Buying Guide Lenses

Best Panasonic Lumix G7 Lenses

Best Panasonic Lumix G7 Lenses

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The Panasonic Lumix G7 in black is a true hybrid mirrorless camera that combines the ability to record 4K Ultra High Definition video with outstanding still capture and burst shooting capabilities. Because it allows for a wide variety of recording options, we can confidently call this a hybrid camera.

In addition to its 16 megapixel Live MOS Micro Four Thirds sensor and Venus Engine 9 image processor, the G7 provides impressive low-light sensitivity up to ISO 25600, continuous shooting at up to 8 frames per second with single-shot autofocus, and a trio of shooting rates of 30 frames per second based on the capabilities of recording 4K UHD video.

More: Best Gimbal For Lumix G7

The DFD autofocus technology, which strives to increase focusing rates and emphasize accurate subject tracking for consistently clean photographs in fast-paced and tough working environments, is the perfect complement to the quick burst shooting modes available on the camera.

The G7’s feature set is finished off with a contemporary body design that is highlighted by physical exposure control knobs, six function buttons that can be personalized, a high-resolution electronic viewfinder, and a 3.0″ LCD touchscreen.

You will have the ability to manage the camera and share your photographs from any location thanks to the tilting touchscreen LCD and the built-in Wi-Fi. The Lumix DMC-G7 closes the gap between still photography and videography by integrating these two high-resolution media with better focusing and shooting skills. The end result is the utmost in shooting versatility thanks to the Lumix DMC-capabilities. G7’s

The Lumix G Vario 14-42mm f/3.5-5.6 II ASPH. MEGA O.I.S. lens, which is integrated with the camera body and spans a focal length range equivalent to 28–84 millimeters, enables users to take photographs from wide-angle to short telephoto views.

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An optical image stabilizer is incorporated into the design of the lens in order to facilitate the capturing of sharper images while the camera is being held in one hand. Additionally, a pair of aspherical elements are incorporated into the design of the lens in order to reduce its overall size while preserving a high level of sharpness and clarity throughout the entire zoom range.

Best Portrait Lenses for Panasonic G7

1. Panasonic 42.5mm f/1.7 telephoto lens

Excellent choice for taking portraits! Mirrorless cameras that use the Micro Four Thirds standard may make use of this Panasonic lens with a focal length of 42.5 millimeters and a maximum aperture of 1.7. The incorporation of an aspherical element within the optical design contributes to the management of spherical aberrations and distortions, resulting in improved sharpness and rendering that is more accurate.

The bright, huge F1.7 aperture not only lets in a lot of light but also creates a gorgeous bokeh effect that blurs the backdrop, allowing for more striking and imaginative photographs. When shooting images and videos with a shallow depth of field, the rounded seven-blade diaphragm creates a smooth out-of-focus look, further solidifying its status as a versatile instrument for portraiture.

The smooth, quiet, and responsive focusing performance allow for intuitive handling, complementing the optical features that are present. These are provided by a fast-stepping AF motor and an internal focus design, respectively. Hand-held shooting can also benefit from the usage of the POWER O.I.S. (Optical Image Stabilizer), which reduces blur caused by camera shake to produce images with more clarity.

2. 45mm f/1.8 Olympus lens

The Olympus M.Zuiko Digital 45mm f/1.8 is a slim lens that has a 90mm equivalent and is designed for use with Micro Four Thirds mirrorless cameras. It is positioned as the ideal portrait prime. The beauty of the Olympus 45mm F/1.8 is largely due to its silky and noiseless autofocus, which provides ample focusing power while freeing the photographer from the need to manually modify the portrait settings on a consistent basis.

Working in low-light circumstances is made easier by the combination of the short-telephoto focal length and a brilliant maximum aperture of f/1.8. This combination also provides better control over depth of field, which may be used to produce selective focus effects. The optical design of the lens comprises two elements with a very high refractive index. These components contribute to the reduction of spherical aberrations and distortion, which enables the lens to achieve a significant level of sharpness and accurate rendering.

In addition, a Movie and Still Compatible (MSC) autofocus mechanism is utilized to give speedy, noiseless, and accurate focusing performance that is suitable for both video and photography applications.

