast, silent, and precise autofocus. It also includes a built-in flash for low-light shooting. It is a near-flawless lens with optics that come very close to matching a set of high-quality primes in terms of performance and quality.

This lens, which is available in a variety of focal lengths from wide-angle to portrait, is differentiated by its constant maximum aperture of f/2.8, which is beneficial when working in low-light circumstances and allows for more control over depth of field. A circular 9-blade diaphragm is also included with the lens, which allows for gorgeous, soft backgrounds. Silent and quick autofocusing is made possible with a ring-type USM and a high-speed CPU with enhanced AF algorithms.

Given the camera’s rapid, precise focusing and weather-sealed design, it’s tough to identify any very severe flaws in it at all. With the Canon EF, 24-70mm f/2.8L II USM lens, professional and serious amateur photographers who want to get the finest possible optics out of their “daily” regular zoom lens will be pleased.

17. Canon EF 35mm f/1.4L II USM

Look no farther than the Canon EF 35mm f/1.4L II USM if you want to capture stunning landscapes, portraits, and close-up photography. The Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime lens distinguished by its unique and superior optical composition. It has a fast maximum aperture of f/1.4, making it ideal for working in low-light situations. Blue Spectrum Refractive Optics is used in its optical design; this is a newly created element that helps to almost eliminate chromatic aberrations and color fringing, resulting in improved clarity and color accuracy.

It also boasts a fast, 9-blade maximum aperture of f/1.4, which allows it to perform admirably in low-light circumstances while also producing beautiful, soft backgrounds in general. In addition, like the other L-series lenses, the EF 35mm f/1.4L II USM is dust and water-resistant (dust seal).

The Canon EF 35mm f/1.4L II USM is a versatile, fast, and elegant lens that will satisfy photographers who are searching for a brilliant, crisp, and responsive lens for their most essential photographs.

18. Sigma 35mm f/1.4 DG HSM Art

With a brilliant f/1.4 maximum aperture, a floating inner focusing mechanism, and a Hyper Sonic Motor (HSM), you’ll have rapid and exact control over the creative effects created by the lens’ high-quality components and elements.

It offers excellent sharpness even when used wide open, fast, and precise autofocus, virtually little distortion, minimal chromatic aberration, and exceptional color rendering, which is on par with more costly and exotic lenses in terms of sharpness and color reproduction.

Obviously, the price difference between the Sigma 35mm f/1.4 Art and the Canon EF 35mm f/1.4L II is the most significant benefit — the Sigma 35mm f/1.4 Art is almost two times less expensive. Travel and street photographers, as well as anybody who shoots in low light, will undoubtedly enjoy this lens to the fullest extent.

19. Canon EF 24-105mm f/4L IS II USM

The Canon EF 24-105mm f/4L IS II USM is a zoom lens with a 24-105mm focal range and a constant f/4 aperture that is ideal for travel and street photography, landscape photography, and portrait photography, sports photography, and more. It provides effective all-day performance for advanced photography and videography. With better peripheral brightness and a 10-blade circular aperture, it helps to create clear, evenly lighted pictures with beautiful background blur.

It also helps to decrease ghosting and flare and has improved peripheral brightness. It even includes an upgraded IS system for increased handheld performance, which is very important in low-light situations. Keep in mind that, despite the fact that it has image stabilization and rapid autofocus, the maximum aperture of f/4 implies that it will not perform well in low-light situations. Consequently, professionals and people looking for a general-purpose lens for travel and portraiture that has excellent optics should select the Canon 24-70mm f/2.8.

20. Canon EF 50mm f/1.4 USM

Lightweight, razor-sharp, and extremely adaptable. In addition to being a fantastic choice for both casual and professional photographers, the Canon EF 50mm f/1.4 standard lens is also a fantastic traveling companion for full-frame DSLRs.

You can investigate the f/1.2 version if you require even clearer images and greater performance in low light (for pros), but for the majority of people, the Canon 50mm f/1.4 is already an exceptional lens and a fantastic value. Additionally, it receives an 87 percent overall score and a Gold Award from DPReview. There have been more than 1,800 customer reviews posted on Amazon in the United States thus far.

