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Are you looking for the best lenses that will work with your Panasonic Lumix GH5 II? The following is a guide that will assist you in acquiring the best micro four-thirds lenses that are suggested for use with the Panasonic GH5 II mirrorless camera.
The Panasonic Lumix GH5 II delivers an image platform of professional quality for photographers who want adaptable video and still capabilities in a single small camera. The camera’s design and video capabilities have both been improved, and the camera itself has been enhanced.
The Panasonic GH5 II is equipped with a 20.3MP Live MOS Sensor with AR Coating, which enables it to record C4K/4K 60p video at 4:2:0 10-bit and simultaneously broadcast 4K 60p video at 4:2:2 10-bit through HDMI while simultaneously recording 4K 60p video at 4:2:0 10-bit internally. It is simple to match the color tone of the video recorded in V-Log on the S1H/S1 and V-Log L on the GH5/GH5S thanks to the pre-installed V-Log L that comes with the camera.
The Body Image Stabilizer (I.S.) of the GH5 II has been substantially improved, making it possible to accomplish steady handheld photography and enabling the user to choose a shutter speed that is 6.5 stops slower. The Lumix Sync app for smartphones and tablets is user-friendly and delivers high-quality live streaming with a minimum amount of equipment. This software was designed with today’s producers and audiences in mind.
Livestreaming is also possible when using the Lumix Network Setting Software in conjunction with a router. The Panasonic GH5 Mark II is a valuable alternative for video photographers or as a tool for hybrid shooters who require a suitable solution for both stills and video since it has a few substantial performance upgrades and a price that is acceptable.
Therefore, if you are one of the fortunate individuals who have already obtained the Panasonic Lumix GH5 II, the next step is to locate the lenses that are most suitable for use with your GH5 II camera. We have compiled a list of the top recommended and most suitable micro four-thirds lenses for the Panasonic GH5 II mirrorless camera.
This list includes the best prime and zoom options available, ranging from wide-angle to telephoto, and it covers the best choices for videos, vlogging, travel, portraits, wedding, landscapes, macro, wide-angle, street, sports, wildlife, and other types of photography. You need to pick the one that fits your requirements!
Kit Lens for the Panasonic GH5 II.
1. Panasonic Leica 12-60mm f/2.8-4
You can get a versatile zoom lens that provides a useful 24-120mm equivalent zoom range for approximately $600 more than the cost of the camera body alone for the Panasonic GH5 II. This zoom range allows you to capture everything from breathtaking landscapes to beautiful portraits taken at a mid-telephoto distance. Because it has such a high resolution, this LEICA DG lens depicts everything extremely clearly, right down to the very corners.
This Panasonic Leica 12-60mm f/2.8-4 versatile lens was designed in partnership with Leica. It makes use of four aspherical elements and two extra-low dispersion elements to produce well-corrected, crisp picture quality that is free of color fringing and aberrations. POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and it also supports the Dual I.S. function for increased stabilization performance.
Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications. Linear autofocus motor also supports Dual I.S. function for increased stabilization performance.
Additionally, this lens has a structure that is resistant to water, dust, and freezing temperatures, making it suitable for even the most rigorous use in the field. Because the lens system on the interior is shielded from sand, rain, and other elements, it is ideal for use when shooting in challenging environments.
Therefore, if you are in the market for a Panasonic GH5 II body, we highly recommend the Panasonic GH5 II with Leica 12-60mm f/2.8-4 lens package since we believe it offers an excellent price-to-performance ratio. If you already own the body of the GH5 II, there are a few other appealing choices below you might consider.
The Finest Multi-purpose Lenses for the Panasonic GH5 II
2. Olympus 12-100mm f/4 IS PRO Telephoto Zoom Lens
A fantastic lens for general photography as well as vacation and landscape photography.
The Olympus 12-100mm f/4 IS Pro lens is a great all-in-one zoom lens for a wide variety of shooting situations because it has an equivalent focal length range of 24-200mm, a constant aperture of F4 throughout the entire zoom range, and built-in optical image stabilization.
These features make the lens ideal for shooting landscapes, portraits, and other close-up subjects. It weighs only 21 ounces, which is light enough to carry all day, yet it is compact enough to be readily stored in a purse or other small bag.
Amazing photographs may be captured with this lens thanks to its constant aperture of f4.0, its clarity from edge to edge, and its little distortion at all focal lengths. This lens is distinguished by its constant maximum aperture of f/4, and it provides consistent performance over the entirety of its zoom range, making it suitable for use in both video and still photography.
A large number of low dispersion and aspherical elements have been incorporated into its optical design in order to reduce both chromatic and spherical aberrations. Additionally, a ZERO coating and a Z Coating Nano have been applied in order to significantly reduce lens flare and ghosting in order to improve contrast. Managing the extensive zoom range is made easier by an optical image stabilization system that forms Sync IS by combining forces with the 5-axis image stabilization found in certain cameras.
Sync IS can compensate for up to 6.5 stops of camera shake. This is a significant advantage when handling the zoom range. A Movie and Still Compatible (MSC) high-speed imager AF system delivers quick, accurate, and silent focusing performance that is well-suited to both picture and video applications. Additionally, a manual focus clutch allows for rapid switching to MF for more exact control.
The Olympus 12-100mm f/4 IS PRO is a fantastic performer and is worth considering if you are searching for a superb all-in-one zoom for your camera.
3. Olympus 12-200mm f/3.5-6.3 ED OIS ED VR II
A solution that just requires one lens for the majority of shooting circumstances.
The Olympus M.Zuiko Digital ED 12-200mm f/3.5-6.3 lens is one of the most versatile lenses currently on the market due to its splashproof and dustproof design. It also has the largest zoom range (24-400mm equivalent) of any mirrorless interchangeable lens. Its focal range of 24 to 400mm, which is comparable to 35mm, covers everything from wide-angle to super-telephoto, and it provides exceptional picture quality as well as unparalleled system mobility.
The lens is characterized not only by its long reach, but also by its portable form factor, close minimum focusing distance of 8.7 inches, and sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements to produce well-corrected imagery. Despite its long reach, the lens is also distinguished by its close minimum focusing distance of 8.7 inches.
In order to restrict spherical aberrations and provide increased sharpness while minimizing distortion, the optical design incorporates three aspherical elements, one Super HR (high refractive index) element, and two HR elements. Together, these elements make up the HR category. In addition, two Super ED elements, also known as extra-low dispersion elements, and two ED elements are utilized in order to suppress chromatic aberrations and color fringing with the purpose of achieving improved clarity and color fidelity.
