The very best lenses for the mirrorless Sony A6500 camera. Are you looking for lenses that are suggested for use with your Sony Alpha a6500? The following is a list of the highest-rated Sony a6500 lenses.
The Sony a6500 is the company’s newest and most advanced APS-C E-mount mirrorless camera model. It might look a lot like the a6300, but it has a touchscreen, a more powerful CPU, and 5-axis optical image stabilization built-in into the camera.
The Sony a6500 features an in-camera 5-axis image stabilization system, 4D FOCUS with 425 Phase-Detect Points, 24.2MP APS-C Exmor CMOS Sensor, 3.0′′ 921.6k-Dot Tilting Touchscreen, Internal UHD 4K Video & S-Log3 Gamma, and more. It also has the world’s fastest autofocus speed and the highest number of autofocus points.
It is very incredible to see! Find the lenses that work best with your Sony a6500 camera in order to take photographs that seem like they were taken by a professional. We have compiled a list of the top lenses available for the Sony A6500 camera. If you were to use all of the suggested lenses for the Sony A6500, you could cover almost any shooting situation.
The lenses listed here are the ones that are most highly recommended for use with the Sony A6500 mirrorless camera. You are free to pick the one that best suits your needs.
Best All-In-One Lenses for Sony A6500
1. Sony 18-200mm f/3.5-6.3 OSS LE
Sony 18-200mm F3.5-6.3 E-Mount Lens SEL18200LE
- High-magnification zoom with image stabilization
- Minimum focus distance0. 3 (Wide) –0.5 m (Tele) (0.99 [Wide]) –1.64 feet[Tele]); Maximum 0.35 x, Focal Length: 18-200 mm
- 18 mm wide-angle to 200 mm telephoto assures coverage to capture any scene
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A strong performer in many aspects! The Sony 18-200mm F/3.5-6.3 lens (which has a 35mm equivalent focal length range of 27-300mm) is able to capture sweeping vistas, portraits, sports, and animals with equal aplomb.
It has a quick focus, is capable of capturing clear photographs, and comes with OSS for use when there is insufficient light from natural sources. It is quite convenient in every way. The ideal lens for traveling and general use when out and about.
Best Portrait Prime Lenses for Sony A6500
2. Sony 50mm f/1.8 OSS
Sony 50mm f/1.8 Mid-Range Lens for Sony E Mount Nex Cameras
- Fixed 50mm mid-range telephoto focal length (35mm format equivalent: 75mm)
- Minimum Focus Distance : 1.28 ft (0.39 m), Maximum Magnification ratio : 0.16x, Focal-Length : 50 mm
- Built-in Optical SteadyShot image stabilization
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This Sony 50mm lens features a focal length that is ideal for portraiture as well as a variety of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization, and impressive image quality, all in a surprisingly compact and lightweight package. The focal length of this lens is equivalent to a 35mm camera having a 75mm focal length.
The Sony 50mm f/1.8 lens is crisp all the way to the corners, and its OSS and f/1.8 apertures will make it an excellent lens for shooting in low light. It is quite affordable in comparison to other Sony E-mount prime lenses. Perfect for taking headshots, portraits, and pictures in dim light.
3. Sony 35mm f/1.8 OSS
Sony SEL35F18 35mm f/1.8 Prime Fixed Lens
- Compact, lightweight fixed F1.8 lens.Angle of View (APS C) 44 °
- Minimum Focus Distance : 0.99 ft (0.3 m), Maximum Magnification ratio : 0.15x, Focal Length : 1.38 in
- New optical design for excellent peripheral sharpness and contrast, Built in image stabilization
With a maximum aperture of f/1.8 and Sony’s OSS image stabilization, this compact Sony 35mm f/1.8 OSS lens is a leading Sony E-mount lens. It has a 35mm equivalent focal length of 52.5 millimeters and is considered the best lens on the market for low-light photography because of its 35mm equivalent focal length.
It is an absolute need for your collection of Sony E-mount lenses to have this one. This Sony 35mm f/1.8 OSS lens is fantastic for a wide range of applications, including portraiture, low-light photography, close-ups, videography, and more.
