Awe-Inspiring Creativity at Every Turn

The Hasselblad X2D 100C Medium Format Mirrorless Camera boasts a freshly developed sensor, an improved design for phase detection autofocus, and an all-new 5-axis 7-stop in-body image stabilization system. It also offers unrivaled performance in a design that is both timeless and modern. In addition, the X2D 100C has a built-in CFexpress Type B card slot and a 1 terabyte solid-state drive (SSD), providing unrivaled storage performance for digital photography.

Integrated Shelving and/or Storage

The X2D 100C can save around 13,800 JPEG images or 4600 raw images on its built-in 1 terabyte solid-state drive (SSD), which can write data at up to 2370 megabytes per second. Even though there is a substantial amount of built-in storage, extra capacity can be obtained by using the CFexpress Type B card slot on the camera. Because of the high-speed storage performance it possesses, the X2D 100C is capable of continually taking 16-bit raw photos in Continuous Drive Mode, therefore delivering a continuous shooting experience that is both steady and dependable.

100MP BSI CMOS Sensor

The X2D 100C was designed with a massive 100MP BSI CMOS sensor, and it boasts a dynamic range that is as high as 15 stops and a color depth that is a vibrant 16 bits. The 16-bit color depth of the camera can produce up to 281 trillion different colors, which is 64 times more than the 14-bit color depth. When paired with the Hasselblad Natural Color Solution system, tonal transitions and skin tones display enormous depth, richness, and clarity, resulting in image quality that is remarkably lifelike. This color management technique provides a picture that not only has great color and detail but also has extraordinarily smooth tone transitions that are evocative of the analog film capture process.

Phase-detection autofocus that is both quick and accurate

The X2D 100C is equipped with a recently developed phase detection autofocus (PDAF) system, and it makes use of 294 PDAF zones to enable quick and precise focusing at the push of a button. In addition, an improved electrical platform enables a faster continuous shooting rate of 3.4 frames per second, which is useful for capturing ephemeral moments in surroundings with a lot of movement.

In-Body Image Stabilization on Five Axes and Seven Stops

The X2D 100C is equipped with in-body image stabilization (IBIS) that has a 5-axis and 7-stop range, which allows it to adjust for five distinct kinds of camera wobble that can occur when taking still images handheld. This accurate and effective technology dramatically decreases motion blur at reduced shutter speeds, making it possible for you to take 100MP photographs with a handheld camera in real-life settings with complete assurance.

Best Hasselblad X2D 100C Microphones

1. Sennheiser EW 112P G4 Lavalier Mic

1. Sennheiser Pro Audio EW 112P G4 – A Omni-directional Wireless Lavalier Microphone System


Features

  • Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
  • Easy to use and fast setup time
  • Range: up to 100 meters/ 330 feet
  • Up to 8 hours of operation time
  • Excellent sound and construction quality.HDX compander for crystal-clear sound

The Sennheiser EW 112P G4 camera-mount wireless lavalier microphone system has the same combination of reliability, flexible control, and broadcast-quality sound that has made the EW Series a standard for videographers, journalists, and content creators all over the world. The EW Series has made the EW Series a standard for videographers, journalists, and content creators all over the world.

You won’t be able to avoid wireless issues on set, but the EW 112P G4 arms you with the skills you need to solve them when they do arise. It is possible to adjust the input sensitivity of the transmitter so that it is capable of working with loud voices, quiet speaking, and even line-level audio. The frequency scan feature will automatically seek for the frequency that has the clearest signal where you are.

The system consists of a bodypack transmitter, an upgraded ME 2-II lavalier microphone, and a camera-mount receiver. It allows users to record clear voices or conversations for projects such as wedding films, corporate advertisements, hands-free interviews, and documentaries by connecting to a camcorder or DSLR/mirrorless camera.

You are able to mix and match G4/G3/G2/G1 receivers and bodypack, portable, and plug-on transmitters with the EW 112P G4 since it is compatible with previous generations of the evolution system. Additionally, it is compatible with systems that make use of EW 500.

