Best Nikon Z30 Lenses

Best Nikon Z30 Lenses

The 20MP APS-C mirrorless Nikon Z30 was created with vloggers and content producers in mind. There are many aspects included that are known from Nikon’s current “DX” models, but there is a little more emphasis on self-shot stills and video.

Important details

  • APS-C CMOS sensor with 21MP
  • Up to 30p in 4K video
  • 120 frame-per-second 1080p video (as slow-mo)
  • 2 hours or so of video on USB power
  • 3.0″ touch screen with 1.04M dots and full articulation
  • Tally light
  • rearranged the buttons and made the REC button stand out more.

The price of the Z30 is $709.95 for the body-only model and $849.95 for the model with the foldable 16-50mm F3.5-6.3 VR lens. The cost of a two-lens kit with the 50-250mm F4.5-6.3 VR is $1149.95. For $149, you may get a “Creators Accessory Kit” that includes a Rde Videomicro shotgun mic, ML-L7 Bluetooth remote control, and Smallrig compact tripod/selfie grip.

Nikon’s Z-mount is being used by its third APS-C mirrorless camera, the Z30. All of these smaller sensor versions, referred to by Nikon as “DX,” are intended for budding content producers, but the Z30 demonstrates the greatest dedication to that goal.

It shares a lot of similarities conceptually with Sony’s ZV-E10 model, which caters to the same users. Both include articulated panels and APS-C sensors, allowing the user to appear in both the still images and the video they are recording. Both cameras have built-in stereo microphones and the ability to attach “dead cat” windscreens (free with the Sony, an additional $10 purchase for the Nikon). Both include red “tally lamps” on the front to show when they are recording, but as the emphasis is on front-facing video, neither has an electronic viewfinder.

Best Nikon Z30 Lenses

Standard Zoom Lenses

1. Nikon Z 28-75mm F2.8

The Z 28-75mm f/2.8 lens has a very similar design to Nikon’s other non-S mirrorless zoom lenses: a body made entirely of black with little marks or decorative elements. When compared to a 24-70mm, the different focal length offers a little bit more zoom, which is great, but when framing some images, the loss of those 4mm at the wide-angle end does feel a little more pronounced.

The lens has a larger zoom control ring that stretches the barrel out and a smaller control ring for manual focus that is located closest to the base. When the autofocus is engaged, the smaller control ring can be set to change the exposure compensation, ISO, and aperture, or even to perform manual adjustments.

Changes to the focus mode must be made through the camera menus because the lens lacks any buttons or switches. Since the programmable control ring lacks “hard stops,” it is also more difficult to determine when users have reached the limits of their ability to focus on either end while still allowing for very smooth adjustments for stills or video.

2. Nikon Z 24-120mm F4 S

A 5x zoom with a wide-angle to the moderate telephoto range is the Nikon Z 24-120mm f4 S. It is corrected for use with full-frame cameras, but it may also be used with cropped bodies like the Z fc or Z 50, covering a field of view corresponding to a 36-180mm focal length. It is the replacement for Nikon’s AF-S 24-120mm f4G VR, which was released in 2010 and is still compatible with Nikon Z cameras when used with the FTZ adapter.

The new lens is a member of Nikon’s “S-Line” class of lenses, which denotes exceptionally good optical performance, and it features a dedicated focus ring and an additional function button. Additionally, Nikon asserts that the lens has negligible focus breathing or focus shift, which is encouraging for taking videos. The lens boasts Nikon’s best coating against flare and glare and is completely weatherproof, however it lacks optical image stabilization. Therefore, it only utilizes the body-based stabilization found on Nikon’s full-frame Z cameras, which you won’t find on the Nikon Z fc or Z 50.

3. Nikon Z 24-70mm F2.8 S

Fast standard zoom lens for Nikon’s Z-mount mirrorless cameras, the Nikkor Z 24-70mm F2.8 S.

With a focal length of 24-70mm on FX-format bodies or 36-105mm equivalent on DX-format bodies, it is appropriate for a wide range of photography, including portraits, weddings, and event photography in addition to landscapes and street photography. It is a really flexible all-arounder that can also function as an emergency macro lens and is quite well-suited to video shooting.