4. Sigma 60mm f/2.8 DN
Sigma 60mm F2.8 EX DN Art (Black) for Sony SE
- Minimum focusing distance of 50CM
- Maximum Focusing magnification ratio of 1:7.2
- Excellent for taking shots with a pinpoint focus on a subject.
- Fast and large apertures lens for mirror less camera systems
- Choice of silver or black finish.
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This Sigma 60mm f/2.8 mid-range telephoto length lens is perfect for portrait photography since it has an equivalent focal length of 90mm when used with a 35mm camera. This lens is able to focus very rapidly, and it has an excellent level of sharpness. This lens is useful even when there is not a lot of light available since it has a maximum aperture of f/2.8, which produces a small depth of focus.
When it comes to video recording, having precise and silent focusing capabilities is important, and a recently designed linear autofocus motor gives just that. The one drawback is that it does not have image stabilization built-in, but with a maximum aperture of f/2.8, you probably won’t need that feature very frequently anyway.
5. Sony Zeiss FE 55mm f/1.8 Sonnar T*
Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
- Diaphragm Blades 9, Rounded. Lens Groups / Elements is 5/7
- Focal Length: 55mm, Filter Diameter: 49mm
- Minimum Focus Distance: 19-11/16 inches (.50m)
- Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
- Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 °
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This is easily one of the sharpest lenses ever made. Five Star! The background bokeh of a full-frame photograph can seem particularly stunning when the maximum aperture is set at F1.8.
When photographing indoors or outside in conditions with low light, having a lens that is as bright as this one is a benefit. Internal focusing that is driven by a linear motor is smooth and quiet, and a design that is resistant to dust and moisture assures that the performance will be dependable over time.
6. Sony FE 50mm f/1.8
Sony - FE 50mm F1.8 Standard Lens (SEL50F18F), Black
- Large F1.8 maximum aperture enables beautiful defocusing effects, 7-blade circular aperture creates beautiful defocused bokeh
- Compact, lightweight design ideal for full-frame E-mount cameras, Aspherical element controls spherical aberration and coma
The most cost-effective FE glass that doesn’t sacrifice performance! A maximum aperture of brilliant F1.8, a circular aperture with 7 blades, and an aspherical element give exceptional picture quality with elegantly blurred backgrounds, all in a package that is surprisingly tiny and lightweight.
Best Macro Lenses for Sony A6500
7. Sony FE 90mm f/2.8 Macro G OSS Lens
Sony SEL90M28G FE 90mm f/2.8-22 Macro G OSS Standard-Prime Lens for Mirrorless Cameras,Black
- A perfect match for α7 series, 35mm full-frame E-mount cameras, 90mm Macro with a bright F2.8 maximum aperture, Nano AR coating effectively suppress reflections, Dust and moisture resistant design
- Minimum Focus Distance : 0.92 ft (0.28 m), Maximum Magnification ratio : 1.0x, Focal Length : 90 mm. The angle of view is 27 degree (35 mm) and 17 degree (APS-C)
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Very strongly suggested! Even when shooting handheld, the full-frame 90mm medium telephoto macro E-mount lens provides clean and clear photos at up to 1:1 magnification because of its built-in image stabilization technology.
The lens was designed specifically for macro photography. A floating focus mechanism that suppresses aberration equally at all focusing distances is necessary to create a sharp rendering that is in focus. This is true regardless of how far away or how closely one is focusing on the topic.
The overall quality and endurance of this excellent optic are further contributed to by its aesthetically pleasing and robust construction, which also has a design that is resistant to dust and moisture.
8. Sony FE 50mm f/2.8 Macro Lens
Sony SEL50M28 FE 50mm F2.8 Full Frame E-mount Lens (Black)
- Full-frame 50mm macro lens with 1:1 magnification, F2.8 max. aperture for low-light and shallow depth of field, Get close with 6.25” (0.16m) minimum focusing distance
- ED glass effectively compensates for axial chromatic aberration, Robust and reliable dust and moisture resistant design, Focus-mode switch, focus-range limiter and focus-hold button
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Perfect for taking pictures in your regular life! Get up and personal with this full-frame 50mm macro lens that features a wide aperture of F2.8, a minimum focusing distance of 6.25″ (0.16m), and potential of 1:1 macro magnification.