2. Sennheiser MKE 600 Shotgun Microphone

1. Sennheiser Professional MKE 600 Shotgun Microphone with XLR-3 to 3.5mm Connector for Video Camera/Camcorder


Features

  • Ideal video camera/camcorder microphone: Able to handle the most demanding filmic challenges
  • High directivity: Picks up sounds coming from the direction in which the camera is pointing and effectively attenuates noise coming from the sides and rear
  • Switchable "Low Cut" filter: Minimizes wind noise
  • Phantom or battery powering: Because some video cameras/ camcorders do not provide phantom power
  • Supplied with foam windshield and shock mount

If you want to increase the sound quality of your movies, replace the microphone that is already integrated into your camera with the Sennheiser MKE 600 shotgun microphone, which can be powered by either batteries or phantom power. Because of its concentrated directionality and resistance to structure-borne noise, it is a strong choice for a broad variety of projects. This includes anything from nature shows and documentaries to indie films and web series.

Due to the excellent sensitivity of the MKE 600 as well as its low-noise circuitry, it is feasible to improve the sound quality of noisy camera preamps without employing a significant amount of gain. The MKE 600 is able to improve voice clarity while also lowering rumbling and other types of low-frequency noise thanks to its low-cut filter, which has a setting that allows it to be adjusted to 100 Hz. In addition to this, the frequency response of the speaker includes a tiny boost in the treble, which helps to make speech seem more distinct.

The metal housing is both robust and lightweight, meaning that it won’t add unnecessary weight to your setup while yet providing a high level of durability. You can attach the MKE 600 to a camera or a tripod using the shoe shockmount that comes included with the device. You may either use the adapter cable that is included with the microphone to plug it into the 3.5mm mic input of a camera or connect the XLR output of the microphone to an XLR mic preamp.

3. Rode VideoMic NTG Hybrid Analog/USB Camera-Mount Shotgun Microphone

1. Rode VideoMic NTG Camera-mount Shotgun Microphone


Features

  • Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Rycote Lyre Shockmount System
  • Built-in Rechargeable Lithium-ion Battery
  • Annular Line Tube Technology
  • USB Compatibility

The Rode VideoMic NTG gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters access to the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that does not require any additional adapters to work with cameras, smartphones, tablets, portable recorders, and computers that are equipped with a USB port.

A concentrated directivity, constantly changeable gain, digitally switched tone controls, and an internal battery that can be recharged via USB are all features of the VideoMic NTG. It features high-fidelity sound reproduction and a wide variety of applications. The VideoMic NTG is a versatile microphone that can be mounted on a camera or a boom pole due to the fact that it is composed of aerospace-grade aluminum that is compact and lightweight.

Because it has a 3.5mm TRRS output and comes with a TRRS cable, it is compatible with digital cameras, portable recorders, mobile devices, and computers without the need for additional adapters in any of those situations. With the assistance of a peak warning light, a -20 dB pad, and a -20 dB safety channel from which you may select, you will have no trouble preventing your recordings from becoming distorted in any way. When you are using it as a USB microphone, the 3.5mm connector functions as a stereo headphone output, which enables you to listen to your signal in real-time.

When combined with the Rode SC15 USB Type-C to Lightning accessory cable, the MFi certification allows the VideoMic NTG to be used with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod). This certification was introduced with the release of software version 2.0. (available separately).

4. Sennheiser AVX Digital Wireless Microphone System – MKE2 Lavalier Pro Set

1. Sennheiser AVX Digital Wireless Microphone System - MKE2 Lavalier Pro Set


Features

  • Ultra compact AVX receiver plugs directly into the XLR audio input.
  • AVX switches on and off automatically with the camera using P48 Phantom Power.
  • AVX automatically sets input sensitivity for optimum recording levels.Cable Length: 5.25 feet (1.6 m)
  • AVX automatically selects operating frequencies to eliminate interference; Frequency response: 20 Hz - 20000 Hz
  • 2 year warranty when purchased from an authorized Sennheiser dealer

A dependable wireless microphone system for professional videographers, video journalists, or video bloggers, the Sennheiser AVX-MKE2 SET is ultra-compact and designed to fit in the palm of your hand. Because it is so simple to use, having it on set is almost identical to having a sound engineer there to handle audio responsibilities.

The sound quality was not compromised in any way throughout the development of this user-friendly, self-configuring digital system. Because time-consuming chores like as setting up the frequency and changing the mic level are handled by it, you may begin filming in a matter of seconds rather than minutes. You can now direct your attention to the other crucial aspects of a production that require your attention, and you won’t have to worry about whether or not the audio you capture with your camcorder, DSLR, or mirrorless camera will be sharp and clear.

