Buying Guide Lenses

Best Olympus OM-D E-M1 Mark III Lenses

Best Olympus OM-D E-M1 Mark III Lenses

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Are you looking for the best lenses that can be used with the Olympus OM-D E-M1 Mark III? Here is a list of the best micro four-thirds lenses that you should consider purchasing for your Olympus E-M1 Mark III mirrorless camera.

The Olympus OM-D E-M1 Mark III is a well-rounded Micro Four Thirds mirrorless camera that is excellent for a number of still photography and videography applications. It is a camera that was developed with speed, adaptability, and portability in mind. In addition to being able to record video in DCI 4K/24p and UHD 4K/30p resolutions, the Olympus OM-D E-M1 Mark III boasts a 20.4-megapixel Live MOS sensor and an updated version of the TruePic IX image processor.

It is also capable of continuously shooting at up to 60 frames per second when using an electronic shutter and up to 15 frames per second when using a mechanical shutter. A sophisticated 5-axis sensor-shift image stabilization system compensates for up to 7.5 stops of camera shake for sharper handheld shooting, making this dependable, compact, and lightweight body capable of shooting at sensitivities as high as ISO 25600. In addition, this body offers a sensitivity range that extends all the way to ISO 25600.

It is also equipped with versatile features that were popular on the Olympus OM-D E-M1X, such as 50MP Handheld High Res Shot, Live ND, Pro Capture mode, and handheld 4K video, thanks to its 5-axis In-Body Image Stabilization, which was designed to meet the demands of the professional photographer. Additionally, the Olympus OM-D E-M1 Mark III is equipped with a 121-point all cross-type On-chip Phase

Therefore, if you are one of the fortunate individuals who already own an Olympus E-M1 Mark III, the next step is to locate the lenses that are most suitable for use with an Olympus E-M1 Mark III camera. We have compiled a list of the best prime and zoom micro four-thirds lenses for the Olympus E-M1 Mark III mirrorless camera, including options ranging from wide-angle to telephoto so that you can get a shot that looks like it was taken by a professional. This list will assist you in selecting the lens that is best suited for the challenging conditions under which you will be shooting. You need to pick the one that fits your requirements!

Olympus OM-D E-M1 Mark III Kit Lenses

1. Olympus 12-100mm f/4 IS PRO

Micro Four Thirds mirrorless cameras are compatible with the Olympus M.Zuiko Digital ED 12-100mm f/4 IS PRO lens, which has an equivalent focal length range of 24-200 millimeters and features a wide-angle to the telephoto range that is rather excellent.

This lens is distinguished by its constant maximum aperture of f/4, and it provides consistent performance over the entirety of its zoom range, making it suitable for use in both video and still photography. A large number of low dispersion and aspherical elements have been incorporated into its optical design in order to reduce both chromatic and spherical aberrations.


Additionally, a ZERO coating and a Z Coating Nano have been applied in order to significantly reduce lens flare and ghosting in order to improve contrast. The Olympus 12-100mm f/4 IS PRO lens is the ideal all-in-one solution for all types of photography, including wide-angle, telephoto, portrait, nature, and macro shots, thanks to its premium weatherproof construction and Z Coating Nano anti-flare coating.

It can also be used for videography thanks to its ability to record 4K video.

2. Olympus 12-40mm f/2.8 PRO

The Olympus 12-40mm f/2.8 PRO lens is equipped with a maximum aperture of F2.8, a filter at 62mm, and a light overall weight of 13.4 oz, making it capable of managing a diverse array of settings and events while maintaining a consistent output and advanced image design. The Olympus M.Zuiko Digital ED 12-40mm F2.8 PRO lens features a wide-angle focal length for capturing landscapes, architecture, or nature scenes as well as a super-fast fixed f/2.8 aperture for producing perfect portraits when used at 40 millimeters.

This lens also provides an equivalent focal length range of 24 to 80 millimeters. Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. This is accomplished by utilizing a combination of these three types of elements. The maximum aperture of f/2.8 remains constant throughout the entire zoom range, allowing for consistent performance in low light as well as control over selective focus.