Even without a lens hood, the lens exhibits reduced glare and ghosting because of the optical and mechanical structure of the lens. Additionally, it may be utilized on APS-C versions, where it offers an equivalent focal length of 75mm to the camera.
9. Sony 30mm f/3.5 Macro Lens
Sony SEL30M35 30mm f/3.5 e-mount Macro Fixed Lens
- Lens not Zoomable
- Exceptionally portable and versatile for everyday use
- Minimum working distance of only 9.75cm with 1:1 magnification
- Simple, compact 6-group 7-element lens
- Internal stepping motor and Rear-focusing design for video capture
The Sony 30mm f/3.5 Macro Lens is a tiny, lightweight, and user-friendly macro lens that was developed to give diverse and high-performance macro capabilities in a lens that is small in size. It is a real 1:1 macro lens with a minimum focusing distance of 3.84 inches (9.5 cm), which enables even the most minute subjects and details to be portrayed with exceptional sharpness and contrast.
However, it also performs very well as a “regular” lens for use in day-to-day photography, and its smooth and silent internal lens drive mechanism makes it a great choice for use when filming movies.
Best Telephoto Zoom Lenses for Sony A6500
10. Sony FE 70-200mm f/4 G OSS
Sony FE 70-200mm F4 G OSS Interchangeable Lens for Sony Alpha Cameras
- Brand is Sony
- Minimum focus distance:1–1.5 m (AF)/1–1.35 m (MF) (3.28–4.93 ft [AF]/3.28–4.43 ft [MF]), Maximum Magnification ratio : 0.13x, Focal-Length : 70–200 mm
- Interchangeable Lens
- SEL70200G
This lens is an excellent choice for tiny 35mm full-frame format E-mount bodies because of its small size, adaptable 35mm focal length, and superb overall performance. Because of this, it is ideal for portrait photography as well as sports photography, both of which need you to isolate the subject from the background.
When there is not enough natural light, it does not perform as well as the one with an f/2.8 aperture, but it costs less than half as much.
11. Sony FE 70-300mm f/4.5-5.6 G OSS
Sony FE 70-300mm SEL70300G F4.5-5.6 G OSS Lens
- Full-frame 70-300mm G Series F45-56 G Telephoto zoom, Nano AR Coating with Nano-precision structure, Optical SteadyShot for clear images even at full telephoto
- 35 mm full-frame. 9-blade circular aperture for smooth defocus background bokeh, 2x Extra-Low Dispersion (ED) glass elements reduces aberration, 4x Aspherical elements control spherical aberration and coma
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The Sony FE 70-300mm f/4.5-5.6 G OSS lens boasts the greatest reach of any FE lens to date, making it an excellent choice for photographers interested in travel, landscape, and animal photography. Having said that, we are not satisfied with the quality of the images. The low light performance is poor, and the edges have a hazy appearance.
12. Sony 55-210mm f/4.5-6.3 OSS
Sony E 55-210mm F4.5-6.3 Lens for Sony E-Mount Cameras (Black)
- Wide zoom range (82 - 315mm 35mm equivalent) ideal for sports or nature;Aperture blades : 7
- Internal focusing for smooth, quiet operation - perfect for video capture.Direct manual focus with non-rotating focus ring during AF: ideal for precise, comfortable manual focus adjustments
When taking into account it’s pricing, the Sony 55-210mm (which has a 35mm equivalent of 82.5-315mm) is the most advantageous telephoto choice for Sony E-mount lenses. The Sony 55-210mm lens provides an excellent harmony between its form and its function by combining a sizable zoom range with a small design that is incredibly easy to grasp and use due to its low weight and lack of bulk.