4. Nikon Z 24-70mm F4 S

One of the earliest Nikon Z-series lenses was the NIKKOR Z 24-70mm f/4 S, which debuted alongside the 35mm f/1.8 S and 50mm f/1.8 S. We evaluated four different 24-70mm f/4 samples to see exactly how the lens performed. This is after all one of the most significant lenses that Nikon has introduced recently.

Although the 24-70mm f/4 retails for $1,000, the majority of photographers will instead purchase it as part of a bundle with the Nikon Z6 or Z7. The cost is now $600, which is considerably more affordable. Because of this cost and the scarcity of other Z lenses, the 24-70mm f/4 S will likely be in the bags of the majority of consumers who purchase a Z6 or Z7.

Even with the most recent adapters, it should be noted that this lens cannot be mounted on any other camera than the Nikon Z series. The Z6 and Z7’s record-smooth 16.0mm flange distance puts the back of this lens extremely near to the camera sensor.

5. Nikon Z DX 16-50mm F3.5-6.3 VR

The smallest and lightest lens for the Nikon Z mount is the NIKKOR Z DX 16-50mm f/3.5-6.3 VR. Nikon revealed its first DX mirrorless camera, the Nikon Z50, together with its first consumer-grade Z zoom lenses, the Z DX 16–50mm VR and the Z DX 55–250mm VR.

These lenses, which have an all-plastic construction and plastic mounts, were created with the goal of being as tiny and lightweight as possible while utilizing the Z mount’s short flange distance (see Nikon F vs Nikon Z).

The Nikon Z DX 16-50mm VR is compact when fully extended and resembles a pancake lens because to its collapsible construction. It is incredibly light at just 135 grams, making it the smallest DX or APS-C lens Nikon has ever made! Additionally, the Nikon Z DX 16-50mm f/3.5-6.3 VR is now the least expensive Z mount lens with an MSRP of $299.

Standard Prime Lenses

6. Nikon Z 40mm F2

The Nikon NIKKOR Z 40mm f/2 is a flexible prime lens with a brilliant f/2 maximum aperture that bridges wide-angle and regular fields of view and makes an excellent everyday lens. The specific focal length is wide enough for impromptu photography while being narrow enough for portraiture and selective focus. The lens is also ideal for walkaround filming and works equally well with FX or DX-format camera bodies thanks to its small, portable design.

A stepping motor AF system provides silent and smooth focusing performance that is advantageous for both still images and video capture, and a programmable control ring can also be configured to enable simple modification throughout a range of camera and exposure settings.

7. Nikon Z 50mm F1.8 S

The Nikon NIKKOR Z 50mm f/1.8 S is a small, capable prime lens with a bright f/1.8 maximum aperture. It has a normal field of view. The cozy perspective works well with the f/1.8 design to accommodate working in challenging lighting settings and provides a better depth of field control.

Two aspherical elements and two extra-low dispersion elements are used in the optical design, which considerably reduces spherical and chromatic aberrations for improved sharpness and clarity. Additionally used to reduce flare and ghosting for improved color integrity and increased contrast are nanocrystal and super integrated coatings.

8. Nikon Z 50mm F1.2 S

Nikon’s NIKKOR Z 50mm f/1.2 S is a quick, normal-length prime lens with superior optics and a bright design to fit everything from available-light portraits to selective-focus documentary subjects. It is built for speed and uncompromising sharpness.

The f/1.2 maximum aperture thrives in challenging lighting situations and provides exceptional depth of focus adjustment to aid in isolating subject matter against a blurred backdrop.

While ARNEO and Nano Crystal Coats, as well as a Super Integrated Coating, suppress flare, ghosting, and surface reflections for improved contrast and color fidelity, a series of extra-low dispersion and aspherical elements also aid in achieving high sharpness, notable clarity, and accurate rendering.

9. Nikon Z 58mm F0.95 S Noct

The Nikon NIKKOR Z 58mm f/0.95 S Noct brings back the Noct and makes it faster than before. This iconic and distinctive lens has made a comeback with an improved design, especially for the Z-series of mirrorless cameras, made feasible by the larger design of the Z mount.