When operating in circumstances with intense illumination, the individual elements have each been coated with a ZERO (Zuiko Extra-low Reflection Optical) coating to reduce the amount of lens flare and ghosting that occurs. This results in increased contrast and color accuracy.
In addition, this lens makes use of a Movie & Stills Compatible AF technology to provide a focusing performance that is silky-smooth, lightning-quick, and nearly silent, which is beneficial for both still photography and videography.
This lens will allow you to capture anything from vast vistas and architecture to animals and sports, regardless of where you go in the world.
4. Olympus 14-150mm f/4-5.6 II Telephoto Zoom Lens
The Olympus M.Zuiko Digital ED 14-150mm f/4-5.6 II lens provides a “one lens” option for photographers who would prefer not to carry many lenses when they go on an adventure because of its incredible versatility and waterproof design. Its 35mm equivalent focal length range of 28 to 300mm takes you all the way from wide-angle to telephoto, yet the lens’s surprisingly compact shape and 9-ounce weight make it a delight to carry around with you.
This lens can capture anything from close-up portraits to expansive vistas, tense action sequences to calm interiors and everything in between. This compact all-in-one lens offers remarkable optical engineering and construction, and it utilizes 15 separate lens elements organized into 11 distinct groups to give impressive picture performance.
A Dual Super Aspherical lens, ED lens, and three High-Refractive lenses are included among the high-end glasses that have been included in its design. In addition to that, this 14-150mm lens features a Movie and Still Compatible (MSC) autofocus technology that is both rapid and silent. It also has a weather-resistant design, which makes it suitable for use while working in settings where there is a chance of precipitation.
This single high-magnification zoom lens has a magnification ratio of 10.7x, making it ideal for catching close-ups of children’s emotions, shooting both indoors and outdoors, and photographing a diverse range of topics. It has been updated to have a build that is resistant to dust and splashes of water, making it ideal for use when traveling. Excellent bargain for a lens that can do it all!
Prime lenses with the widest field of view that are compatible with the Panasonic GH5 II
5. Olympus 17mm f/1.2 PRO telephoto lens
A professional lens that is both compact and lightweight, ideal for landscape and street photography, as well as astronomy and portraiture.
Because of its huge maximum aperture of F1.2 and 34mm equivalent focal length, the Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens is an excellent choice for a wide variety of photographic applications, including landscape and street photography, astrophotography, and portraiture. The lens’s quick maximum aperture of f/1.2 is its most notable feature since it allows for better control over depth of focus and is useful for working in challenging lighting circumstances.
Additionally, a complex construction consisting of 15 elements and 11 groups combines aspherical, high refractive index, and extra-low dispersion elements in order to significantly reduce both chromatic and spherical aberrations. This results in an image that is notable for its clarity, sharpness, and color accuracy.
Additionally, it includes a nine-blade aperture, which helps produce a smooth bokeh quality when dealing with narrow depth of focus techniques. Additionally, a Z Coating Nano has been applied to individual parts in order to prevent flare and ghosting, which improves contrast. In addition to that, it has a Movie and Still Compatible (MSC) autofocus technology that provides a focusing performance that is smooth, quiet, and quick.
This makes it suited for both still photography and video recording. The lightweight focusing mechanism is silent, quick, and precise, and the innovative ED-DSA element is truly one of a kind. It helps to reduce the size of the lens while simultaneously boosting its performance.
This versatile pro prime lens will quickly become one of your go-to lenses for capturing every task and experience thanks to its dustproof and splashproof metal construction as well as its outstanding performance in low light.
6. Panasonic Leica 12mm f/1.4 ASPH
A prime lens with a broad field of view that is both quick and optically refined!
The Panasonic Leica DG Summilux 12mm f/1.4 ASPH. Lens was developed specifically for the purpose of capturing landscapes with a high level of dynamic detail and resolution. Because it displays each point of light with such detailed precision and clarity, it is ideally suited for photographing individual stars and very small lights.
Metal is used in the construction of the lens mount, barrel, and hood to create an elegant and long-lasting design that elevates the experience of photography for both amateurs and experts alike. This lens is perfect for working in low-light circumstances since it has a maximum aperture of f/1.4, which is exceptionally bright.
Additionally, it provides a great level of focus placement adjustment, which is useful for employing methods that need a small depth of field. The optical design makes use of a pair of aspherical elements, two ultra extra-low dispersion elements, and one extra-low dispersion element in order to control both spherical and chromatic aberrations.
This results in a high degree of sharpness and clarity from edge to edge throughout the entire image. This flexible wide-angle prime lens is characterized not only by its optical qualities but also by its user-friendly handling and modern functionality.
It is the result of a partnership between the design tradition of Leica and the technology innovation of Panasonic. In addition, the lens’s structure, which is entirely made of metal, is weather-resistant, which enables it to be used even when working in difficult climatic circumstances.
7. Olympus Lens, 12 millimeters, f/2
Excellent lens for taking pictures of landscapes, cityscapes, and architecture.
The Olympus 12mm f/2 wide-angle lens is great for shooting everything from spectacular landscapes in low-light circumstances to hard-to-get, spontaneous street images since it has a focal length comparable to 24 millimeters and offers a broad range of view.
Taking pictures in available light and using the lens for astrophotography are both made easier by the combination of the lens’s wide focal length and its brilliant maximum aperture of f/2. The optical design of the lens includes one aspherical element, one DSA (Double Super Aspherical) element, and a Super HR (high refractive index) element.
These elements work together to reduce spherical aberrations and control distortion, which results in noticeable sharpness. Additionally, the inclusion of one extra-low dispersion element helps to reduce color fringing, which results in high clarity and color accuracy. In addition, the lens has an autofocus mechanism that is Movie & Still Compatible, which ensures speedy and silent performance.
Additionally, the lens has a manual focus clutch and a Snapshot Focus mode, both of which provide intuitive control over the focus location and depth of field. A fantastic lens for filmmaking as well as photography of landscapes, cityscapes, and architecture.
8. Rokinon 12mm NCS CS f/2.0
Another fantastic prime lens with a wide field of view that comes at a reasonable price!
This Rokinon 12mm f/2.0 lens is ideal for taking photographs of interiors, exteriors, and landscapes since it has a focal length that is comparable to 24 millimeters when shot with a 35mm camera and a wide field of view of 83 degrees. The maximum aperture of f/2.0 is quite quick, which is an additional benefit while working in low-light circumstances.
The optical design includes three extra-low dispersion elements and two aspherical elements in order to eliminate chromatic aberrations and distortion and generate pictures that are crisper. This was done in order to produce clearer images. In addition, a Nano Coating System (NCS) has been added to the lens elements in order to avoid lens flare, ghosting, and surface reflections.