Best Wide-angle Zoom Lenses for Canon EOS-1D X Mark II

21. Canon EF 11-24mm f/4L USM

The ultimate wide-angle lens for ultra-wide-angle photography! The best super wide-angle zoom lens available! The EF 11–24mm f/4L USM is the widest zoom lens Canon has ever produced, and it provides the utmost in wide-angle photography. It has L-series construction and optics, making it the widest zoom lens Canon has ever produced.

With a vast wide-angle range of 11-24mm, this lens is great for landscape photography, interior photography, and capturing new views on things both close and far away from the camera. There are two Super UD elements and one UD element in the lens, which contribute to a significant reduction in chromatic aberrations, and four aspherical elements, which help to minimize distortions throughout the zoom range while maintaining consistent edge-to-edge sharpness and illumination throughout.

While a 9-blade circular aperture diaphragm offers lovely, blurred backgrounds, a Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to greatly minimize flare and ghosting. The EF 11–24mm f/4L USM is a must-have lens for photographers who seek great performance for genuinely expressive photographs everywhere they shoot. It has a small design that includes an integrated hood and is compatible with all EOS cameras.

22. Canon EF 16-35mm f/2.8L III USM

This is one of the greatest wide-angle zoom lenses Canon has ever produced, and it comes highly recommended! For its overall performance, the EF 16–35mm f/2.8L III USM received an amazing 91 percent rating and received the Gold Award from the professionals at DPReview. In nearly any situation, it is an important wide-angle zoom lens for both professional and amateur photographers who expect the highest level of operation and performance from their equipment.

Your perspective will be superbly controlled thanks to the 16-35mm focal range, allowing you to shoot photographs and videos with spectacular, dramatic compositions that are only limited by your creativity. The constant maximum aperture of f/2.8 provides consistent performance and superb light transmission across the zoom range of the lens. The EF 16–35mm f/2.8L III USM offers superb picture quality, a quick, constant aperture, and a durable build, resulting in eye-catching results whether photographing precise, subtle landscapes, dramatic interiors, or everything in between.

At extreme wide angles, both static and moving pictures can be taken with continuous edge-to-edge clarity, enhanced peripheral lighting, and decreased distortion, allowing for the acquisition of both still and moving images. Professional photographers and photography lovers who enjoy landscape, animal, wedding, and architectural photography will find this lens to be an excellent choice.

23. Sigma 12-24mm f/4 DG HSM Art

Magnificent lens! Particularly noteworthy is the pricing, which is cheaper than the Canon 11-24mm model. The Sigma 12-24mm Art lens, which covers a useful range of ultra-wide focal lengths, provides an optimal combination of center-to-edge image quality, minimized distortion, and minimum focusing distance.

It is distinguished by its advanced design, which significantly reduces distortion while maintaining a high level of sharpness throughout the frame. A sequence of low dispersion and aspherical elements are used to reduce both chromatic and spherical aberrations across the zoom range, resulting in very excellent clarity and color accuracy throughout the zoom range.

Super Multi-Layer Coatings (SMLCs) also aid to reduce lens flare and ghosting, resulting in more color-correct and contrast-rich images under a range of lighting circumstances. This Sigma 12-24mm f/4 DG HSM Art lens, which provides superb picture quality from the center to the edges without any distortion, is ideal for a wide range of photographic applications, including landscape photography, architecture photography, and interior photography, and more.

24. Tamron SP 15-30mm f/2.8 Di VC USD G2

The Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is a very appealing and more cheap alternative to similar wide-angle zoom lenses from Canon and Nikon, and it performs well. The stability, wide aperture, and ultra-wide focal length range of the Tamron SP 15-30mm f/2.8 are all outstanding qualities, but the lens also produces good image quality and is far less expensive than the Canon EF 11-24mm f/4L USM.