This lens performs well in low light and also offers tremendous control over the depth of field for isolating subject matter. It is distinguished by its sophisticated optical design and exceptionally bright f/0.95 maximum aperture. This lens, like its Noct predecessor, has a manual focus design for precise control, making it appropriate for photo and video applications.

To achieve great clarity and accurate rendering, its optical design includes a large-diameter ground aspherical element that minimizes spherical aberrations and distortion. In order to significantly reduce flare and ghosting when working in harsh lighting circumstances, ARNEO coats, Nano Crystal Coats, and fluorine coats have also been applied to particular elements.

10. Venus 33mm F0.95 CF APO

The Laowa 33mm f/0.95 CF APO Lens for Nikon Z-mount camera bodies by Venus Optics is a superb f/0.95 standard-length lens for APS-C-format cameras. It was inspired by the fable of Argus, a mythical giant with all-seeing sight.

Shallow depth of focus portraits, astrophotography, low light photography, and narrative videography all benefit from ultra-fast aperture. To provide sharp, clear images with little chromatic aberration across the frame, the apochromatic design combines one extra-low dispersion element, one aspherical element, and three ultra-high refraction elements.

This dynamic manual focus lens offers a stepless aperture ring for smooth exposure changes and long focus throw and low focus breathing for fine focus control in video applications.

Wideangle Zoom Lenses

11. Nikon Nikkor Z 14-24mm F2.8 S

The Nikon NIKKOR Z 14-24mm f/2.8 S is an ultra-wide angle zoom with a flexible yet precise design that stands out for its dazzling f/2.8 constant maximum aperture and sophisticated optical engineering. This quick design gives better depth of field control and is suitable for handheld shooting in low light.

The optical system uses four extra-low dispersion elements and three aspherical elements to achieve great sharpness and clarity as well as an accurate portrayal of objects and point light sources, such as stars. These elements also eliminate a range of aberrations and distortion. For increased contrast and color accuracy, flare, ghosting, and surface reflections have been suppressed using ARNEO and Nano Crystal Coats as well as a Super Integrated Coating.

12. Nikon Z 14-30mm F4 S

The NIKKOR Z 14-30mm f/4 S is an ultra-wide zoom for Nikon’s FX-format Z-series mirrorless system that offers an exceptional wide-angle range. The wide field of view lends itself particularly well to applications in astrophotography, architecture, and landscape photography, and the constant f/4 maximum aperture ensures constant exposure across the zoom range.

Four extra-low dispersion elements and four aspherical elements are included in the optical design of the lens, which works together to eliminate a range of aberrations and distortion to produce images that are sharp, clear, and have correct color reproduction. Additionally used to reduce flare and ghosting for improved color integrity and increased contrast are nanocrystal and super integrated coatings.

13. Samyang MF 14mm F2.8 Z

The Nikon Z-mount Samyang MF 14mm f/2.8 is an ultra-wide prime lens ideal for landscape, architectural, and astrophotography applications. It combines a complex optical layout with reliable and user-friendly construction. This lens, which has 14 elements in 10 groups, makes use of a number of aspherical, low dispersion, and high refractive index elements to lessen color fringing, aberrations, and distortions and produce images that are crisp, sharp, and color true.

When shooting in harsh, direct lighting, an Ultra Multi-Coating and an integrated petal-shaped lens hood are included to reduce lens flare and ghosting for better contrast. The metal housing is weather-sealed to allow use in adverse weather, and a manual focus design is used to enable working with targets as near as 11″ away. These features complement the imaging assets.

14. Nikon Z 28mm F2.8 SE

The Nikon NIKKOR Z 28mm f/2.8 (SE) is a conventional Nikon legacy design that is incredibly small and light for an FX-format prime lens. The vintage NIKKOR lenses that were produced around the same time as the Nikon FM2 film SLR camera served as the inspiration for this Special Edition lens. It has features that authentically mimic those designs from that era, like knurling and a large control ring.

The lens is made to be a flexible wide-angle lens suitable for a variety of topics, including reportage, landscape, and architecture. This quick, bright lens provides stunning details at a normal focal length with a maximum aperture of f/2.8.

