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A New Dimension of Creativity
The Lumix GH6 Mirrorless Camera from Panasonic is a pioneer in the Micro Four Thirds class, a petite beast that challenges full-frame rivals, a powerful hybrid addition to the video-centric GH series that offers cutting-edge technology to cinematographers and photographers alike, and powerful hybrid addition to the GH series that offers cutting-edge technology to cinematographers and photographers alike.
In addition, the increased processing capability of the Venus Engine allows for faster sensor readouts for internal recording at 5.7K 30p in Apple ProRes 422 HQ and FHD 300p, as well as handheld photography at 100MP.
The GH6 properly exposes over 13+ stops, has in-body sensor-shift stabilization, and can be spliced into VariCam video thanks to the pre-installed V-log image profile. The GH6 is available now for pre-order.
Panasonic has developed a tiny flagship camera that pros may use for still photography, as a primary workhorse for indie filmmaking, or as an additional angle for feature films and television shows.
The Imaging Platform of the Future
The sensor has a high resolution of 25MP and video resolution of 5.7K
This sensor, which has been completely redesigned from the ground up, outperforms its predecessors in the GH Series thanks to improved silicone and software.
Because of the increased amount of pixels on the Micro Four Thirds sensor, it boasts a better dynamic range of 13+ stops, despite its smaller cell size of 1.6×1.6×1.2mm. When recording internally, use a CFexpress Type B card to capture 5.7K Apple Pro Res 422 HQ footage or the SD slot to capture 10-bit 4K120p film.
The capacity to record at high bitrates and the ability to record for an endless amount of time distinguish this camera from any of its predecessors.
The sensor is not limited by a low-pass filter, allowing it to achieve maximum sharpness while also smoothing out any moiré that may appear due to the improved Venus engine’s clever detail processing. This camera uses next-generation image stabilization to combine eight separate photos into a single 100MP image – all without the use of a tripod, thanks to its advanced image stabilization.
Sensor Response Time Is Lightning Fast
It has double the power of previous generations, allowing for 75 frames per second continuous filming or 300 frames per second variable frame rate (VFR) slow-motion footage, depending on the camera model.
In order to keep buildings upright when filming from an automobile’s action mount or to record slow-motion video of rapidly moving objects, the Venus Engine’s fast sensor readout reduces rolling shutter distortion.
Stabilization methods include in-body and sensor-shift.
With the help of a high-precision gyro-sensor and a stabilization algorithm, it is possible to achieve in-body, sensor-shift, and 5-axis picture stabilization. When used with all focal lengths, this stabilization mechanism provides an additional 7.5 stops of deviation from the shutter speed indicated by the reciprocal rule.
Its sensor-shift technology, which is integrated into the body of the camera, works perfectly with the optical image stabilization of Panasonic lenses. The option of electronic stabilizing is offered to individuals who are willing to bear the modest cropping effect that it entails. It simulates the effect of a shot that has been locked down on a tripod with the most severe electronic stabilization option available.
Highlights from the AF and AE
This camera now incorporates a 315-area contrast-detection depth-from-defocus (DFD) technology, which is powered by a threefold increase in autofocus processing speed. Using the most recent algorithm, you can compute the distance between your subject and the camera and anticipate whether it is moving closer or further away from the camera, as well as where it will be in the next frame.
Data is collected from many focal planes, and a 3D, the real-time depth map is generated as a result of this process.
The subject-tracking focusing system is also capable of recognizing objects like as faces, eyes, heads, bodies, and animals. As the person approaches the camera, the focus will automatically move from body recognition to face recognition, then eye recognition, in order to provide better sharpness.
The Concentrate Limiter, Manual Focus Assist, and a newly designed joystick make it possible to focus quickly and precisely. A less intrusive overlay, Zone AF, and Face Priority in Multi Metering help to reduce undesired exposure changes.
High-Quality, High-Bitrate Video of Professional Quality
There is no limit to your creativity.
High-quality Apple ProRes 422 HQ/ProRes 422 codecs are supported for 5.7K 30p recording, resulting in visually lossless, a high-bitrate video that is well-suited for extensive post-production processing.
When shooting in 4:2:2 10-bit sampling, the GH6 captures beautiful detail and depth in color grading. The GH6 can record in DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in color grading.
Keep at least 13 stops of detail.
