Buying Guide Lenses

Best Nikon D40 Lenses

Best Nikon D40 Lenses

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Are you interested in purchasing the finest Nikon D40 lenses, but you’re unsure which one would be most beneficial for your particular needs?

If this is the case, you will likely agree with the following assertion:

The process of determining which lenses are the most suitable for use with a Nikon D40 camera is not as simple as it may initially appear.

There are a wide variety of producers, each of which offers its own line of products. To make matters even more difficult for you, there are simply not sufficient amounts of straightforward instructions that can supply you with specific bits of knowledge.

Additionally, Nikon D40 lenses are pretty pricey, thus it is crucial for most photographers to make the appropriate choice when purchasing one.

At the conclusion of this article, you will be equipped with all of the knowledge required to select a lens for your Nikon D40 camera that will meet your requirements in the most effective manner.

Best for low-light photography

1. Nikon’s 35mm f/1.8G 

When it comes to photographing photographs in low-light conditions, the Nikon 35mm f/1.8G is an excellent choice for a number of different reasons. To begin, an AF-S Silent Wave Motor is included in the package as standard equipment.


It just so happens that this is the only Nikon lens, other than the AF-I, that has the autofocus capability on Nikon’s D40 camera.

While used with a camera that has a manual focus, which is clearly the kind of camera you want to use when taking pictures in low light, it focuses like a dream.

Because it has optics with SIC (super-integrated coating), it can be used in a variety of situations and is a good all-around option, particularly for shooting after dark. Because of its compact size and low weight, it won’t take up a significant amount of space in your bag, even if you’re transporting a lot of other items at the same time.

In general, it is quick, it has a high level of accuracy, and it enables you to shoot great photographs in a very short amount of time in a wide variety of settings.

Best for macro photography

2. Nikon’s 105mm f/2.8G

When it comes to Nikon’s series of macro lenses, the 105mm f/2.8G is often regarded as the model that best exemplifies the brand’s reputation among professional photographers.

In fact, it was the first product of its kind to use image stabilization technology, and it is suitable for use with both full-frame and cropped-frame DX-format bodies. It is compatible with the autofocus function of Nikon DSLR cameras when used in that configuration.

Not only is it one of the largest Nikon lenses, but it also has a fantastic filter thread that measures 62 millimeters, the image stabilization technology that was previously discussed, and FX-sized cover sensors.


It also comes with a reversible bayonet-type hood, a rear-lens cap, an easy carry case, and a snap-on lens cover for the front lens. Additionally, it has a rear-lens cap for the front lens.

Even though it is priced somewhat higher than a typical Nikkor lens, you will not regret purchasing this accessory.

Best for sports videography

3. Sigma’s 18-35mm f/1.8 Art DC HSM lens.

We strongly suggest that you start putting money away so that you may get the Sigma 18-35mm f/1.8 Art DC HSM lens if you are searching for a high-quality, professional lens that you can use for shooting sports videos.

In spite of the fact that it is promoted in some circles as the ‘Canon-compatible’ lens, in reality, it is compatible with the vast majority of models made by Sigma, Sony, Pentax, and Nikon.

It has a focal length range of 18 to 35 mm, an aperture that can go as wide as f/1.8, and an aperture that can go as narrow as f/16.

The fact that it is constructed to withstand quite some abuse indicates that it has the potential to last for decades if it is properly maintained. The Sigma 18-35mm lens features a robust brass mount; it connects to the barrel in a smooth manner, and it does not produce those annoying “clicking” sounds that can ruin a good video.

In spite of the fact that it is monstrous in size and somewhat heavier than usual, it is still among the very finest lenses available in its price range.


Best for close-up photography

4. Nikon 18-55mm F3.5-5.6G AF-S

Another one of Nikon’s lenses is this 18-55mm F3.5-5.6G AF-S one, which you can see here. In low-light situations, the 35mm f/1.8G from Nikon performs the best, but the 18-55mm is the better choice for taking close-up pictures.

Because it is equipped with VR technology (vibration reduction) and the Silent-Wave motor, the majority of its features are centered on the process of picture stabilization.

The nearest distance you might reach with it is 0.28 meters, which implies that your target will essentially be very close to touching the lens.

Even though it was designed for taking photos from a close range, its adaptability extends even further; it also has the potential to be employed for shots from longer and more intermediate ranges.

Best for interior photography

5. Nikon’s 18-200mm f/3.5-5.6G

The 18-200mm f/3.5-5.6G lens from Nikon is most likely one of the most versatile Nikon lenses now available. The fact that it is constructed out of strong plastic allows it to be fairly lightweight; in contrast, the mount is built out of metal and possesses an even higher level of resilience.

The excellent image stabilization that this lens possesses is one of the reasons why it performs so well when used for interior photography. It has the capacity to take photographs that are incredibly crisp at lightning-fast speed (1/10 of a second), and it also includes a built-in VR for further dependability.

In spite of the fact that it is highly sensitive to the light coming from the backdrop, you may turn this so-called fault into an asset by deliberately creating contrast in the ambient lighting.


