Cameras

Panasonic Lumix S1H

Panasonic Lumix S1H

The Panasonic Lumix S1H is a full-frame mirrorless camera with a strong preference for video. It is easily defined by its remarkable video capabilities, but it also offers significant versatility to fit a wide range of multimedia applications, as well as an exceptionally sturdy build.

More: Best Gimbal for Panasonic Lumix S1H

Its full-frame 24.2MP CMOS sensor provides versatile performance for both stills and video capture, boasting a wide 14-stop dynamic range, ISO sensitivity ranging from 100 to 51200, and sophisticated processing to achieve high color accuracy and responsive recording, as well as a wide range of video capabilities, among other things.

3:2 format 6K24p video recording is available, as is 16:9 5.9K30p video recording, as well as both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling or external raw recording capabilities with a compatible recorder, all of which utilize virtually the whole sensor.

The S1H, which was inspired by broadcast cameras, also incorporates an upgraded sensor architecture that allows it to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to achieve higher picture quality with more color fidelity and less noise in the captured image.

When recording at a variable frame rate (VFR), it is possible to employ slow and fast motion effects, and when recording at a high frame rate (HFR), it is possible to use greater frame rates in combination with 10-bit sampling.

The V-Log and Hybrid Log-Gamma modes have also been pre-installed, allowing for additional information to be captured while recording while also assisting with color grading during post-production.

When it comes to still photography, the S1H does not disappoint, offering a remarkable 9 frames per second continuous shooting rate with AF-S or 6 frames per second with AF-C.

The camera’s High-Resolution mode may be used to increase the effective resolution from 24MP to 96MP by compositing many consecutive photos together. This feature is only available in the Pro version of the camera.

A Depth from Defocus (DFD) contrast-detection autofocus technology with 225-area coverage, which delivers rapid and precise focusing and subject tracking, is also beneficial for both stills and video.

Additionally, sensor-shift image stabilization reduces the impression of camera wobble by 6 stops, allowing for clearer handheld photography.

Apart from its photography capabilities, the S1H is distinguished by its body design, which features a 5.76 million-dot OLED electronic viewfinder with an incredibly high resolution, combined with a 3.2-inch LCD monitor “Tilt-free-angle touchscreen LCD with 2.33 million dots.

The magnesium alloy body is weather-sealed to allow for use in tough environments, and it includes a 1.8-inch diameter “On-the-fly evaluation of shooting settings is possible using the top status LCD.

Dual SD memory card slots provide expandable storage capacity, while Bluetooth and Wi-Fi connectivity allows for remote camera operation as well as wireless picture transfer to tablets and smartphones, among other functions.

Venus Engine with a 24.2MP Full-Frame CMOS Sensor with Venus Engine

The S1H’s image capabilities have been enhanced for high sensitivity, a broad 14-stop dynamic range, and a variety of recording modes thanks to the inclusion of a full-frame 24.2MP CMOS sensor and an improved Venus Engine, according to the company.

The sensor and processor are equipped with Multi pixel Luminance Generation and Intelligent Detail Processing technologies, which aid in the production of high resolution and definition by suppressing color moiré.

Color Control further improves color reproduction, particularly in the highlights and shadows, and Color Control further improves color reproduction overall.

With its processing power, the Venus Engine is able to reduce noise levels across the entire ISO range of 100 to 51200, while also enabling high-speed full-resolution continuous shooting speeds of up to 9 frames per second with AF-S or 6 frames per second with AF-C for more than 60 consecutive raw files.

Videotaping is a type of recording that is used to capture video.

Its capacity to capture 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using virtually the whole area of the full-frame sensor, as well as 5.9K (5888 x 3312) video at 29.97p in 16:9 format, distinguishes the S1H from other cameras in this class.

When DCI and UHD 4K video, internal 4:2:2 10-bit sampling is accessible up to 29.97p, and for working with a Super 35mm region of the sensor, frame rates as high as 59.94p are achievable working with a Super 35mm area of the sensor.

Full HD and Anamorphic 4K recording resolutions of up to 119.88p and 48.00p are also supported at resolutions of up to 119.88p and 48.00p.

Dual Native ISO, which is borrowed from Panasonic’s broadcast series of video cameras, aids in the achievement of a balanced mix of low noise and high sensitivity, making it more suitable for working in a variety of lighting circumstances.

A Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied, ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2 is applied; and a High Dynamic Range circuit provides base sensitivities of ISO 4

To make your recordings more suitable for color correction in post-production, the S1H is equipped with two gamma settings that are tailored to capture a wide dynamic range. Having V-Log already loaded on this camera allows it to shoot footage with a flat, neutral gamma curve that is ideal for color grading.