This package comes with a bodypack transmitter, a camera-mount receiver, and a high-quality MKE 2 omnidirectional tiny lavalier mic for professional use. It works very well for projects like broadcast TV and documentaries, as well as wedding and corporate films, hands-free interviews, and recordings documenting other types of events.

5. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone

1. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone


Features

  • Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System
  • Automatic Power Function
  • Digital Switching

Mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters that want a flexible camera-mount shotgun mic that also performs well when mounted on a boom pole will find the Rode VideoMic Pro+ to be an excellent investment. In comparison to the VideoMic Pro, it possesses a redesigned windshield in addition to additional power options, better tonal control, and more.

Because it can be powered by either a battery or a USB connection, the VideoMic Pro+ is able to cater to the requirements of videographers working in a wide variety of environments, including those that are both indoors and outside. Additionally, it has enhanced RF immunity, a gain that can be adjusted, as well as numerous features that boost clarity.

This shotgun microphone is quite portable and doesn’t weigh much. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise caused by vibrations. Because the redesigned shape of the windscreen reduces the amount of noise caused by the wind, it is an excellent option for filming outside.

The fact that it has a detachable wire and a 3.5mm TRS output makes it simple to attach to your camera. By transmitting a duplicate signal at a reduced level, the chosen safety channel prevents the original signal from becoming distorted in the event of an accidental error.

6. Rode VideoMic Pro Camera-Mount Shotgun Microphone

1. Rode VideoMicPro Compact Directional On-Camera Microphone with Rycote Lyre Shockmount


Features

  • Supercardioid Shotgun Condenser Mic Optimized f Camcder Use with Integrated Rycote Lyre Shockmount System

The camera-mount shotgun microphone from Rode, known as the VideoMic Pro, is an excellent choice for mobile journalists, vloggers, low-budget filmmakers, and run-and-gun shooters who are looking for an affordable method to go to the next level of quality. In comparison to the VideoMic, it is less noisy, more sensitive, and offers a wider range of options for customization.

The light can be powered by a single 9V battery for up to 70 hours, and a red LED will illuminate when the charge is running low. It is simple to get the ideal volume and tone for a diverse variety of contexts thanks to the adjustable gain and the bass roll-off feature, both of which can be toggled on and off.

This shotgun microphone is quite portable and doesn’t weigh much. It includes a shockmount already built in that you can attach straight to your camera or boom pole in order to cut down on the noise caused by vibrations. Because the windshield reduces the amount of noise caused by the wind, it is suitable for use when shooting outside.

It is simple to connect to your camera thanks to the 3.5mm TRS connection that is included with it, and the dual-mono output ensures that you do not need to change the channel on the recording equipment you are using.

7. Rode VideoMicro Ultracompact Camera-Mount Shotgun Microphone

1. Rode VideoMicro Compact On-Camera Microphone with Rycote Lyre Shock Mount


Features

  • Compact microphone designed to improve the audio quality of your videos - only 80 millimeter (3") long and 42gm (1.5 ounce)
  • No battery required (powered by camera plug-in power - min 3V)
  • Includes Rycote lyre shock mount and deluxe furry windshield
  • Please note: for new iphones you need to purchase an adapter as iphone requires a 1/8th Jack

Switching from the built-in microphone on your camera or portable recorder to the Rode VideoMicro ultracompact camera-mount shotgun microphone will provide you with superior sound quality, and reduced wind noise, and will not add any additional weight to your setup. The VideoMicro is a straightforward and dependable microphone that draws its power from an external socket and does not have any controls or switches. Because of how simple it is to operate and how effectively it performs, it is perfect for mobile journalists, vloggers, and run-and-gun shooters.

This shotgun microphone is ultracompact and ultralightweight, and it includes a detachable shockmount that you can mount straight to your DSLR, mirrorless, or video camera. It lowers noise caused by vibrations and handling of the camera, and it mounts directly to the camera. Because the included fuzzy windscreen reduces the amount of noise caused by the wind, this camera is an excellent option for shooting in the open air.

It is simple to attach to your camera thanks to the detachable, coiled 3.5mm TRS wire, and the dual-mono output means that your recording device does not need to be tuned to a specific channel in order to capture audio.

8. Rode VideoMic GO II Ultracompact Analog/USB Camera-Mount Shotgun Microphone

1. Rode VideoMic GO II Camera-mount Lightweight Directional Microphone


Features

  • Supercardioid Shotgun Microphone with 3.5mm TRS Digital USB Plug--play operation Windshield

The ultra-compact shotgun microphone from Rode, known as the VideoMic GO II, is essentially a scaled-down and simpler version of the extremely flexible VideoMic NTG. When compared to the original VideoMic GO, this model features significant advancements in a variety of areas, including the body, shockmount, cable, and others.