If you shoot in the V-Log and V-Gamut modes, you will get 12+ stops of dynamic range, which may be enhanced to 13+ stops by activating the camera’s dual-analog gain circuits with the Dynamic Range Boost Mode.
In one circuit, the visible spectrum is absorbed but the detail in the highlights is maintained, while another circuit uses ISO 800 to record low-noise gradients of black in the shadows while keeping detail in the highlights.
Once it has passed through the Image Synthesis Dedicated Circuit, the well-exposed picture is composited together. This distinguishes it from a dual-native design in that you are not forced to choose between one ISO and another, but rather both are operating in parallel.
Dynamic Range Boost Mode is available for footage taken at a frame rate of up to 60 frames per second.
Recordings can be made an unlimited number of times.
As a result, Panasonic has created the GH6 with no limit recording duration, recognizing the necessity of capturing long clips. Extended takes, such as interviews and live events, may be captured in their whole, minimizing the number of sync problems and simplifying the data management process.
In order to do this, an active cooling design with a fan-driven fan system is used to direct heat away from the sensor.
Image Processing using Artificial Intelligence
Using three successive frames as a comparison, 3D noise reduction is achieved, with the noise that exists in just one of the three frames being automatically removed. Intelligent detail processing reduces the requirement for a low-pass filter and smoothes minute features such as hair and wires, resulting in a reduction in the appearance of moiré patterns.
Color Space with a Flat Profile and a Wide Color Spectrum
Smoothly transition between dark and bright regions with VariCam cameras, which provide precise color reproduction and nuanced gradations from dark to light. V-log and Hybrid Log-Gamma preserve the most amount of data, allowing your colorist to define the look with innovative LUTs while maintaining the highest level of detail.
The GH6 is compatible with both.CUBE and.CUBE+ formats. In real-time, VLT formats are used for V-Log View Assist to approximate the final appearance of your delivery.
Versatility in Anamorphic Forms
Using the 4:3 sensor, you can record open gate video at 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit resolutions.
The GH6 can hold up to ten anamorphic lenses, allowing for rapid swaps and film that is ready to be seen without being squished. Images can be desqueezed when they are seen at cinemascope size. The magnification rate may be changed to 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x according to on your needs.
When utilizing an anamorphic lens, the Image Stabilizer Anamorphic option is the best choice. According to the lens magnification, pick from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x in order to effectively understand the visual information for stabilization processing and to ensure proper stabilization processing.
Faster than light, in hyper-slow motion
By shooting in a high frame rate (HFR) of 4K, you can increase your frame rate to 120p, and by shooting in 1080p, you can increase your frame rate to 240p. In the absence of a scratch track, you may freeze time with the super-slow 300 frames per second variable frame rate (VFR) video in a 10-bit Full High Definition (FHD). While recording at up to 200 frames per second, autofocus is still accessible for making active modifications.
Backup is available immediately.
The ability to record both internal and externally at the same time through the HDMI connection expands your options for redundancy and storage, which is especially useful when covering live events that last more than an hour.
The camera can record in resolutions up to DCI 4K in 17:9 with a bit depth of up to 4:2:2, 10-bit, and frame rates up to 60 frames per second, 50 frames per second, 30 frames per second, 25 frames per second, and 24 frames per second.
A High-Definition Sound System
High-quality audio recording is made possible by the addition of new audio capabilities. With the built-in microphone, the GH6 is always ready to capture at 48kHz and 24 bits.
Using an external microphone, increase the sample rate to 96kHz and 24-bit. For interviews with numerous microphones, HDMI will provide audio data in four channels, which is ideal.
The Scopes and Assists
- A variety of tools such as the Wave Form Monitor, Vector Scope, and Luminance Spot Meter provide critical information about your levels.
- Time-lapse video interval capture is fully configurable in terms of both filming and payback periods, and it includes exposure smoothing as an added bonus.
- Improved workflow in both production and post-production thanks to the use of focus transition, frame indicator, and frame marker.
- The Safety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display all assist you in keeping your action correctly aligned, centered, and in focus while you’re playing.
- Updates to the Firmware
- Panasonic intends to deliver the following firmware upgrades in order to suit the demands of its customers when new technologies are developed:
- DCI4K Apple ProRes 422 High Definition / Apple ProRes 422 Standard Definition
- Apple ProRes 422 High Definition / Apple ProRes 422 Full HD
- Direct recording from a USB flash drive to an SSD
- During Live View, the HDMI video output is 4K 120p.