This will result in increased light transmission as well as more contrast-rich picture. This Rokinon 12mm 1:2.0 NCS CS lens is ideal for taking photographs of landscapes, and it also has potential applications in the fields of interior and architectural photography, as well as astronomy photography.
9. Panasonic Leica 15mm f/1.7
The Panasonic LEICA DG SUMMILUX 15mm lens is a small moderate wide-angle lens that is perfect for everyday shooting tasks due to its rapid autofocus and 30mm equivalent focal length when measured in terms of the 35mm format.
Its brilliant f/1.7 maximum aperture is beneficial for working in low-light circumstances and also provides better control over the focus location, which is useful for techniques like as shallow depth of field and selective focus. When it comes to the focus, an internal focusing mechanism that utilizes a stepping AF motor facilitates performance that is quick, silent, and smooth.
The optical design makes use of three aspherical components to lessen the effects of distortion and spherical aberration, resulting in a picture that is both crisper and more transparent as a whole.
In addition, a Nano Surface Coating has been added to the lens elements in order to reduce lens flare and ghosting, which results in photographs and videos that have greater contrast and are more color neutral.
10. 17mm f/1.8 Olympus lens
This Olympus M.ZUIKO 17mm f/1.8 lens is a highly bright and quick lens that is suitable for everyday photography, street photography, as well as the creation of high-quality, dramatic landscapes and portraits. Working in challenging lighting situations is made easier by the combination of the large field of view and the brilliant maximum aperture of f/1.8.
Additionally, this combination provides enhanced control over the depth of field when working with techniques that involve selective focusing. For greater sharpness and clarity, the optical design makes use of aspherical and high refractive index glass components to manage spherical aberrations and distortion over the whole aperture range.
Additionally, a Movie and Still Compatible (MSC) autofocus mechanism is utilized to give a rapid and silent focusing performance. Additionally, a manual focus clutch may be used for more intuitive adjustment and control over focus. Both of these features are included in the camera.
The Highest-Quality Wide-Angle Zoom Lenses Available for the Panasonic GH5 II
11. Panasonic Leica 10-25mm f/1.7
Very strongly suggested! Built for mirrorless cameras with a mount for Micro Four Thirds, the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. Lens offers a bright F1.7 aperture throughout the entire 20-50mm (35mm camera equivalent) zoom range, along with exceptionally high optical performance that satisfies the stringent LEICA standards.
Compatible not only with the taking of photographs but also with the recording of videos, so as to meet the needs of professional photographers and videographers. The extraordinarily brilliant f/1.7 constant maximum aperture performs exceptionally well in low-light circumstances over the whole zoom range and also provides enhanced control over the depth of focus.
The lens system has 17 elements organized into 12 groups, and it has three aspherical lenses and four ED (Extra-low Dispersion) lenses. These lenses work together to efficiently reduce the axial chromatic aberration as well as the magnification chromatic aberration. Aspherical lenses also correct spherical aberration and distortion, which contributes to the astoundingly high resolution offered by these lenses.
Despite having exceptional optical performance, the size and weight of the lens system have been reduced thanks to the utilization of aspherical lenses and the utilization of an optimal design for the lens system.
This lens is distinguished not only by its optics but also by its rugged, weather-sealed physical construction, its quick autofocus mechanism, its adaptable focusing clutch design, and its stepless, de-clicked aperture ring, all of which are designed to make it suitable for use in video applications.
This lens will be your best pick if you’re seeking a wide-angle zoom lens to add to your collection.
12. The Olympus 7-14mm f/2.8 PRO lens
Very strongly suggested! Are you looking for a combination that cannot be topped in terms of speed, brightness, portability, sturdy build quality, and exceptional optical performance? Keep an eye out for the new M.
Ultra-wide-angle zoom lens with an aperture of f/2.8 and a ZUIKO ED 7-14mm! This Olympus 7-14mm f/2.8 PRO lens has an equivalent focal length range of 14-28mm and maintains a maximum aperture of f/2.8 throughout the whole zoom range.
This ensures that the lens’s performance remains consistent. This PRO lens is designed with 14 separate lens elements organized into 11 groups, including 3 Super ED lenses, 1 ED lens, and 2 EDA lenses. These lenses work together to minimize chromatic aberration, resulting in landscape photographs that are very crisp.
This premium lens has weather sealing in 11 different spots, rendering it immune to moisture and dust. As a result, it is built to survive nearly any kind of weather situation that may be encountered. Because it is compact and resistant to the elements, this lens can go with you wherever.
The Olympus 7-14mm f/2.8 PRO is one of the best ultra-wide-angle zoom lenses for Micro Four Thirds, and it is an outstanding lens for landscapes, cityscapes, and architectural photography. This lens is suitable for both amateur photographers and pros.
13. Panasonic 7-14mm f/4 ASPH Micro Four Thirds
The Panasonic Lumix 7-14mm f/4 lens is well-suited for landscape, nature, and architectural applications due to its wide field of view, which is complemented by a constant f/4 maximum aperture for consistent illumination throughout the zoom range. This lens offers an equivalent wide-angle focal length range of 14-28mm, making it useful for capturing a variety of wide-angle perspectives.
The Panasonic Lumix 7-14mm f/4 lens is surprisingly small and lightweight, and it enables the use of advanced contrast AF technology. Additionally, it has smooth and silent autofocus, as well as the capability to manually focus with pinpoint accuracy.
The optical design makes use of low dispersion and aspherical glass elements to control a variety of aberrations and color fringing, which results in noticeable sharpness, clarity, and color accuracy. Additionally, individual elements are multi-coated to control flare and ghosting, which results in improved contrast.
Recommended for landscape or vacation photographers who are searching for an ultrawide zoom lens that is extremely portable.
14. Panasonic Leica 8-18mm f/2.8-4 ASPH
This Panasonic Leica 8-18mm f/2.8-4 ASPH wide-angle lens (equivalent to 16-36mm) blends the agile mobility of a Panasonic camera with the famed LEICA Lens performance. It was designed to excel even in challenging environmental circumstances.
This LEICA DG lens has a corner-to-corner clarity that allows it to portray every detail, even in low light, whether you are shooting landscapes with an ultra-wide-angle 8mm lens or close-in settings with an 18mm lens (F2.8-4.0).
This lens was developed in conjunction with Leica, and it makes use of a number of low dispersion and aspherical elements to produce sharp and clear imagery with controlled fringing and aberrations. Additionally, a Nano Surface Coating helps to minimize flare and ghosting, which results in increased contrast and color accuracy.
For usage in challenging climatic circumstances, the sturdy metal lens body is splashproof, dustproof, and freezeproof. Additionally, a quick 240 fps autofocus motor is suitable for both still photography and video recording in a variety of different working environments. In addition to this, it is compatible with 67mm filters, allowing for further creative potential in both photographs and films.