When you want to get up and personal with your subject at a sporting event or while photographing nature, this camera is ideal since it is not only easy to carry but also incredibly lightweight.
Best Wide-Angle Zoom Lens for Sony A6500
13. Sony 10-18mm f/4 OSS Lens
Sony - E 10-18mm F4 OSS Wide-Angle Zoom Lens (SEL1018),Black
- Angle of View (APS-C) - 109 ° – 76 °
- Minimum focal length of 10 mm (15 mm in 35 mm-camera equivalency)
- Minimum Focus Distance : 0.82 ft (0.25 m), Maximum Magnification ratio : 0.1x
- Superbly detailed images;Aperture Maximum: f/4 ; Minimum: f/22. 35mm equivalent focal-length (APS-C) : 15-27mm
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Very strongly suggested! The Sony 10-18mm f/4 OSS, which has a 35mm equivalent focal length range of 15-27 millimeters, is an excellent option for wide-angle zoom lenses because it has a high level of sharpness, focuses rapidly, has a minimal amount of distortion, and has swift autofocus. Additionally, it weighs only 7.9 ounces.
Additionally, it has a maximum aperture that remains fixed at f/4 for the entirety of the focal length range. It is an excellent option for one of the greatest Sony E-mount lenses that are currently available. Ideal for shooting interiors, broad vistas, and large groups of people. And it works wonderfully in settings with less light, such as being outside after dusk.
14. Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS
Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens
- Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce flare and ghosting
- Minimum Focus Distance: 0.92 feet (0.28 m), Maximum Magnification ratio: 0. 19x, Focal-Length: 5/8 - 1-3/8 Inches
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A fantastic lens for taking pictures of the outdoors! This Sony Zeiss FE 16-35mm f/4 lens is one of the best FE-mount lenses because it has impressive sharpness, quick focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements.
It is suitable for landscape professionals as well as those who want to just dabble in wide-angle photography. You can select this one if you are intending to upgrade to a full-frame!
Best Wide-Angle Prime Lenses for Sony A6500
15. Zeiss Touit 12mm f/2.8 Lens
ZEISS Touit 2.8/12 for mirrorless APS-C System Cameras from Sony (with E-Mount), Black
- EXCELLENT RESOLUTION AND HIGH CONTRAST: Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
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A wide-angle prime lens with a manual focusing system that is exquisitely built. The Zeiss Touit 12mm f/2.8 lens (35mm equivalent to 18mm) is one of the very first choices for wide-angle photographers and enthusiasts, particularly for landscapes and architectural photography.
It has an angle of view of 99 degrees, fantastic imaging performance, excellent sharpness, and low light performance, and is lightweight. Superior in sharpness and shooting speed over the Sony 10-18mm.
16. Sigma 19mm f/2.8 DN Lens
Sigma 19mm f/2.8 DN Lens for Sony NEX E-mount Cameras (Black)
- Three glass mold aspherical lenses provide excellent correction for distortion, color aberration and field curvature
- Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture
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A wonderful value! The Sigma 19mm f/2.8 is a superb wide-angle prime lens for Sony E-mount cameras since it is lightweight, crisp, and focuses rapidly.
Its 35mm equivalent focal length is 28.5 millimeters. A lens with a maximum aperture of f/2.8 works well in low-light conditions and is capable of producing photographs with a beautiful shallow depth of focus. Additionally, it costs $150 less than the Sony 20mm f/2.8 lens.
17. Zeiss Batis 18mm f/2.8
Zeiss Batis 2.8/18 Wide-Angle Lens for E-Mount, Black
- VERSATILE FULL-FRAME LENS: The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
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FE-mount lens of exceptional quality, with exceptional sharpness and color reproduction. The Batis 18mm f/2.8 combines an incredibly wide field of view of 99 degrees with a high degree of practicality, and it is extremely crisp all the way to the corners.
This makes it an excellent choice for applications such as interior photography, architectural photography, and astrophotography.
