The Canon EOS 70D is one of the company’s premier crop-frame DSLRs and represents a major upgrade from the Rebel line of cameras for those who are passionate about photography. The Canon 70D is equipped with a weather-sealed body, a flip-out screen, a Full HD 1080p video recorder, and an image sensor with 20.2 megapixels.

Additionally, it features nineteen focus points, which is a significant improvement over Canon’s T5i and SL1 models, which only have nine. The following is a list of our recommendations for the very best lenses to use with the Canon 70D, ranging from the standard lenses that come with the camera to telephoto zooms and wide-angle lenses.

Canon 70D Kit Lenses

1. Canon 18-55mm f/3.5-5.6 IS STM

The Canon 70D is available in more bundles than you can shake a stick at, the most basic of which includes the 18-55mm f/3.5-5.6 STM lens. This is not your average kit lens; in terms of optical quality, it outperforms previous iterations of Canon’s 18-55mm zoom range.

The technology is known as STM, or Stepping Motor is one of the most significant distinctions between the two. This technology produces autofocus that is both smooth and silent, and it works far better than a USM motor when it comes to video.

It’s possible that this won’t do if it’s the only lens you have, but considering that it only costs around $150 more than the body of the camera, it’s a terrific walk-around lens that captures amazing video (at the very least, it’s a serviceable backup).

You now have the option to add the 55-250mm STM lens, This lens, together with the others in the bundle, provides coverage that is quite impressive.

2. Canon 18-135mm f/3.5-5.6 IS STM

The Canon 18-135mm STM lens provides a focal length range that is significantly greater than that of the Canon 18-55mm STM lens, which was discussed before. The ability of these lenses to produce high-quality video, along with the difficulties of switching lenses in the middle of a production, makes the 18-135mm an appealing choice to use in conjunction with the 70D.

Additionally, it has a low noise level and has a continuous live focusing mode for video. In addition, just like with the 18-55mm STM that was discussed before, you have the extra option to package the 55-250mm STM for an additional cost of $150. Because of the overlap in focal lengths, this makes less sense than it otherwise would, but you would save $150 on the telephoto zoom lens, which would normally cost $300 if purchased alone.

All-In-One Lenses

3. Canon 18-200mm f/3.5-5.6 IS

An all-in-one lens, the Canon 18-200mm f/3.5-5.6 IS is meant to go head-to-head with the widely used 18-200mm lens from Nikon (Nikon has since released an improved 18-300mm lens and we wish Canon would too).

The Canon 18-200mm is a popular zoom lens because of its versatility, relatively decent optics, and widespread popularity; nonetheless, the autofocus on this lens is less refined than that of the majority of Canon’s other zooms.

When the autofocus feature is engaged, the manual focus ring spins, which might make the lens difficult to handle. In spite of this problem, the 18-200mm is a versatile lens that may replace all of the lenses in your bag since it covers such a wide range of focal lengths, from wide-angle to telephoto.

Wide-Angle Lenses

4. Canon 10-18mm f/4-5.6

The Canon 10-22mm was the industry standard for APS-C wide-angle lenses for a number of years and was the most popular choice for a camera like the Canon 70D. However, in 2014 Canon produced the 10-18mm f/4.5-5.6 IS STM, putting an end to the clamoring of those who did not wish to spend a significant amount of money on a wide-angle lens.

The 10-18mm is an excellent choice since it is crisp, lightweight has very little distortion (except when wide open at 10mm), and is quite reasonably priced in comparison to other wide-angle zoom lenses. We think it’s great since it has a focal length range of 16–28.8 millimeters, which is ideal for usage on a 35mm camera.

Although it’s true that the maximum aperture of f/4-5.6 isn’t ideal, the lens does offer four stops of image stabilization, which helps enhance its performance in low light.

5. Canon 10-22mm f/3.5-4.5 USM

When comparing lenses of the same focal length, the Canon 10-22mm f/3.5-4.5 USM is a better choice than the 10-18mm lens that was discussed earlier. The 10-22mm has a somewhat better performance in low light, while the 22mm has significantly more reach.