In addition, a Movie and Still Compatible autofocus technology deliver a focusing performance that is quick, smooth, and silent. Additionally, a manual focus clutch allows for immediate changeover between different types of focusing. A lens that can handle anything from photographing at night to photographing sports and action to photographing weddings – sometimes all at the same moment.

Best All-in-one Zoom Lens for Olympus OM-D E-M1 Mark III

3. Olympus 12-200mm f/3.5-6.3

The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 lens is one of the most versatile lenses currently on the market due to its splashproof and dustproof design. It also has the largest zoom range (24-400mm equivalent) of any mirrorless interchangeable lens. Its focal range of 24 to 400mm, which is comparable to 35mm, covers everything from wide-angle to super-telephoto, and it provides exceptional picture quality as well as unparalleled system mobility.

The lens is characterized not only by its long reach, but also by its portable form factor, close minimum focusing distance of 8.7 inches, and sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements to produce well-corrected imagery. Despite its long reach, the lens is also distinguished by its close minimum focusing distance of 8.7 inches.


When working in environments with bright illumination, a ZERO coating has also been placed on the lens in order to aid prevent lens flare and ghosting, which results in improved contrast and color accuracy. In addition, this lens makes use of a Movie & Stills Compatible AF technology to provide a focusing performance that is silky-smooth, lightning-quick, and nearly silent, which is beneficial for both still photography and videography.

This lens will allow you to capture anything from vast vistas and architecture to animals and sports, regardless of where you go in the world.

4. Olympus 12-100mm f/4 IS PRO

The Olympus 12-100mm f/4 IS PRO is the only professional high-magnification zoom lens that can span a focal range that is comparable to 24-200mm when used with 35mm cameras on its own. It combines the capabilities of two professional lenses into a single lens while maintaining a small and lightweight overall design for the device.

This lens is built to professional standards in every way, including being resistant to the elements, having quick autofocus, and being simple to operate. Because of its versatile focal length, it is possible to photograph portraits, wide-angle shots, telephoto shots, landscapes, and close-ups. One lens. Unmatched adaptability in every respect.

Best Standard Prime Lenses for Olympus OM-D E-M1 Mark III

5 Olympus 25mm f/1.2 Pro

One of the most flexible and high-performing prime lenses ever produced, the Olympus M.Zuiko Digital ED 25mm f1.2 PRO is one of the best examples of its kind. You’ll be able to capture breathtaking portraits, landscapes with a wealth of detail, and high-quality photographs of your everyday life thanks to its exceptional optical design. It is an excellent lens for producing photographs with bokeh and backgrounds that are delightfully out of focus.

Because of its one-of-a-kind construction, which consists of 19 elements and 14 groups and incorporates extra-low dispersion, aspherical, and high refractive index elements, it is able to significantly reduce both chromatic and spherical aberrations, resulting in an image that is notably clear, sharp, and accurate in color.

Additionally, the lens has a maximum aperture of f/1.2, making it useful for working in low-light circumstances and allowing for a great deal of control over the depth of focus. You’ll also discover professional features such as Olympus’ most sophisticated lens coating, lightning-quick high-precision AF, and easy controls, all of which work together to ensure that every photo you take is an incredible shot.


6 .Panasonic Leica 25mm f/1.4 I

Because of its pristine optical clarity and one-of-a-kind soft-focusing backdrop effect, the Panasonic Leica 25mm f/1.4 II lens with a 50mm equivalent focal length is an absolute need for any photographer working with a Four Thirds mirrorless camera system.

While the F1.4 aperture allows for very strong light collecting in challenging low light circumstances, the Panasonic Nano Surface Coating almost avoids the normal ghosting and flaring that can occur with wide-open aperture shooting. The combination of a stepping autofocus motor and an internal focus architecture helps to produce a focusing performance that is both rapid and quiet for both still photography and video applications.

