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Are you interested in purchasing the best Nikon D4 lens available?
In that case, you are aware that it might be challenging to get the most bang for your buck out of your bang given the abundance of lenses now available on the market.
You are in luck since in this article, I will demonstrate how to decide which Nikon D4 lenses are the greatest.
The Nikon D4 is a professional digital single-lens reflex camera that has a full-frame sensor and shoots at 11 frames per second (or 10 FPS with continuous autofocus).
When contrasted with the DS3, it represents a significant advancement in terms of ergonomics. This camera comes equipped with a metering sensor that has 91,000 pixels and a strong focusing system that can function in low-light circumstances, even when using a lens with a tiny aperture.
Even while shooting in low light, the procedure is simplified thanks to settings that are positioned on the back of the camera and an ISO that can be increased to an astounding 204,800.
Continue reading if you are interested in finding out how I was able to get even more power out of this beast of a camera.
Best prime lens for portraits
1. Nikon AF-S 50mm f/1.4G
There is no question that the Nikon AF-S 50mm f/1.4G is an excellent lens. Even when the aperture is wide open, the chromatic aberration and other types of aberration that might occur in photographs are corrected by the aspherical lens element. Because it is designed to work with full-frame cameras, the D4 was able to take advantage of all of the capabilities that it possessed.
Excellent image quality may be seen here. Every single image that I captured was extremely sharp and included details that were wonderfully clean. Because I mostly used and evaluated it as a prime lens, the quality of the bokeh effect that it produces in the background has exceeded my expectations. It should come as no surprise that the depth of field is so impressive. After all, it is a lens with an aperture of f/1.4.
Even though I didn’t have any of the other studio equipment with me, I was pleasantly delighted by the image quality when I used the lens that came with the studio to take photos of live models.
It wasn’t necessary for me to contend with any unwelcome shadows or blown-out portions of the photograph. Because it performs so well in dim light, you’ll be able to take fantastic photographs even while you’re indoors or during the blue hours, even if you don’t use a lot of artificial light.
2. Nikon 50mm f/1.8G
3. Sigma 50mm f/1.4
Best wide-angle lens for landscapes
4. Tamron 15-30mm f/2.8
In the category of wide-angle lenses, the Tamron 15-30mm f/2.8 is the one I recommend the most. The autofocus is guaranteed to be quick, precise, and noiseless thanks to the inclusion of a silent ultrasonic motor in the device. This lens is the ideal choice for a full-frame DSLR camera due to the fact that it features a nine-blade round aperture, which allows for the creation of bokeh effects that are flawless.
The high-speed focus comes in helpful when you consider the possibility that you will wish to photograph moving subjects out in the open field. Because it is a wide-angle lens designed for capturing landscapes and nature, the weight and size of the lens may be something that some photographers find objectionable.
The lens is fairly large, but it has zoom and focuses rings that are slightly rigid yet easy to operate. Despite its size, the lens has a lot of functionality. I used this lens to take a large number of shots handheld, and I did not have any difficulties in doing so.
You may easily utilize this lens as your primary instrument for astrophotography with the assistance of a monopod. The aperture of f/2.8 guarantees that a great deal of light will enter the camera.
The outstanding image clarity and consistent sharpness across the whole frame are two of this lens’ finest attributes. It is made superbly and takes into account ergonomics.
In spite of the fact that it is an enormous lens and that the majority of it is composed of plastic, the material is put to good use, and it gives the appearance that the plastic is of a high grade.
5. Nikon 14-24mm f/2.8G
6. Tokina 11-16mm f/2.8
Best all-around lens for everyday photography
7. Nikon AF-S 24-120mm
What makes the Nikon AF-S 24-120mm such an exceptional lens? Because it is a conventional zoom lens designed for the full-frame format that is ideal for shooting landscapes, portraits, weddings, and subjects in the distance.
In addition to all of that, it maintains its maximum aperture over the entirety of its zoom range while maintaining the other features. Because it also comes with VR II image stabilization, shooting handhelds won’t be an issue when you use this product.