These are the two primary distinctions (equivalent to a 35mm normal field of view). The wide range of prices makes it difficult to choose between the 10-22mm and the other options. Choose either this lens or the Canon 17-55mm lens that is below it if you are an avid landscape photographer who places high importance on having a wider maximum aperture or more zoom.

However, for the majority of photographers, even novices who are searching for a suitable wide-angle walk-around lens, the new 10-18mm is a better bargain and is lighter.

Every day and Portrait Lenses

6. Canon 17-55mm f/2.8 IS USM

The Canon 17-55mm f/2.8 IS USM offers far better optics than the 18-55mm kit lens that was discussed earlier but has a nearly equal focal length range. This is a versatile lens designed for discriminating enthusiasts since it has remarkable low light performance, great clarity, quick focusing, and minimum distortion.

Because its zoom range is comparable to that of a 27-88mm lens on a 35mm camera, it provides excellent portraits in addition to some wide-angle shooting capabilities. Overall, using a lesser DSLR with this lens makes less sense, but using it with a higher-end DSLR like the 70D is a good fit.

7. Canon 15-85mm f/3.5-5.6 IS

Instead of carrying around and switching out multiple lenses, the Canon 15-85mm f/3.5-5.6 IS covers an impressive spectrum of focal lengths, from wide-angle to medium telephoto—equivalent it’s to 24-136mm on a 35mm camera. This allows photographers to take advantage of a wider range of compositional possibilities.

You get superb portrait photos in addition to some increased wide-angle capacity, and the lens includes a manual focus override that can be enabled by simply rotating the focus ring with your finger. You also get some added wide-angle capabilities.

As is the case with the vast majority of zoom lenses of this sort, you should anticipate some degree of distortion, particularly at the broad end of the zoom range (we recommend shooting at 17mm instead of wide open).

8. Canon 40mm f/2.8 STM

The vast majority of pancake lenses are designed to work only with mirrorless cameras; however, Canon has produced a 40mm pancake lens that is designed to work with its DSLRs. The Canon 40mm f/2.8 STM lens has a small profile and is designed to be extremely lightweight. It is capable of producing photographs of high quality with nearly little distortion.

Additionally, it has an STM motor that ensures a smooth and noiseless movie experience. The one significant drawback of this lens is that when mounted on a 35mm camera, it has a focal length that is a little awkwardly set at 64 millimeters (can Canon please produce pancake lenses that are comparable to 35mm and 50mm?).

9. Canon 50mm f/1.8 II

The Canon 50mm f/1.8 II is the greatest lens in terms of value since it is lightweight, has rapid autofocus, is sharp, and has an affordable price tag. Even though the lens is made almost entirely of plastic (although the glass is of excellent quality), the optics are remarkable, and the price isn’t unreasonable considering the build quality. For those who desire even better performance in low light, the Canon 50mm f/1.4 is the way to go.

Telephoto Zoom Lenses

10. Canon 55-250mm f/4-5.6 IS STM

It is arguable that the Canon 55-250mm IS STM is the greatest overall telephoto zoom lens for cameras that use the APS-C format. The STM motor contained in this lens provides a smooth and noiseless focusing experience, in contrast to the cumbersome autofocus found on older USM models (focusing can be a major issue with telephoto zooms).

Along with improved hand-held and low-light photography, you also get image stabilization for this camera, Although it offers the best value when purchased as part of one of the kits described above, the lens may still be purchased separately at a price that is considered to be within a reasonable range.

11. Canon 70-300mm f/4-5.6 IS USM

The optical quality of the Canon 70-300mm IS USM is difficult to criticize because the lens maintains its sharpness throughout the entirety of its zoom range, focuses swiftly and precisely, and also comes equipped with image stabilization. You are, however, paying a larger premium for the quality than you probably should be considering that this lens is designed for use with full-frame cameras.

Prior to the debut of Canon’s STM family of lenses, making a selection like this one was much more challenging; yet, we continue to recommend this lens as an affordable telephoto zoom for full-frame DSLR cameras 6D. On the other hand, we think the 55-250 STM is the best option for the 70D.

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Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features


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