In addition, this lens features a structure that is resistant to dust and splashes, making it useful for use when working in messy environments. A “general purpose” lens that possesses exceptional quality and can be purchased at an affordable price. Very strongly suggested!

7. Olympus 25mm f/1.8

Although it is a little bit slower than Panasonic’s 25mm lens, it is still pretty sharp and it is also quite a deal cheaper. Your perfect all-around lens is the M.Zuiko 25mm f1.8, which allows you to capture breathtaking shots both during the day and at night. This lens falls in the middle of wide and telephoto designs, with a focal length of 25 millimeters and an angle of view of 47 degrees.

Its rapid circular aperture of f1.8 produces attractively blurry backgrounds that are defocused brilliantly, making it ideal for portraiture. It also provides excellent detail even when the lighting is less than ideal, which enables you to avoid using the flash in a lot of scenarios when there isn’t a lot of light. If you don’t require a larger aperture, the less expensive 25mm prime lens from Olympus can be the right choice for you.

8. Panasonic 20mm f/1.7 II

Great bargain! One of the most well-known and widely used Micro Four Thirds lenses available today is the Panasonic Lumix 20mm f/1.7 II. This Panasonic 20mm f/1.7 II delivers exceptional clarity, bokeh, and performance in low light despite its compact and lightweight design (it weighs only 3.5 ounces). It has a stunningly small footprint and is surprisingly lightweight while having an aperture of F1.7.

This allows for a stunningly blurry backdrop, which brings the subject into striking contrast with its surroundings. Appropriate for a diverse range of photographic applications, including everyday and street photography, as well as photos of landscapes like sunsets and inside photographs taken in low light.


9. Olympus 17mm f/1.8

This Olympus M.ZUIKO 17mm f/1.8 lens is a very bright and fast lens that is great for daily photography as well as street photography, both of which require quick shutter speeds and adequate light. This is an excellent lens for taking pictures in low-light conditions and those that require a small depth of field because it has a maximum aperture of f/1.8.

10. Voigtlander 25mm f/0.95 II

A completely manual lens that is far more robust than the Olympus lens and moves at a speed that is close to twice as fast. It is easy to see that it is of high quality just by handling it and observing how smoothly it operates.

This manual focus and manual exposure prime lens make use of a Selective Aperture Control System, which allows the user to switch between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. The lens also features a manual aperture control system.

Low light photography is one of the most popular applications for the Voigtlander 25mm f/0.95 lens.

Best Standard Zoom Lenses for Olympus OM-D E-M1 Mark III

11. Olympus 12-40mm f/2.8 Pro

The M.Zuiko Digital ED 12-40mm F2.8 PRO lens provides a versatility in photography that is unparalleled. It has a focal length that is ideal for capturing landscapes, architecture, or natural sceneries with an aperture that is incredibly fast and fixed at f/2.8, making it ideal for taking portraits when set at 40 millimeters.

A lens that can handle anything from photographing at night to photographing sports and action to photographing weddings—sometimes all at the same moment.

12. Panasonic 12-35mm f/2.8 II

The recently updated Panasonic 12-35mm f/2.8 II is a flexible zoom lens that covers wide-angle to portrait-length views. It also gives a 24-70mm equivalent focal length range, which is helpful for photographers.


The large diameter of this lens not only makes it perfect for photographing landscapes while traveling, but also allows you to take high-quality pictures inside. You may get exactly the sort of images and films you want thanks to the addition of perceptive and defocusing effects, which are included in the features.

lens that excels in every aspect. The M.Zuiko Digital ED 12-45mm F4.0 PRO lens is the world’s most small and lightweight medium-range zoom PRO lens with a set aperture value covering a focal length range from wide-angle 24mm to telephoto 90mm. The lens has a fixed aperture value of 4.0. (35mm equivalent). It is made up of roughly 190 perfectly machined components that are all attached in a dense configuration.

