Cameras

Fujifilm X-T10

Fujifilm X-T10

The black X-T10 is a mirrorless camera distinguished by its sleek, vintage design. It is equipped with Fujifilm’s proprietary sensor technology, a variety of focusing settings, and a high-quality electronic viewfinder with a high resolution.

The X-T10 is built on a 16.3 MP APS-C-sized X-Trans CMOS II sensor and an EXR Processor II, and it is capable of up to 8 frames per second continuous shooting and full HD 1080p/60 video recording. It also has an extended sensitivity range of ISO 100-51200, which can be expanded further. It is possible to eliminate the need for a resolution-reducing optical low-pass filter by employing a randomized pixel array on Fujifilm’s proprietary X-Trans sensor, which results in photos with the highest level of sharpness and clarity possible.

The X-T10 separates itself from the competition not only by its sophisticated image capabilities, but also by its convenience of use, which has direct shutter speed, drive, and exposure compensation knobs, as well as a dedicated automated shooting mode lever.

The intuitiveness is carried over to the Real-Time Viewfinder, which has a 2.36 million-dot resolution and 0.62x magnification, as well as a Natural Live View setting, which is designed to mimic the viewing comfort of an optical viewfinder while providing the additional information control that an electronic finder provides.

Adding to the feature set is a range of autofocus settings that make use of the Intelligent Hybrid AF technology to provide fast, accurate focusing while also allowing for precise subject tracking. When it comes to simplicity of use and enjoyment of usage, the Fujifilm X-T10 combines a vast array of imaging functions with a traditional, visceral design.

Apart from its core set of characteristics, the X-flexibility T10 is further enhanced by a range of shooting modes and features, such as Film Simulation settings, which reproduce the appearance of vintage Fujifilm films like Provia, Astia, and Velvia. In addition to the electronic viewfinder, a big 3.0″ 920k-dot LCD monitor is also available for live view shooting and picture evaluation.

The monitor has a tilting design that makes it easier to shoot from both high and low angles while shooting in live view. Built-in Wi-Fi further enhances handling by enabling remote camera control and wireless image sharing via linked smartphones or tablets, in addition to other functions.

There is a basic zoom lens with the XF 18-55mm f/2.8-4 R LM OIS included with the X-T10, which has an equivalent focal length range of 27-84mm (35mm equivalent) and can be used to capture images ranging from wide-angle to portrait-length perspectives.

Incorporated into this lens is optical image stabilization, which helps to reduce the appearance of camera motion while shooting at slower shutter speeds or with longer focal lengths. Additionally, a linear motor-drive autofocus system delivers quick and smooth focusing capabilities.

Sensor with 16.3 Megapixels (APS-C X-Trans CMOS II)


The Fujifilm X-T10 is equipped with a huge 16.3 MP APS-C CMOS image sensor, which delivers excellent picture quality and detail. The sensor is constructed with a randomized pixel pattern, which eliminates the need for an optical low-pass filter, which helps to reduce moiré and aliasing. It makes use of Fujifilm’s proprietary X-Trans pixel array.

It is possible to achieve improved image clarity by deleting this filter from the design. The EXR Processor II takes into consideration Lens Modulation Optimizer (LMO) parameters as well, which helps to automatically adjust for aberrations and diffraction blur in order to generate images with the highest possible inherent sharpness.

The X-Trans sensor is also capable of providing extremely effective noise reduction as well as a clean signal-to-noise ratio, among other things. This allows for a smoother-looking picture, which is notably noticeable while photography in low-light circumstances with an increased sensitivity range of ISO 100-51200, which is particularly noticeable.

It is also able to shoot at a maximum continuous rate of 8 frames per second for up to 8 consecutive frames, and at a maximum rate of 3 frames per second for the capacity of an SD card, which is beneficial while working with moving subjects.

EXR Processor II is a digital image processing device.

Aside from improving low-light performance, the EXR Processor II also ensures that the camera system as a whole operates at a rapid pace. With an electronic shutter, you may capture images at shutter speeds of up to 1/32000 seconds.

The camera’s start-up time is around 0.5 seconds, shutter lag is approximately 0.005 seconds, and shooting interval time is approximately 0.5 seconds. An autofocus performance speed of 0.06 seconds is also possible with the sophisticated Intelligent Hybrid AF technology, which employs both contrast- and phase-detection focusing approaches to provide the fastest possible performance.

Intelligent Hybrid Air Force (IHAF)

Using both contrasts- and phase-detection approaches, Intelligent Hybrid AF can acquire focus in as low as 0.06 seconds in a wide range of lighting settings and shooting circumstances, making it one of the fastest autofocus systems available.

