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Best Lenses for Nikon D500 DSLR camera. Are you looking for lenses that are suggested for your Nikon D500? The following lenses for the Nikon D500 come highly recommended.
Even during high-speed continuous shooting at about 10 frames per second, the Nikon D500 is able to acquire subjects with pinpoint accuracy because of its incorporation of the same robust 153-point AF system that is found in the D5.
The new EXPEED 5 image-processing engine enables it to offer high-quality photographs and videos, and it realizes a wide sensitivity range from ISO 100 to 51200, extensible to Hi 5. Additionally, it supports 4K UHD movies, which satisfies the requirements of multimedia specialists (ISO 1640000 equivalent).
The list of highly-rated lenses for the Nikon D500 DSLR camera may be seen below. You are free to pick the one that best suits your needs.
Best All-in-one Zoom Lenses for Nikon D500
1. Nikon 18-300mm f/3.5-6.3G ED VR
An exceptional all-in-one telephoto zoom lens that can capture all of them brilliantly with only one lens is an outstanding find. If you want to get only one lens for your Nikon D500, this is the solution that you should go with. The Nikon 18-300mm f/3.5-6.3G ED VR is a very flexible second lens that, despite its astonishingly small size and low weight for a lens with a 16.7x zoom range, gets exceptional performance from Nikon DX-format DSLRs.
You can take amazing close-ups of concert performers and athletes as easily as you can take vast scenery photos with it. It can accomplish just about anything, including stills, films, landscapes, interiors, portraits, and wildlife photography. Its compact and well-balanced design, as well as the Vibration Reduction technology that it incorporates, help to keep photos sharp and videos steady.
Additionally, the Vibration Reduction technology, along with the lens’ fast and quiet autofocus system, helps to minimize camera noise while video recording. In addition to this, it is noticeably lighter in weight than the Nikon 18-200mm f/3.5-5.6G VR II.
2. Nikon 18-200mm f/3.5-5.6G ED VR II
The Nikon 18-200mm f/3.5-5.6 is an exceedingly well-liked and versatile all-purpose lens that can be used for everything since it possesses both high picture quality and a significant zoom range (18mm enough for landscape, 200mm great for sports). Both the telephoto and wide-angle ends of the lens have a great level of clarity, and it is completely compatible with DX cameras.
The fact that the 18-200mm VR II lens does not quite have the reach necessary for some kinds of telephoto photography is the lens’s most significant drawback. On the other hand, the Nikon 18-200mm is an excellent choice for traveling and serving as an all-in-one walk-around lens.
Best Standard Prime Lenses for Nikon D500
3. Sigma 35mm f/1.4 DG HSM Art
Very Strongly Suggested! The Sigma 35mm f/1.4 DG HSM Art lens is an essential component for any photographer’s kit. The professionals at DPReview gave this Sigma 35mm f/1.4 art lens an overall score of 89 percent and bestowed upon it the Gold Award:
“The Sigma 35mm F1.4 DG HSM is a genuinely great lens, and it works just as well in the field as its excellent lab test results imply it should. ” If you don’t require weather-sealing, this camera’s reduced price makes it an attractive option to the counterparts offered by other camera makers. It focuses quickly and quietly, and its construction is rock strong.
4. Nikon 35mm f/1.8G
The Nikon 35mm f/1.8G is a cheap lens that features a design that is both compact and lightweight. It also offers a high reproduction potential and excellent picture quality. It has a maximum aperture of f/1.8, which makes it excellent for usage in low-light circumstances.
Additionally, it features one aspherical element, which helps to limit distortion and aberrations. An ideal lens for use in low-light situations, travel, environmental portrait, and street photography, as well as general photography.
Best Portrait Lenses for Nikon D500
5. Sigma 85mm f/1.4 DG HSM Art
Very Strongly Suggested! It is possible to create the ideal portrait lens that blurs the subject’s eyelashes while focusing on the pupils of the subject’s eyes, providing the desired effect and offering beautiful perfect focus. The professionals at DPReview awarded this Sigma 85mm f/1.4 Art lens with an astounding 93 percent overall score and a Gold Award for its outstanding performance.
For portrait photography, low-light photography, night photography, landscape photography, night photography, photojournalism, event photography, and wedding photography, this lens is ideal for professional photographers as well as photography lovers with sophisticated tastes.
6. Sigma 50mm f/1.4 DG HSM Art
Excellent Lens! The Sigma 50mm 1.4 prime lens is a professional-grade performance thanks to its big aperture of 1.4, making it suitable for photographing a wide variety of subjects, including portrait photography, landscape photography, studio photography, and street photography. Incredible acumen!