As a result, it has a maximum diameter of 63.4 millimeters (2.5 inches), an overall length of 70 millimeters (2.76 inches), and a weight of around 254 grams (8.96 ounces). This compact and lightweight lens focuses quickly and accurately on a wide variety of subjects despite its tiny size and lightweight.

This lens is notable for having a maximum aperture that remains constant at f/4, and it achieves a good mix between a brilliant design and highly small construction, making it suitable for usage in commonplace settings. Its structure is dustproof and splashproof, and it has to seal in nine different locations to keep dust and rain out.

This gives the user peace of mind when shooting in dynamic conditions. You can get high-resolution crispness from edge to edge at every lens length, and you can focus quickly utilizing our lightning-fast autofocus mechanism. It can travel to any location and take a variety of photographs, including landscapes, cityscapes, and portraits.

14. Panasonic Leica 12-60mm f/2.8-4

This Panasonic Leica 12-60mm lens (35mm equivalent: 24-120mm) offers versatile framing options, ranging from spectacular vistas to gorgeous portraits captured at a mid-telephoto 60mm. In order to achieve a high level of clarity, sharpness, and color accuracy, the lens consists of six components: four aspherical elements and two extra-low dispersion elements.

These elements work together to minimize chromatic aberrations, spherical aberrations, and other distortions. Because it has such a high resolution, this LEICA DG lens depicts everything extremely clearly, right down to the very corners.


This convenient and high-quality lens is all you’ll need for demanding situations since its design allows for dependable operation even in adverse environmental conditions.

Best Wide-angle Prime Lenses for Olympus OM-D E-M1 Mark III

15. Olympus 17mm f/1.2 PRO

The Olympus M.Zuiko Digital ED 17mm f/1.2 PRO is a prime lens for Micro Four Thirds mirrorless cameras that offers a flexible wide-angle perspective with a focal length comparable to 34 millimeters. Its optical construction is highly complex, and it has an incredibly brilliant maximum aperture.

When you shoot with an aperture of f1.2 and a wide-open shutter, you can effortlessly get crisp objects, feathery bokeh, and natural three-dimensional effects for remarkable depth. Even at the largest aperture, the photos have great quality and are crisp all the way to the image’s edges.

Additionally, a complex construction consisting of 15 elements and 11 groups combines aspherical, high refractive index, and extra-low dispersion elements in order to significantly reduce both chromatic and spherical aberrations.

This results in an image that is notable for its clarity, sharpness, and color accuracy. The lightweight focusing mechanism is silent, quick, and precise, and the innovative ED-DSA element is truly one of a kind. It helps to reduce the size of the lens while simultaneously boosting its performance. This versatile pro prime lens will quickly become one of your go-to lenses for capturing every task and experience thanks to its dustproof and splashproof metal construction as well as its outstanding performance in low light.

16. Panasonic Leica 12mm f/1.4 ASPH

This Panasonic Leica 12mm f/1.4 ASPH lens (24mm equivalent) is great for working in low-light circumstances because of its genuinely brilliant f/1.4 maximum aperture. It also gives a wealth of flexibility over focus placement, which is useful for employing methods that need a small depth of field.

The optical design makes use of a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations. This results in a high degree of sharpness and clarity from edge to edge throughout the entire image.


This lens incorporates a smooth and quiet autofocus motor that is well-suited to both stills and video recording, and it also incorporates a manual AF/MF switch that lends direct focus mode adjustment for more intuitive handling. Both of these features are beneficial to the optical assets of the lens.

17. Olympus 12mm f/2 Lens

One of the most capable Olympus lenses for photographing scenery, cityscapes, and buildings. A wide-angle lens that has a fast aperture and is constructed entirely of metal. This high-speed, single-focal-length, wide-angle lens is great for photographing a variety of subjects, including spectacular landscapes in low-light circumstances as well as spontaneous street photos that are difficult to acquire.

This Olympus 12mm f/2 lens is not only fantastic for monitoring a moving youngster or pet, but it also features a rapid and silent focus mechanism, making it useful for still photography as well as motion pictures.

