Cameras

Nikon Z9

Nikon Z9

The Nikon Z9 is a professional-grade camera that excels in terms of speed, picture quality, and connection. It is distinguished by its newly designed sensor, superior autofocus performance, and high-resolution 8K video recording capabilities.

More: Best Gimbal for Nikon Z9

The Z9, which is the company’s first mirrorless flagship camera, stands out as a camera that appeals to photographers and filmmakers that work across a wide range of applications and is priced competitively.

Sensors that are stacked together with a powerful processing engine

Sensor with 45.7-megapixel stacked BSI CMOS technology

The Z9 is powered by a newly designed 45.7MP BSI stacked CMOS sensor in FX-format, which is at the heart of the device. When working at higher sensitivity, the stacked architecture provides quick readout rates and helps to prevent rolling shutter, while the BSI design provides remarkable clarity and minimum noise when operating at lower sensitivities.

It’s also a high-resolution chip, with 45.7MP, which is beneficial for landscape, portraiture, and other detail-oriented genres, as well as for capturing video at resolutions of up to 8K, among other things. The full-frame BSI design is also noted for its outstanding color and detail reproduction, and this sensor has a native ISO range of 64-25600, which can be increased to ISO 32-102400 with an optional extension.

ADVANCED EXPEED 7 Image Processing

The sensor is complemented with a sophisticated processing engine, the EXPEED 7, which operates at speeds that are nearly ten times quicker than those of a Z 7II. With the help of the stacked sensor architecture, this engine is able to achieve extremely rapid autofocus speeds, burst shooting rates, a large buffer capacity, smooth video performance, and speedy all-around handling.

Continuous shooting rates of up to 20 frames per second when shooting in raw, 30 frames per second while shooting in JPEG, and an astonishing 120 frames per second when recording 11MP stills are all possible, and all rates are supported with complete AF/AE performance.

It is capable of buffering over 1000 raw photos in a single burst, which means that raw image sequences may be captured continuously for around 50 seconds. Additionally, you can go to the first shot of a particular burst during playback to accelerate the on-camera review process.

A pre-release photograph was taken using the Nikon Z9.

Pre-Release Capture makes it simpler to capture critical moments in action by recording frames in a burst for up to a second before actually releasing the camera’s shutter button. When this function is enabled, burst shooting will begin as soon as the shutter is half-pressed, and the buffer will hold up to a second’s worth of shots until the shutter is fully depressed.

The electronic shutter has a maximum shutter speed of 1/32,000 sec, which allows you to operate in the brightest situations while using larger apertures.

Because of the stacked sensor architecture, rolling shutter distortion is reduced, allowing subjects that move quickly, such as a golf club, tennis racket, or baseball bat, to seem undistorted even when working with shutter speeds up to 1/32,000 sec.

To keep up with the rapid continuous shooting speeds, AF calculations are performed at a rate of 120 frames per second.

Nikon Z9 Motion Burst is a high-speed burst camera.

The new High-Efficiency RAW file format retains image quality comparable to that of uncompressed raw files while reducing file sizes by roughly 30% to allow for speedier reading and writing to memory cards and other storage devices.

This function may be used to create an in-camera composite that displays a succession of subject motions inside a single frame by using the Motion Blend Retouch tool.

Enhancements to the Long Exposure display have been included with Firmware 2.0 and feature a live exposure timer on the back LCD and the ability to darken the viewfinder to further maintain your night-adjusted vision in low light conditions.

Design with only an electronic shutter

The Z9 totally forgoes the use of a mechanical shutter in favor of an electronic shutter for all capture modes, relying instead on the speed and stacking construction of the sensor to do this. The high speed of the sensor allows for recording at speeds of up to 1/32,000 sec, and the layered construction eliminates motion distortion, allowing for a realistic portrayal of fast-moving things such as golf clubs, baseball bats, and vehicles to be captured.

Aside from that, despite the lack of a mechanical shutter, flash sync speeds of up to 1/200 sec., as well as high-speed sync features, are still supported.

It is also possible for the Z9 to function fully silently by disabling the mechanical shutter, and there is no need to be concerned about mechanical shutter wear or breakage. For enhanced awareness when a shot is being taken, the level of a shutter release sound may be modified to accommodate varied working environments.

AF with 493 Phase-Detection Points

The Z9 employs a 493-point phase-detection autofocus technology, which covers the whole sensor surface, to achieve quick and precise autofocusing performance. This system benefits from the high-speed communication provided by the Z interface, as well as the speed of the sensor, which allows AF measurements to occur at rates of up to 120 frames per second.

Astrophotography, concerts, and other evening shooting applications would benefit immensely from its focusing system’s Starlight mode, which allows for focus down to -8.5 EV.

Deep Learning Technology is used for subject detection.

A new algorithm and deep learning technologies have been implemented to enable automated Topic Recognition to distinguish nine various subject kinds, ranging from humans to animals, airplanes, and bicycles, among other things.

