Buying Guide Lenses

Best Nikon D60 Lenses

Best Nikon D60 Lenses

Are you interested in learning which lens is ideal for use with a Nikon D60 in the year 2021?

You should be aware of the following, then:

It is not a simple process to select the Nikon D60 lenses that will provide the optimal level of satisfaction for your requirements.

There are many various manufacturers and varieties of lenses available on the market today, each of which is designed to address a particular need. In addition, there are not nearly enough helpful websites that will direct you through the process of purchasing a lens that is suited to your requirements in the best possible way.

In addition to this, when you take into consideration the fact that some of these lenses may cost well over a thousand dollars, it is easy to see why it is crucial to get the appropriate Nikon D60 lens.

Because of this, therefore:

I made the decision to produce this guide for Nikon D60 lenses because I wanted it to be comprehensive while yet easy to read. At the conclusion of this essay, you will have the knowledge necessary to select the lens that is most suited to your needs.

Let’s not linger any longer on the introduction and get right to discussing the findings, shall we?

Best for low-light photography

1. Nikon 35mm f/1.8g

This seems to be the best alternative for those individuals who do not wish to spend a significant amount of money on the version with an aperture of f/1.4.

It is not only significantly less expensive than the f/1.4 version, but it is also more compact and weighs only 305 grams, which is half as much as the previous model.

Because of its huge maximum aperture of f/1.8, the lens is not only great for taking pictures in low light, but it also excels at separating foreground subjects from backgrounds while shooting at close range.

This lens is compatible with both full-frame (FX) and sensorless (DX) cameras. It does an excellent job at dealing with ghosting.

We are able to claim that this lens is remarkable for its price point because of its sharpness, color rendition, micro-contrast performance, focusing performance, and accuracy.

In spite of all these positives, there is a possibility that it will cause you some optical problems. For instance, the vignetting levels are rather high, and the way it handles bokeh is not nearly as effective as it could be.

In a nutshell, it is the consummate solution for the requirements of everyday photography.

Best for macro photography

2. Nikon 40mm f/2.8

This lens might be the one that you are searching for if you are a photography enthusiast who is interested in purchasing a macro lens that is both reasonably priced and has strong performance qualities.

It is equipped with an AF-S Silent Wave Motor. It enables the lens to autofocus without making any noise on any recent Nikon DLRSs.

In addition to that, it contains something called a Super Integrated Coating that drastically cuts down on lens flare and ghosting.

Because of its compact size and low weight (only 280 grams), operating this lens is a breeze for even inexperienced photographers. Some of the most significant characteristics are a reproduction ratio of 1.0x, a minimum focus distance of 0.53 feet, seven semi-rounded diaphragm blades, three focus modes with autofocus override, and a filter size of 52 millimeters.

On the other hand, while photographing macro, its most significant deficiency is that it has a short focal length. To summarize, this lens performs exceptionally well when used for portraits as well as big to medium-scale macro photography.

In addition, this lens is going to be a huge hit among food photographers.

Best for sports videography

3. Sigma 18-35mm f/1.8

Sigma has introduced the professional-grade Sigma 18-35mm f/1.8 lens, which is exclusively compatible with the DX/APS-C format. Due to the fact that it was the world’s first f/1.8 zoom lens, it received a lot of attention from the media.

Because of the lens’ focal range, which is comparable to 27mm-52.5mm in 35mm format, users have a wide range of options to choose from when addressing a number of various requirements and making use of the lens.

Even though the lens has a quick constant aperture of f/1.8, you will still be able to take photos even in low-light environments. In the past, you could only accomplish this with prime lenses that had a fast aperture.

The lens has a hypersonic motor, which enables it to autofocus quickly and quietly. You won’t have any issues with the way the camera is handled at all if you don’t mind turning the focus ring counterclockwise when you use it.

The accuracy problems experienced by the focusing system are the most common complaint. It is a terrible waste of time and resources that there is no equivalent lens available for FX.

The overall capabilities of the Sigma 18-35mm f/1.8 are pretty excellent. The lens has a maximum aperture of 1.8.

Best for close-up photography

4. Nikon 18-55mm f/3.5-5.6g

To begin, this is a single lens made entirely of plastic.

It has the most recent stepping motor, which allows for faster and quieter focusing in comparison to the normal silent wave motor that is utilized in the majority of Nikon’s regular lenses.

This lens was designed to be compact and lightweight, and as a result, its total weight is only 205 grams. This is also one of the most significant advantages that it has.

In addition, this lens gives you the ability to override autofocus by simply twisting the focus ring. Because you can do this at any moment, the lens is quite useful.

Because of the expanding front element, the barrel, which is composed of plastic, is not the most susceptible section of the weapon. On the other hand, the diversity of usage is restricted due to the restricted zoom range and aperture settings.

The objection may also be directed against the considerable barrel distortion at 18 millimeters, but this does not alter the fact that the list of advantages is far larger.

In conclusion, we are able to claim that this lens has extremely good image quality, despite its tiny size, lightweight design, and portability.

Best for interior photography

5. Nikon 18-200mm f/3.5-5.6g

This all-in-one lens was originally shown to the public for the first time in November of 2005, and it swiftly rose to the position of being one of Nikon’s most popular lenses.

In July of 2009, Nikon released an improved version of this well-liked lens in response to comments and suggestions made by consumers.

The new lens incorporates rounded diaphragm blades, which improve the aperture, a “Super Integrated Coating,” which reduces flare and ghosting, and an additional zoom lock button, which addresses the ongoing problem of zoom creep. All of these features are included in the new lens.

One of the areas that saw improvements was the sharpness of the language. For instance, reducing the aperture to f/8 gives considerable improvements, including a major taming of the corners and the production of a standard performance of between one and 1.5 blur units.