18. Panasonic 15mm f/1.7

Because it has a focal length similar to 30mm on a 35mm camera, it is perfectly suited for use in general-purpose photography. Working in low-light environments is made easier by the quick maximum aperture of f/1.7, which also enables better control over the position of the focus point, which is useful for shallow depth of field and selective focus methods.

19. Rokinon 12mm f/2.0

This lens is great for taking pictures of landscapes, interiors, and architecture since it has a focal length that is comparable to 24 millimeters on a 35mm camera and a wide field of view of 83 degrees. The maximum aperture of f/2.0 is quite quick, which is an additional benefit while working in low-light circumstances.

You also have the option of purchasing the televised version of the Rokinon 12mm f/2.0 lens, which is known as the Rokinon 12mm T2.2 Cine Lens. This lens is an excellent wide-angle lens that has been optimized for digital filmmaking.

Best Wide-angle Zoom Lenses for Olympus OM-D E-M1 Mark III

20. Panasonic Leica 10-25mm f/1.7

The Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH is a zoom lens for Micro Four Thirds mirrorless cameras that offers an equivalent focal length range of 20-50 millimeters and features a distinctively brilliant design. The extraordinarily quick maximum aperture of f/1.7 remains constant throughout the whole zoom range, enabling enhanced control over the depth of focus as well as the ability to shoot in low light.


The optical design incorporates a series of low dispersion, aspherical, and high refractive index elements, which help to greatly reduce chromatic and spherical aberrations for improved clarity and sharpness. This helps to balance the impressive f/1.7 performance that the lens is capable of achieving. Together, the fast 240 fps autofocus motor and the internal focusing mechanism give a focusing performance that is smooth, accurate, and silent.

This performance is beneficial to both video and still photography applications. This lens is distinguished not only by its optics but also by its rugged, weather-sealed physical construction, its quick autofocus mechanism, its adaptable focusing clutch design, and its stepless, de-clicked aperture ring, all of which are designed to make it suitable for use in video applications.

Compatible not only with the taking of photographs but also with the recording of videos, so as to meet the needs of professional photographers and videographers.

21. Olympus 7-14mm f/2.8 PRO

Very strongly suggested! Are you looking for a combination that cannot be topped in terms of speed, brightness, portability, sturdy build quality, and exceptional optical performance? Consider the recently released M.ZUIKO ED 7-14mm f/2.8 PRO ultra-wide-angle zoom lens! This lens is also very good for photographing landscapes, cityscapes, and architecture.

Because it is small, lightweight, portable, and resistant to the elements, this lens can go just about everywhere with you. You’ll be able to capture more of every scene thanks to the camera’s ultra-wide field of view and a dazzling maximum aperture of f/2.8; for example, you’ll be able to take expansive panoramas during the day and electrifying, ultra-sharp nighttime shots.

22. Panasonic Leica 8-18mm f/2.8-4 ASP

This Panasonic Leica 8-18mm f/2.8-4 high-speed wide-angle zoom lens has a focal length of 8-18mm (35mm camera equivalent: 16-36mm), and a maximum aperture range of F2.8-4.0 ASPH, It is designed to cover wide-angle to close-up shooting and offers added versatility and high performance.

In addition, the incredible autofocus capabilities of this lens allow it to shoot high-quality 4K video, which requires extremely accurate focusing. In addition to this, it is compatible with 67mm filters, allowing for further creative potential in both photographs and films.


23. Panasonic 7-14mm f/4 ASPH

The Panasonic Lumix 7-14mm f/4 lens is surprisingly small and lightweight, and it has smooth, quiet autofocus as well as the capability to manually focus with pinpoint accuracy. Additionally, the lens is compatible with sophisticated contrast AF technology.

If you can afford the premium price, it is an exceptional lens since it is both compact and has good image quality. Recommended for landscape or vacation photographers who are searching for an ultrawide zoom lens that is extremely portable.