A multi-focus system, which uses two stepping motors to achieve extremely quick, accurate, and silent focus performance, as well as a full-time manual focus override, to meet both stills and video needs, complements the optical design. A programmable control ring can also be configured to allow for a simple change of a range of camera and exposure parameters. It works well as a carry-around lens for impromptu situations at any time of the day.

15. Nikon Z 28mm F2.8

The Nikon NIKKOR Z 28mm f/2.8 delivers a comfortable broad field of view that suits a number of applications, from architectural to landscape to street subjects. It is a wide-angle prime that is both portable and adaptable. The f/2.8 maximum aperture helps in controlling the depth of the field and working in available light. It also contributes to a svelte and portable physical factor.

When it comes to handling, a dual stepping motor AF system provides a quiet and fluid focusing performance that is beneficial for both stills and video capture. Additionally, a programmable control ring can be set up for simple modification across a variety of camera and exposure settings.

16. Nikon Z 35mm F1.8 S

The NIKKOR Z 35mm f/1.8 S is a prime wide-angle lens renowned for its adaptability and bright f/1.8 maximum aperture. It is a preferred focal length for anything from street to landscape photography. The optical design’s advantages are further enhanced by the inclusion of three aspherical elements and two extra-low dispersion elements, which reduce a range of aberrations and distortion to provide images with exceptional sharpness, clarity, and accurate color rendering. Additionally, Super Integrated Coatings and Nano Crystals are employed to reduce flare and ghosting for more accurate color reproduction and increased contrast.

A stepping motor, which benefits the optics, offers quick, quiet, and precise autofocus performance as well as continuous manual focus override for stills and video applications. Moreover, a programmable control ring can be configured for simple adjustment over a range of camera and exposure settings.

17. Nikon Z 20mm F1.8 S

The Nikon NIKKOR Z 20mm f/1.8 S is a versatile prime lens well-suited to a variety of subject types, from architecture to interiors to landscapes. It has an ultra-wide field of view and an elegant design factor.

To generate a sharp, well-corrected picture with excellent clarity and color accuracy, an advanced optical design employs aspherical and ED elements. Nano Crystal and Super Integrated Coatings are also employed to suppress flare and ghosting for enhanced color fidelity and higher contrast.

A multi-focus system, which uses two stepping motors to achieve extremely quick, accurate, and silent focus performance, as well as a full-time manual focus override, to meet both stills and video needs, complements the optical design.

A programmable control ring can also be configured to allow for a simple change of a range of camera and exposure parameters.

18. Nikon Z 100-400mm F4.5-5.6 VR S

Having a 4x zoom, the Nikon Z 100-400mm f4.5-5.6 VR S is a long telephoto lens. It is the only lens that can use Nikon’s Z 1.4x and 2.0x teleconverters and is the first lens for Nikon’s Z-mount mirrorless cameras to have a focal length longer than 200mm.

It may be used on a cropped body like the Z fc or Z50 and gives a field of vision that is similar to a 150-600mm lens length because it is adjusted for full-frame cameras.

The new lens includes an OLED display that shows the aperture, focal length, focusing distance, and depth of field in addition to optical image stabilization, autofocus, a focus limiter, a detachable tripod foot, and additional function buttons. It is the replacement for Nikon’s AF-S 80-400mm f4.5-5.6G ED VR, which was released in 2013 and is still compatible with Nikon’s Z cameras when used with an FTZ adapter.

19. Nikon Nikkor Z 70-200 F2.8 VR S

The Nikon NIKKOR Z 70-200mm f/2.8 VR S is a well-liked zoom among sports, event, and portrait photographers. It is an incredibly adaptable telephoto lens distinguished by its bright f/2.8 design.

The quick maximum aperture is ideal for working in light-filled environments and provides more depth-of-field control for isolating specific subjects with selective focus. In order to improve clarity and color accuracy throughout the zoom range, the optical design includes a number of ED, fluorite, and SR elements. These components work together to lessen color fringing and chromatic aberrations.

Additionally, flare, ghosting, and surface reflections have been reduced for better contrast and color accuracy using ARNEO and Nano Crystal Coats, as well as a Super Integrated Coating.