Additionally, when used in conjunction with the fast continuous shooting rate, AF-C may be utilized to keep a tight focus on moving subjects when shooting at 8 frames per second with sophisticated subject motion prediction. It is possible to choose from six different autofocus settings, giving you greater control over how the X-T10 achieves fine focus:
The AF-S + Single Point focusing mode is a very precise focusing mode that allows you to pick one of 49 focus points with a choice of five different area widths to concentrate on a single subject. It is ideal for close-up photography.

When shooting subjects moving at a moderate pace, or in other situations where the single-point focus may have problems tracking the subject, AF-S + Zone is the best setting to use. The camera can detect regions in three-, five-, and five-by-five configurations, as well as areas in three- and five-by-three phase-detection configurations that are centrally located for faster autofocus rates.

AF-S + Wide/Tracking: When dealing with a large number of subjects or subjects that move swiftly, this mode uses the whole 77-point focusing area to gain focus on many subjects or subjects that move in unanticipated ways.

If you are photographing a subject that is moving in a fixed direction, you may use this mode to prioritize and keep sharp focus by selecting one of the 49 focus points and area size to prioritize and maintain sharp focus while the subject moves across the frame or towards the camera.

This mode, which is suitable for photographing from a tripod, allows you to choose from three different area sizes: three by three, five by three, or five by five, as well as the central phase-detection points, for tracking moving subjects. AF-C + Wide/Tracking:

This mode, which is suitable for photographing from a tripod, is well-suited to photographing unpredictably moving subjects by allowing you to choose the starting point in the frame and allowing the AF-C to

A Viewfinder That Works in Real-Time

This camera’s design has an innovative electronic viewfinder that allows for clear eye-level monitoring while also offering a variety of unique viewing capabilities that help to make the whole process more efficient.

The Real-Time Viewfinder is made up of a 2.36 million dot OLED display and has a magnification of 0.62x, making it ideal for close-up work. Its wide field of view is further enhanced by the 0.005 second lag time, which allows sceneries and moving subjects to be shown smoothly and fluidly in real time. When working in low-light conditions, Natural Live View can be used to display an image quality that is similar to working with an optical viewfinder.

Alternatively, the viewfinder can be configured to preview the effects of Film Simulation modes or other settings in real-time, reducing the need to check photos after each shot and allowing for more accurate composition.

Design of the Body

The X-T10 is distinguished by a body design that is reminiscent of a 35mm SLR film camera, as well as analog exposure settings that are enhanced with sophisticated automated technology and a quick-selection drive dial.

With physical shutter speed, drive mode, and +/- 3 EV exposure compensation dials milled from milled aluminum alloy, the camera’s clean and functional body design pairs well with the manual aperture rings found on many of the XF lenses to allow for intuitive exposure setting selection as well as full use of the P/A/S/M exposure modes.

An Auto Mode Switch Lever is positioned on the top plate of the camera, allowing you to switch between completely automated shooting modes (SR AUTO) without having to worry about exposure settings. This allows for a more automated workflow.

Dual command dials and a readily accessible Q Menu give an effective method for adjusting some of the most often used camera parameters, such as ISO, white balance, and file settings, depending on individual requirements.

There is also a 3.0″ 920k-dot LCD display available for more detailed menu navigation, as well as live view monitoring and picture evaluation. The monitor is tilting to better accommodate operations from both high and low angles.

Additional features include an inbuilt pop-up flash for additional illumination when photography in dim lighting circumstances, as well as a top hot shoe for attaching an optional external flash for more powerful and more adjustable flash output when photographing in bright lighting settings.

A Viewfinder That Works in Real-Time

This camera’s design has an innovative electronic viewfinder that allows for clear eye-level monitoring while also offering a variety of unique viewing capabilities that help to make the whole process more efficient.

The Real-Time Viewfinder is made up of a 2.36 million dot OLED display and has a magnification of 0.62x, making it ideal for close-up work. Its wide field of view is further enhanced by the 0.005 second lag time, which allows sceneries and moving subjects to be shown smoothly and fluidly in real-time. When working in low-light conditions, Natural Live View can be used to display an image quality that is similar to working with an optical viewfinder.

Alternatively, the viewfinder can be configured to preview the effects of Film Simulation modes or other settings in real-time, reducing the need to check photos after each shot and allowing for more accurate composition.

Built-In Wi-Fi

Integral Wi-Fi Wi-Fi networking is integrated into the camera, allowing for the immediate transfer of photographs to an Android or iOS smartphone or tablet.

It is possible to browse the image contents of your camera from your mobile device and transfer both videos and photos using the Fujifilm Camera Remote app, and the entire sharing process is made even more efficient by simply pressing and holding the dedicated Wi-Fi button, which causes the transfer to begin immediately.

Using the app, you can also operate and monitor your camera from your mobile device, which allows you to modify Touch AF, the shutter release, the exposure settings, the Film Simulation modes and white balance modes, the macro mode, the timer, and the flash settings all from your mobile device. Geotagging images may be accomplished by embedding location data into the picture file’s metadata.

Modes for film simulation and advanced filters are available.