- The ATOMOS Ninja V+ receives 4K 120p HDMI RAW video data output.
- Capabilities in the Photography Industry
Strength in a Hybrid
Despite the fact that Lumix is most renowned for its video production, it also shines as a hybrid camera because to its 100MP stills, wide dynamic range, 7.5 stops of dual image stabilization, and the ability to shoot continuously at up to 75 frames per second using an electronic shutter.
100 Megapixel Photographs
Using image stabilization technology, it is possible to combine eight successive still images into a single high-resolution, 100MP image without the use of a tripod. In all photography modes, the Dynamic Range Boost Mode is immediately activated.
In low light, crisp details are visible.
Even when shooting in low-light settings that necessitate the use of a high ISO, details are preserved and color noise is minimized. When shooting in less-than-ideal lighting situations, 2D noise reduction enhances the naturalness and three-dimensionality of your images.
The flexibility of the shutter
Make a manual choice between several shutter modes depending on your requirements: a manual or automatic mechanical shutter type, a mechanical or electronic front curtain type, an electronic shutter type, an electronic shutter type with noise reduction after shooting at a slow shutter speed, or a camera that automatically switches between shutter types depending on the conditions and shutter speed.
For a total of three seconds, rapid-fire
Due to the higher readout speed of the GH6 sensor and the better processing capability of the new Venus Engine, you can capture 75 frames per second burst shooting (AFS, electronic shutter) while keeping the 25.2-megapixel resolution.
Rolling shutter distortion is reduced as a result of the fast sensor readout speed. You can shoot at 75 frames per second with an electronic shutter and AFS, or at 14 frames per second with a mechanical shutter and AFS. With AFC, you can capture images at up to 8 frames per second with a mechanical shutter or 7 frames per second with an electronic shutter.
Several image profiles are offered to save you time when editing your photos, including L. Classic Neo, which has a film-like look with a nostalgic, soft coloring and a nostalgic, soft coloring. In portrait photography, L.
Monochrome S is a black and white effect with a soft touch that is well matched to the subject. Cinelike modes use a gamma curve to prioritize dynamic range or contrast, giving the image a film-like appearance in the end.
When shooting stills, the flat profile of the V-Log is accessible for more professional control. Manually modify the contrast, saturation, and sharpness, then save it as My Photo Style 1-10 to create a thorough profile that includes the ISO and white balance, among other settings.
Design that is both professional and dependable
LCD monitor with high resolution
The free-angle 3.0-inch 1.84m-dot LCD screen tilts toward the photographer, allowing for high- and low-angle views, as well as positions in tight corners, which would otherwise be exceedingly difficult to correctly frame and focus your camera with a traditional camera.
In bright sunshine, it has excellent visibility because of its great contrast, brightness, and contrast to brightness. Its straightforward design makes use of static touch control and has a more user-friendly locking mechanism for simpler operation than previous models.
Eyepiece with Artificial Intelligence
In addition to a brilliant, realistic eye-level monitoring experience, the 3.68 million dot OLED Live Viewfinder boasts a 0.76x comparable magnification.
CFexpress Type B and SD cards are supported.
The dual card slot gives you a variety of alternatives depending on the bitrate of your film. The CFexpress Type B slot is required in order to record higher bitrate formats such as Apple ProRes 422 HQ and 800 Mb/s 4:2:2 10-bit ALL-Intra video at high frame rates. When utilizing high-performance UHS-II U3 Class 10 SD cards, the SD card slot can record bitrates of up to 600 Mb/s on the fly.
High Voltage is a potential danger.
The GH6 uses a lithium-ion battery, the DMW-BLK22, which has a capacity of around 360 shots per charge.
Weatherproof Below Freezing Temperatures
The GH6’s body is designed to keep out precipitation and dust down to 14°F at temperatures as low as 0°F. In spite of the sealed construction, heat dissipation is achieved with the use of an electric fan, heat sink, and frame that dissipate heat away from the sensor, the motor, and the memory card.
Ergonomic Design and Optimization
By utilizing the twin ring selectors, you may save time browsing through digital menus and quickly choose your chosen shooting setting. For crucial functions like the zoomed-in manual focus assist box and the audio information button for rapid modifications of the levels, the camera’s design has dedicated buttons for them.