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3. 75mm f/1.8 Olympus lens

Ideal for portraiture and lighting situations that require a lot of control. The Olympus M.Zuiko Digital ED 75mm f/1.8 lens has a focal length that is similar to 150mm when shot with a 35mm camera, making it an excellent choice for photographing studio portraits, theater stages, and indoor sporting events. When combined with the lens’s reach and the visual compression afforded by its focal length, the lens’s brilliant maximum aperture of f/1.8 offers substantial control over the lens’s depth of focus, making it a perfect choice for use in portraiture applications.

Its optical design combines three components with extra-low dispersion and two elements with a high refractive index. These elements work together to eliminate a number of aberrations and color fringing, resulting in imagery that is crisp, clear, and color correct. In addition, a ZERO coating was placed to each individual element so that surface reflection and flare could be reduced. This allowed for improved contrast and color accuracy across a wide range of lighting situations.

In addition, a Movie and Still Compatible (MSC) autofocus mechanism is utilized to give speedy, noiseless, and accurate focusing performance that is suitable for both video and photography applications.

4. Olympus 45mm f/1.2 Pro telephoto lens

The Olympus 45mm f/1.2 Pro is a desirable portrait-length lens for Micro Four Thirds shooters because it combines a desirable 90mm-equivalent focal length with an exceptionally fast f/1.2 maximum aperture. This makes it a great lens for shooting portraits. You will shoot with the aperture wide open at f1.2 to get a depictive three-dimensional effect that has subjects that are pin-sharp and bokeh that is smooth and feathery.

Producing a crisp picture with a shallow depth of field is made possible by the combination of the slightly restricted field of view and the brilliant aperture, which also makes it suitable for working in challenging lighting circumstances. It has wonderful bokeh in the background and works wonderfully as a portrait lens. The 45mm f/1.8 variant is likewise a highly fast and extremely light portrait lens that is compact in size and priced inexpensively, in case you are unable to afford the more expensive option.

The Finest Panasonic Macro Lenses for the G7

5. Olympus Macro Lens, 60mm, f/2.8

The best lens for taking macro photographs with an Olympus camera! The high-quality dust- and splash-proof Olympus M.Zuiko 60mm f/2.8 ED Macro Lens was designed for sharp close-up shooting. It provides a 120mm equivalent focal length, and it offers a life-size 1:1 maximum magnification along with a minimum focusing distance of 7.5 inches to suit working with close-up subjects. Additionally, this lens has a 120mm equivalent focal length.

A Focus Limit Switch may also be used to better enable working at close or far range by confining the focusing mechanism for quicker, more precise AF. This switch is located in the barrel of the lens and includes scales for working at 1:1.3, 1:2, and 1:4 magnifications.

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A Movie & Still Compatible system is utilized, which offers a rapid, silent, and smooth AF that is ideal for both picture and movie applications. This system is another factor that contributes to the focusing performance of the camera.

Additionally, the Olympus 60mm f/2.8 Macro has a maximum aperture of an extremely bright f2.8, making it an excellent choice for shooting in low-light conditions. It also has an innovative design that employs no less than 13 individual lens elements organized into 10 groups, some of which are made of high-end glass materials to assist in the elimination of chromatic aberrations.

6. Panasonic Leica 45mm f/2.8 Macro

The best lens for taking close-up photos from Panasonic! The Panasonic Leica DG Macro-Elmarit 45mm F2.8 (90mm equivalent) is a really appealing tiny lens, and its minuscule size catches the gestalt of the format wonderfully. The lens is extremely compact and lightweight, and it has a focal length compared to 90mm.

When used as a macro lens, it is able to achieve a maximum magnification of 1:1 for life-size depiction, and its minimum focusing distance of 5.9 inches makes it ideal for dealing with objects that are up close.

Because the Mega Optical Image Stabilizer (O.I.S.) from Panasonic eliminates the blurring that is typically brought on by hand-shake, it is possible to take macro photographs that are finely focused even in low-light conditions and without the use of a tripod.