15. Olympus 9-18mm f/4-5.6 ED OIS zoom lens
This Olympus 9-18mm f/4-5.6 lens will make super-wide-angle photography more user-friendly and more affordable as a result of its ultra-compact and lightweight design as well as its outstanding portability thanks to the DSA (Dual Super Aspherical) lens, which is only available with the Four Thirds System.
This lens has a lengthy focusing range that is comparable to 18-36 millimeters on a 35mm camera lens, despite the fact that it is only 49.5 millimeters long and weighs a mere 155 grams. Its size and weight are the only two limiting factors in its usability. Because of this, it is an excellent accessory to have in your camera bag.
Additionally, the lens is distinguished by its Move & Still Compatible autofocus technology, which is brisk, silent, and smooth, and it is designed to accommodate both still photography and video recording applications.
It has a magnification of two times, which means that it can capture the full panoramic splendor of both natural landscapes and man-made structures. This makes it an excellent choice for taking interior photographs as well as close-up portraits of friends and family.
The Highest-Quality Prime Lenses Available for the Panasonic GH5 II
16. Olympus 25mm f/1.2 Pro telephoto lens
One of the most adaptable and high-performing prime lenses ever created, the Olympus M.Zuiko Digital ED 25mm f1.2 PRO (50mm 35mm equivalent) is one of the best examples of this type of lens. You’ll be able to capture breathtaking portraits, landscapes with a wealth of detail, and high-quality photographs of your everyday life thanks to its exceptional optical design.
It is an excellent lens for producing photographs with bokeh and backgrounds that are delightfully out of focus. You’ll also discover professional features such as Olympus’ most sophisticated lens coating, lightning-quick high-precision AF, and easy controls, all of which work together to ensure that every photo you take is an incredible shot.
Because of its one-of-a-kind construction, which consists of 19 elements and 14 groups and incorporates extra-low dispersion, aspherical, and high refractive index elements, it is able to significantly reduce both chromatic and spherical aberrations, resulting in an image that is notably clear, sharp, and accurate in color.
Additionally, the lens has a maximum aperture of f/1.2, making it useful for working in low-light circumstances and allowing for a great deal of control over the depth of focus.
Additionally, it includes a nine-blade aperture, which helps produce a smooth bokeh quality when dealing with narrow depth of focus techniques. Additionally, a Z Coating Nano has been applied to individual parts in order to prevent flare and ghosting, which improves contrast. Very strongly suggested!
17. Panasonic Leica 25mm f/1.4 II Micro Four Thirds Lens
One of the greatest lenses for “walkaround” photography! Because of its pristine optical clarity and one-of-a-kind soft-focusing backdrop effect, the Panasonic Leica 25mm f/1.4 II lens with a 50mm equivalent focal length is an absolute need for any photographer working with a Four Thirds mirrorless camera system.
Despite its large aperture, the LEICA DG SUMMILUX 25mm / F1.4 II ASPH. features stunningly high resolution and a descriptive performance from the center to the corners of the image. This lens has a focal length of 50mm (the equivalent of 35mm on a camera) and supports versatile use with this focal length. It offers a seamless defocus for a stunning bokeh effect, which elevates the overall impressiveness of the photographs.
The use of one ultra-high refractive UHR (Ultra-High Refractive Index) glass lens and two glass-molded aspherical lenses realizes uniform rendering from the center of the frame to the edges of the frame, while the Nano Surface Coating minimizes ghosts, flare, and flare rate, thereby boosting tonal reproduction and image clarity. [Note: UHR stands for ultra-high refractive index.]
In addition, the inner-focus technology ensures consistent and excellent rendering as well as a high-speed and quiet drive over the whole range, which extends from infinity to the closest possible shooting distance. A “general purpose” lens that possesses exceptional quality and can be purchased at an affordable price. Very strongly suggested!
18. 25mm f/1.8 Olympus lens
Although it is a little bit slower than Panasonic’s 25mm lens, it is still pretty sharp and it is also quite a deal cheaper. Your perfect all-around lens is the Olympus M.Zuiko 25mm f1.8 (50mm equivalent), which allows you to capture breathtaking photographs both during the day and at night.
This lens falls in the middle of wide and telephoto designs, with a focal length of 25 millimeters and an angle of view of 47 degrees.
The usual field of vision is supplemented with a quick maximum aperture of f/1.8, which allows for the management of depth of field and the production of selective focus effects. This aperture also proves useful while working in challenging lighting circumstances.
Its rapid circular aperture of f1.8 produces attractively blurry backgrounds that are defocused brilliantly, making it ideal for portraiture. As a result, you won’t need to use the flash in a lot of low-light situations, even when the subject you’re photographing is moving around. It also delivers excellent detail even when the lighting isn’t at its best.
If you don’t require a larger aperture, the less expensive 25mm prime lens from Olympus can be the right choice for you.
19. Panasonic 20mm f/1.7 II Micro Four Thirds
Great bargain! “Pancake” lenses are known for their small size and lightweight. The Panasonic Lumix 20mm f/1.7 II is one of the most popular Micro Four Thirds lenses available on the market due to its amazing brightness. This Panasonic 20mm f/1.7 II delivers exceptional clarity, bokeh, and performance in low light yet weighs only 3.5 ounces.
It has a stunningly small footprint and is surprisingly lightweight while having an aperture of F1.7. This allows for a stunningly blurry backdrop, which brings the subject into striking contrast with its surroundings.
The optical design incorporates a pair of aspherical elements to suppress spherical aberrations and distortion for high sharpness and accurate rendering. Individual elements have also been multi-coated to control surface reflections and flare for improved contrast in strong lighting conditions. These features allow for the optical design to achieve high sharpness and accurate rendering.
Appropriate for a diverse range of photographic applications, including everyday and street photography, as well as photos of landscapes like sunsets and inside photographs taken in low light.
Standard zoom lenses that are ideal for use with the Panasonic GH5 II.
20. The Olympus 12-40mm f/2.8 Pro Zoom Lens
Very strongly suggested! It has excellent versatility and is among the greatest standard zoom lenses available for Micro Four Thirds cameras.
This Olympus 12-40mm f/2.8 Pro lens (24-80mm equivalent) has a maximum aperture of F2.8, a filter at 62mm, and a light overall weight of 13.4 oz. It is capable of handling a wide range of scenes and events with consistent output and sophisticated picture design. It is an ideal lens for landscapes, architecture or nature scenes, low lighting situations, night photography, weddings, wildlife, and other types of photography.