24. Olympus 9-18mm f/4-5.6

This super-wide-angle lens for Micro Four Thirds delivers remarkable image quality together with quick and silent autofocus, all in a compact packaging that makes it easily the smallest lens of its type. Its size and weight are both exceptional, and it features fast and silent autofocus.

Photographers who want ultra-wide-angle capabilities in the smallest feasible package are encouraged to have a look at this option. In addition to that, it is the most cost-effective choice when it comes to architecture, cityscapes, and landscapes.

Best Telephoto Prime Lenses for Olympus OM-D E-M1 Mark III

25. Panasonic Leica 200mm f/2.8

It promises to produce crisp images and has great handling. Users will have the ability to operate in low-light circumstances and generate photographs with a small depth of focus if the maximum aperture has a fast f/2.8 setting. The design features two Ultra Extra-Low Dispersion (UED) elements that work to battle aberrations, and a Nano Surface Coating is used to reduce flare in order to ensure that the image quality is of the highest possible standard.

Its extreme telephoto focal length, which is comparable to 400 millimeters, and its remarkable descriptive performance make it an excellent choice for photographing animals or sports. For additional close-up images, the 1.4x Teleconverter (DMW-TC14) that is included may expand the focusing distance to 280mm, which is the equivalent of having a 560mm lens.

26. Olympus 300mm f/4 IS PRO

The Olympus M.ZUIKO ED 300mm F4 PRO is the first single-focal-length super-telephoto lens in the M.ZUIKO PRO line, and it has a focal length of 600mm (35mm equivalent). This lens is ideal for even professional users due to its excellent depictive performance as well as its mobility and dustproof/splashproof performance.


In-lens and in-body image stabilization that is synced for the most powerful 6-steps of compensation available anywhere in the world. Ideal for those who shoot both wildlife and sports!

Best Telephoto Zoom Lenses for Olympus OM-D E-M1 Mark III

27. Olympus 40-150mm f/2.8 PRO

The Olympus 40-150mm f2.8 Pro is a telephoto zoom lens designed for professional use that maintains a constant aperture of f/2.8 throughout the zoom range. The Olympus 40-150mm f/2.8 PRO is an excellent lens for portraits and street photography thanks to its comparable coverage of 80-300mm. It is also great for photographing close sports and animals.

Even when set at its widest aperture, it produces photos that are extremely crisp and have a high contrast well into the camera’s corners, and it does it quickly and quietly. With a minimum focus distance of just 20 inches, this lens is ideal for wedding and event photography because it offers you the flexibility to zoom in or out to capture stunning portraits and live event photos. It is also ideal for use in sports photography.

28. Panasonic Leica 100-400mm f/4-6.3 ASPH

A super-telephoto zoom lens of exceptional clarity and sharpness across its focal range. The Panasonic Leica 100-400mm f/4-6.3 ASPH lens has a broader reach than any other native lens in the catalogue thanks to its equivalent range of 200-800 millimeters, making it an excellent choice for photographers who specialize in shooting animals and sports.

A high-speed autofocus (AF) motor that operates at 240 frames per second is both quiet and precise, and it offers benefits to both the taking of still photographs and the recording of moving images. Additionally, a focus limiter function can be used to restrict the focusing range in order to achieve even more rapid performance.

A rotating tripod collar is integrated into the design of the 100-400mm f/4-6.3 lens, which allows for a quick transition between horizontal and vertical shooting orientations when the lens is mounted on a monopod or tripod. The 100-400mm f/4-6.3 lens is suitable for handheld shooting due to its lightweight and compact form factor.

29. Panasonic 35-100mm f/2.8 II

This lens has an extremely long focal length range of 35-100 millimeters (the 35mm equivalent of which is 70-200 millimeters), and it has a high-speed aperture of F2.8. You may use it to softly blur the backdrop while shooting portraits or close-ups. In addition to this, it has high shutter speeds, which allow you to freeze-frame scenes that are moving quickly, such as sports and activities.