The Panasonic 30mm f/2.8 Macro lens (60mm-equivalent) was developed specifically for close-up photography. It has a minimum focusing distance of 4.1 inches and a 1:1 magnification ratio, which allows for the capture of images that are true to the life-size subjects that are close by.

There is one aspherical element that aids in the control of spherical aberrations and distortions, and there is a multi-layer coating that aids in the reduction of ghosting and lens flare, which results in better contrast and color fidelity.

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Taking advantage of the life-size magnification capability and deep depth of field, this compact lens offers excellent performance in shooting everything from casual macro shots, such as flowers or food, to impressive portraits. This lens’ versatility allows it to fulfill a wide range of photographic needs.

In addition to its optical capabilities, the lens possesses a MEGA O.I.S. technology. This system mitigates the blurring caused by camera shake, allowing the user to take clearer photos when hand-holding the camera.

The Finest Comprehensive Zoom Lenses Available for the Panasonic G7

7. 12-200mm f/3.5-6.3 Olympus ED VR II

A solution that just requires one lens for the majority of shooting circumstances.

The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 lens is one of the most versatile lenses currently on the market due to its splashproof and dustproof design. It also has the largest zoom range (24-400mm equivalent) of any mirrorless interchangeable lens.

Its focal range of 24 to 400mm, which is comparable to 35mm, covers everything from wide-angle to super-telephoto, and it provides exceptional picture quality as well as unparalleled system mobility.

The lens is characterized not only by its long reach, but also by its portable form factor, close minimum focusing distance of 8.7 inches, and sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements to produce well-corrected imagery. Despite its long reach, the lens is also distinguished by its close minimum focusing distance of 8.7 inches.

When working in environments with bright illumination, a ZERO coating has also been placed to the lens in order to aid prevent lens flare and ghosting, which results in improved contrast and color accuracy.

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In addition, this lens makes use of a Movie & Stills Compatible AF technology to provide a focusing performance that is silky smooth, lightning-quick, and nearly silent, which is beneficial for both still photography and videography.

This lens will allow you to capture anything from vast vistas and architecture to animals and sports, regardless of where you go in the world.

8. Olympus 14-150mm f/4-5.6 II Telephoto Zoom Lens

This Olympus M.Zuiko Digital ED 14-150mm f/4-5.6 II lens is an incredibly flexible all-in-one zoom lens that can be used for photography in virtually any setting due to its extensive focal length range, which is comparable to 28-300mm.

In spite of its length, the lens is quite small, making it convenient to carry around. It also features an advanced optical design, which is comprised of a number of aspherical, low dispersion, and high refractive index glass elements. These elements work together to minimize aberrations and distortion, resulting in improved levels of sharpness, clarity, and color accuracy.

When working in environments with bright lighting, a ZERO coating has also been applied to reduce the appearance of flare and ghosting. This results in better contrast. In addition to that, this 14-150mm lens features a Movie and Still Compatible (MSC) autofocus technology that is both rapid and silent. It also has a weather-resistant design, which makes it suitable for use while working in settings where there is a chance of precipitation.

This single high-magnification zoom lens has a magnification ratio of 10.7x, making it ideal for catching close-ups of children’s emotions, shooting both indoors and outdoors, and photographing a diverse range of topics.

Prime lenses with the widest angles of view for the Panasonic G7.

9. 17mm f/1.8 Olympus lens

Excellent lens. This Olympus M.ZUIKO 17mm f/1.8 lens is a highly bright and quick lens that is suitable for everyday photography, street photography, as well as the creation of high-quality, dramatic landscapes and portraits.

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Working in challenging lighting situations is made easier by the combination of the large field of view and the brilliant maximum aperture of f/1.8. Additionally, this combination provides enhanced control over the depth of field when working with techniques that involve selective focusing.

For greater sharpness and clarity, the optical design makes use of aspherical and high refractive index glass components to manage spherical aberrations and distortion over the whole aperture range.

Additionally, a Movie and Still Compatible (MSC) autofocus mechanism is utilized to give a rapid and silent focusing performance. Additionally, a manual focus clutch may be used for more intuitive adjustment and control over focus. Both of these features are included in the camera.