In Auto-Area AF, these subjects will be automatically identified, focused on, and tracked to guarantee that they remain in sharp focus even when the subject is moving about in the image. The Eye-Detection AF system, in particular, has been fine-tuned to provide more accurate and precise detection of eyeballs in the picture, regardless of how little or large they are inside the frame of the photograph.

Custom Wide Area Modes for the Nikon Z9.

The Nikon Z9 also marks the first time that the 3D Tracking mode has been included in a Nikon mirrorless camera. When used in conjunction with subject recognition, this popular focusing option from Nikon’s DSLRs is able to latch onto rapid, irregularly moving subjects that move parallel and perpendicular to the camera’s sensor.

Additionally, there are three Dynamic-Area AF settings, each with a different focus area size, for catching a wide range of moving subjects, including birds, animals, and people.

Wide-Area AF selection patterns have been added to Firmware 2.0, with 12 of them being supported during video recording. These patterns allow for more precise autofocus and subject identification inside a specific area of the frame and are available in 20 different variations.

Recording at resolutions of up to 8K is supported.

In addition to its high-end picture capabilities, the Z9 is Nikon’s most competent video camera, with a choice of resolutions and frame rates up to 8K available in a number of configurations. Using complete pixel readout, UHD 8K 30p video may be shot, with continuous filming being achievable for around 2 hours and 5 minutes at maximum resolution.

A full-frame 4K recording option is also available, with a maximum resolution of 120p for slow-motion playback. Oversampled UHD 4K recording at up to 60p is achievable with an 8K area, resulting in greater sharpness and clarity when compared to standard 4K recording. Additionally, high-resolution frame grabs may be recorded in-camera from 8K and 4K recordings, resulting in still images with resolutions of 33MP and 11MP, respectively.

N-RAW and ProRes RAW videos are recorded internally.

The Z9 now has internal 12-bit raw recording at up to 8.3K 60p in the N-RAW format, which was added with Firmware 2.0, as well as compatibility for ProRes RAW recording, which was previously unavailable. The raw recording provides more tonal and color freedom, as well as increased dynamic range, which is beneficial for color grading requirements and post-production flexibility.

Photographers who use Nikon’s raw recording format, N-RAW, will notice that the file sizes are far less than those of other raw formats. N-RAW also has the capability of creating MP4 proxies for more efficient previewing and transferring.

Recording resolutions of up to 8.3K at 60p or 24p, 4.1K at up to 120p, 5.3K at up to 60p with a 1.5x crop, and 3.8K at 120p with a 2.3x crop are all possible using N-RAW technology.

Additionally, ProRes RAW recording is possible at resolutions of up to 4.1K and 60p.

Internal recording in ProRes and H.265 10-bit resolution

Depending on the workflow requirements, internal recording with 10-bit color and 4:2:2 sampling is available in the ProRes HQ and H.265 codecs, while H.264 and 4:2:0 color can also be utilized in the ProRes 422 HQ codec. There is also a 10-bit N-Log mode, as well as a flat color profile, for those who prefer more freedom when color grading in post-production.

Additionally, HLG (Hybrid Log-Gamma) may be utilized to create HDR-ready material directly from the camera, which can save time and money.

Firmware 2.0 Video Upgrades are now available.

Firmware 2.0 enhanced the cinematic capabilities of the Z9 by introducing a range of production-related enhancements to the camera, including:

In order to quickly detect when recording is taking place, a red REC frame indication is displayed on the EVF and LCD during the process.

Real-time exposure analysis is performed using a waveform monitor.

In addition to recording parameters such as frame size and frame rate, the dedicated video info display also displays audio settings such as codec, bit depth, and HDMI output configurations, among other things. Some of these options will also be available on the camera’s top control panel, which will be displayed when the camera is turned on.

Fine ISO control is available in Manual mode, allowing for exposure adjustments in 1/6-stop increments.

In addition to being able to apply two different AF speeds to various Fn buttons, the fast AF-ON function may now be given to Fn buttons as well.

For working in extremely low-light circumstances or for generating purposefully blurred effects, slow shutter speed video (slower than 1/frame rate) is enabled.

Body Design by a Professional

  • mag body front back
  • Viewfinder with real-time data
  • Real-Live Viewfinder is an innovative electronic viewfinder that employs a 3.69 million dot OLED display with adjustable brightness up to 3000 cd/m2 for clear sight in bright circumstances. While shooting constantly, this EVF may be used in conjunction with dual-stream technology to provide blackout-free viewing while shooting continuously.
  • Firmware 2.0 has further enhanced the performance of the finder by including a high frame rate mode, which increases the EVF’s refresh rate to 120 frames per second for even smoother, more lifelike viewing.

LCD with Four-Axis Tilting

The Z9 has a four-axis tilting touchscreen LCD with a resolution of 3.2″ and 2.1 million dots, which allows for more comfortable working from high and low angles, regardless of whether the camera is in a horizontal or vertical configuration.