It provides video content creators, run-and-gun filmmakers, voiceover artists, and podcasters with the sound of the well-known NTG shotguns in a convenient camera-mount mic that is compatible with cameras, portable recorders, iOS, and Android mobile devices, and computers that are equipped with a USB port.

You may attach the VideoMic GO II to your DSLR and use it as a conventional shotgun microphone, or you can transform it into a digital microphone by using a cable that you purchase separately and connecting it to your smartphone, tablet, or laptop. It provides, in either scenario, concentrated directivity, minimal noise, and insulation from vibrations coming from the outside.

The 3.5mm connector functions as a headphone output when the device is being used as a USB microphone. This allows you to listen to the live signal or playback coming from the device that is acting as the host. Because it does not have any buttons or switches, using the microphone is a simple and quick process. It can be powered by either a standard wall outlet or a USB port.

9. Sennheiser EW 100 ENG G4 Camera-Mount Wireless Combo Microphone System (A: 516 to 558 MHz)

1. Sennheiser ew 100 ENG G4 Wireless Microphone Combo System A1: (470 to 516 MHz) with SKB iSeries Waterproof System Case and 4-Hour Rapid Charger (4 AA Rechargeable Batteries)


Features

  • Rugged all-in-one wireless system with high flexibility for Broadcast quality sound
  • Easy to use and fast setup time
  • Range: up to 100 meters/ 330 feet
  • Up to 8 hours of operation time
  • Excellent sound and construction quality

The EW 100 ENG G4 was designed to be compatible with a diverse array of different kinds of software. This provides you with the tools you require to adapt to and find solutions for, the wireless challenges that may arise on set.

This system has a bodypack transmitter that comes equipped with an omnidirectional ME 2-II lavalier mic. This configuration is ideal for interviews in which you don’t want to use your hands to take notes or answer questions. In addition, you will receive a plug-on transmitter that can be coupled to a handheld dynamic microphone of your choosing for man-on-the-street interviews or to a shotgun mic for wireless booming. Both of these applications are covered by this package (both types of mics are available separately).

For projects such as wedding and corporate films, documentaries, and video blogs, the camera-mount receiver may be mounted to a camcorder or DSLR/mirrorless camera to capture clear voice or dialogue.

Because the EW 100 ENG G4 is backward compatible with earlier evolution systems, you are free to combine bodypack, portable, and plug-on transmitters with G4 receivers, G3 receivers, and G2 receivers. Additionally, it is compatible with systems that make use of EW 500.

10. Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System (2.4 GHz, Black)

1. Hollyland Lark 150 Wireless Dual Microphone System,2.4GHz Digital Wireless Transmission with Charging Case


Features

  • 5ms Latency with up to 100m Range . 2 TX & 1 RX Combo
  • 2.4GHz Digital Wireless Transmission with Clear Sound Under Any Conditions.Mini Size with Lightweight
  • Professional-Grade Sound Quality . Built-In Lithium Batteries, with an Ultra Long Run Time
  • 21-Stage Digital Gain Adjustment. Contact Charging Case
  • Professional-Grade Sound Quality . Built-In Lithium Batteries, with an Ultra Long Run Time

Your two-person interview, YouTube video, documentary production, or video blog might all benefit from the addition of a pair of clip-on wireless mics if you use the Hollyland LARK 150 2-Person Compact Digital Wireless Microphone System. This system comes in black.

The LARK 150 is a portable, cost-effective, and all-in-one solution for recording two subjects at once to your camera, smartphone, audio recorder, or any other device with a 3.5mm input jack. It has two ultra-compact microphone transmitters and a receiver that work together to offer this solution. The transmitters are extremely small, and the receiver is even smaller.

Each of the microtransmitters weighs less than one ounce and incorporates a microphone that can pick up sound from any direction. Because of this, it is simple to attach them to lapel collars and shirts in order to conduct speedy interviews. The built-in microphones feature a design that prevents them from shaking, and they also include intelligent noise reduction to ensure that the audio you receive is of high quality and easy to comprehend.