Its sophisticated optical design, which includes a variety of aspherical, low dispersion, and high refractive index elements, reduces both chromatic and spherical aberrations throughout the zoom range for notable clarity, sharpness, and color accuracy. This is accomplished by utilizing a combination of these three types of elements.
In order to boost contrast while working in environments with high levels of illumination, a ZERO lens coating has also been added. In addition to its innovative lens design, this zoom is distinguished not only by its continuous maximum aperture of f/2.8 but also by its robust weather-sealed construction, which enables it to function well in a wide range of environments.
Its superb optics, quick maximum aperture across the zoom range, and fully weather-sealed, all-metal construction make it appropriate for the most demanding professionals and hobbyists.
The only drawback is that it is a bit pricey, but if you are truly interested in purchasing a high-quality all-purpose lens that can fulfill 95 percent of your photographic demands, then this is a fantastic option for you to consider.
21. 12-35mm f/2.8 II lens from Panasonic
This newly updated Panasonic 12-35mm f/2.8 II lens has a focal length range of 24-70mm (35mm Equivalent), as well as a brilliant F2.8 aperture. As a result, it is not only great for photographing landscapes while traveling, but it is also capable of producing high-quality inside images.
A maximum aperture that remains constant at f/2.8 offers consistent performance throughout the whole zoom range, which is beneficial when working in challenging lighting circumstances and also gives more control over the amount of depth that is captured in the image.
The sophisticated optical design makes use of a series of aspherical, low dispersion, and high refractive index glass elements to control a variety of aberrations and distortions for the purpose of producing an image that is clear and crisp. Additionally, a Nano Surface Coating has been applied in order to reduce ghosting and flare.
The appearance of camera wobble may be reduced by using a POWER Optical Image Stabilizer, which makes handheld photography more suitable. Additionally, this O.I.S. system is compatible with Dual I.S., which provides improved stabilization performance.
Additionally, the lens has a dustproof, splashproof, and freezeproof housing made entirely of metal, which enables it to be used in environments with extreme weather conditions.
22. Olympus 12-45mm f/4 PRO-ED Zoom Lens
The model that is the tiniest and lightest in the world (254 g). The Olympus M.Zuiko Digital ED 12-45mm F4.0 PRO lens is the world’s most compact and lightweight medium-range zoom PRO lens with a set aperture value covering a focal length range from wide-angle 24mm to telephoto 90mm. The lens also has a fixed aperture value (35mm equivalent).
For the purpose of reducing distortions and color fringing, it possesses two aspherical elements, two HR elements, one DSA (Dual Super Aspherical) element, two extra-low dispersion elements, and Super HR (high-refractive index) elements. These integrated lens components also help in the creation of photos that are crisp, clear, and true in terms of color.
The greatest magnification ratio of this lens is 1:2, which results in excellent close-up photos. Additionally, the rounded seven-blade diaphragm of thare lens helps generate appealing bokeh.
A Movie & Still Compatible autofocus technology, which delivers quick, smooth, and silent focusing performance, and a maximum magnification of 0.25x across the zoom range, both complement the optics and make the lens suitable for dealing with close-up subjects.
Under addition, the lens has a weather-sealing coating, which enables it to be utilized even in harsh climatic circumstances. The camera has a weight of 254 grams, is portable to any location, and is capable of shooting a variety of subjects, including portraits, cityscapes, and landscapes.
Best Portrait Lenses for Panasonic GH5 II
23. Leica Nocticron 42.5mm f/1.2 Panasonic telephoto lens
The Leica DG Nocticron 42.5mm f/1.2 ASPH. POWER O.I.S. from Panasonic is a prime lens with an 85mm equivalent focal length that is designed for use with mirrorless Micro Four Thirds cameras. This lens is ideal for portraiture due to the rich stereoscopic effect that it produces.
You are able to make use of the stunning soft-focus in conjunction with the fast aperture to produce photographs that are both more impressive and innovative. When shooting at bigger aperture settings, the rounded form of the aperture, which is produced by the 9 blades, creates a seamless effect in the areas that are out of focus.
A maximum aperture of f/1.2, which is exceptionally fast, gives the photographer a significant amount of control over the depth of field, which is helpful when employing techniques for selective focus, as well as when shooting in low-light settings.
The optical design of the lens incorporates one ultra-high resolution element, one extra-low dispersion element, and one pair of aspherical elements. This helps to decrease spherical aberration as well as chromatic aberration, which results in better sharpness and clarity.
Additionally, a Nano Surface Coating reduces lens flare and ghosting, which contributes to an improvement in contrast as well as color accuracy. In addition to its optical qualities, this lens is distinguished by its inclusion of a POWER Optical Image Stabilizer. This feature reduces the apparent movement of the camera during handheld photography, resulting in crisper images.
A stepping autofocus motor and an internal focus design also give a focusing performance that is both quick and nearly silent, making it an excellent choice for use in video as well as photography. The one and only drawback is that it is a little bit pricey! In the event that you are unable to purchase it, the Panasonic 42.5mm f/1.7 is an affordable alternative that offers a stunning bokeh effect in the backdrop of the photograph.
24. Olympus 45mm f/1.2 Pro telephoto lens
The Olympus M.Zuiko Digital ED 45mm f/1.2 PRO is a popular portrait-length lens for Micro Four Thirds photographers because it combines a desirable focal length (the equivalent of 90mm) with an extremely quick maximum aperture (f/1.2).
The M.Zuiko Digital ED 45mm F1.2 PRO lens produces stunning feathered bokeh that blends the image from focused sections to out-of-focus sections and provides a smooth impression of the defocused background. This adds more depth to the image by making the subject stand out even more than it would otherwise.
Producing a crisp picture with a shallow depth of field is made possible by the combination of the slightly restricted field of view and the brilliant aperture, which also makes it suitable for working in challenging lighting circumstances.
This lens is also distinguished by its highly developed optical design, which consists of 14 elements in 10 groups and incorporates low dispersion, aspherical, and high refractive index glass elements. These elements work together to control a variety of aberrations and distortion, resulting in images that are exceptionally sharp, clear, and true to color.
Additionally, it includes a nine-blade aperture, which helps produce a smooth bokeh quality when dealing with narrow depth of focus techniques. Additionally, a Z Coating Nano has been applied to individual parts in order to prevent flare and ghosting, which improves contrast.
In addition to its image capabilities, the lens has a weather-sealed construction, which is advantageous for use in environments where the weather can be very severe. In addition to that, it has a Movie and Still Compatible (MSC) autofocus technology that provides a focusing performance that is smooth, quiet, and quick. This makes it suited for both still photography and video recording.
In addition to a manual focus clutch that enables a speedy transition to MF control, the lens barrel has a printed depth of field scale that may be used for pre-focusing as well as hyperfocal focusing methods.