At the same time, its splash-proof, dust-proof, and freezeproof construction also makes it sturdy enough for shooting outside, which means that you can go out in almost any weather with a splash-proof, dust-proof, and freezeproof LUMIX camera and be creative.

In addition, because it is compatible with Power O.I.S. optical image stabilization and 5-Axis Dual I.S. 2.0 (Image Stabilization), you’ll be able to shoot with an unparalleled level of hand-held steadiness, regardless of whether you’re taking stills or video.

30. Panasonic 100-300mm f/4-5.6 II

This new Lumix 100-300mm f/4-5.6 II lens delivers a no-compromise approach to optical performance for modern interchangeable camera lovers, and it has been redesigned for the outdoors with a design that is splashproof and dustproof.

Because it has an equivalent focal length range of 200-600mm, the Panasonic Lumix G Vario 100-300mm f/4-5.6 II is an excellent choice for shooting animals, nature, and sports. The quick autofocus capability that a linear autofocus motor provides is also precise, smooth, and nearly silent, which is beneficial for both still photography and video applications. Working in severe weather circumstances is made easier by designs that are resistant to dust and splashes.

31. Panasonic Leica 50-200mm f/2.8-4

The Panasonic Leica 50-200mm f/2.8-4 ASPH. POWER is a versatile optic that is perfect for photographing wildlife, the great outdoors, and natural settings. The O.I.S. A lens is a zoom lens with an equivalent focal length of 100–400 millimeters that offers the highest possible optical quality and performance.

The long reaches is accompanied by a brilliant maximum aperture range that ranges from f/2.8-4, which not only makes it easier to work in low-light circumstances but also provides more control over the depth of focus for the purpose of isolating subjects.

Picture rendering that is accurate and crisp is ensured by providing excellent clarity from edge to edge and preventing any and all types of image distortion.


32. Panasonic Lumix 45-200mm f/4-5.6 II

This Panasonic 45-200mm f/4-5.6 II gives a focal length range for Micro Four Thirds mirrorless cameras that is comparable to 90-400mm. This telephoto zoom lens is an absolute need for your kit because of how simple it is to operate in all respects.

The lens also has a splash and dustproof physical construction, making it suitable for use in environments that are very severe. Additionally, it has a linear autofocus motor, which allows for rapid and silent focusing performance.

Best Portrait Lenses for Olympus OM-D E-M1 Mark III

33. Panasonic Leica Nocticron 42.5mm f/1.2

It has outstanding performance. Because it has a comparable focal length of 85mm when using a 35mm camera and a fast aperture of f/1.2, it is ideally suited for shooting portraits.

Working in challenging lighting situations is made easier by the quick maximum aperture of f/1.2, which also gives the photographer more control over the position of the focus point when taking images with a narrow depth of field. The optical design of the lens incorporates one ultra-high resolution element, one extra-low dispersion element, and one pair of aspherical elements.

This helps to decrease spherical aberration as well as chromatic aberration, which results in better sharpness and clarity. The one and only drawback is that it is a little bit pricey! In the event that you are unable to purchase it, the Panasonic 42.5mm f/1.7 is an affordable alternative that offers a stunning bokeh effect in the backdrop of the photograph.

34. Olympus 45mm f/1.2 Pro

it-length lens for Micro Four Thirds shooters because it combines a desirable 90mm-equivalent focal length with an exceptionally fast f/1.2 maximum aperture. This makes it a great lens for shooting portraits. You will shoot with the aperture wide open at f1.2 to get a depictive three-dimensional effect that has subjects that are pin-sharp and bokeh that is smooth and feathery.

Producing a crisp picture with a shallow depth of field is made possible by the combination of the slightly restricted field of view and the brilliant aperture, which also makes it suitable for working in challenging lighting circumstances.


It has wonderful bokeh in the background and works wonderfully as a portrait lens. The 45mm f/1.8 variant is likewise a highly fast and extremely light portrait lens that is compact in size and priced inexpensively, in case you are unable to afford the more expensive option.

