Canon has announced the arrival of the 5D Mark IV DSLR, which is a fantastic still photography alternative as well as a strong 4K video machine with a large sensor. To achieve the best balance between fine detail and resolution and low-light performance and sensitivity, this multimedia powerhouse has a newly designed 30.4MP full-frame CMOS sensor combined with the DIGIC 6+ image processor (available separately).
For clear, low-noise shots in a variety of lighting circumstances, it has a native ISO range of 100-32000 that can be stretched to an astonishing ISO 50-102400 with an optional zoom lens for even greater flexibility. Additionally, users will benefit from an improved autofocus system, built-in Wi-Fi, NFC, GPS, and other features, in addition to the image quality enhancements mentioned above.
The 5D Mark IV makes use of the DIGIC 6+ image processor, which has the capability of processing up to 7 frames per second during continuous shooting, in order to offer detailed photographs fast and effectively. A 150,000-pixel RGB+IR metering sensor is also used to analyze the scene and subjects in order to achieve correct exposures under a variety of lighting situations.
The camera’s speed is increased even further by an upgraded 61-point High-Density Reticular AF system that tracks and locks onto targets swiftly and correctly for nail sharp shots. It has been updated to include an AF area choose button, which allows for very quick access to this parameter.
Due to the integration of Dual Pixel CMOS AF and Movie Servo AF, video benefits from the ability to seamlessly track focus while shooting. Shooters may also take advantage of the 3.2″ 1.62m-dot touchscreen LCD to alter the focus point by just tapping on the screen.
Moreover, with DCI 4K (4096 x 2160) video recording at up to 30 frames per second, users may take 8.8MP still images from the movie for an even quicker capturing alternative. The Dual Pixel sensor design is linked to a completely new function for Canon: Dual Pixel RAW. This technology enables precise customization of specific image properties, such as bokeh shift, and focuses micro adjustment, after the image has been captured, which is unique to Canon.
Durability and weather resistance have been enhanced by additional refinement of the body, which provides greater comfort and ease of access. To make this model a connected camera, the Canon N3 remote port has been moved to the front of the camera body, and GPS and Wi-Fi with NFC have been integrated into the camera body as well.
Full-frame CMOS sensor with 30.4MP resolution and DIGIC 6+ image processor
As with previous members of Canon’s primary 5D series, the Mark IV makes an attempt to strike a balance between high resolution and low-light performance, thanks to a newly designed 30.4MP full-frame CMOS sensor.
This results in a positive boost in overall resolution without sacrificing sensitivity, which is a bonus. Additionally, owing to the DIGIC 6+ image processor with which it is equipped, it delivers outstanding performance within an ISO 100-32000 native range that can be increased to ISO 50-102400 with an optional extension.
Landscape photography and wedding photography are both challenging subjects for the 5D, so it must be capable of handling both with ease. Using a 150,000-pixel RGB+IR metering sensor, photographers will be able to more confidently rely on the camera while capturing tough subjects in low light conditions.
Aside from face identification and flicker detection, this sensor also contains a built-in light sensor to guarantee optimum exposure in less-than-ideal lighting conditions. This is combined with an enhanced continuous shooting rate of 7 frames per second, making the camera an excellent choice for events and action photography.
High-Density Reticular AF and Dual Pixel CMOS AF Systems are two types of autofocus systems.
A new High-Density Reticular AF system, with 61 phase-detect points, ensures that your subject is razor-sharp even at the maximum aperture of f/8. All points are sensitive to f/8, and 41 of them are cross-type, making the 5D Mark IV an excellent choice for portraiture.
The center point can function in low light conditions as low as -3 EV, making it ideal for working in dull environments. The vertical coverage of this sensor has been increased by 24 percent on the peripherals and 8 percent in the center when compared to prior versions, allowing it to better track and find subjects in the picture than earlier models.
In addition to superior tracking and focusing while using the optical finder for stills, Live View and video may now take advantage of Dual Pixel CMOS AF on the actual imaging sensor, which improves the overall quality of the image. This provides about 80% coverage of phase-detection autofocus, allowing for faster and more accurate focusing in each of these shooting modes.
It is particularly well suited for video applications since it provides smoother rack focusing without the drawbacks associated with contrast-based solutions. Additionally, this is compatible with touchscreen functionalities, allowing photographers to alter focus with a simple tap.
DCI 4K Video Recording (Digital Cinema Initiative)
The 5D Mark IV is designed for both professional stills photography and video recording, and it can record up to 30 frames per second at 500 megabits per second in DCI 4K (4096 x 2160) resolution at up to 500 Mbps. It can also shoot at Full HD 1080p at 60 frames per second and HD 720p at 120 frames per second for slow-motion playback.