Aspherical and low dispersion glass elements are used in conjunction with three types of specialist lens coatings to reduce chromatic and spherical aberrations, as well as flare and ghosting, resulting in images that are clearer, more colorful, and more precise in detail. Consistent brightness across the zoom range is provided by the brilliant f/2.8 constant maximum aperture, which is particularly useful when working in low-light circumstances.

While used in conjunction with the camera’s Vibration Compensation (VC) image stabilization technology, it may minimize camera shaking by up to 4.5 stops, resulting in clearer photos and smoother movies even when shooting handheld or at slower shutter rates. A fantastic wide-angle zoom lens at a very reasonable price.

25. Canon EF 17-40mm f/4L USM

The Best Wide Angle Lens for the Money! The Canon EF 17-40mm f/4L USM lens is the greatest choice for individuals who wish to save money on a wide-angle lens while still getting a good quality lens. The lens is crisp and precisely focused, and it offers a broad range of focal lengths for landscape and other wide-angle photography. It also has a good shooting quality in low light, and it is reasonably priced.

Additionally, this lens is weather-sealed, allowing it to be used in a variety of challenging environmental circumstances. It is also significantly less expensive and lighter than the Canon 16-35mm lens. The lack of image stabilization and the maximum aperture of f/4 are the two most significant drawbacks of the Canon 17-40mm.

Best Wide-angle Prime Lenses for Canon EOS-1D X Mark II

26. Canon EF 14mm f/2.8L II USM

An outstanding extreme wide-angle prime lens that comes highly recommended! This Canon EF 14mm f/2.8L II USM wide-aperture lens has excellent optics and virtually no distortion, making it an excellent choice for landscape, nature, and interior photography applications. Its weatherproof and dustproof construction contribute to its long-term durability, as does its weatherproof and dustproof sealing.

Because of its relatively bright maximum aperture of f/2.8, this lens is well-suited for working in low-light situations and is also an excellent choice for astrophotography. Specifically, the optical design features two aspherical elements and two ultra-low dispersion elements, which work together to control both the spherical and the chromatic aberrations, resulting in a high degree of sharpness, clarity, and color accuracy overall.

A ring-type USM and an internal focusing mechanism further contribute to the camera’s rapid, quiet, and accurate autofocus performance, as well as the ability to override the autofocus system completely.

27. Canon EF 24mm f/1.4L II USM

This versatile lens combines a popular wide-angle focal length with an exceptionally brilliant maximum aperture to create photographs that are suitable for photojournalists, landscape and event photographers, as well as anybody who appreciates photographing from a broader viewpoint. With two high-precision, large-diameter aspherical lenses, it provides sharpness across the sensor, especially in the periphery areas of full-frame sensors, even in low-light conditions.

This lens is distinguished not only by its optical characteristics but also by its quick maximum aperture of f/1.4, which is advantageous for working in low light and for managing the depth of field. Additionally, this lens is equipped with a ring-type USM that provides speedy and silent autofocus performance as well as full-time manual focus override capability. In addition to providing fast and precise auto-focus, pleasing bokeh, great build quality, and very crisp photos, the Canon EF 24mm f/1.4L II USM is an outstanding wide-angle prime lens!

28. Sigma 20mm f/1.4 DG HSM Art

The Sigma 20mm f/1.4 DG HSM Art lens is a genuinely wide and truly fast lens that produces great brightness and bokeh. It is an excellent high-speed lens for snapshots because of its wide aperture and rapid speed. The lens’s long focal length and constant picture quality make it particularly well suited for landscape, interior, architectural, and astrophotography applications, while its fast maximum aperture of f/1.4 makes it particularly good for natural and low-light photography.

The lens design, which is comprised of 15 elements in 11 groups, includes two “F” Low Dispersion (FLD) elements, five Special Low Dispersion (SLD) elements, and two aspherical elements to significantly reduce chromatic and spherical aberrations, as well as limit distortion, resulting in clean, sharp, and evenly illuminated imagery.

The lens is composed of 15 elements in 11 groups. When sophisticated optics and optimal lens power distribution are combined, spherical and axial chromatic aberration, as well as field curvature, are reduced, resulting in exceptionally high picture quality with little distortion. Outstanding Edge-to-Edge Performance Throughout!

