The Canon EOS 5D Mark IV is a professional-grade digital single-lens reflex camera (DSLR), however it is not the most advanced model in Canon’s lineup of DSLR cameras. The 1D-X series has the title of most advanced DSLRștiiștiiștii cameraștii. Therefore, because of its more reasonable cost, it is also appropriate for photography enthusiasts and serious amateurs who want to take their photography to the next level but lack a full-frame DSLR.
There are plenty of lenses to choose from, whether they come from Canon or a third party, and even though there are diamonds in the rough out there, it’s still a minefield of varying optical quality when it comes to selecting the best lens for the 5D Mark IV. With an improved camera, lenses are next on the horizon, and there are plenty of lenses to choose from, either from Canon or a third party.
Because of this, we have chosen six of the absolute best lenses for this monster of a full frame camera. lenses that are suitable for a diverse array of applications, such as general photography and macro photography; ultra-wides for the purpose of photographing the night sky; and hyper-telephoto zooms that get you right into the thick of the action.
Even though many of these lenses are priced on the higher end owing to the exceptional quality they offer, this is not necessarily a list of the most costly lenses that are currently available for purchase. Not at all; rather, the focus of this roundup is on cost-effectiveness, usability, optical quality, and construction. Keep in mind that the lens that best suits the requirements of the shot is the one that you should choose, thus we have made sure to offer examples of some of the most frequent focal lengths, regardless of whether they are prime or zoom lenses.
The best lenses have built-in image stabilization, which keeps handheld images stable, superior lens coatings, quick autofocus, wide apertures, and glass that decreases color fringing and ghosting, all of which set them apart from other lenses. Consequently, if any of that piques your interest, keep it in mind as you progress down the list. This is especially important if you are looking for a lens for a specialized purpose, such as photographing weddings, real estate, or the night sky.
1: Canon EF 24-70mm f/2.8L II USM
This is the best zoom lens that Canon has to offer, and it has a wide aperture of f/2.8 that remains constant throughout the whole zoom range. This focal length range is one of the most frequent focal length ranges used by professional and amateur photographers alike. Because of its outstanding weather sealing, it can be used both indoors and outside for a wide variety of photographic purposes, making it ideal for landscapes, portraits, and other types of photography.
Competitor models may be able to keep up with it in terms of sharpness, but few have the sturdy design, tight weather sealing protecting it from the elements, and L-series quality all packed up in one lens. Nevertheless, the addition of picture stabilization would be welcome, despite the fact that wide-angle and quick aperture lenses require image stabilization to a lesser extent.
2: Canon EF 70-200mm f/2.8L IS III USM
The Canon EF 70-200mm f/2.8L IS III USM is an indispensable piece of equipment for any professional photographer because it combines a versatile telephoto zoom range with a wide constant aperture of f/2.8. This allows for shallow depth of field portraits as well as the maximization of light in dimly lit settings. In addition to the quick aperture, the 3.5 stops of image stabilization allow for faster shutter speeds to be maintained while handheld.
No matter which end of the focal length range you’re shooting in, the lens’s benefits from Fluorite and UD optics as well as enhanced coatings allow it to reduce lens flare and ghosting, increase overall contrast, and sharpness, and produce minimum chromatic aberration.
3: Canon EF 50mm f/1.4 USM
When it comes to nifty fifty lenses, the Canon EF 50mm f/1.4 USM occupies a place of distinction among these options. It is not the quickest lens available; the Canon EF 50mm f/1.2L USM holds the title for that particular category. It is also not the most affordable option, since the Canon EF 50mm f/1.8 STM lens costs nearly half as much as this one does. However, in comparison to other items in its category, it offers an astonishingly high value.
The maximum amount of creamy bokeh that can be achieved before things become uncomfortably soft, the f/1.4 aperture allows the camera to drink in as much light as possible before it is necessary to bump up the ISO, making it ideal for weddings, interior portraits, low light landscapes, and any other situation in which the ambient lighting is low. This lens is portable, lightweight, and compact enough to carry in your pocket. Photography lovers and pros alike would benefit from having this lens in their kit bag.
4: Canon EF 100mm f/2.8L IS USM
The Canon EF 100mm f/2.8L IS USM reproduces subjects with a 1:1 ratio, which means that the space that subjects take upon the image sensor is the same as the space that subjects take up in real life. The minimum focusing distance for this lens is 30 centimeters. When photographing macro, this translates to images that are incredibly crisp and detailed to an extreme degree.
This fixed macro lens is not only a fantastic macro lens; it can also focus on infinity, making it perfect for portraiture. The combination of the quick f/2.8 aperture and the extended focal length generates a flatteringly narrow depth of field. The UltraSonic Motor allows for quick focusing while the Image Stabilization feature ensures that handheld photos remain stable and crisp.
5: Sigma 14-24mm f/2.8 DG HSM Art
This Art lens from Sigma is touted as having zero distortion and being an extremely flexible piece of equipment. Because of its expansive nature, this camera, which has an ultra-wide-angle zoom range that goes from 14 to 24 millimeters, is ideally suited for landscape photography. However, the quick and consistent f/2.8 aperture is also suitable for wide-field astronomical photography.
It is built to be able to manage chromatic aberration well and provide shots free of streaks even when pointed at extremely bright light sources. In addition, it is compatible with the Canon Lens Aberration Correction feature, which may further perfect the optical properties of the camera on certain versions of Canon cameras.
6. Sigma 150-600mm f/5-6.3 DG OS HSM | C
It is unusual for a hyper-telephoto lens to be compact, but Sigma has done a commendable job of keeping this lens under the 2-kilogram limit with a weight of just 1930 grams. It is clearly considerably larger than many other telephotos, particularly those that are more usual, but it is not unduly enormous to manage either.
When zoomed in to 600mm, photographers who prefer to shoot handheld should be mindful of the slower maximum aperture of f/6.3 when the lens is used; nevertheless, four stops of Optical Stabilization help mitigate this drawback to some extent. Because the front element of this lens has had to expand to a gigantic 95 millimeters so that it can house all of that glass within while still maintaining its sharpness and cleanliness, you should be prepared to spend extra money on filters if you choose to use this lens.