Whether you want to take pictures of your friends and family, expansive landscapes, one-of-a-kind architecture, or any combination of these and other themes, the 17mm wide-angle lens is the ideal accessory to add to your equipment.

10. Panasonic Leica 15mm f/1.7

An outstanding wide-angle lens that also has an extremely wide aperture, making it ideal for capturing candid moments and working in low light. The Micro Four Thirds mirrorless cameras are compatible with the Panasonic Leica 15mm f/1.7 lens, which is a fast and flexible lens that delivers an equivalent focal length of 30mm. This makes the lens an excellent choice for general-purpose photography applications.

Working in low-light environments is made easier by the quick maximum aperture of f/1.7, which also enables better control over the position of the focus point, which is useful for shallow depth of field and selective focus methods. When it comes to the focus, an internal focusing mechanism that utilizes a stepping AF motor facilitates performance that is quick, silent, and smooth.

The optical design makes use of three aspherical components to lessen the effects of distortion and spherical aberration, resulting in a picture that is both crisper and more transparent as a whole.

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In addition, a Nano Surface Coating has been added to the lens elements in order to reduce lens flare and ghosting, which results in photographs and videos that have greater contrast and are more color neutral.

11. Olympus Lens, 12 millimeters, f/2

One of the most well-known Olympus lenses for taking photographs of landscapes, cityscapes, and architectural subjects.

The Olympus 12mm f/2 wide-angle lens is great for shooting everything from spectacular landscapes in low-light circumstances to hard-to-get, spontaneous street images since it has a focal length comparable to 24 millimeters and offers a broad range of view.

Taking pictures in available light and using the lens for astrophotography are both made easier by the combination of the lens’s wide focal length and its brilliant maximum aperture of f/2.

In addition, the lens has an autofocus mechanism that is Movie & Still Compatible, which ensures speedy and silent performance. Additionally, the lens has a manual focus clutch and a Snapshot Focus mode, both of which provide intuitive control over the focus location and depth of field.

The Movie-Still-Compatible (MSC) mechanism makes use of focusing technology that is almost completely “quiet.” It is an excellent tool for following a moving subject, such as a kid or pet, and it provides a rapid and silent focus mechanism for still photography and motion pictures.

12. Rokinon 12mm NCS CS f/2.0

Another fantastic prime lens with a wide field of view that comes at a reasonable price!

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This Rokinon 12mm f/2.0 lens is ideal for taking photographs of interiors, exteriors, and landscapes since it has a focal length that is comparable to 24 millimeters when shot with a 35mm camera and a wide field of view of 83 degrees. The maximum aperture of f/2.0 is quite quick, which is an additional benefit while working in low-light circumstances.

The optical design includes three extra-low dispersion elements and two aspherical elements in order to eliminate chromatic aberrations and distortion and generate pictures that are crisper. This was done in order to produce clearer images.

In addition, a Nano Coating System (NCS) has been added to the lens elements in order to avoid lens flare, ghosting, and surface reflections. This will result in increased light transmission as well as a more contrast-rich picture.

This Rokinon 12mm 1:2.0 NCS CS lens is ideal for taking photographs of landscapes, and it also has potential applications in the fields of interior and architectural photography, as well as astronomy photography. This device has a 67 mm filter attachment as well as a lens hood that can be removed.

The Highest-Quality Wide-Angle Zoom Lenses Available for the Panasonic G7

13. Panasonic 7-14mm f/4 ASPH Micro Four Thirds

The Panasonic Lumix 7-14mm f/4 lens is well-suited for landscape, nature, and architectural applications due to its wide field of view, which is complemented by a constant f/4 maximum aperture for consistent illumination throughout the zoom range. This lens offers an equivalent wide-angle focal length range of 14-28mm, making it useful for capturing a variety of wide-angle perspectives.

The Panasonic Lumix 7-14mm f/4 lens is surprisingly small and lightweight, and it enables the use of advanced contrast AF technology. Additionally, it has smooth and silent autofocus, as well as the capability to manually focus with pinpoint accuracy.