The four-way tilting architecture of this screen enables easier viewing from a range of situations, and the orientation of the user interface will change based on how the camera is handled.

Construction that is tough and long-lasting

Having two CFexpress Type B memory card slots allows for more flexible file storing while also promoting high-speed reading and writing, which is necessary to keep up with the quick continuous shooting and high-resolution 8K video recording that is required. Both slots are also compatible with XQD memory cards, which are available in both sizes.

In addition to its ergonomic design and the presence of a vertical grip, which allows for quick changeover between horizontal and vertical shooting modes, the Z9 is distinguished by its high level of performance in a professional environment.

Built to the same dust and moisture resistance requirements as the D6, the Z9 boasts a very robust and strong magnesium alloy chassis that manages to be 20 percent smaller than the previous flagship DSLR body, the D800EXR.

The EN-EL18d battery, which is included, has a capacity of about 700 frames per charge. The Z9 is also compatible with various EN-EL18 series batteries in addition to the ones listed above.

shutter-shield

Vibration reduction in the body now supports Synchro VR, which may provide up to 6 stops of camera shake compensation when used in conjunction with certain Z lenses.

The VR safety lock holds the sensor and VR mechanism in place, preventing harm from occurring as a result of travel movement.

The Z9 has a sensor shield that shields the sensor surface when changing lenses, which helps to reduce the amount of dust that reaches the sensor. Additionally, a dual electro-conductive and fluorine coating is applied to the optical filter that covers the sensor in order to further reduce dust accumulation.

When the camera is left unattended, the Kensington security slot provides further protection against theft.

When working in low-light circumstances, backlit buttons make navigation and button identification much more straightforward.

While filming, you may use the voice memo function to capture brief spoken notes.

Connectivity that is adaptable

In keeping with its professional build quality, the Z9 is equipped with a multitude of connection choices to accommodate a wide range of workflow requirements:

mobile-app

Full-size HDMI port for connecting a video recorder or monitor to an external display device.

Tethering, data transfer, and in-camera battery charging are all supported by the USB 3.2 Gen 2 Type-C interface.

The Ethernet port provides a wired LAN connection at a speed of 1000BASE-T, which is ideal for sending data using FTP.

The 10-pin port accommodates a broad range of accessories as well as remote connectivity.

The PC sync port is used for flash synchronization.

It works in conjunction with the NX Mobile Air software for file management and allows for wireless file transfer and remote camera operation through a mobile device using Bluetooth and Wi-Fi (2.4 and 5 GHz).

GNSS is used for in-camera geotagging and recording of location information while the camera is filming.

Nikon Z9 Specs

Price
MSRP$5500 (body only)
Body typeSLR-style mirrorless
Max resolution8256 x 5504
Image ratio w:h1:1, 3:2, 16:9
Effective pixels46 megapixels
Sensor photodetectors52 megapixels
Sensor sizeFull frame (35.9 x 23.9 mm)
Sensor typeStacked CMOS
Boosted ISO (minimum)32
Boosted ISO (maximum)102400
White balance presets9
Custom white balanceYes (6 slots)
Image stabilizationSensor-shift
Image stabilization notesSynchro VR with select lenses
CIPA image stabilization rating6 stop(s)
Uncompressed formatRAW
AutofocusPhase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View
Manual focusYes
Number of focus points493
Lens mountNikon Z
Articulated LCDTilting
Screen size3.2″
Screen dots2,088,960
Touch screenYes
Live viewYes
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification0.8×
Viewfinder resolution3,686,400
Minimum shutter speed900 sec
Maximum shutter speed1/32000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Built-in flashNo
External flashYes
Flash modesFront-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off
Continuous drive30.0 fps
Self-timerYes
Metering modesMultiCenter-weight highlight-weightedSpotSpot AF-area
Exposure compensation±5 (at 1/3 EV, 1/2 EV steps)
FormatH.264, H.265
Modes7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.265, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.265, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.265, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.265, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.265, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.265, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
MicrophoneStereo
SpeakerMono
USBUSB 3.2 Gen 1 (5 GBit/sec)
USB chargingYes
HDMIYes
Microphone portYes
Headphone portYes
WirelessBuilt-In
Wireless notes2.4, 5Ghz
Remote controlYes (Via app)
Environmentally sealedYes
BatteryBattery Pack
Battery descriptionEN-EL18d
Battery Life (CIPA)740
Weight (inc. batteries)1340 g (2.95 lb / 47.27 oz)
Dimensions149 x 150 x 91 mm (5.87 x 5.91 x 3.58″)
Orientation sensorYes
Timelapse recordingYes
GPSBuilt-in
GPS notesGPS, GLONASS, QZSS

Nikon Z9 Price

$5,499.95
in stock
6 used from $5,594.99
as of October 5, 2022 10:48 am
Amazon.com
$5,599.95
$5,989.95
in stock
2 new from $5,599.95
as of October 5, 2022 10:48 am
Amazon.com
Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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