Accessories Buying Guide

Best Gimbal For Nikon D500

Best Gimbal For Nikon D500

Looking for the best gimbals for Nikon D500? Here are our top recommended gimbals for your Nikon D500.

The Nikon D500 is a high-performance Nikon DSLR camera that is suitable for photographers who want to capture action shots in a variety of situations, such as sports or wildlife.

Despite the fact that it will provide the greatest results if you use it for this purpose, the D500 is also a fantastic camera for any other kind of photography. Although it is nearly three years old, it is still considered to be one of the greatest all-around camera models available on the market, along with the Nikon D5600.

For the Nikon D500, these are the best image stabilizers to consider:

Best Gimbal For Nikon D500 in 2022

1. DJI Ronin-S 

The Ronin-S, the newest camera stabilization system from DJI, combines the technology of the more expensive Ronin-M, a two-handed stabilization system that costs $900, with a more effective single-handed counterpart.

While there are other, less expensive single-handed gimbals available, the Ronin-S stands out for a number of reasons, including its user-friendly setup app and its offset roll axis motor, which is dropped down behind the camera so you can more easily view the rear of the camera while you film. In a handheld gimbal, DJI claims to use the most potent motors it has ever used.

The Ronin-S will link to several popular cameras and enable various levels of control, from video start/stop to remote focus and zoom control, in addition to stabilization.

2. DJI Ronin-SC 

The adaptable DJI Ronin 2 gimbal may be put to a drone, a Steadicam, a vehicle mount, and other devices in addition to being used handheld.

This motorized stabilization device, an improvement over the original Ronin, has a payload capacity of 30 pounds and is suitable for a variety of camera and lens setups. This indicates that it can be used with anything from DSLRs to cinema cameras like the ARRI ALEXA Mini or Sony FS7.

In order to assist you to choose the optimal angle, the Ronin 2 supports underslung, upright, and briefcase operation modes. It has been updated, though, to make switching between upright and underslung modes simple without moving the camera.

Other enhancements include changes to the control software and physical layout, which make it easier to take difficult pictures without sacrificing performance while also making key features more accessible.

3. DJI RSC 2 

The DJI RSC 2 is made for mirrorless and DSLR cameras, and it can handle weights of up to 6.6 pounds of camera gear. Please refer to the DJI website for the most recent list of compatible cameras and lenses.

The Ronin-SC, this revised gimbal’s predecessor, had motors that were only 25% as powerful as those of the RSC 2. The RSC 2’s foldable design, which enables conversion to underslung mode, is a crucial feature.

Without having to attach or remove anything, you can rotate the gimbal around and utilize it underslung for low-angle pictures because the gimbal head folds down from the gimbal handle. The integrated gimbal handle still includes built-in batteries that can last up to 14 hours.

Additionally, the batteries can be charged while the gimbal is in use by using the handle (barring extremely cold or extremely hot temperatures). The handle can be recharged in around two hours using an 18W fast charger, which is not included. It supports PD and QC 2.0 fast-charging protocols.

The gimbal’s foldable form makes it simpler to transport and store.

4. DJI RS 2 Combo

The DJI RS 2 Pro Combo includes a number of extra attachments in addition to the RS 2 gimbal to enable a more thorough workflow. The DJI Ronin RavenEye Image Transmission System is a significant upgrade that enables 330′ of 1080p video transmission from the gimbal with a latency of about 50ms enabling on-set collaboration. A focus motor, phone holder, two focus gears, and three HDMI cables are among the additional extras.

A newer version of the Ronin-S gimbal with a payload capacity of up to 10 lb is called the RS 2. Monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, albeit it still has a 12-hour runtime, make it around 25% lighter and more compact.

The motors support cameras like the Blackmagic Pocket 6K, Canon 1D X Mark III, Sony a7S III, and ALEXA Mini LF and are around 20% more powerful. Please refer to the DJI website for the most recent list of compatible cameras and lenses.

5. Zhiyun Crane 2 [Official] Handheld Gimbal Stabilizer

Despite being a very popular camera weight class, there are very few sub-two-pound payload gimbal stabilizers on the market that are genuinely worth your time.

The weight class of three pounds and up has a ton of alternatives, but point-and-shoot and lightweight mirrorless camera systems are a little stuck. Previously, you had to choose between the original Zhiyun Crane M or the Feiyutech G6 Plus and go on.

Fortunately, Zhiyun decided to update almost everything on the original Crane M and introduce the Zhiyun Crane M2 because, being Zhiyun, they don’t really like competition in a gimbal niche.

The new M2, which has only been on the market for a few months as of this writing, has managed to establish itself as the market leader in the sub-two-pound payload weight class.

6. Ikan DS2 Beholder Gimbal

This Ikan DS2 Beholder 3-Axis Gimbal and DH7 Monitor Kit is intended for use with DSLR or mirrorless cameras, and it includes the DH7 7″ 4K HDMI on-camera LCD monitor kit, a 7″ articulating arm, the DS2 Beholder 3-axis gimbal to give your shots a smooth cinematic stabilized look, dual-grip handles to give you a comfortable rig.

The monitor kit includes a 1.5′ HDMI to micro-HDMI cable, a 1.5′ HDMI to Mini HDMI cable, a battery charger, a Canon LP-E6 type battery with a suitable plate, and a nice cushioned case. The monitor is fastened to the dual-grip handles using the articulating arm that is included.

With the three 360° spinning brushless motors found in the 3-axis gimbal, your range of motion is virtually unlimited. Additionally, it combines an adaptive PID algorithm and a 32-bit controller with a 12-bit encoder for improved performance.

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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