The optical design makes use of low dispersion and aspherical glass elements to control a variety of aberrations and color fringing, which results in noticeable sharpness, clarity, and color accuracy. Additionally, individual elements are multi-coated to control flare and ghosting, which results in improved contrast.

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Recommended for landscape or vacation photographers who are searching for an ultrawide zoom lens that is extremely portable.

14. Olympus 9-18mm f/4-5.6 ED OIS zoom lens

This Olympus 9-18mm f/4-5.6 super-wide-angle lens delivers exceptional image quality along with fast and silent autofocus, all in a tiny design that easily makes it the smallest lens of its class. The focal length range of this lens is comparable to 18-36mm on a full-frame camera.

Through the entirety of the zoom range, the sophisticated optical design, in conjunction with the design of the retractable lens, allows for the realization of a form factor that is both elegant and constant in terms of clarity and lighting.

One extra-low dispersion element reduces chromatic aberrations throughout the zoom range for high clarity and color accuracy. Two Dual Super Aspherical elements, one aspherical element, and a high refractive index element control spherical aberrations and distortion to achieve notable sharpness and resolution.

Additionally, the lens is distinguished by its Move & Still Compatible autofocus mechanism, which is brisk, silent, and smooth, and is designed to accommodate both still photography and video recording applications.

Photographers who want ultra-wide-angle capabilities in the smallest feasible package are encouraged to have a look at this option. In addition to that, it is the most cost-effective choice when it comes to architecture, cityscapes, and landscapes.

15. Panasonic Leica 8-18mm f/2.8-4 ASPH

This Panasonic Leica 8-18mm f/2.8-4 ASPH wide-angle lens (equivalent to 16-36mm) blends the agile mobility of a Panasonic camera with the famed LEICA Lens performance. It was designed to excel even in challenging environmental circumstances.

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This LEICA DG lens has a corner-to-corner clarity that allows it to portray every detail, even in low light, whether you are shooting landscapes with an ultra-wide-angle 8mm lens or close-in settings with an 18mm lens (F2.8-4.0).

This lens was developed in conjunction with Leica, and it makes use of a number of low dispersion and aspherical elements to produce sharp and clear imagery with controlled fringing and aberrations. Additionally, a Nano Surface Coating helps to minimize flare and ghosting, which results in increased contrast and color accuracy.

For usage in challenging climatic circumstances, the sturdy metal lens body is splashproof, dustproof, and freezeproof. Additionally, a quick 240 fps autofocus motor is suitable for both still photography and video recording in a variety of different working environments.

In addition to this, it is compatible with 67mm filters, allowing for further creative potential in both photographs and films.

16. The Olympus 7-14mm f/2.8 PRO lens

Very strongly suggested! Are you looking for a combination that cannot be topped in terms of speed, brightness, portability, sturdy build quality, and exceptional optical performance? Consider the recently released M.ZUIKO ED 7-14mm f/2.8 PRO ultra-wide-angle zoom lens! Because it is small, lightweight, portable, and resistant to the elements, this lens can go just about everywhere with you.

The Olympus 7-14mm f/2.8 PRO is the best ultra-wide-angle zoom lens for Micro Four Thirds, and it is a great lens for landscapes, cityscapes, and architectural photography. This lens is suitable for both amateur photographers and pros.

You’ll be able to capture more of every scene thanks to the camera’s ultra-wide field of view and a dazzling maximum aperture of f/2.8; for example, you’ll be able to take expansive panoramas during the day and electrifying, ultra-sharp nighttime shots.

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The Highest Quality Prime Lenses Available for the Panasonic G7

17. Panasonic Leica 25mm f/1.4 II Micro Four Thirds Lens

One of the greatest lenses for “walkaround” photography! Very strongly suggested!

Because of its pristine optical clarity and one-of-a-kind soft-focusing backdrop effect, the Panasonic Leica 25mm f/1.4 II lens with a 50mm equivalent focal length is an absolute need for any photographer working with a Four Thirds mirrorless camera system.

While the F1.4 aperture allows for very strong light collecting in challenging low light circumstances, the Panasonic Nano Surface Coating almost avoids the normal ghosting and flaring that can occur with wide-open aperture shooting.