29. Sigma 14mm f/1.8 DG HSM Art

Excellent optics! In terms of focal length, the Sigma 14mm f/1.8 DG HSM Art Lens for Canon EF is the first 1.8 prime lens at the 14mm focal length in the world. This Sigma 14mm f/1.8 Art lens, which has great peripheral brightness, produces outstanding picture quality from the center to the edges.

Although the lens has a 14mm ultra-wide-angle of view, the F1.8 brightness allows for an extremely narrow depth of focus, with the subject standing out strikingly against a bokeh backdrop, even at that distance. A large-diameter lens is capable of delivering a singular manner of expression that no other lens can match. Architecture, astrophotography, documentary, and landscape photography are all possible with this camera.

30.Canon EF 24-70mm f/2.8L II USM

It comes highly recommended! The Canon EF 24-70mm f/2.8L II USM Lens is a sophisticated zoom lens that covers a popular and diverse range of focal lengths from landscapes to portraits. It is built for high-end performance and durability, and it is available in a variety of colors.

This lens, which is available in a variety of focal lengths from wide-angle to portrait, is differentiated by its constant maximum aperture of f/2.8, which is beneficial when working in low-light circumstances and allows for more control over depth of field. Additionally, the lens is distinguished by its superior optical design, which has one Super Ultra-Low Dispersion (UD) element and two Ultra-Low Dispersion (UD) elements that eliminate color fringing and chromatic aberrations to provide a high degree of color accuracy and clarity. The lens is also equipped with three aspherical elements, which help to reduce distortion and spherical aberrations for greater sharpness.

Given the camera’s rapid, precise focusing and weather-sealed design, it’s tough to identify any very severe flaws in it at all. It is recommended for professional and serious hobbyist photographers who are searching for the best possible optics in a ‘daily’ standard zoom lens. The Canon EF 24-70mm f/2.8L II USM has an 87 percent overall score and receives a Gold Award from DPReview.

Best Standard Zoom Lenses for Canon EOS-1D X Mark II

31. Sigma 24-35mm f/2 DG HSM Art

The Canon EF-mount Sigma 24-35mm f/2 DG HSM is distinguished by its impressively fast design. It is the world’s first full-frame F2 zoom lens and it incorporates the latest Sigma technology, including an optimized autofocus (AF) algorithm for smooth, fast, and accurate focusing, as well as manual focus (MF) override functionality. Although it is intended to replace a series of wide-angle prime lenses, the brilliant f/2 constant maximum aperture makes this 24-35mm zoom stand out for its ability to function in low-light circumstances while maintaining the depth of field control.

A clever optical design, which contains much low dispersion and aspherical elements to significantly decrease color fringing and distortion across the zoom range, is another distinguishing feature of this lens. Individual pieces have also been treated with a Super Multi-Layer Coating in order to reduce flare and ghosting while working in bright lighting settings, allowing for more contrast when necessary.

The revolutionary aperture, along with the adaptable wide-angle 24-35mm focal length, enables photographers to simply replace three common lenses, the 24mm, 28mm, and 35mm, with a single piece of equipment, saving them time and money. It’s perfect for close-up photography, portraiture, and landscape photography with a shallow depth of field.

32. Tamron SP 24-70mm f/2.8 Di VC USD G2

The Tamron SP 24-70mm f/2.8 Di VC USD G2 lens is an updated fast standard zoom lens with excellent focusing speed and image stabilization. It covers a flexible wide-angle to portrait-length range and is characterized by rapid focusing and image stabilization.

Consistent brightness across the zoom range is provided by the brilliant f/2.8 constant maximum aperture, which is particularly useful when working in low-light circumstances. The camera’s Vibration Compensation, which is 5-stop effective, helps to decrease the impression of camera shake, allowing for crisper handheld photography even in low-light situations.

The Tamron SP 24-70mm f/2.8 G2 lens is an appealing alternative to the considerably more costly Canon products, thanks to its vibrant colors, beautiful bokeh, and powerful autofocus and image stabilization technologies.