In order to capitalize on Fujifilm’s extensive experience with conventional film-based photography, the X-T10 has a number of Film Simulation modes that are designed to replicate the appearance and feel of some of Fujifilm’s historic film types.

An improved Classic Chrome mode is intended to produce subdued tones and rich color reproduction, akin to that of a vintage slide film, without the need for filters. As part of the company’s more current range of transparency films, Provia delivers natural-looking tones for everyday filming, while Velvia produces a more dramatic and rich tonality with richer color saturation, and Astia generates less contrast for a more subtle portrayal of skin tones.

Pro Neg. Std. creates smooth picture tones that are suited for accurate color reproductions, whilst Pro Neg. Hi produces a more dramatic feel with the capacity to pull color from a range of lighting settings, both of which are modeled after their negative film counterparts. In addition to the colorful effects produced by these Film Simulation modes, there are also monochrome modes that replicate the appearance of typical yellow, green, and red black and white contrast filters, as well as a variety of other effects. A sepia setting is also accessible for those who want to create a look that is naturally retro.

Besides standard filters, eight advanced filters are available to enhance the look of images in a variety of ways. These include high key, low key, soft focus (including Toy Camera), miniature (including Miniature), pop color (including Dynamic Tone), and partial color (including Partial Color) (Red, Orange, Yellow, Green, Blue, and Purple).

The Fujinon XF18-55mm f/2.8-4 R LM OIS is a zoom lens with a focal length of 18-55mm.

In addition, the integrated XF 18-55mm f/2.8-4 R LM OIS lens offers a 27-84mm equivalent focal length range, which covers wide-angle to portrait-length perspectives to accommodate dealing with most ordinary subject matter. When used in conjunction with a linear-driven autofocus motor, an optical image stabilization system can reduce the impression of camera shake by up to four shutter speed steps.

While three aspherical elements and one extra-low dispersion element work together to reduce chromatic aberrations throughout the zoom range, overall picture clarity and sharpness are also improved.

Individual components have also been treated with a Super EBC coating, which helps to decrease lens flare and ghosting while enhancing contrast and neutral colors overall.

Fujifilm X-T10 Specs

Price
MSRP$799 (body only), $899 (w/16-50mm lens), $1099 (w/18-55mm lens)
Body typeSLR-style mirrorless
Max resolution4896 x 3264
Image ratio w:h1:1, 3:2, 16:9
Effective pixels16 megapixels
Sensor photodetectors17 megapixels
Sensor sizeAPS-C (23.6 x 15.6 mm)
Sensor typeCMOS
ProcessorEXR Processor II
ISOAuto, 100-51000 (JPEG), 200-6400 (Raw)
Boosted ISO (minimum)100
Boosted ISO (maximum)51200
White balance presets8
Custom white balanceYes
Image stabilizationNo
Uncompressed formatRAW
AutofocusContrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousFace DetectionLive View
Manual focusYes
Number of focus points77
Lens mountFujifilm X
Focal length multiplier1.5×
Articulated LCDTilting
Screen size3″
Screen dots920,000
Touch screenNo
Screen typeTFT LCD (RGBW)
Live viewYes
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification0.93× (0.62× 35mm Equiv.)
Viewfinder resolution2,360,000
Minimum shutter speed30 sec
Maximum shutter speed1/4000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Built-in flashYes
Flash range5.00 m (ISO 100)
External flashYes (via hot shoe or wireless)
Flash modesAuto forced flash, slow synchro, flash off, rear-curtain synchro, commander
Continuous drive8.0 fps
Self-timerYes (10sec. / 2sec. Delay)
Metering modesMultiCenter-weightedSpot
Exposure compensation±3 (at 1/3 EV steps)
AE Bracketing(at 1/3 EV, 2/3 EV, 1 EV steps)
WB BracketingYes (+/- 1 to +/- 3)
Resolutions1920 x 1080 (60p, 30p, 24p), 1280 x 720 (60p, 30p, 24p)
FormatH.264
MicrophoneStereo
SpeakerMono
Storage typesSD / SDHC / SDXC (UHS-I)
USBUSB 2.0 (480 Mbit/sec)
HDMIYes (HDMI Micro (Type D))
Microphone portNo
Headphone portNo
WirelessBuilt-In
Wireless notes802.11b/g/n
Remote controlYes (via smartphone, cable release)
Environmentally sealedNo
BatteryBattery Pack
Battery descriptionNP-W126 lithium-ion battery & charger
Battery Life (CIPA)350
Weight (inc. batteries)381 g (0.84 lb / 13.44 oz)
Dimensions118 x 83 x 41 mm (4.65 x 3.27 x 1.61″)
Orientation sensorYes
Timelapse recordingYes (Setting: Interval, Number of shots, Starting time)
GPSOptional
GPS notesvia smartphone

Fujifilm X-T10 Price

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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