The combination of a stepping autofocus motor and an internal focus architecture helps to produce a focusing performance that is both rapid and quiet for both still photography and video applications.

In addition, this lens features a structure that is resistant to dust and splashes, making it useful for use when working in messy environments. A “general purpose” lens that possesses exceptional quality and can be purchased at an affordable price.

18. 25mm f/1.8 Olympus lens

Although it is a little bit slower than Panasonic’s 25mm lens, it is still pretty sharp and it is also quite a deal cheaper. Your perfect all-around lens is the M.Zuiko 25mm f1.8, which allows you to capture breathtaking shots both during the day and at night.

This lens falls in the middle of wide and telephoto designs, with a focal length of 25 millimeters and an angle of view of 47 degrees. Its rapid circular aperture of f1.8 produces attractively blurry backgrounds that are defocused brilliantly, making it ideal for portraiture.

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It also provides excellent detail even when the lighting is less than ideal, which enables you to avoid using the flash in a lot of scenarios when there isn’t a lot of light. If you don’t require a larger aperture, the less expensive 25mm prime lens from Olympus can be the right choice for you.

19. Panasonic 20mm f/1.7 II Micro Four Thirds

Great bargain! “Pancake” lenses are known for their small size and lightweight. The Panasonic Lumix 20mm f/1.7 II is one of the most popular Micro Four Thirds lenses available on the market due to its amazing brightness.

This Panasonic 20mm f/1.7 II delivers exceptional clarity, bokeh, and performance in low light yet weighs only 3.5 ounces. It has a stunningly small footprint and is surprisingly lightweight while having an aperture of F1.7. This allows for a stunningly blurry backdrop, which brings the subject into striking contrast with its surroundings.

The optical design incorporates a pair of aspherical elements to suppress spherical aberrations and distortion for high sharpness and accurate rendering. Individual elements have also been multi-coated to control surface reflections and flare for improved contrast in strong lighting conditions. This helps ensure that the image is rendered as accurately as possible.

Appropriate for a diverse range of photographic applications, including everyday and street photography, as well as photos of landscapes like sunsets and inside photographs taken in low light.

20. Voigtlander Nokton 25mm f/0.95 II

The world’s first-ever ultra-fast lens for the Micro 4/3 mount! A completely manual lens that is far more robust than the Olympus lens and moves at a speed that is close to twice as fast.

When mounted on a Micro Four Thirds camera, the Voigtlander Nokton 25mm f/0.95 Type II Lens for Micro Four Thirds produces an image with a focal length that is comparable to 50 millimeters in 35mm format. This lens is bright and quick for a normal-length lens.

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This manual focus and manual exposure prime lens make use of a Selective Aperture Control System, which allows the user to switch between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. The lens also features a manual aperture control system.

Adjustments to the exposure may be performed in a way that is both silent and smooth when the stepless option is used. This is a very useful feature while capturing video. The use of ultra-high refractive glass in the optical architecture contributes to the reduction of chromatic aberrations and the production of a picture that is renowned for its clarity and sharpness. The formula for the lens consists of 11 components organized into 8 groups.

When shooting with the aperture wide open, the incredibly clean bokeh produced by 10 aperture blades is a huge benefit. Quality may be inferred from every aspect of it, including how it operates and how it feels in the hand.

The Finest Zoom Lenses Available for the Panasonic G7

21. Olympus 12-45mm f/4 PRO-ED Zoom Lens

The model that is the tiniest and lightest in the world (254 g). A lens that excels in every aspect. The M.Zuiko Digital ED 12-45mm F4.0 PRO lens is the world’s most small and lightweight medium-range zoom PRO lens with a set aperture value covering a focal length range from wide-angle 24mm to telephoto 90mm. The lens has a fixed aperture value of 4.0. (35mm equivalent).

It has a maximum width of 63.4 millimeters (2.5 inches), and its overall dimensions are 70 millimeters (2.76 inches) wide by 63.4 millimeters (2.5 inches) tall.

(including its entire length) and a weight of around 254 grams (8.96 ounces). This compact and lightweight lens focus quickly and accurately on a wide variety of subjects despite its tiny size and lightweight.