Best Standard Prime Lenses for Canon EOS-1D X Mark II

33. Canon EF 50mm f/1.2L USM

With an ultra-large aperture that creates a narrow depth of field and soft background blur that photographers all over the world adore the Canon EF 50mm f/1.2L USM lens is a peerless standard lens that is now the fastest autofocus lens in its class, making it an essential tool for many professional and advanced amateur photographers.

A large degree of control over depth of field is possible because of the extremely fast f/1.2 maximum aperture, which is ideal for isolating subjects and achieving appealing selective focus effects. In addition, photographers can make use of greater shutter speeds to capture images in low light while reducing the likelihood of blurring caused by the movement of the subject or camera shaking.

The Canon EF 50mm f/1.2L USM lens is presently the fastest autofocus lens available in its class, making it an indispensable tool for many professional and experienced amateur photographers alike. This lens screams professional excellence in every element of its design, from its large 72mm filter diameter to its dust and moisture-resistant construction and structure. Really excellent, and I would suggest it to anyone!

34. Sigma 50mm f/1.4 DG HSM Art

With a huge 1.4 aperture, the Sigma 50mm 1.4 prime lens is a high-end performance that can be used for a wide range of photographic applications, including portraiture, landscape photography, studio photography, and street photography.

The combination of a Hyper Sonic AF Motor and an enhanced AF algorithm results in focusing performance that is quiet, smooth, and quick, making this lens suitable for usage in a broad range of scenarios, including low-light conditions.

Despite the fact that the lens has 13 elements in 8 groups, it provides exceptional performance even at wide apertures, and close-up photography is made simple by the 40cm minimum focusing distance. A wide range of videography and photography applications, including portraits, landscapes, studio work, and still life, are made possible by this Sigma 50mm f/1.4 DG HSM Art lens.

35. Canon EF 50mm f/1.4 USM

Professional photographers might go for the f/1.2L version, but for the majority of people, the Canon 50mm f/1.4 is an excellent lens at an excellent price. The Canon EF 50mm f/1.4 USM is a normal-length prime lens that provides a natural perspective while also having a fast maximum aperture. It is distinguished by its bright f/1.4 aperture, which makes it ideal for working in low-light conditions and for producing shallow depth of field imagery in general.

This lens also has a Gaussian optics design, as well as two high refractive index components, to effectively manage spherical aberrations and distortion, resulting in very crisp and clear images. It does so in a package that is tiny, light, and reasonably affordable, while yet providing much greater optical performance than all but the most comprehensive zooms. Because of its outstanding quality and mobility, the Canon EF 50mm f/1.4 standard lens is a fantastic choice for both amateurs and professionals alike. It is particularly well suited for shooting landscapes and travel scenes, as well as portraits and news coverage, among other things.

36. Canon EF 50mm f/1.8 STM

A budget-friendly choice that delivers excellent performance! The Canon EF 50mm f/1.8 STM lens is a compact, lightweight, and versatile prime lens that is extremely popular because of its normal focal length, bright, wide aperture, and low price. It is an excellent prime lens for portraits, action photography, and even nighttime photography because of its normal focal length, bright, wide aperture, and low price.

With a dazzling maximum aperture of f/1.8, it is capable of not only capturing stunning photographs and videos in low light but also creating lovely background blur in movies owing to its circular 7-blade design. An improved lens configuration, together with new lens coatings, helps to produce photographs with great color balance, as well as reduced ghosting and flare, among other benefits.

The image quality is outstanding, thanks to the use of a stepping motor (gear-type STM) that delivers near quiet, continuous Movie Servo AF for movies and fast, smooth AF for stills. Providing crisp performance for the best in both movies and stills, it’s a fixed focal length jewel that photographers and moviemakers may use to broaden the creative potential of their EOS cameras’ image capture capabilities.