This Olympus 45mm f/1.2 Pro lens is an excellent choice for portrait photography. The 45mm f/1.8 variant is likewise a highly fast and extremely light portrait lens that is compact in size and priced inexpensively, in case you are unable to afford the more expensive option.
25. Olympus 25mm f/1.2 Pro telephoto lens
The Most Stunning Example of Bokeh. Sharpness from center to edge, even when using the largest aperture setting of f1.2. One of the most flexible and high-performing prime lenses ever produced, the Olympus M.Zuiko Digital ED 25mm f1.2 PRO is one of the best examples of its kind. You’ll be able to capture breathtaking portraits, landscapes with a wealth of detail, and high-quality photographs of your everyday life thanks to its exceptional optical design.
It is an excellent lens for producing photographs with bokeh and backgrounds that are delightfully out of focus. Because of its one-of-a-kind construction, which consists of 19 elements and 14 groups and incorporates extra-low dispersion, aspherical, and high refractive index elements, it is able to significantly reduce both chromatic and spherical aberrations, resulting in an image that is notably clear, sharp, and accurate in color.
If you enjoy taking photos with a shallow depth of focus, the 25mm f/1.2 PRO lens is an excellent choice to use. Even with the aperture wide open at f1.2, its exceptional optical performance removes aberrations, distortion, and fringing in both focused and defocused areas. This is the case even if the aperture is wide open.
When combined with the extremely high resolution of the parts that are concentrated, the backdrop that is out of focus produces an impression that appears to be natural and three-dimensional. Both in bright and low light, you should shoot gorgeous pictures that have clear details and lovely bokeh that accentuates the subject of the photograph. Very strongly suggested!
26. Panasonic 42.5mm f/1.7 telephoto lens
If the Panasonic Leica Nocticron 42.5mm f/1.2 lens is out of your price range, the Panasonic Lumix G 42.5mm f/1.7 is an excellent alternative for you to consider purchasing. This lens with a big aperture and a brilliant F1.7 sucks in the lightest possible, which allows it to generate a stunning bokeh effect, which results in photographs that are more spectacular and imaginative.
The combination of a mid-telephoto focal distance of 42.5 millimeters and a 35mm camera equivalent focal length of 85 millimeters makes this lens more than suitable for taking portraits that are crisp, detailed, and expressive. The incorporation of an aspherical element within the optical design contributes to the management of spherical aberrations and distortions, resulting in improved sharpness and rendering that is more accurate.
Even when shooting in dimly light environments, the LUMIX POWER O.I.S. (Optical Image Stabilizer) can swiftly and consistently adjust for blurring, resulting in photographs that are sharp and incredibly clear. During both picture and video recording, its inner-focus drive system and stepping motor carry out their functions in a smooth and noiseless manner.
A lens that is perfect for taking portraits and has a stunning bokeh effect that blurs the backdrop. Great bargain!
27. 45mm f/1.8 Olympus lens
The Olympus M.Zuiko Digital 45mm f/1.8 is an extremely reasonably priced prime lens that has a fixed focal length of 45 millimeters and an equivalent focal length of 90 millimeters. This lens is bright enough to perform exceptionally well in low-light environments, quick enough to capture action shots of professional quality, and unrivaled when it comes to producing the lovely out-of-focus background effects that you desire for your portraits.
The beauty of the Olympus 45mm F/1.8 is largely due to its silky and noiseless autofocus, which provides ample focusing power while freeing the photographer from the need to manually modify the portrait settings on a consistent basis. A quick maximum aperture of f/1.8 not only makes it easier to produce a narrow depth of field and selective focusing effects, but it also makes it easier to work in lighting circumstances that are challenging.
The optical design of the lens comprises two elements with a very high refractive index. These components contribute to the reduction of spherical aberrations and distortion, which enables the lens to achieve a significant level of sharpness and accurate rendering.
In addition, a Movie and Still Compatible (MSC) autofocus mechanism is utilized to give speedy, noiseless, and accurate focusing performance that is suitable for both video and photography applications. It works particularly well for portraiture, but it also does well for still photography, action photography, and videography.
The Finest Panasonic Macro Lenses for the GH5 II
28. Olympus is offering a 60mm f/2.8 Macro
A multipurpose lens that is designed specifically for working with subjects that are up close.
This Olympus M.Zuiko Digital ED 60mm f/2.8 Macro lens is designed specifically for macro photography and offers a minimum focusing distance of 7.5 inches, a 120mm equivalent focal length, a maximum magnification of life-size 1:1, and a life-size 1:1 maximum magnification. It is ideal for working with close-up subjects.
In addition, the lens barrel features an indicator window with scales that allow for working at 1:1.3, 1:2, and 1:4 magnifications. Additionally, the lens barrel features a Focus Limit switch that can be used to constrain the usable focusing range in order to achieve faster and more controlled performance.
Additionally, it has a maximum aperture of f2.8, which is exceptionally bright, making it an excellent choice for use in low-light conditions. Additionally, it is constructed using no less than 13 individual lens elements organized into 10 groups, including some high-end glass materials that help eliminate chromatic aberrations.
A Movie & Still Compatible system is utilized, which offers a rapid, silent, and smooth AF that is ideal for both picture and movie applications. This system is another factor that contributes to the focusing performance of the camera.
Regarding the optical design, extra-low dispersion and high refractive index glasses are utilized in order to regulate a range of aberrations. In addition, a ZERO coating has been applied in order to reduce flare and ghosting, which results in an improvement in contrast and color accuracy. Excellent lens for taking close-up photographs.
29. Panasonic Leica 45mm f/2.8 Macro
The Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S. lens is designed specifically for working with close-up subjects, as it has a minimum focusing distance of 5.9 inches, a focal length that is equivalent to 90 millimeters, and a maximum magnification ratio that is as close to life-size as possible (1:1).
The optical design of this lens, which was developed in collaboration with Leica and adheres to stringent tolerances, makes use of aspherical and extra-low dispersion glass elements to minimize aberrations and distortion, resulting in noticeable improvements in sharpness, clarity, and color accuracy. The use of multi-coated elements and a floating elements system both contribute to the reduction of lens flare and the use of the latter helps to maintain consistent picture quality over the whole focusing range.
During operation, the entire length of the lens is kept the same thanks to an internal focusing mechanism, and the lens also comes equipped with MEGA O.I.S., which helps decrease the appearance of camera shake when shooting handheld. A lens that excels in close-up and macro photography.