The lens has a rather quick focusing time and produces colors and lines that are pretty crisp. At 70 millimeters, I was able to take pictures of some distant things; but, at 120 millimeters, it was simple to take pictures of the spires of churches and the tops of mountains.
Because the additional zoom of 120 mm can be useful in a variety of scenarios, I have no doubt that a large number of professional photographers will utilize this lens.
The vignetting and aberrations of a wide-angle lens are typically the key concerns when working with this type of lens. Throughout the testing process, I saw that the level of sharpness was satisfactory at all zoom levels and along with all corners.
Nevertheless, there are a few issues with the way that distortion and vignette control are handled, but these may be easily resolved using Lightroom or Photoshop.
8. Nikon 18-200mm f/3.5-5.6G
Best telephoto lens for wildlife photography
9. Sigma 70-200mm f/2.8
In the telephoto category, the victor in my book is Sigma 70-200mm f/2.8. The focal length of the lens affects the angle of view of the resulting picture. If the focal length is increased, the angle of view will be decreased, which will result in a greater degree of magnification.
This specific lens is equipped with Sigma’s optical stabilization technology, which enables the photographer to utilize a shutter speed that is four stops slower than what would be feasible if the lens did not have the system. It is a practical function, and having it makes photography with a telephoto lens more pleasurable.
The zooming action is quite seamless, and the lens’s exterior components are of the greatest possible quality. In addition, the photographs that I was able to capture had a really good quality. It is necessary to point out that the motor operates in a relatively quiet manner and that it does not contribute to any noise problems. Each and every image captured over the whole spectrum of focal lengths was crystal clear, very sharp, and exceptionally well exposed.
The fact that I can obtain the bokeh effect as well as a smooth depth of field by dropping the aperture to f/2.8 while it is at its widest point is wonderful. The only potential problem that some people may have with it is its size and its weight.
Because of its weight, a tripod is required whenever you use this lens. But taking into consideration that it is a 200 mm lens and is meant for telephoto shooting, it is not an issue, and I had no problem shooting handheld at all.
10. Nikon 70-300mm f/4.5-5.6G
Best macro lens for macro photography
11. Nikon AF-S 105mm f/2.8G
When it comes down to it, the Nikon AF-S 105mm f/2.8G is the lens that tops the list as the best option for macro photography. This lens is so adaptable that it can work in any kind of shooting environment.
It also has a nano-crystal coating, which helps improve picture quality by reducing flare and any probable aberrations. This coating is included with the product. Because of the enormous size of the lens that we have here, taking photographs almost always requires the assistance of a tripod.
However, with some practice, you will grow used to it, and you will be able to produce amazing shots while holding the camera in your hands; hence, a tripod is not required while using this lens; it is only a convenience. The image quality is excellent, and it has a bokeh that is unlike anything I’ve ever seen before.
Autofocus performs an outstanding job when focusing, but for close-ups that are too near to a subject, you will do better if you utilize a manual mode. This is especially true for portrait photography. When I used it to take pictures of a human model, I was amazed by the substantial details that were captured on the face.
The images had an incredible level of sharpness, and the autofocus performed quite well, even at the portrait distance. You should have high expectations for the lens’ performance in low-light conditions given that it has an aperture of f/2.8.
When you use it, you will need to “learn to zoom with your feet,” as it is a lens that cannot be zoomed and is instead locked at a single focal length. Some people would consider this a disadvantage, but I see it as merely an additional imaginative method to put my photographic abilities to use.
12. Tamron 90mm F/2.8
Best lenses for Nikon d4 – the verdict
The Nikon D4 is a really professional camera that will not let you down, not even in the most difficult of circumstances.
I carried out in-depth testing to ensure that you are equipped with accurate information on the lens combinations that are compatible with your Nikon D4 camera.
After doing some research, I discovered that the lenses outlined in the previous paragraph work the best with the D4. Because it is a high-end DSLR camera produced by Nikon, you will want to ensure that you have the appropriate lenses.
You will not be disappointed with the results, regardless of which of those I have tried and tested you choose to use.