When the GH6 is mounted on a shoulder rig, an extra video record button on the camera’s face is more easily accessible. With its tiny and lightweight design, the camera is more compatible with motorized gimbals and commercial drones than it otherwise would be (available separately).
Control through wireless and remote means
Wireless capabilities have been incorporated into the design to increase the flexibility of data transfers and remote control. Wi-Fi 5GHz and Bluetooth v5.0 allow for the transfer of photographs and video from a mobile phone to a news station, which may subsequently be broadcast to the public. The firmware of the camera may be updated wirelessly with the use of a smartphone.
Control up to 12 GH6 cameras from a distance using the LUMIX Tether app and a USB cable. Once adjusting parameters such as the metering mode, recording quality, and focus mode, transfer the footage to a computer after it has been captured on film. To save time and prevent mistakes when prepping those cameras, make use of the Lumix SYNC app to wirelessly sync the recording settings.
This camera has the ability to link to a variety of external devices. The USB 3.2 Gen2 Type-C port allows for data transfers at speeds of up to 10Gb/s, as well as powering the camera and charging the battery. The film is sent to an external recorder through the HDMI Type-A connector, or it may be connected to an XLR extension device such as the DMW-XLR1 via the hot shoe mount (available separately).
Above and to the left of the 3.5mm headphone jack is a 3.5mm microphone connector on the side of the camera. When used with the accompanying BNC converter cable, the flash synchro socket on the front of the camera may also be used as timecode in/out port.
Panasonic Lumix GH6 Specs
|Body type||SLR-style mirrorless|
|Max resolution||5776 x 4336|
|Other resolutions||3:2 (5776 x 3848), 16:9 (5776 x 3248), 1:1 (4336 x 4336)|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||25 megapixels|
|Sensor photodetectors||27 megapixels|
|Sensor size||Four Thirds (17.3 x 13 mm)|
|Boosted ISO (minimum)||50|
|Boosted ISO (maximum)||25600|
|JPEG quality levels||Fine, standard|
|Autofocus||Contrast Detect (sensor)Multi-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View|
|Digital zoom||Yes (2x-4x)|
|Lens mount||Micro Four Thirds|
|Focal length multiplier||2×|
|Articulated LCD||Fully articulated|
|Touch screen||Yes (Static touch control)|
|Screen type||TFT LCD|
|Viewfinder magnification||1.52× (0.76× 35mm Equiv.)|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/8000 sec|
|Maximum shutter speed (electronic)||1/32000 sec|
|Manual exposure mode||Yes|
|External flash||Yes (TTL External Flash (sold separately))|
|Flash modes||Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off|
|Continuous drive||14.0 fps|
|Self-timer||Yes (2 or 10 secs, 10 secs w/3 images)|
|Exposure compensation||±5 (at 1/3 EV steps)|
|AE Bracketing||±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)|
|Format||MPEG-4, H.264, H.265|
|Modes||5760 x 2880 @ 60p / 300 Mbps, MOV, H.265, Linear PCM5760 x 2880 @ 48p / 300 Mbps, MOV, H.265, Linear PCM5760 x 2880 @ 30p / 200 Mbps, MOV, H.265, Linear PCM5760 x 2880 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 120p / 300 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 800 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 600 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 48p / 800 Mbps, MOV, H.264, Linear PCM4992 x 2496 @ 48p / 600 Mbps, MOV, H.264, Linear PCM4992 x 2496 @ 48p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 48p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 150 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 150 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 150 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 150 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 120p / 300 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 800 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 600 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 48p / 800 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 48p / 600 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 48p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 48p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 150 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 150 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 150 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 150 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 800 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 400 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 150 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 100 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 100 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 48p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 48p / 100 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 48p / 100 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 100 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 100 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM|
|Storage types||CFexpress Type B, SD (UHS-II)|
|USB||USB 3.2 Gen 2 (10 GBit/sec)|
|Wireless notes||2.4GHz (802.11b/g/n), 5GHz (802.11a/n/ac)|
|Remote control||Yes (wired or smartphone)|
|Battery description||Li-ion Battery Pack (7.2V, 2200mAh, 16Wh)|
|Battery Life (CIPA)||360|
|Weight (inc. batteries)||823 g (1.81 lb / 29.03 oz)|
|Dimensions||138 x 100 x 100 mm (5.45 x 3.95 x 3.92″)|