Best Macro Lenses for Canon EOS-1D X Mark II

37. Canon EF 100mm f/2.8L Macro IS USM

The Canon EF 100mm f/2.8L Macro IS USM lens, which boasts outstanding image quality, fast and positive autofocus, and one of the most effective image stabilization systems available, is one of the very best lenses we’ve seen, earning an incredible 92 percent overall score and a Gold Award from the experts at DPReview. With its 1:1 maximum magnification and 11.8-inch minimum focus distance, the Canon EF 100mm f/2.8L Macro IS USM is an excellent macro lens for close-up photography.

Close-up photography is enhanced by the inclusion of an Image Stabilizer that reduces camera shake by two stops at full 1:1 magnification and up to four stops at lesser magnifications for crisper handheld shooting. A ring-type USM and internal focusing design, which also contribute to smooth and intuitive operation, provide rapid, quiet, and accurate autofocus performance, as well as full-time manual focus override.

The fact that this lens is part of the L series means that it is weather-sealed, which is ideal for working in adverse weather. Canon’s EF 100mm f/2.8L Macro IS USM is primarily intended for close-up photography, but it is also a very capable and flexible short telephoto prime that is equally at home shooting portraits and other mid-range objects as it is macro photography.

38. Tamron SP 90mm f/2.8 Di VC USD Macro

To meet the demands of working with close-up subjects, the Tamron SP 90mm f/2.8 Di VC USD Macro is designed with a life-size 1:1 maximum magnification ratio and an 11.8′′ minimum focusing distance. A Floating System is used to ensure consistent image quality and sharpness throughout the focusing range.

The design of the lens incorporates VC (Vibration Compensation) image stabilization, which reduces the impression of camera shake by up to 3.5 stops, allowing for clearer handheld photography in low-light circumstances and better overall image quality. Because of the lens’s quick F/2.8 aperture and outstanding bokeh quality, it is particularly well suited for macro photography as well as for portraiture photography.

39. Tokina atx-i 100mm f/2.8 FF Macro

This Tokina atx-i 100mm f/2.8 FF Macro lens is an incredibly enticing instrument for macro, portraits, landscapes, street art, commercial, and general-purpose photography because of its lightweight, compact size, high resolution, fast aperture, minimal distortion, low falloff, and gorgeous soft bokeh. This Tokina atx-i 100mm f/2.8 FF Macro lens, which has a life-size 1:1 maximum magnification and an 11.8′′ minimum focusing distance, has a flat-field optical design that produces realistic rendering, is free of field curvature, and has high sharpness and clarity throughout the entire focusing range.

When shooting in low light, the quick f/2.8 aperture makes it easy to focus while also producing soft and gorgeous bokeh, making it a fantastic choice for portraits, landscapes, video, and small-scale photography. To complement the optics, this lens includes a One-Touch Focus Clutch Mechanism that allows for quick switching between AF and manual focus settings, as well as a focus range limiter switch that allows for quicker focusing performance at close ranges.

Best All-in-one Lens for Canon EOS-1D X Mark II

40. Canon EF 28-300mm f/3.5-5.6L IS USM

With its small size and portability, the Canon EF 28-300mm f/3.5-5.6L IS USM Lens is the greatest Canon all-in-one lens available. Featuring an incredible 11x zoom range that covers everything from wide-angle to super-telephoto, the Canon EF 28-300mm f/3.5-5.6L IS USM Lens is the ideal choice for anyone looking to use just one lens for everything they need without sacrificing image quality, such as portraits, landscapes, travel, outdoor sports, zoo animals and wildlife photography as well as flowers, sunsets, and documentaries. In addition to having the greatest optical performance in its class, this lens has the convenience of being able to focus as near as 2.3 feet away across the whole magnification range.

Because of the strong ring-type USM motor that delivers silent, high-speed autofocusing, as well as the broad magnification range, capturing pictures is a simple and delightful experience. Autofocusing is fast, accurate, and silent, and the camera is quite simple to operate. Chromatic aberrations, vignetting, and distortions are all under control, and the camera is extremely easy to use. Its disadvantages include being very overpowering, having a push-pull zoom mechanism, and being a little costly!

Avatar of Jeffrey
About Author

Jeffrey

Leave a Reply

Your email address will not be published.