30. The Panasonic Macro 30mm f/2.8 Lens
The Panasonic Lumix G Macro 30mm f/2.8 ASPH. MEGA O.I.S. lens was developed specifically for working with close-up subjects. It has a 60mm equivalent focal length, a life-size 1:1 magnification ratio, and a minimum focusing distance of 4.1 inches. You can use this lens for everything from casual macro shots, such as flowers or food, to impressive portraits.
The lens system accomplishes both a high degree of compactness and an increased level of optical performance. It does this by consisting of nine lenses organized into nine groups, one of which is an aspherical lens. It features a superior inner focus technology that, from full life-size magnification all the way to infinity, offers exceptional resolution and contrast. In addition to the lens’s excellent optical performance, it also comes equipped with a MEGA O.I.S.
the method that counteracts the blurring caused by camera shake, allowing for clearer shots taken with the camera kept still. When working with selective focus and shallow depth of field techniques, the rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality, which is made possible thanks to a stepping autofocus motor and an internal focusing design that offer fast, smooth, and nearly silent focusing performance.
This lens is ideal for taking images on a safari, as well as at weddings, particularly when you need to get a close-up of the bride and groom. Additionally, this lens enables you to take macro photographs that are true to the life of flowers and other little accessories.
The Finest Prime Telephoto Lenses Available for the Panasonic GH5 II
31. Panasonic Leica 200mm f/2.8
The Panasonic Leica DG Elmarit 200mm f/2.8 POWER O.I.S. The lens is a large lens for the Micro Four Thirds system. It is a 400mm-equivalent super-telephoto prime that was created in conjunction with Leica and offers clear pictures and great handling. Users will have the ability to operate in low-light circumstances and generate photographs with a small depth of focus if the maximum aperture has a fast f/2.8 setting.
The design features two Ultra Extra-Low Dispersion (UED) elements that work to battle aberrations, and a Nano Surface Coating is used to reduce flare in order to ensure that the image quality is of the highest possible standard. Its extreme telephoto focal length, which is comparable to 400 millimeters, and its remarkable descriptive performance make it an excellent choice for photographing animals or sports.
This lens is designed to be used for the photography of subjects that are far away and moving quickly. It features a 240 fps sensor drive and a silent triple linear motor focusing technology, allowing for extraordinarily quick performance in both still photography and videography.
Additionally, the POWER Optical Image Stabilizer reduces the appearance of camera wobble, allowing for crisper handheld photography. Additionally, it supports the Dual I.S. and Dual I.S. 2.0 modes, which together boost the camera’s overall stabilization capability.
In addition to this, there are fast access lens controls accessible, which allow for tactile control over a variety of settings. These controls include a focus limiter, a focus button, and a focus memory switch. This optic features a construction that makes it resistant to water, dust, and freezing temperatures, making it an excellent choice for usage in environments where the weather is less than ideal.
The teleconverter is built into the lens and comes standard, giving users the ability to achieve a focal length equivalent to 560 millimeters at the expense of one stop of light. An optional teleconverter that multiplies the focal length by two gives the camera the reach of an 800mm lens without the bulk.
32. Olympus 300mm f/4 IS PRO [Olympus 300mm f/4 IS PRO
The M.Zuiko 300mm f4.0 IS PRO (600mm equivalent) is agile enough for hand-held shooting and small enough to carry on even the most rigorous of journeys due to its size and weight, which are each one-third of what they are for normal 600mm DSLR lenses.
The groundbreaking 5-Axis Sync IS technology combines in-body and in-lens image stabilization to give six shutter speed steps of correction while simultaneously producing images that are extraordinarily sharp and detailed.
The extravagant design of the M.Zuiko 300mm f4.0 IS PRO incorporates 3 Super ED lenses, 3 HR lenses, and 1 E-HR lens in order to significantly minimize the incidence of color bleeding and chromatic aberrations, both of which are common problems associated with super-telephoto lenses. The use of a new coating technique known as Z Coating Nano results in a considerable reduction of ghosts and flares, as well as an improvement in the image quality’s sharpness and clarity.
In addition, a Movie and Still Compatible (MSC) autofocus technology is used to achieve rapid and silent focusing performance. Additionally, a manual focus clutch allows for seamless changeover between focusing techniques, making the camera’s use more intuitive.
This extreme telephoto lens is equally excellent in close quarters, giving spectacular high magnification macro photos. It has a minimum focusing distance of just 4.5 feet (1.4m) and a maximum magnification of 0.48x (35mm equivalent). Both of these specifications make it possible.
When the MC-14 1.4x Teleconverter is attached to the camera, the maximum magnification increases to 0.67x but the minimum focus distance stays the same.
Working in severe environments will be made easier thanks to the lens’s weather-sealing feature, which protects it from dust, moisture, and freezing temperatures. Additionally, the lens is outfitted with a tripod collar that can be removed and rotated, providing enhanced stability and greater balance.
Ideal for those who shoot both wildlife and sports!
The Finest Options for Panasonic GH5 II Telephoto Zoom Lenses
33. Olympus 40-150mm f/2.8 PRO Telephoto Zoom Lens
The Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO is a telephoto zoom lens that is designed for professional use and maintains a constant aperture of f/2.8 throughout its range. The Olympus 40-150mm f/2.8 PRO is an excellent lens for portraits and street photography thanks to its comparable coverage of 80-300mm. It is also great for photographing close sports and animals.
It weighs only 1.67 pounds, is completely sealed to protect it from the elements, has the world’s first Dual VCM focusing system, and produces super-sharp image quality from edge to edge.
The premium metal lens body contains 16 elements organized into 10 groups. These elements include Olympus ZERO-coated HD, ED, and EDA glass, as well as Super EDA glass, which is making its debut in an M.ZUIKO lens for the first time. These elements significantly reduce chromatic aberration, ghosting, and flares.
Additionally, it has a fixed aperture of f2.8, which is sufficiently bright to take photos that are crisp across the entirety of the zoom range. Because there are no gears involved in the autofocus system, it is practically friction-free and wonderfully silent. This is made possible by dividing the focusing mechanism into two lens groups, each of which is driven by its own separate linear drive motor.
With a minimum focus distance of just 20 inches, this lens is ideal for wedding and event photography because it offers you the flexibility to zoom in or out to capture stunning portraits and live event photos. It is also ideal for use in sports photography.
For those situations in which you need to take extremely long images, the 40-150mm f2.8 PRO may be paired with a 1.4x teleconverter, which increases the focal length of the lens to an astounding 210 millimeters (or the 35mm equivalent of 420 millimeters).
You also have the option of purchasing a ZUIKO protection filter, which comes along with the well-known ZERO coating technology developed by Olympus.