20. Nikon Z DX 50-250mm F4.5-6.3 VR

In this comparison, two lenses with various focal types are used: Tamron 18-400mm F3.5-6.3 VC is a SuperZoom lens with an 18-400mm focal range and a maximum aperture of F3.5-6.3 in contrast to Nikon Z DX 50-250mm F4.5-6.3 VR, which is a Telephoto Zoom lens with a 50-250mm focal range and F4.5-6.3 maximum aperture.

We will begin by quickly examining the key features of these two lenses. Later on, we will begin a more thorough analysis and identify the advantages and disadvantages of each lens.

Telephoto Prime Lenses

21. Samyang MF 85mm F1.4 Z

A prized prime for portraiture, the Nikon Z-mount Samyang MF 85mm f/1.4 is a short telephoto lens characterized by its fast f/1.4 maximum aperture. This bright design suits working in low-light conditions and also offers increased control over the depth of field for isolating subject matter. The optical design incorporates one hybrid aspherical element that helps to reduce distortion and spherical aberrations for a high degree of sharpness and accurate rendering.

Ultra Multi-Coating has also been applied to reduce flare and ghosting in order to achieve greater contrast and color fidelity. The manual focus design permits working with subjects as close as 3.6′ away and a rounded eight-blade diaphragm contributes a pleasing bokeh quality.

22. Nikon Z 400mm F2.8 TC

The Nikon NIKKOR Z 400mm f/2.8 TC VR S will help you achieve greatness. This super-telephoto lens is distinguished by its bright f/2.8 maximum aperture and excellent optical, autofocus, and VR technologies. It is perfect for sports and animals and offers great reach with impressive speed. This 400mm lens sets itself apart from most prime lenses because it has an integrated 1.4x teleconverter that enables instantaneous conversion to a 560mm f/4 lens for longer reach.

  • 1.4x Teleconverter Integrated
  • By flicking the right-hand button, the built-in 1.4x teleconverter enables you to rapidly increase your reach to 560mm.
  • The teleconverter is optically matched to the lens by being placed into the lens housing, which enhances imaging performance and fully preserves the lens’ weather sealing.
  • This 400mm f/2.8 lens becomes a functional 560mm f/4 lens when the teleconverter is activated.

23. Nikon Z 85mm F1.8 S

The Nikon NIKKOR Z 85mm f/1.8 S is a short-telephoto prime lens that is well-known for portraiture and is distinguished by its attractive focal length and dazzling f/1.8 construction. The maximum aperture finds a compromise between size, weight, and speed by providing adequate speed for working in challenging lighting conditions while yet being svelte enough for handheld use.

Two extra-low dispersion elements are used in the optics to help produce exceptional clarity and color fidelity by lowering chromatic aberrations and color fringing. Additionally, flare and ghosting are reduced for improved contrast and greater color accuracy using nanocrystal and super-integrated coatings.

SuperZoom Lenses

25. Nikon Z 24-200mm F4-6.3 VR

The Nikon NIKKOR Z 24-200mm f/4-6.3 VR is an all-in-one 8.3x zoom encompassing wide-angle to telephoto focal lengths, making it a one-lens solution for working in a wide variety of photography conditions. In combination with both ARNEO and Nano Crystal Coatings, an innovative optical design that makes use of a number of aspherical and ED elements produces sharp, clear images with strong contrast and accurate color reproduction for working in a variety of lighting settings.

Vibration Reduction image stabilization, which reduces the appearance of camera shake by up to 5 stops for clearer handheld shooting, also benefits from the excellent zoom reach. Stepping motors offer full-time manual focus override and rapid, quiet, and accurate autofocus performance for both stills and video applications. Additionally, an intuitive adjustment over a number of camera and exposure parameters can be made using a customizable control ring.

26. Nikon Z DX 18-140mm f3.5-6.3 VR

In accordance with its roadmap for the Z-mount, Nikon has unveiled the Z DX 18-140mm F3.5-6.3 VR, an all-purpose standard-to-telephoto zoom.

Users of the Z50 and Z fc have access to a versatile lens with extended reach thanks to the 7.8x zoom for APS-C cameras. 17 elements in 13 groups, including two aspherical and two extra-low dispersion (ED) elements, make up the comparatively complex optical formula.