Plugging the lavalier microphones into the 3.5mm input ports on the transmitters will give you a less noticeable appearance. These microphones are included with the transmitters and may be used with them. The power button on the transmitter also functions as a two-way mute button, and it only requires a brief touch to activate.

11. Sennheiser MKH 416-P48U3 Moisture-Resistant Shotgun

1. Sennheiser Professional MKH 416-P48U3 Short Shotgun Interference Tube Microphone


Features

  • Compact pressure-gradient microphone with short interference tube for film, radio and television
  • Rugged and highly immune to humiditiy due to its RF condenser design, making it ideal for outside applications
  • Featuring high directivity, low self noise, high consonant articulation and feedback rejection
  • Transformerless and fully floating balanced output
  • Matte black all-metal body

The polar pattern of the microphone varies from hypercardioid to lobar as the frequency range moves from low to midrange to high. The hypercardioid pattern is present at low to midrange frequencies. Because of this, it is able to attenuate sound at 90-degree off-axis positions by about 10 decibels in the frequency range of 125 to 2,000 hertz. You will be able to record speech, foley, and sound effects with full dynamics and clarity if you choose a microphone that has a wide frequency response, better consonant articulation, and high SPL handling like the MKH 416-P48U3.

12. Rode NTG5 Moisture-Resistant Short Shotgun Microphone

1. Rode NTG5 Shotgun Condenser Microphone Kit


Features

  • Shotgun Condenser Microphone with Supercardioid Polar Pattern
  • Annular Line Tube Technology
  • Moisture-resistant Design

It is a moisture-resistant shotgun microphone that allows you to record natural, uncolored sound indoors or outdoors for your next independent film, TV shoot or documentary project without making your rig too heavy. The Rode NTG5, which is shorter, lighter, and has a flatter bass response than the NTG3, is a shotgun microphone. It is also shorter and lighter than the NTG3.

As a result of its professional-grade characteristics, such as ultralow-noise circuitry, a smooth off-axis response, and a tight low end, it performs very well in a broad variety of location recording scenarios. Additionally, it includes a fuzzy windscreen as well as a pistol grip shockmount that has the capability of being linked to a boom pole in order to provide additional alternatives.

Since the NTG5 has such a high degree of sensitivity, you won’t need to turn up the gain on your microphone preamp very much in order to get robust output levels. Because of its cutting-edge circular acoustic ports, gradual increase in high frequencies, and suppression of low bass frequencies that reduce rumbling, the NTG5 produces a sound that is crisp and distinct. Because it does not have any buttons or knobs, it is very simple to configure. This frees you up to concentrate on the sound rather than fumbling about with the microphone settings. Even in severe conditions, performance may be guaranteed to be dependable thanks to RF-bias technology and conformal coating.

13. Rode Wireless GO II Single 1-Person Compact Digital Wireless Omni Lavalier Microphone System/Recorder Kit (2.4 GHz, Black)

1. Rode Wireless GO II Single Compact Digital Wireless Microphone System/Recorder Bundle with Omnidirectional Lavalier Microphone for Wireless GO Systems


Features

  • 1-Person Interviews, Vlogs & Podcasts, Built-In Omni Mic & 3.5mm Mic Input
  • Mini Clip-On Transmitter/Recorder, Records 7 Hours of Uncompressed Audio
  • Easy Setup with No Menus, Stereo or Dual-Mono Output Modes
  • 7-Hr Rechargeable Batteries + USB Power, Powerful Features/Customization via App
  • USB Audio Interface Functionality, Up to 8 Mics on Set / 656' Range

The black Rode Wireless Go II system is an upgrade from the original Wireless GO in that it comes with a significantly greater range, inbuilt recording capabilities, the ability to shoot with two people simultaneously, and a variety of versatile output choices. It gives videographers, vloggers, and mobile journalists the ability to add wireless audio to their setup with complete confidence and in a short amount of time, regardless of the device, they’re recording to or how much expertise they have.

The system is ready to use with only the push of a button thanks to its built-in mics, its simple operation, its secure Series IV 2.4 GHz digital transmission (lavalier mics are available for purchase separately), and so on. Knowing that the Wireless GO II is transmitting high-quality audio up to 656 feet away allows you to concentrate on obtaining the photo you want.

There are no menus or dials that are overly complex. To use it, you need only turn the power on. The information that you want may be seen unambiguously on the LCD screen, which is of high quality. When you’re ready for more, you may access a strong range of functions and additional ways to adjust the settings by using the Rode app.

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Corey
Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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