35. Olympus 75mm f/1.8

With a focal length that is comparable to 150mm when shot with a 35mm camera, the Olympus 75mm f/1.8 lens (150mm equivalent) is an excellent choice for photographing studio portraits, theater stages, and indoor sporting events.

When combined with the lens’s reach and the visual compression afforded by its focal length, the lens’s brilliant maximum aperture of f/1.8 offers substantial control over the lens’s depth of focus, making it a perfect choice for use in portraiture applications. Ideal for portraiture and lighting situations that require a lot of control.

Best Macro Lenses for Olympus OM-D E-M1 Mark III

36. Olympus 60mm f/2.8 Macro

The Olympus M.Zuiko 60mm f/2.8 ED Macro Lens (120mm equivalent) is a high-quality lens that is dust-proof and splash-proof, and it offers a minimum focusing distance of 7.4 inches when used at a 1:1 life-size magnification. This lens was designed for precise close-up shooting.

The maximum aperture of f/2.8 is both wide and fast, which results in a narrow depth of focus and an improvement in image quality while shooting in low-light circumstances. In addition, the lens barrel features an indicator window with scales that allow for working at 1:1.3, 1:2, and 1:4 magnifications.

Additionally, the lens barrel features a Focus Limit switch that can be used to constrain the usable focusing range in order to achieve faster and more controlled performance.

37. Panasonic Leica 45mm f/2.8 Macro

The Panasonic Leica DG Macro-Elmarit 45mm F2.8 (90mm equivalent) is a really appealing tiny lens, and its minuscule size catches the gestalt of the format wonderfully. The lens is extremely compact and lightweight, and it has a focal length compared to 90mm.


When used as a macro lens, it is able to achieve a maximum magnification of 1:1 for life-size depiction, and its minimum focusing distance of 5.9 inches makes it ideal for dealing with objects that are up close.

Because the Mega Optical Image Stabilizer (O.I.S.) from Panasonic eliminates the blurring that is typically brought on by hand-shake, it is possible to take macro photographs that are finely focused even in low-light conditions and without the use of a tripod.

38. Panasonic 30mm f/2.8 Macro

The Panasonic 30mm f/2.8 Macro lens (60mm-equivalent) was developed specifically for close-up photography. It has a minimum focusing distance of 4.1 inches and a 1:1 magnification ratio, which allows for the capture of images that are true to the life-size subjects that are close by.

There is one aspherical element that aids in the control of spherical aberrations and distortions, and there is a multi-layer coating that aids in the reduction of ghosting and lens flare, which results in better contrast and color fidelity.

Best Fisheye Lenses for Olympus OM-D E-M1 Mark III

39. Olympus 8mm f/1.8 Fisheye PRO

With a 16mm equivalent focal length, the Olympus 8mm f/1.8 Fisheye PRO lens is capable of producing one-of-a-kind views and artistic distortions because of its vast field of view, which measures 180 degrees. The lens also features a quick maximum aperture.

Because it supports such lightning-fast shutter rates, this lens enables you to apply intriguing fisheye effects even when the lighting is poor (underwater, nighttime). Additionally, this fisheye lens features a Movie and Still Compatible (MSC) autofocus technology that is rapid and silent.

Additionally, its weather-resistant design makes it suitable for use while working in settings where there is a risk of precipitation.


This super-compact fisheye lens is the perfect partner for creative shooting in any location, but it shines brightest when used for shooting on the streets of cities, expressive landscapes, and spectacular hand-held night photos.

40. Panasonic 8mm f/3.5 Fisheye

the Panasonic 8mm f/3.5 Fisheye lens delivers a novel viewpoint and a one-of-a-kind distortion effect. It provides not only images but also movies with an outstanding view, which can be used to add an astounding scene to the narrative of everything from online videos to TV shows to feature films.

In addition, a stepping autofocus motor and an internal focus mechanism provide a focusing performance that is speedy, quiet, and smooth, making it suitable for use in video as well as photo applications.

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