As an added bonus, the camera’s High Dynamic Range mode and Hybrid Log-Gamma may be employed to capture more detail in both the shadow and highlight parts of a picture. Additional picture styles, such as Cinelike V and Cinelike D, are available to create a more gradable image, and an in-camera LUT is also available to make monitoring more straightforward.

When used in conjunction with a suitable Atomos recorder, such as the Ninja V, raw output over HDMI in resolutions up to 5.9K at 29.97 fps or DCI 4K at 59.94 fps is now available with the Version 2.0 firmware upgrade.

When using DCI/UHD 4K, it is possible to record both internally and externally at the same time via an HDMI connection. DCI/UHD 4K at 59.94p with 4:2:2 10-bit output and internal recording is feasible; DCI/UHD 4K at 29.97p/23.99p is possible with 4:2:2 10-bit output and internal recording.

From 30x to -7.5x, variable frame rate (VFR) modifications may be utilized to achieve slow and rapid motion effects. High Frame Rate (HFR) shooting in 4:2:0 10-bit is also enabled, along with audio recording and autofocus, allowing for the capture of Full HD video at 180p and DCI/UHD 4K video at 59.94p, respectively.

You can create time-lapse videos in-camera using an interval timer, and then composite the still images into a 4K60p movie using in-camera exposure smoothing.

Selectable system frequencies of 59.94 Hz, 50 Hz, and 24 Hz are available, making them suitable for usage around the world.

It is possible to incorporate an SMPTE-compliant time code to make the synchronization of video from various cameras easier.

When selecting camera settings, color bars and a 1 kHz test tone can be utilized as benchmarks to compare against.

Design of the Body

  • The L lens mount, which may be used in conjunction with other members of the L-Mount Alliance, is a flexible interface with a mount diameter of 51.6mm and a flange distance of 20mm that allows it to be used with a wide range of optical systems.
  • One of the camera’s most outstanding features is its high-resolution 5.76 million-dot OLED electronic viewfinder, which provides a crisp 0.78x programmable viewing magnification, a smooth 60 or 120 frame-per-second variable refresh rate, 0.005-second latency, and a stunning 10,000:1 contrast ratio.
  • 3.2 in. in diameter “The 2.33 million-dot touchscreen LCD provides a bright, crisp, and straightforward way to shoot in live view while also playing back footage and navigating through menus. The screen has a one-of-a-kind tilt and free-angle design, which allows it to tilt along the lens axis or to be flipped outward to the side and flexibly adjusted to accommodate working from more extreme high and low angles, respectively.
  • Live View Boost is a dedicated viewing mode for working in low-light conditions, in which the viewing sensitivity can be increased to assist you in composing your image. A Night Mode, which lowers the screen’s backlight intensity and overlays a red filter to better preserve night-adjusted vision, is also available for working in low-light conditions.
  • In addition to the rear LCD, a top 1.8-inch display is included “Even when the camera is not in use, the 303 x 230-dot status LCD may be utilized to rapidly check shooting settings, thanks to its high contrast. Additional features include an upgraded graphical user interface that is intended for video applications and includes exposure settings such as shutter angle or shutter speed, ISO or gain, depending on the application and other features.
  • An internal heat-dissipating fan helps to keep the device from overheating and allows for almost infinite video recording duration. Several fan settings are available, including Auto 1, in which the fan is activated as soon as a temperature rise is detected; Auto 2, in which the fan is kept off as long as possible to emphasize silence; Normal; and Slow.
  • Its splash, dust, and freezeproof magnesium alloy structure is designed to withstand the rigors of operating in challenging areas and extreme weather conditions.
  • Tally lights on the front and rear of the camera can be used to visually indicate recording and standby settings, allowing subjects and camera operators to recognize the settings more quickly.
  • For easy operation, the ergonomic design includes a big, comfortable right-hand grip in addition to conveniently accessible physical controls and an eight-way joystick, as well as a polished overall user interface. In addition, LED controls to make it easier to modify the settings in low-light circumstances, and a lock mechanism prevents unintentional settings modifications.
  • When it comes to picture storage, having two SD memory card slots that are UHS-II compliant gives you greater versatility. You may separate raw and JPEG images to different cards, save duplicate photos to both cards, or simply double your storage capacity with overflow recording.
  • A USB Type-C interface enables for rapid file transfer as well as high-speed battery charging while the camera is in use. An HDMI Type-A connector is also included for video applications, a 2.5mm port may be utilized with the optional DMW-RS2 Remote Shutter, 3.5mm microphone and headphone ports are included for improved audio recording, and a PC sync port is included for wired flash synchronization.
  • The PC flash sync terminal also functions as a time code in/out socket, and a BNC converter is provided to allow synchronization of time code settings with an external device for multi-camera installations.
  • Optional XLR Microphone Adapter that connects to the hot shoe and provides XLR microphone inputs as well as physical controls.
  • If you are working with the rear monitor, you can expect to get roughly 400 shots each charge. If you are working with the EVF, you can expect to get 380 shots per charge, and if you are working with Power Save LVF mode, you will get 1150 shots per charge.
  • The high-precision shutter mechanism has been tested for roughly 400,000 actuations and has a maximum mechanical speed of 1/8000 sec, a flash sync speed of 1/320 sec, and a maximum mechanical speed of 1/8000 sec.