7. Nikon 50mm f/1.4G
Excellent lens for portrait shooters. When mounted on a digital SLR camera with Nikon’s DX-format sensor, this lens produces stunning portraits. With an exceptional optical design and an extremely quick maximum aperture of f/1.4, this lens is ideal for taking photographs in a broad range of settings, making it suitable for use in travel, event, environmental, and general photography.
8. Nikon 85mm f/1.8G
High image quality and a solid investment for both DX and FX, razor-sharp, precisely compact, with a gorgeous bokeh to top it all off. The AF-S NIKKOR 85mm f/1.8G is equipped with Nikon’s Internal Focus (IF) technology, which allows for quick and silent autofocus and provides photos that are crisp and clear regardless of the aperture.
Because of its quick maximum aperture, it is well suited for shooting still photographs or D-Movie HD movies in conditions of perfect illumination, low light, head-and-shoulders portraiture, weddings, or concerts.
Best Standard Zoom Lenses for Nikon D500
9. Nikon 24-70mm f/2.8E ED VR
Very strongly suggested! Because of its adaptability and high image quality, this lens has become an indispensable workhorse lens for photographers of all stripes. The Nikon 24-70mm f/2.8E ED VR improves upon nearly every aspect of its highly regarded predecessor.
These improvements include enhancements to the lens’s sharpness, speed, consistency, control, and durability, as well as Vibration Reduction image stabilization technology. The end results are stunning. Whether you’re working in the studio or out in the field, photographing the environment or events, shooting stills or HD video, you’ll always know which lens to take when you’re pursuing the critical moment.
10. Nikon 24-70mm f/2.8G ED
Excellent lens! It’s no surprise that the Nikon 24-70mm f/2.8G ED is one of the most sought-after lenses in Nikon’s FX series; it offers excellent sharpness across the entirety of its zoom range. The rounded 9-blade diaphragm helps generate beautiful out-of-focus highlights while complementing the narrow depth of field created by the maximum aperture of f/2.8, which is useful even in low light conditions.
This lens is a popular workhorse for working professionals, hobbyists, and those who photograph on a day-to-day basis because of its versatility, which ranges from wide-angle to short telephoto viewpoints, as well as its broad maximum aperture, which is useful in low light.
11. Tamron SP 24-70mm f/2.8 DI VC USD
Excellent lens! A conventional zoom lens that is a high speed, high quality, and very useful, encompassing the focal length range of 24-70 millimeters. The SP 24-70mm from Tamron is a lens that performs very well in comparison to its competitors since all forms of chromatic aberration have been significantly reduced.
The aperture of the SP 24-70mm F/2.8 offers a balance between the stunning sharpness and exquisite soft blur effects that may be achieved. This perfect lens makes the most of Tamron’s rounded diaphragm and the natural, artistic blur that it delivers by utilizing it to its utmost potential.
It is also the first lens from Tamron to utilize our newly developed structure that is resistant to dampness. This lens is perfect for taking portraits, shooting landscapes, and shooting in the studio.
12. Sigma 17-50mm f/2.8 EX DC OS HSM
The Sigma 17-50mm f/2.8 EX DC OS HSM large-aperture standard zoom lens has a focal length range of 17-50mm (equivalent to 26-75mm) and offers a large aperture of F2.8 throughout the entirety of the zoom range. As a result, this lens is ideal for many different types of photography, including press photography, events photography, wedding photography, portrait photography, and general use photography (especially portraiture and landscapes).
By utilizing the OS, Sigma’s anti-shake technology, users are able to utilize shutter rates that are about four stops slower than they normally would be able to use. HSM delivers quick and quiet AF. Flare and ghosting are both reduced thanks to the Super Multi-Layer coating.
This lens has excellent peripheral brightness and produces images that are crisp and have a strong contrast even when using the highest aperture settings. This Sigma lens is ideal for you if you need to be prepared for every picture opportunity, including ones that take place in low light. It is essential to have in your camera bag despite its little size and negligible weight.
Best Wide-angle Zoom Lenses for Nikon D500
13. Sigma 18-35mm f/1.8 DC HSM Art
Very strongly suggested! The very first lens you should get for your Nikon D500. It is the first wide-angle to standard zoom lens to attain a huge aperture of 1.8, making the Sigma 18-35mm 1.8 DC HSM Art lens a new landmark in the history of photography and an essential accessory for every camera bag.
According to DxOMark, the Sigma 18-35mm f/1.8 DC HSM Art lens is the best wide-angle zoom lens that can be used with the Nikon D500. The Hyper Sonic Motor (HSM) guarantees smooth, fast, and precise autofocusing with the Sigma 18-35mm f/1.8 Art lens, which is great for landscapes, portraits, still, life, snapshots, casual, and close-up photography.
14. Tokina 14-20mm f/2.0 AT-X Pro DX
Excellent lens! Tokina has never produced a lens with a faster maximum aperture than this one. Additionally, it has a very acute point! This fast lens with an aperture of F/2.0 has a zoom range similar to 21-30 millimeters.