This lens is ideal for the challenges posed by photographic genres such as landscape, Astro, and architectural photography because it maintains consistently high picture quality all the way into the lens’s corners. You can select this one if you are intending to upgrade to a full-frame!
18. Rokinon 14mm f/2.8 ED AS IF UMC Lens
Rokinon FE14M-E 14mm F2.8 Ultra Wide Lens for Sony E-mount and Fixed Lens for Other Cameras
- Ultra-wide angle of view on both full frame and APS-C cameras
- Excellent construction and superior build quality for razor sharp images
- Features built-in petal type hood, Focal Length :14mm
- Minimum focusing distance of only 0.9 ft, Lens not zoomable
If you’re a fan of manual wide-angle lenses, you might like the Rokinon 14mm f/2.8 lens, which comes at a price that’s far lower than other options.
Best Standard Zoom Lenses for Sony A6500
19. Sony Vario-Tessar T* E 16-70mm f/4 ZA OSS
Sony SEL1670Z Vario-Tessar T E 16-70mm F4 ZA OSS
- Carl Zeiss mid-range zoom lens; Compatible with E-mount Full Frame cameras and E-mount APS-C cameras
- Minimum Focus Distance : 1.15 feet (0.35 m), Maximum Magnification ratio : 0.23x, Focal Length : 16-70 mm
Very strongly suggested! This Sony 16-70mm f/4 lens (which is comparable to 24-105mm in the 35mm format) is able to produce excellent image quality across a range of shooting situations, from landscapes to portraits, making it an excellent choice for those on the go. The most recent developments in optical design technology have made it feasible for Carl Zeiss to provide the renowned contrast and clarity of their lenses in a high-performance mid-range zoom lens.
This is the appropriate lens for you if you are seeking a high-quality standard zoom lens. The price of this lens, which is $998 (the same price as the Sony A6300), is the sole drawback of purchasing it.
In the event that you are unable to afford it, the Sony 18-105mm f/4 OSS will be the most cost-effective alternative for you. This lens has a greater zoom range and costs half as much, but its optical performance is not as excellent.
20. Sony E PZ 18-105mm f/4 G OSS
Sony SELP18105G E PZ 18-105mm F4 G OSS , Black
- High performance E mount lens with excellent contrast; Minimum Aperture (F): 22
- Minimum Focus Distance : 1.48 (Wide) 3.12 ft (Tele), Maximum Magnification ratio : 0.11x, Focal Length : 18 105 mm
- Versatile 27 158mm (35mm equiv.) zoom range. Angle of view (APS C): 76° 15°. Number of aperture blades are 7
This power Sony 18-105mm f/4 OSS (35mm equivalent of 27-158mm) zoom lens is a respectable option at a cheaper price point. It is more affordable than the Sony Zeiss 16-70mm zoom that was discussed earlier, plus it has a longer focal length. Anyone who shoots both stills and videos would benefit greatly from investing in this lens.
The power zoom operates extremely quietly and smoothly during video capture, and the camera’s stabilization is excellent. The lens is quite sharp for still photography between the apertures of f5.6 and f8, although it is noticeably less sharp when fully open. It generates exceptionally high-quality photos.
Additionally, it is now ranked as the best-selling item in the Mirrorless Camera Lenses category on Amazon.com in the United States.
21. Sony 16-50mm f/3.5-5.6 OSS
Sony SELP1650 16-50mm Power Zoom Lens
- POWER ZOOM for smooth zooming with superb operability and quietness
- ED glass and Aspherical lens elements for excellent performance with reduced aberrations
- Built-in image stabilization
- This lens is designed for Sony α camera system E-mount cameras. You cannot use it on A-mount cameras
This tiny Sony 16-50mm lens (which has a 35mm equivalent focal length of 24-75mm) provides a wide range of shooting lengths, from real wide-angle to normal portrait-length, making it ideal for everyday use, portraiture, and travel photography.
This Sony E 16-50mm lens is a decent and reasonable alternative if you are on a budget, however, the f/3.5 aperture limits your ability to photograph in low light. If you are on a budget, you should consider purchasing this lens.
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