Sensor-Shift Image Stabilization on Five Axes

Dual I.S. 2 combines the S1’s 6-stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization technology to adjust for a wider variety of movement types, resulting in a sharper, clearer picture when working handheld.

Dual I.S. 2 needs the usage of compatible Lumix lenses that include O.I.S. (Optical Image Stabilization). This camera stabilization device is capable of compensating for roughly 6.5 stops of camera wobble, according to the manufacturer.

When working with adapted lenses, you have the option of manually selecting whether to employ the in-camera sensor-shift image stabilization or the optical stabilization included in the lens itself.

Additionally, Boost I.S. is a digital image stabilization technology that is specifically designed for video applications and assists in the creation of a solid composition while recording from a fixed perspective.

DFD Autofocus System is a type of autofocus system.

For faster autofocus performance, the DFD (Depth-From-Defocus) technology evaluates the distance between subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at speeds of up to 480 frames per second (fps).

It is possible to benefit from this contrast-detection type of focus method in both still and video recording modes, as well as subject tracking applications that use Advanced AI Technology. Subject type, color, size, and motion vectors are used to intelligently lock onto moving subjects and ensure precise focus with this method.

If you’re dealing with portrait subjects, face/eye recognition skills make it much easier to shoot individuals and emphasize focusing as precisely as possible on a subject’s pupil. The focusing sensitivity and speed of the camera may be changed to further optimize performance with the certain subject matter.

It also has 225 autofocus regions, which allow you to have complete control over where the camera will concentrate its attention. Additionally, a Low Light AF function, which supports operating in low-light circumstances, provides precise AF performance down to -6 EV.

Focus peaking, which emphasizes bright edges of contrast with a colored outline for rapidly recognizing your focus point, as well as Touch MF Assist, which allows for touch-to-focus operation, are both available for manual focus operation to make it more convenient.

In addition, an AF Point Scope setting, which momentarily magnifies the subject by 3x to 10x for confirmation of the focus location, is available. A custom selectable AF zone may also be selected for Multi-AF / Custom Multi-AF operation.

PHOTOS IN 6K AND 4K DEGREES

As a result of the S1H’s video recording capabilities, a variety of still shooting modes are available for capturing continuous 3:2 or 4:3 8MP stills at either 60 or 30 frames per second or 18MP stills at a 30 frames per second:

It is great for situations where a high frame rate is required in order to capture the best possible moment. Burst: This mode will enable you to record continuously, making it perfect for situations where a high frame rate is required in order to capture the best possible moment.

Pre-Burst: This mode is useful when you’re not sure when it’s important to push the shutter button. It will record photographs one second before and one second after pressing the shutter button, giving you a total of 60 frames to pick from in this situation.

Burst (S/S): This mode is the most similar to the video recording procedure, and it allows you to watch your video, pause it at a certain point, and then use the shutter button to choose a specific frame from the movie and save it as a single 8 or 18MP frame from your video.

Bluetooth and Wi-Fi are two types of wireless technology.

Bluetooth Low Energy (4.2) technology maintains a steady connection between your smartphone or tablet and the camera while consuming the least amount of power. IEEE 802.11ac and b/g/n support are also available for more robust wireless activities, allowing for quicker transfer, as well as more fluid remote control and monitoring operations.

To complement the camera’s wireless connectivity, Panasonic has developed Lumix Sync, an iOS and Android software that can be used to control the camera from a smartphone or tablet, as well as transmit images wirelessly.