Viewing, autofocus and shooting are all made feasible despite the extremely low light because to the super-bright, constant F/2.0 aperture. Despite this, the size and weight of the camera are kept to an acceptable level.
15. Tokina 11-16mm F/2.8 ATX Pro DX II
Wow, that is a fantastic lens! This lightweight and reasonably sized ultra-wide-angle zoom lens from Tokina, the AT-X 11-16mm f/2.8 PRO DX II, features a brilliant continuous F2.8 aperture that enables viewing and autofocus even in low-light conditions while still keeping its size and weight to a manageable level.
It has a viewing angle that varies from 104 to 84 degrees, and it can focus as near as 11.8 inches away. It is possible to utilize autofocus with this lens even on Nikon bodies that do not have an AF drive gear or motor since it has an internal quiet focusing motor.
When compared to slower versions, faster ones with a constant maximum aperture of f/2.8 offer a significant advantage for photography in low light. These faster ones also exhibit extremely excellent levels of clarity.
16. Nikon 10-24mm f/3.5-4.5G ED
The Nikon 10-24mm f/3.5-4.5G is Nikon’s best wide-angle lens for the DX format. Not only is it wider and sharper than any other comparable lens, but it also performs very well when photographing landscapes and buildings. The photos produced by the lens are crisp, and it is capable of capturing great color and contrast.
Additionally, the lens has a zoom range of 15–36 millimeters, which is the equivalent of a 35mm camera. This range covers practically all of the relevant focal lengths, ranging from a very wide field of vision to a typical field of view.
The Nikon 10-24mm f/3.5-4.5G ED DX provides close focusing to a distance of 0.8 feet, as well as Internal Focus (IF) with Nikon SWM (Silent Wave Motor), which enables the lens to focus quickly and precisely.
Best Telephoto Zoom lenses for Nikon D500
17. Tamron SP 70-200mm f/2.8 Di VC USD
Very strongly suggested! A high-speed standard to telephoto zoom lens that maintains a maximum aperture of f/2.8 despite continuously increasing focal length. The Tamron SP 70-200mm f/2.8 is the most compact full-size, high-speed telephoto zoom lens in its class with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive).
It also offers superior image quality that is highlighted by advanced Vibration Compensation (image stabilization), as well as an Ultrasonic Silent Drive Motor for quiet, smooth, and precise autofocus. Customers who believe themselves to be semi-professional photographers are the ones who utilize it the most, while others do too.
The Tamron 70-200mm f/2.8 DI USD is a popular lens because it has a Consistent output, is Durable, has a Fast and accurate auto-focus, has a Nice Bokeh, and is constructed in a Rugged and Strong manner.
18. Nikon 70-200mm f/2.8G ED VR II
Very strongly suggested! The Nikon 70-200mm f/2.8G ED VR II is a telephoto zoom lens that is exceptionally crisp, adaptable, and long-lasting. It also has a quick constant maximum aperture, which is helpful in low-light settings.
This lens is a workhorse that is utilized by pros as well as amateurs since it is effective for practically all telephoto applications, including portraits, and is perfect for photographing sports, wildlife, and news events. Quick autofocus, excellent sharpness, and color correction all come standard.
19. Nikon 70-300mm f/4.5-5.6G ED-IF VR
A fantastic lens is available at a reasonable price. Best bargain! This Nikon 70-300mm f/4.5-5.6G ED-IF VR lens is an excellent option for individuals who do not have much experience with telephoto photography. Ideal for photographing wildlife and travel subjects, as well as well-lit sports and general subjects.
It has a focal length range of 70-300mm and a zoom factor of 4.3, giving it a 35mm equivalency of 105-450mm when used with DX-format digital single-lens reflex cameras.
Best Super Telephoto Zoom Lenses for Nikon D500
20. Sigma 150-600mm f/5-6.3 DG OS HSM Sports
The Most Affordable Telephoto Zoom Lens on the Market! Superior performance for capturing action, as well as protection against dust and splashes. The Sigma 150-600mm 5-6.3 DG HSM OS Sports lens is the new standard for telephoto zoom lenses since it was designed and manufactured specifically for the most challenging sorts of photography.
The new Sigma 150-600mm Sport provides images that are very crisp across the entirety of the zoom range because of the inclusion of two FLD glass elements, which have performance that is equivalent to fluorite, and three SLD glass elements.
A revised optical stabilizer (OS) comes equipped with an accelerometer, which allows for enhanced panning photography in both the horizontal and vertical planes. This is a vital feature for photographing racing, animals, and birds.
21. Nikon 200-500mm f/5.6E ED VR
Super telephoto zoom lens that is both lightweight and small! The Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is a thrilling lens choice that provides enthusiast FX and DX-format photographers with the potential to go further with incredible zoom capabilities and pinpoint-precise quality.