This lens features long-lasting plastic construction and a matte black finish all throughout.

It has a hood in the shape of petals attached to it. With this newer version, Nikon has evidently included a number of beneficial enhancements and taking into account the cost of the product, we can confidently assert that it is an excellent all-in-one lens.

Best for sports and travel photography

6. Nikon 70-300mm f/4-5.6g

It is hard to believe that such a high-quality lens can be purchased at such a low price. This lens is every photographer’s dream come true.

One further advantageous feature of the lens is that it is user-friendly, despite the fact that it is very weighty (it weighs 425 grams).

Because it has a maximum focal length of 300 millimeters, it can bring even the farthest things into focus.

There is one piece of advice: if you want your photographs to come out looking their best, use a tripod. Because of the image stabilization, taking pictures by hand is possible in almost any typical lighting.

When it comes to outdoor photography, the Nikon 70-300mm f/4-5.6G lens reaches its full potential, which is why it is most commonly used for taking pictures of animals, plants, and other forms of wildlife.

This translates to the fact that this lens is going to be your most trusted companion on your travels. On the other hand, without the appropriate OCF, the images you take indoors could not turn out very well.

Best for portrait photography

7. Nikon 85mm f/1.8g

Because of its wide aperture, this lens performs exceptionally well while photographing in dim light.

Because the front lens element does not expand or rotate during autofocusing, the lens is more robust, exactly like the original Nikon 85mm f/1.8D. This feature is responsible for the lens’s previous name.

This lens, like many other Nikon lenses, is equipped with a silent wave motor, which not only allows for quiet focusing but also confers the capability of employing autofocus with a manual focus override. In addition, this lens is compatible with Nikon’s VR image stabilization system.

This lens also contains a Super Integrated Coating, which helps to decrease flare and ghosting caused by the lens. It has an exterior that is made of plastic and an amount that is made of metal, which results in it having an average weight of 350 grams.

Field curvature, ghosting, and flare, as well as dramatic focus shift, are the issues that have been raised, all of which are characteristics of the majority of fast prime lenses.

Best for night photography

8. Nikon 35mm f/1.4g

After its release in September of 2010, the Nikon 35mm f/1.4G lens quickly established itself as an excellent option for a wide variety of photographic applications, including wedding, portrait, and landscape photography. You get to decide what to do!

This lens is designed with optical technology that is compatible with both FX and DX sensors.

Because it weighs 600 grams, the size and weight of the item may be the source of the complaint. On the other hand, this does not inevitably have to be a negative thing.

On the other hand, this lens is an excellent choice for use in settings when there is poor weather. Even when exposed to a dusty environment, it maintains its ability to function properly, and afterward, it is simple to clean. The fact that this lens only has a 67mm filter thread rather than the industry-standard 77mm thread is the primary source of customer dissatisfaction, especially in light of the relatively expensive cost of the lens.

To summarize, if you are prepared to make a financial commitment, this lens is an excellent option for photography both inside and outside the home.

In such a case, you could want to give some other lens a try that is not only less expensive but also of high quality.

Best for architectural photography

9. Nikon 10-24mm f/3.5-4.5g

This lens weighs 460 grams, so it might seem a little cumbersome on a camera with a smaller body due to the fact that it is rather compact. It is fully compatible with each and every Nikon DX camera that has ever been produced.

A metal mount and a barrel made of high-grade plastic give the impression that the construction is of a highly respectable standard. In contrast to the previously stated Nikon 35mm f/1.4G lens, which has a 67mm filter thread, the Nikon 10-24mm f/3.5-4.5G lens has an impressive standard non-rotating 77mm filter thread. This is a significant improvement.

This lens also includes an internal focusing mechanism that is equipped with a silent wave motor, and the autofocus turns out to be quick and silent.

According to Nikon’s specifications, this is not a macro lens, and the highest reproduction ratio it can achieve is 1:5.

In conclusion, it is a lens that performs really well, and using it is undeniably a pleasurable experience.

Additionally, it protects against dust and moisture, which is a crucial feature to have in situations that are very harsh. It’s possible that the price is the downside, especially for fans and collectors.

Best for landscape photography

10. Sigma 10-20mm f/3.5

2009 was the year that Sigma introduced a number of new lenses, one of which was this 10-20mm f/3.5 lens.

When it comes to sharpness, there is no doubt that Sigma made significant advancements with this lens; yet, the quality suffers slightly between 17 and 20 millimeters.

It has a metal mount, and the lens weighs 520 grams, which places it among the lenses that are heavier and bulkier than average.

In addition to that, it employs a filter thread that is 82 millimeters in diameter as opposed to 77 millimeters or 67 millimeters. When compared to the previous edition, it is clear that the corner shading and distortion have been much enhanced.

In addition to all of these benefits, it does not imply that you are required to automatically upgrade from the prior version, provided that you do not have a compelling cause to do so. In the event that you were employing smaller 77mm filters with your previous version, one of the issues is that you will be required to make the transition to larger 82mm filters.

In conclusion, this lens represents a significant step forward, and if you are interested in trying out the ultra-wide perspective, you should know that you will not be let down.

Nikon d60 lenses – wrapping up

It is my sincere hope that you have already settled on a decision and acquired the most suitable lens for your Nikon D60.

If, on the other hand, you are still unsure about the Nikon D60 lenses that would work best for you, you might want to look into this particular Nikon lens.

In addition, if you still have questions regarding which lens would be ideal for you, please leave a comment below and I will do all in my power to answer them.

Make sure that you have a look at some of our other guides, such as the lens guide for the Nikon D70 and the Nikon D50 lenses.

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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