Additional Camera Functions

  • The S1H has a High-Resolution mode that captures and compiles eight distinct exposures to form a single 96MP raw or JPEG image. This is accomplished through the use of sensor-shift stabilization technology. This mode, which is best suited for static scenes and while working on a tripod, generates a more highly detailed and color-correct image than a single shot alone can produce, and it produces an image with a resolution of 12000 x 8000 pixels, which is the highest possible resolution.
  • HLG Photo mode provides a greater dynamic range, allowing for more detail to be captured in the shadow and highlight parts of the image. In HLG Photo mode, images can be saved as HSP files in either 4Kor full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions. When working in HLG Photo mode, images can be saved as HSP files in either 4Kor full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions.
  • Additionally, photographs may be captured in 6524 and 2:1 panoramic formats, in addition to the normal 3:2, 4:3, 1:1, and 16:9 aspect ratios.
  • The I.S. Status Scope, which displays an arrow in the viewfinder or on the back LCD, assists the photographer in identifying the sort of camera shaking that has occurred.
  • In order to provide consistent exposure and color, Flicker Decrease automatically identifies the frequency/flicker of artificial lighting and engages the shutter at peak brightness periods when the illumination is at its brightest.
  • Highlight Weighted Metering mode emphasizes highlight values while calculating exposure values, which helps to keep bright highlights under control and avoid scenes from blowing out.
  • An AWBw setting will preserve a reddish warm color, whilst an AWBc setting will provide a cooler, blue tint, providing greater adaptability than conventional Auto White Balance (AWB).
  • A USB connection between the camera and a computer is required in order to use Lumix Tether’s connected, tethered shooting capabilities. Aside from providing a wider live view preview, this program also allows for remote shutter activation, the usage of 6K and 4K Photo modes, as well as the start and stop of video recording sessions.
  • Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style are among the Photo Style modes available on the iPhone.

Panasonic Lumix S1H Specs

MSRP$3999 (body only)
Body typeSLR-style mirrorless
Max resolution6000 x 4000
Image ratio w:h1:1, 4:3, 3:2, 16:9
Effective pixels24 megapixels
Sensor photodetectors25 megapixels
Sensor sizeFull frame (35.6 x 23.8 mm)
Sensor typeCMOS
ProcessorVenus Engine
ISOAuto, 100-51200 (expands to 50-204800)
Boosted ISO (minimum)50
Boosted ISO (maximum)204800
White balance presets5
Custom white balanceYes
Image stabilizationSensor-shift
Image stabilization notes5-axis; combines with in-lens stabilization for increased shake reduction
CIPA image stabilization rating6.5 stop(s)
Uncompressed formatRAW
AutofocusContrast Detect (sensor)Multi-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View
Manual focusYes
Number of focus points225
Lens mountLeica L
Focal length multiplier
Articulated LCDFully articulated
Screen size3.2″
Screen dots2,330,000
Touch screenYes
Screen typeTFT LCD
Live viewYes
Viewfinder typeElectronic
Viewfinder coverage100%
Viewfinder magnification0.78×
Viewfinder resolution5,760,000
Minimum shutter speed60 sec
Maximum shutter speed1/8000 sec
Maximum shutter speed (electronic)1/8000 sec
Aperture priorityYes
Shutter priorityYes
Manual exposure modeYes
Subject/scene modesNo
Built-in flashNo
External flashYes (via hot shoe or flash sync port)
Flash modesAuto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Continuous drive9.0 fps
Self-timerYes
Metering modesMultiCenter-weightedHighlight-weightedSpot
Exposure compensation±5 (at 1/3 EV steps)
AE Bracketing±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB BracketingYes
FormatMPEG-4, H.264, H.265
Modes5952 x 3988 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM5888 x 3312 @ 30p / 200 Mbps, MOV, H.265, Linear PCM5888 x 3312 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM5376 x 3584 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 150 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM
MicrophoneStereo
SpeakerMono
Storage typesDual SD/SDHC/SDXC slots (UHS-II supported)
USBUSB 3.2 Gen 1 (5 GBit/sec)
USB chargingYes
HDMIYes (10-bit 4:2:2 output)
Microphone portYes
Headphone portYes
WirelessBuilt-In
Wireless notes802.11ac + Bluetooth
Remote controlYes (wired or smartphone)
Environmentally sealedYes
BatteryBattery Pack
Battery descriptionDMW-BLJ31 lithium-ion battery & charger
Battery Life (CIPA)400
Weight (inc. batteries)1052 g (2.32 lb / 37.11 oz)
Dimensions151 x 114 x 110 mm (5.94 x 4.49 x 4.33″)
Orientation sensorYes
GPSNone

Panasonic Lumix S1H Price

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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