Four-thirds-of-a-second sampling and eight-bit color depth are used when recording 4K video in-camera, whereas four-thirds-of-a-second sampling and eight-bit color depth are used while recording Full HD 1080p footage. Uncompressed Full HD 1080p video can also be recorded via HDMI to an optional external recorder with 4:2:2 color sampling, which can be purchased separately.
The middle 4096 x 2160 section of the sensor is cropped by 1.74x in order to capture video with an optimum 1:1 pixel sampling ratio in 4K, whereas Full HD recording makes use of the whole full-frame in Full HD video recording.
It is possible to record audio using the onboard stereo microphone, or an extra external microphone may be connected using the 3.5mm microphone connection. With the 3.5mm headphone jack, it is also possible to listen to music in real-time. In addition to 4K video recording, the camera has the capability of taking 8.8MP still frame grabs as the movie is being played back on the rear touchscreen and saving them as single photos.
Dual Pixel RAW is a kind of RAW that uses two pixels per pixel.
Due to the unique pixel design of the sensor used in the 5D Mark IV, Dual Pixel RAW allows photographers to record all of the information that the sensor is capable of recording while yet allowing for precise edits to be made after the image has been captured.
Focus fine-tuning is one of these changes, and it may assist you ever-so-slightly altering the focus point to bring out more details, shift bokeh around for enhanced composition, and lessen the impact of ghosting on your images. Digital Photo Professional 4.5 software from Canon is required in order to accomplish this.
|MSRP||$3499 (body only), $4399 (w/24-70 F4L lens), $4599 (w/24-105 F4L IS USM lens)|
|Body type||Mid-size SLR|
|Body material||Magnesium alloy|
|Max resolution||6720 x 4480|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||30 megapixels|
|Sensor photo detectors||32 megapixels|
|Sensor size||Full frame (36 x 24 mm)|
|Sensor size notes||sRaw suppoorted in all aspect ratio. Size between 5 and 7.5 megapixel.|
|Color space||sRGB, AdobeRGB|
|Color filter array||Primary color filter|
|ISO||Auto, 100-32000 (expands to 50-102400)|
|Boosted ISO (minimum)||50|
|Boosted ISO (maximum)||102400|
|White balance presets||6|
|Custom white balance||Yes|
|JPEG quality levels||Fine, normal|
|File format||JPEG (Exif v.2.3)Raw (Canon CRW, 14-bit)|
|Optics & Focus|
|Autofocus||Contrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View|
|Autofocus assist lamp||Yes|
|Number of focus points||61|
|Lens mount||Canon EF|
|Focal length multiplier||1×|
|Screen / viewfinder|
|Screen type||TFT LCD|
|Viewfinder type||Optical (pentaprism)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/8000 sec|
|Exposure modes||ProgramShutter priorityAperture priorityManualBulbScene Intelligent Auto|
|External flash||Yes (via hot shoe or flash sync port)|
|Flash X sync speed||1/200 sec|
|Drive modes||Single shootingContinuous hi/loSilent single shootingSilent continuous2/10 sec self-timer / remote control|
|Continuous drive||7.0 fps|
|Self-timer||Yes (2 or 10 secs, custom)|
|Exposure compensation||±5 (at 1/3 EV, 1/2 EV steps)|
|AE Bracketing||±3 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV steps)|
|Resolutions||4096 x 2160 (29.97p, 24p, 23.98p), 1920 x 1080 (59.94p, 29.97p, 24p, 23.98p), 1280 x 720 (119.9p)|
|Format||MPEG-4, Motion JPEG|
|Videography notes||8.8MP stills can be grabbed from 4K video; camera supports ALL-I, IPB and IPB Light compression.|
|Storage types||CompactFlash + SD/SDHC/SDXC card (UHS-I enabled)|
|USB||USB 3.0 (5 GBit/sec)|
|Wireless notes||802.11b/g/n + NFC|
|Remote control||Yes (wired, wireless, or smartphone)|
|Battery description||LP-E6N lithium-ion battery & charger|
|Battery Life (CIPA)||900|
|Weight (inc. batteries)||890 g (1.96 lb / 31.39 oz)|
|Dimensions||151 x 116 x 76 mm (5.94 x 4.57 x 2.99″)|
Overall, despite the fact that it seems to be a 5D Mark III, the design of this new model is polished, well-thought-out, and most importantly, familiar, which for a seasoned professional is precisely what he or she desires and requires. For this, they require a tool, and the Canon 5D Mark IV is a fantastic choice, both for photography and videography. The Canon 5D Mark IV does not provide any surprises, with the exception of the fact that it is quite pleasurable. It’s a dependable, sturdy, and competent workhorse camera, which is just what a professional needs.