The maximum reproduction ratio is 0.33x, with minimum focus distances ranging from 20cm (7.9″) at the wide end to 40cm (15.7″) at the long end. At the 140mm setting, the lens’ VR system is rated to provide 5.0 stops of correction, making it simpler to take clear pictures.

When set at its shortest, 18mm setting, the lens is remarkably small, measuring just 73mm (2.9″) wide and 90mm (3.6″) long. Its lightweight construction of 315g (11.2 oz) and ‘dust- and drip-resistant construction, according to Nikon, increase its value as a travel lens.

Macro Prime Lenses

28. Nikon Z MC 50mm F2.8

The Nikon Z MC 50mm f2.8 and the Z MC 105mm f2.8 VR S are Nikon’s two macro lenses for Z-mount mirrorless cameras. Without the use of bellows or extension tubes, it reaches 1:1 (1x) magnification and is adjusted for full-frame cameras.

At a 1x magnification, it can fit a subject that measures 24 x 36mm (0.94 × 1.42 in.). The new lens is the shortest macro lens available for full-frame sensors in Nikon’s F-mount or Z-mount lineup because the AF-S DX Micro-Nikkor 40mm f2.8 G is only corrected for DX sensors, where it produces a field of view equivalent to a 60mm lens, and the AF-S Micro-Nikkor 60mm f2.8 G ED has a 20% longer focal length.

The new Z MC 50mm f2.8 features a focus limiter, full weather sealing with a fluorine coating, and autofocus. Priced at 729 EUR, 647 USD, or 649 GBP, it was released in June 2021.

29. Nikon Z MC 105mm F2.8 VR S

The Nikon NIKKOR Z MC 105mm f/2.8 VR S Macro Lens reveals secret worlds and exciting details. With a versatile 105mm focal length, a small working distance, and a true 1:1 reproduction ratio, this S-line macro lens offers all three. Its amazing color and edge-to-edge sharpness fill the entire frame. This expert lens expands your field of vision, whether you’re photographing portraits, jewelry, cuisine, flowers, products, nature, or wildlife.

The lens has a close-up subject-friendly minimum focusing distance of 11.4″, and it has a brilliant f/2.8 maximum aperture so you can operate securely in dim lighting. Fast and speedy autofocus is provided by a Dual-Motor Multi-Focus STM System with manual focus override, and this special multi-focus system also lessens chromatic aberration and color fringing typical of macro lenses.

When shooting handheld in challenging lighting, a VR image-stabilization system reduces the appearance of camera shake by 4.5 stops. In addition, a built-in OLED lens information panel enables you to quickly confirm the aperture setting, focus distance, and depth of field figures directly on the lens in both bright and low-light conditions.

When working in brightly illuminated and backlit scenes, Nano Crystal and ARNEO coatings eliminate ghosting, flare, and reflections, and a single aspherical lens element reduces coma, distortion, and other types of lens aberrations when using wide aperture settings. A fluorine coating also keeps grime, moisture, and smudges from adhering to the lens’s surface.

30. Laowa 85mm f5.6 2x Macro

The Laowa 85mm f/5.6 2x Ultra Macro APO, by Venus Optics, is a short-tele prime delivering an outstanding 2:1 reproduction ratio for high-magnification macro photography. It is incredibly small and has an incredibly close focus.

This Nikon Z-mount lens is notable for its close-focusing, high magnification capabilities, as well as its svelte, lightweight construction, and ability to focus all the way to infinity, making it a flexible option for both walk-around use and portrait situations.

Using a 2x maximum magnification while shooting up close

The 2:1 maximum magnification ratio of this lens, which allows for greater-than-life scale photography with a 6.4″ minimum focusing distance, is its defining characteristic. The lens can focus to infinity and is not merely confined to specialized close-up applications, making it a flexible option for both macro and portraiture situations.

Optics of Achromatism

Three extra-low dispersion (ED) glass elements are used in the optical design, which results in high color accuracy and clarity by significantly reducing chromatic aberrations and color fringing. When working over the focusing range for accurate and consistent color with both close-up and distant subjects, this apochromatic design is extremely helpful.

About Author


Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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