34. Panasonic 35-100mm f/2.8 II Telephoto Zoom Lens
The Panasonic Lumix G X Vario 35-100mm f/2.8 II POWER O.I.S. Lens has a versatile focal length range that is comparable to that of a 70-200mm lens, and it is capable of high shutter speeds, allowing it to freeze-frame objects that are moving quickly, such as sports and activities.
A constant maximum aperture of f/2.8 works in concert with the adaptable range of portrait length to telephoto focal lengths to provide benefits for working in a variety of lighting settings as well as affording significant control over the amount of depth that is captured in an image.
In order to lessen the appearance of fringing and chromatic aberrations, the optical design incorporates three different types of low-dispersion elements: two extra-low dispersion elements and one ultra-low dispersion element. Additionally, a Nano Surface Coating has been applied in order to eliminate ghosting and flare, which results in enhanced contrast and color fidelity.
This lens also features a linear autofocus motor that offers quick, quiet, and near-silent focusing performance to suit video and still applications. These features complement the advanced optical design of the lens, which also features a POWER Optical Image Stabilizer that is compatible with Dual I.S. The lens also features a POWER Optical Image Stabilizer that is compatible with Dual I.S.
In addition to that, the dust, splash, and freezeproof physical construction of this Panasonic 35-100mm f/2.8 II lens makes it possible to operate in challenging climatic situations.
35. Panasonic Leica 50-200mm f/2.8-4
A versatile optic suitable for wildlife, outdoor, and nature photography, the Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4 ASPH. POWER O.I.S. The lens is a 100-400mm equivalent zoom built in partnership with Leica for Micro Four Thirds cameras.
The long reach is accompanied by a brilliant maximum aperture range that ranges from f/2.8-4, which not only makes it easier to work in low-light circumstances but also provides more control over the depth of focus for the purpose of isolating subjects.
The optical design makes use of several components with low dispersion, two aspherical elements, and one element with an extremely high refractive index in order to manage both chromatic and spherical aberrations, which results in better clarity and sharpness. When working in circumstances with high illumination, a Nano Surface Coating has also been applied so that there will be less flare and ghosting, which will result in better contrast and color accuracy.
Autofocus performance that is swift, quiet, and accurate may be achieved with a high-speed AF motor that operates at 240 frames per second. This motor benefits the taking of still photographs as well as the recording of moving images. Additionally, a POWER Optical Image Stabilizer will correct for camera wobble and will operate in conjunction with Panasonic’s Dual I.S. and Dual I.S. 2.0 in-camera stabilization features to minimize the appearance of camera shaking.
In addition, the lens has a physical construction that makes it resistant to dust and moisture, as well as being able to withstand freezing temperatures, making it suitable for usage in harsh shooting environments.
36. Panasonic Leica 100-400mm f/4-6.3 ASPH
The Panasonic Leica DG Vario-Elmar 100-400mm f/4-6.3 ASPH. POWER O.I.S. The lens is a Micro Four Thirds lens with a not-so-micro zoom range. It delivers a really broad 200-800mm equivalent focal length range, while it maintains a reasonably small stature to suit the Micro Four Thirds system.
The lens has a focal length range of 200–800 millimeters, which is comparable to 35 millimeters, and a magnification capability of 0.5 times, which allows for beautiful close-ups as well as extremely detailed photos taken at a distance, making it suitable for subjects of any form or size.
This high-tech optic, which can be identified by its Leica logo, makes use of aspherical and extra-low dispersion elements to considerably minimize chromatic and spherical aberrations over the whole zoom range. As a result, the image that is captured has a high degree of clarity and sharpness.
A POWER O.I.S. system, which is compatible with the Dual I.S. feature of the Lumix G camera, helps to decrease the appearance of camera wobble, allowing for clearer handheld photography at wider focal lengths. This further contributes to the clarity of the images captured by the camera.
A high-speed autofocus (AF) motor that operates at 240 frames per second is both quiet and precise, and it offers advantages for the shooting of still images as well as the recording of moving images. Additionally, a focus limiter function can be used to restrict the focusing range in order to achieve even more rapid performance.
In addition, the lens has a gapless construction that is used in its physical form. This structure makes the lens resistant to dust and moisture, making it suitable for usage in a variety of environments.
And while its lightweight and compact form factor make it suitable for handheld shooting, the 100-400mm f/4-6.3 also features a removable rotating tripod collar that allows for rapid switching between horizontal and vertical shooting orientations when working atop a monopod or tripod. This feature allows for faster switching between horizontal and vertical shooting orientations.
Along with its manageable size and weight, the lens also features a tripod attachment that is split into two halves and is compact in design. This allows for a more rapid switch between the landscape and portrait shooting modes.
37. Panasonic 45-200mm f/4-5.6 II telephoto zoom lens
The Panasonic 45-200mm f/4-5.6 II provides an equivalent focal length range for Micro Four Thirds mirrorless cameras that is comparable to 90-400mm. This lens covers an incredible range of telephoto focal lengths. This telephoto zoom lens is extremely user-friendly and should definitely be added to your collection of equipment.
A clever optical design that incorporates three components with extra-low dispersion helps to eliminate color fringing and chromatic aberrations, resulting in improved clarity and sharpness. This design also contributes to the lens’ overall reach.
An appropriate POWER Optical Image Stabilizer system, which minimizes the appearance of camera wobble and is also compatible with Dual I.S. for greater stabilization while shooting stills or video, is included as a complementary component to the optical performance of the camera.
The lens also has a splash and dustproof physical construction, making it suitable for use in environments that are very severe. Additionally, it has a linear autofocus motor, which allows for rapid and silent focusing performance.
Panasonic 100-300mm f/4-5.6 II telephoto zoom lens.
The Panasonic Lumix G Vario 100-300mm f/4-5.6 II POWER O.I.S. The lens is a long-reaching telephoto zoom designed for Micro Four Thirds cameras. It spans an equivalent range of 200-600mm, making it an excellent choice for photographing animals, nature, and sports.
And this new Lumix 100-300mm f/4-5.6 II lens provides a no-compromise approach to optical performance for enthusiasts of modern interchangeable camera systems. Additionally, it has been updated for use in the great outdoors with a design that is dustproof and splashproof.
The optical design features one extra-low dispersion element to increase clarity and color accuracy, as well as to eliminate color fringing over the whole zoom range. This is accomplished by the use of the element. The quick autofocus capability that a linear autofocus motor provides is also precise, smooth, and nearly silent, which is beneficial for both still photography and video applications.
The POWER Optical Image Stabilizer not only reduces the apparent amount of camera wobble, allowing for crisper handheld photography, but it also supports the Dual I.S. feature, which provides an even higher level of stabilization capability.
In addition, the lens has a structure that is resistant to water and dust, making it suitable for usage in harsh climatic circumstances.