On top of that, it has a really powerful zoom, despite the fact that you won’t be using it very much for taking pictures inside. This one is an excellent choice for you if you are seeking for a nice zoom lens for your Nikon D40.

Best for sports and travel photography

6. Nikon’s 24-70mm f/2.8E

Let’s start off by stating that the Nikon 24-70mm f/2.8E is a lens attachment that is only available for use with Nikon professional cameras.

Those who are willing to part with a (not so) tiny fortune, on the other hand, will be rewarded with wonderful and exquisite goods.

It has an incredible zoom range and produces exceptionally crisp images, both of which make it particularly suited for use by photographers who specialize in travel and sports photography.

Black and white photography, night sky photography, street photography, and pretty much any other sort of sophisticated or professional photography are the types of photography that benefit the most from its use.

Best for portrait photography

7. Nikon’s 50mm f/1.8G

Taking a good photograph is by no means an easy task. Even the most competent and experienced photographers find this process overwhelming, to say the least because there are so many specifics to pay attention to and so many different elements to take into consideration.

The Nikon 50mm f/1.8G lens is the answer to your problem, and its moniker is exactly what it sounds like: a solution. It has a filter thread that is 58 millimeters, a focal length of 50 millimeters, a basic focus range that is 0.45 meters, M/A focus modes, and autofocus.


Because of its enhanced edge sharpness technology, this lens is ideal for photographing portraits and fulfills all requirements necessary for doing so.

You will be able to immortalize each and everyone you point this thing of beauty upon with only a simple turn of the wrist.

Last but certainly not least, the price is ridiculously low, yet you get a lot of value for your money with this purchase.

Best for night photography

8. Nikon’s 35mm f/1.4G

It is practically difficult to fathom being able to take images at night without a lens that allows for flawless contrast and brightness modification. There is not a shred of doubt in anyone’s mind that the Nikon 35mm f/1.4G is more than capable of handling the responsibilities of the position.

It has a 67 mm filter thread, sophisticated aspherical elements, a Magic anti-reflection coating, ten elements in seven groups, and a Silent-Wave AF motor, similar to practically other high-quality Nikon D40 lenses. Additionally, it has a Magic anti-reflection coating.

To put it another way, you won’t find a better night-vision scope on the market than this one.

The issue is that the price is completely unreasonable. Beginner photographers who have not yet been acclimated to the marvels of nighttime photography should start saving up every cent they can as soon as possible if they expect to get their hands on this exquisite art-making device at some point throughout the course of the following year.


On the plus side, purchasing this lens is a one-time investment in your future photography endeavors because it is made to last and produces nothing less than photographs of the highest possible quality that are distinguished by uneven sharpness.

Best for architectural photography

9. Nikon’s 10-24mm f/3.5-4.5G 

The 10-24mm f/3.5-4.5G from Nikon is a very flexible lens that can be utilized for virtually any purpose. It has a solid build, an appropriate focal length, a reasonable zoom, and a relatively compact frame size.

The SWM technology enables quick autofocus that is virtually soundless, and the aspherical elements almost totally eliminate lens aberration.

Even if you use it without a tripod, it maintains a good degree of stability.

In addition to this, it has an AF-S (Silent-Wave) Motor and two focus modes, which are automatic and manual. Additionally, it weighs roughly 21.02 ounces yet appears to be nearly weightless.

The fact that it comes with a ton of free extras, such as an LF-4 rear-lens cover, a snap-on front cap, an HB 56 bayonet hood, and a semi-soft carry bag, is the thing that stands out as being the most beneficial aspect of it.

Best for landscape photography

10. Sigma’s 10-20mm f/3.5

The Sigma 10-20mm f/3.5 lens is fairly powerful, despite the fact that it is a model that is a few generations old.


It has amazing optics and doesn’t cost that much; it shines in the field of landscape photography owing to its superb focal length and image clarity; it’s a great choice for anybody who wants to take pictures of beautiful scenery.

Aspherical lenses and multi-layer coating are two of the most noticeable characteristics that come standard with this Nikon lens. The Hyper-Sonic Motor, which allows for very silent photography sessions, is another.

You will be able to take some of the most breathtaking pictures ever seen of the night sky using it since it performs well even in low-light settings. Because it takes such stunning pictures of interior spaces, this masterpiece by Sigma excels in a number of fields, including real estate photography.

Photographers who spend a lot of time outside and want to capture crisp details and vivid colors will benefit greatly from using this lens.

Nikon d40 lenses – wrapping up

It is a time-consuming effort to choose the best lenses for a Nikon D40, but we hope that by reading this guide, you will be better equipped to make the proper choice.

If you are still unsure as to which lens will work best for you, then you might look at this model offered by Nikon.

You may also leave a comment below or get in touch with me if you have any more questions on the selection of the appropriate lens for the D40. I will make it a point to respond to any queries that you might have in a timely manner.


Be sure to look at other guidelines that are comparable to this one, such as the Nikon D50 lenses guide and the Nikon D60 lenses guide.

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