This lightweight and small super-telephoto zoom lens are perfect for bringing faraway scenes, such as birds, sports, animals, and racing, into closer focus.
22. Tamron SP 150-600mm f/5-6.3 Di VC USD G2
Excellent Lens! The improved optical performance of the SP 150-600mm G2 (Generation 2) ultra-telephoto lens enables handheld shooting with remarkable definition. These improvements include better overall optical performance and faster AF speed, VC enhancements, as well as Euori1e Coal, FLEX ZOOM LOCK, and teleconverter.
The AF speed has been greatly enhanced in comparison to the previous model, and it is now possible to achieve precise high-speed focus even when photographing moving subjects.
23. Nikon 80-400mm f/4.5-5.6G ED VR
The ultimate lens that can zoom from medium to super-telephoto! Do not look any farther than the AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR if you are in the market for a small and flexible telephoto zoom lens that can handle portraits in addition to long-distance wildlife and action photography. This lens has you covered.
Because it has the widest focal length range of any of the super-telephoto zoom lenses in our lineup, it cuts down on the number of lenses you have to bring with you into the field. Additionally, the Vibration Reduction (VR) technology that Nikon has developed enables you to take more pictures hand-held. Capture breathtaking images and HD video in virtually every lighting condition and from virtually any distance.
Best Macro Lenses for Nikon D500
24. amron SP 90mm f/2.8 Di VC USD Macro
Incredible lens! “Shows very little perceptible chromatic aberration, much less any distortion at ordinary apertures,” and “autofocuses swiftly and softly.” “Very crisp; autofocuses fast and quietly.” This lens is useful for dealing with close-up or miniature subjects, and it features a life-size maximum magnification ratio of 1:1. Additionally, it utilizes a Floating System to retain picture quality across its whole focusing range, which extends from 11.8 inches to infinity.
This improved version serves as an upgrade to the traditional 90mm macro and is well-suited to the high-resolution crop of DSLRs. It also combines the timeless charm and practicality of the lens with the most up-to-date photography capabilities.
25. Nikon 105mm f/2.8G IF-ED VR Micro
Amazing Macro Lens! With larger working distances and autofocus that ranges from infinity to life-size, this medium telephoto Micro lens is perfect for extreme close-up and portrait shooting (1:1). Because any movement of the camera at this magnification will also be exaggerated, it is essential to have the picture stabilized.
This Nikon 105mm f/2.8G IF-ED VR lens is the world’s first macro lens to have Nikon’s unique Silent Wave Motor (SWM) and Vibration Reduction (VR). It was built for close-up and macro photography, but it is adaptable enough to be used in any kind of photographic circumstance.
Even in low light conditions, it is possible to take advantage of slower shutter speeds because of the VR system’s provision of a three-stop shutter speed equivalency, which allows for this flexibility. The focal length is comparable to 157.5 millimeters when used on cameras that have a sensor that is sized APS-C.
26. Sigma 150mm f/2.8 EX DG OS HSM APO Macro
Excellent Macro Lens! It is a highly tiny and lightweight big aperture telephoto lens that has the potential to perform macro photography at a life-size (1:1) scale. This highly tuned lens is loaded with Sigma technology such as an Optical Stabilizer (OS), Hyper Sonic Motor (HSM), and Super Multi-Layer Coating. It also features the optimal focal length.
The HSM will guarantee that the autofocus is accurate, silent, and quick, while the OS will adjust for any camera shake. Flare and ghosting are both reduced by the Super Multi-Layer Coating. When used at its closest working distance of 15 inches, the 150mm F2.8 macro lens is capable of achieving a magnification ratio of 1:1.
Because this lens is compatible with Sigma APO Tele Converters, the focal length of the lens may be extended by using the converters.
27. Nikon 40mm f/2.8G Micro
Budget choice! Ideal for photographing general close-ups, detailed collectibles, delicate flowers, copy photography, portraits, landscapes, and other subjects as well. Users of this Nikon 40mm f/2.8G lens will be able to achieve full 1:1 magnification, which is ideal for photographing subjects that are very close up. This DX-format Micro-NIKKOR lens has a standard focal length, and it is small enough to be taken everywhere.
It delivers great resolution and contrast from infinity to life-size (1X). Budget choice! Ideal for photographing general close-ups, detailed collectibles, delicate flowers, copy photography, portraits, landscapes, and other subjects as well. Users of this Nikon 40mm f/2.8G lens will be able to achieve full 1:1 magnification, which is ideal for photographing subjects that are very close up.
This DX-format Micro-NIKKOR lens has a normal focal length, so it can be taken everywhere, and it offers outstanding resolution and contrast from infinity to life-size (1X).