This lens is notable for having a maximum aperture that remains constant at f/4, and it achieves a good mix between a brilliant design and highly small construction, making it suitable for usage in commonplace settings.

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Its structure is dustproof and splashproof, and it has to seal in nine different locations to keep dust and rain out. This gives the user peace of mind when shooting in dynamic conditions.

You can get high-resolution crispness from edge to edge at every lens length, and you can focus quickly utilizing our lightning-fast autofocus mechanism. It can travel to any location and take a variety of photographs, including landscapes, cityscapes, and portraits.

22. 12-35mm f/2.8 II lens from Panasonic

The recently updated Panasonic 12-35mm f/2.8 II is a flexible zoom lens that covers wide-angle to portrait-length views. It also gives a 24-70mm equivalent focal length range for Micro Four Thirds cameras, which is a helpful feature.

A maximum aperture that remains constant at f/2.8 offers consistent performance throughout the whole zoom range, which is beneficial when working in challenging lighting circumstances and also gives more control over the amount of depth that is captured in the image.

The sophisticated optical design makes use of a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for the purpose of producing an image that is clear and crisp. Additionally, a Nano Surface Coating has been applied in order to reduce ghosting and flare.

The appearance of camera wobble may be reduced by using a POWER Optical Image Stabilizer, which makes handheld photography more suitable. Additionally, this O.I.S. system is compatible with Dual I.S., which provides improved stabilization performance.

The large diameter of this lens not only makes it perfect for photographing landscapes while traveling, but it also allows you to take high-quality pictures inside. You may get exactly the sort of images and films you want thanks to the addition of perceptive and defocusing effects, which are included in the features.

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It is also fantastic for shooting outside thanks to its splashproof, dustproof, and freezeproof construction. This means that you can use it in practically any weather with a splashproof, dustproof, and freezeproof LUMIX camera and still be creative.

23. The Olympus 12-40mm f/2.8 Pro Zoom Lens

Very strongly suggested! It has excellent versatility and is among the best regular zoom lenses available for Olympus cameras.

His Olympus 12-40mm f/2.8 Pro lens has a wide-angle focal length that allows him to capture landscapes, architecture, or wildlife settings, as well as a very fast fixed f/2.8 aperture that allows him to take great portraits at 40mm.

Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. This is accomplished by utilizing a combination of these three types of elements.

A lens that can handle anything from photographing at night to photographing sports and action to photographing weddings—sometimes all at the same moment. The only drawback is that it is a bit pricey, but if you are truly interested in purchasing a high-quality all-purpose lens that can fulfill 95 percent of your photographic demands, then this is a fantastic option for you to consider.

24. Panasonic Leica 12-60mm f/2.8-4

This Panasonic Leica 12-60mm lens offers a practical 24-120mm equivalent zoom range for photographing everything from attractive mid-telephoto portraits to spectacular landscapes.

Because it has such a high resolution, this LEICA DG lens depicts everything extremely clearly, right down to the very corners. This Panasonic Leica 12-60mm f/2.8-4 versatile lens was designed in partnership with Leica. It makes use of four aspherical elements and two extra-low dispersion elements to produce well-corrected, crisp picture quality that is free of color fringing and aberrations.

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The lens also incorporates a linear motor, which enables it to conduct autofocus in a manner that is quick, quiet, and accurate. Additionally, the POWER Optical Image Stabilizer system helps to decrease the appearance of camera shake, which enables crisper handheld photography.

In addition, the lens has a sturdy metal shell, which makes it resistant to water, dust, and freezing temperatures, making it suitable for usage in challenging weather circumstances.

The Highest-Quality Telephoto Zoom Lenses Available for the Panasonic G7

25. Panasonic 45-200mm f/4-5.6 II telephoto zoom lens

The Panasonic 45-200mm f/4-5.6 II provides an equivalent focal length range for Micro Four Thirds mirrorless cameras that is comparable to 90-400mm. This lens covers an incredible range of telephoto focal lengths. This telephoto zoom lens is an absolute need for your kit because of how simple it is to operate in all respects.

