You have the intention of going somewhere to shoot pictures of people, but you can’t make up your mind about which lens to bring. You want to bring only one lens with you so that you can save time and have more flexibility. Your picture opportunities will include a wide range of circumstances, from group shots and full-body shots to close-up head shots and intimate portraits.
Tamron 35-150mm F/2.8-4 Di VC OSD Wide Angle Zoom Lenses
Apertures that are reasonably wide are required in order to halt motion when the available light is limited and to blur the backdrop so that it is less distracting. However, you are interested in full frame image sensor coverage but have a restricted budget. Again, for reasons pertaining to speed as well as convenience, you want to leave the tripod behind, which indicates that picture stabilization is something that is crucial to have.
If you find that the scenario described above is all too similar to you, then the Tamron 35-150mm f/2.8-4 Di VC OSD Lens might be the best option for you. The focal length range of this lens, which goes from 35 to 150 millimeters, is without a doubt the most distinctive quality of this particular lens. This range is an ideal answer to the problem that has been presented, and the characteristics of this lens fulfill all of the other requirements as well.
The Range of the Focal Length
When purchasing or selecting a lens for usage, the focal length range is always and should always be the major consideration since it defines the angle of view captured by the lens.
The focal length range of 35–150 millimeters may be ideal for general-purpose use, especially for individuals whose demands predominantly prefer longer working distances. For those who have significant requirements for coverage at broad angles, the focal length range of 35–150 millimeters may be regarded as the ideal supplement to a wide-angle zoom lens that is utilized more frequently.
Although any overlap in focal length is not always a negative thing, the fact that this lens begins at 35mm on the wide end makes it a highly efficient match with ultra-wide to 35mm class lenses, and Tamron would prefer that you use their Tamron 17-35mm f/2.8-4 Di OSD Lens as your complementary lens.
Portrait photography is one of the most popular purposes for a 35-150mm lens, and Tamron places a strong emphasis on this usage in their marketing brochures. As you already know, this is one of the top uses for this lens. From 85 millimeters to 135 millimeters is the focal length range that is most commonly regarded as ideal for portraiture (after FOVCF is factored in).
Although it is true that an APS-C format camera needs a greater working distance in order to achieve the same framing as a full-frame camera (and consequently will have more depth of field and a background that is blurred less strongly when using the same aperture), the resulting angle of view of this lens, which is equivalent to 56-240mm on a full-frame camera, is still within the range that is traditionally considered to be the optimal choice.
Narrower angles of view are good for closely framed portraits including headshots that maintain a pleasant perspective. Wider angles of view are ideal for environmental and full-body pictures as well as big group portraits. Wider angles of view can also be used for large group photographs.
The term “portrait photography” refers to a wide range of practices that may involve the taking of still or moving images at a number of locations, including interior as well as outdoor settings. This focal length range is ideal for photographing a wide variety of subjects, including engagements, weddings, parties, events, theater, stage performances (including concerts and recitals), families, small groups, elderly citizens, fashion, documentary, and lifestyle photography.
The ratio of the focal length to the diameter of the entry pupil determines the aperture value, often known as the f-stop. Therefore, in order to achieve the same aperture opening as a focal length that is broader, a longer focal length will require a physical opening that is bigger.
You want a lens that’s not too bulky, not too light, and not too expensive, but it has relatively wide apertures, right? Because it is marked with an f/2.8-4 specification, the lens that you are looking at most certainly has a maximum aperture that can be adjusted.
When shooting in low light or at lower ISO settings, a wide aperture makes it easier to freeze motion, both in the camera and in the subject being photographed. This applies to both camera shaking and the subject being photographed. In addition, having a wide aperture enables a shallow depth of focus, which in turn enables a more pronounced subject-isolating background blur.
The lens elements may be greatly reduced in size when using a narrow aperture, which results in several advantages. These advantages include lighter weight and cheaper cost, both of which are something that we can all enjoy.
One of the drawbacks of the variable maximum aperture lens is that it is not possible to utilize the same maximum aperture over the full focal length range. This is one of the ways that the variable maximum aperture lens tries to efficiently combine all of the benefits that were just discussed.
When using an exposure mode that is set to automatic, your camera will account for the change automatically; but, when using an exposure mode that is set to manual, it will be considerably more difficult to make use of the widest aperture that is available.
Very few full-frame zoom lenses have an aperture that is wider than this lens’ f/2.8 when it is set to 35 millimeters. When you zoom out, you can see how that advantage is reduced as follows:
- 35-49mm = f/2.8
- 50-63mm = f/3.2
- 64-104mm = f/3.5
- 105-150mm = f/4.0
Although the maximum aperture of f/4 that is accessible in the final 45mm of the range is not very large in comparison to the f/2.8 zoom lens options that are available, this opening is quite large in comparison to many of the kit zoom lenses that are available.