A clever optical design that incorporates three components with extra-low dispersion helps to eliminate color fringing and chromatic aberrations, resulting in improved clarity and sharpness. This design also contributes to the lens’ overall reach.

An appropriate POWER Optical Image Stabilizer system, which minimizes the appearance of camera wobble and is also compatible with Dual I.S. for greater stabilization while shooting stills or video, is included as a complementary component to the optical performance of the camera.

The lens also has a splash and dustproof physical construction, making it suitable for use in environments that are very severe. Additionally, it has a linear autofocus motor, which allows for rapid and silent focusing performance.

26. Panasonic 100-300mm f/4-5.6 II telephoto zoom lens.

The Panasonic Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. The lens is a long-reaching telephoto zoom for Micro Four Thirds cameras. It spans an equivalent range of 200-600mm, making it an excellent choice for photographing animals, nature, and sports.

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And this new Lumix 100-300mm f/4-5.6 II lens provides a no-compromise approach to optical performance for aficionados of current interchangeable camera systems. Additionally, it has been redesigned for use in the great outdoors with a design that is dustproof and splashproof.

The optical design features one extra-low dispersion element to increase clarity and color accuracy, as well as to eliminate color fringing over the whole zoom range. This is accomplished by the use of the element.

In addition to the optics, the lens features a rapid, quiet, and accurate linear autofocus motor as well as a POWER Optical Image Stabilizer, which enables the Dual I.S. function in some Lumix cameras. Both of these features work to the benefit of the optics.

In addition, the lens has a structure that is resistant to water and dust, making it suitable for usage in harsh climatic circumstances.

The Olympus 40-150mm f2.8 Pro is a telephoto zoom lens designed for professional use that maintains a constant aperture of f/2.8 throughout the zoom range.

The Olympus 40-150mm f/2.8 PRO is an excellent lens for portraits and street photography thanks to its comparable coverage of 80-300mm. It is also great for photographing close sports and animals.

Even when set at its widest aperture, it produces photos that are extremely crisp and have a high contrast well into the camera’s corners, and it does it quickly and quietly.

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With a minimum focus distance of just 20 inches, this lens is ideal for wedding and event photography because it offers you the flexibility to zoom in or out to capture stunning portraits and live event photos. It is also ideal for use in sports photography.

27. Panasonic 35-100mm f/2.8 II Telephoto Zoom Lens

This lens has an extremely long focal length range of 35-100 millimeters (the 35mm equivalent of which is 70-200 millimeters), and it has a high-speed aperture of F2.8. You may use it to softly blur the backdrop while shooting portraits or close-ups.

In addition to this, it has high shutter speeds, which allow you to freeze-frame scenes that are moving quickly, such as sports and activities. At the same time, its splash-proof, dust-proof, and freezeproof construction also makes it sturdy enough for shooting outside, which means that you can go out in almost any weather with a splash-proof, dust-proof, and freezeproof LUMIX camera and be creative.

In addition, because it is compatible with Power O.I.S. optical image stabilization and 5-Axis Dual I.S. 2.0 (Image Stabilization), you’ll be able to shoot with an unparalleled level of hand-held steadiness, regardless of whether you’re taking stills or video.

28. Panasonic Leica 100-400mm f/4-6.3 ASPH

A super-telephoto zoom lens of exceptional clarity and sharpness across its focal range. The Panasonic Leica 100-400mm f/4-6.3 ASPH lens has a broader reach than any other native lens in the catalog thanks to its equivalent range of 200-800 millimeters, making it an excellent choice for photographers who specialize in shooting animals and sports.

A high-speed autofocus (AF) motor that operates at 240 frames per second is both quiet and precise, and it offers benefits to both the taking of still photographs and the recording of moving images. Additionally, a focus limiter function can be used to restrict the focusing range in order to achieve even more rapid performance.

A rotating tripod collar is integrated into the design of the 100-400mm f/4-6.3 lens, which allows for a quick transition between horizontal and vertical shooting orientations when the lens is mounted on a monopod or tripod. The 100-400mm f/4-6.3 lens is suitable for handheld shooting due to its lightweight and compact form factor.

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