Are you looking for the finest lenses that are compatible with the Canon EOS M50 Mark II? Here is a list of the best EF-M mount lenses that you should consider purchasing for your Canon EOS M50 Mark II mirrorless camera.

Upgrades that will be especially noticeable for video makers like vloggers and others are included in the Canon EOS M50 Mark II. These improvements build on the solid performance of the popular EOS M50 camera and carry over from it.

The Canon EOS M50 Mark II has enhanced capabilities for focusing, recording, and sharing, but it is still built around the same tried-and-true 24.1MP APS-C CMOS sensor and DIGIC 8 image processor. These components enable a rapid 10 fps continuous shooting rate, a native sensitivity range of ISO 100-25600, and UHD 4K video recording at 23.98 fps, in addition to Full The sensor-based Dual Pixel CMOS AF has been upgraded with quicker speeds and better Eye Detection AF performance.

Additionally, it now supports both Eye Detection and Face Detection focusing modes when working with Movie Servo AF to assist in maintaining a tight focus on the subject matter. The combination of 5-axis image stabilization and image stabilization in combination with combination IS helps to accomplish stable, shake-free recording by decreasing the appearance of camera shaking.

In general, the Canon EOS M50 Mark II is a well-balanced package deal for individuals interested in both still photography and videography. This includes those who have a spark of interest in the creation of social media material since the 4K UHD 24p is included in the camera.

When it comes to picture quality, we all know that the difference between an ordinary shot and a shot that seems like it was taken by professional lies in the lenses (along with your talents, of course). Therefore, in order to assist you in getting a shot that looks like it was taken by a professional with your Canon EOS M50 Mark II mirrorless camera, we have compiled a list of the top recommended and most suitable EF-M mounts lenses for the Canon EOS M50 Mark II.

These lenses include some of the most popular prime and zoom options, ranging from wide-angle to telephoto, and they will assist you in selecting the lens that is best suited for the challenging conditions that you will be shooting in (including street, travel, landscapes, portraits, wedding, macro, videos, sports, and wildlife). You need to pick the one that fits your requirements!

Mount Adapters:

1. Canon EF-EOS M Adapter

You are possible to attach Canon EF and EF-S lenses onto Canon EOS-M mirrorless cameras by using an adapter called the Canon EF-EOS M Lens Adapter. It is entirely compatible with all lens capabilities, including image stabilization and autofocus, so you may use any of them with your lens. A removable tripod adapter provides compatibility for longer Canon lenses.

2. Vello Canon EF-EOS M Adapter

Makes it possible for you to utilize Canon EF and EF-S lenses with the mirrorless Canon EOS M camera. It is fully compatible with all of the lens capabilities, including autofocus, image stabilization, and electronic aperture control. To alleviate some of the pressure that utilizing heavier lenses might put on the camera, a tripod adapter has been included.

Canon EOS M50 Mark II Kit Lens

3. Canon EF-M 15-45mm f/3.5-6.3 IS STM

This lens is perfect for shooting on the street, when traveling, or even just taking pictures of ordinary life, and it can be yours for only an additional one hundred dollars above the cost of the body of the Canon EOS M50 Mark II camera alone. The Canon EF-M 15-45mm f/3.5-6.3 IS STM lens is a small and sleek zoom lens that combines a wide angle for shooting landscapes and large group images with a telephoto zoom for shooting close-ups and detailed headshots.

The lens’ focal length range is comparable to that of a 24-72mm lens. The optical design makes use of three aspherical elements, one of which is glass-molded and the other two of which are precision-molded, in order to control chromatic aberrations and distortions throughout the entire zoom range. One of the aspherical elements is glass-molded, and the other two are precision-molded. The appearance of blur caused by camera shake can be reduced by as much as 3.5 stops thanks to the incorporation of an optical image stabilizer into the construction of the lens.

The design of the silent stepping motor (STM) helps to achieve low-noise focusing, making it an excellent choice for filming movies. The EF-M 15-45mm f/3.5-6.3 IS STM offers an AF+MF focusing mode, similar to that found on other EF-M lenses. This model combines the speed and accuracy of autofocus with the creative potential offered by manual focus. Therefore, if you are in the market for an M50 Mark II body, we highly recommend the Canon EOS M50 Mark II with a 15-45mm lens combination since we believe it offers the best value. If you already possess the body for the M50 Mark II, there are a few other appealing choices below you might consider.

Best All-in-One Zoom Lenses for Canon EOS M50 Mark II

4. Canon EF-M 18-150mm f/3.5-6.3 IS STM

The Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is a high-powered zoom lens that has an astonishing zoom ratio of up to 8.3x (28.8-240mm equivalent focal length), allowing you to capture landscapes, close-ups, and other subjects with a single lens. This lens is both compact and lightweight. A complex optical design is utilized in order to keep the form factor at a compact and lightweight level while still maintaining consistent, uniform lighting and clarity over the whole zoom range.

An STM stepping AF motor is used, which provides a rapid, smooth, and nearly silent focusing performance that is beneficial to multimedia shooters. This performance is especially helpful for video applications. In addition to that, it has an Image Stabilizer that may cut the appearance of camera shake by up to four stops, allowing for clearer handheld photography.

Its large zoom range, portable construction, and superb picture quality make the EF-M 18-150mm f/3.5-6.3 IS STM the ideal lens for anybody who wants a single lens that can help them take their photography to the next level and capture each moment that presents itself.

5. Tamron 18-200mm f/3.5-6.3 Di III VC

The compact and lightweight Tamron 18-200mm f/3.5-6.3 Di III VC for Canon EF-M is an ideal all-in-one zoom lens that provides a 35mm equivalent focal length of 29-320mm and Tamron’s acclaimed VC. This allows for easy handheld shooting of sharp images with no camera shake across a wide range of settings, from everyday snapshots to memorable travel scenes.

The lens has a built-in Vibration Compensation image stabilization system, which lessens the appearance of blur caused by camera shake. It also has an internal focus system. When shooting at slower shutter speeds or greater zoom lengths, the image stabilization provided by the VC comes in very handy. The stepping-motor AF drive offers quick and precise autofocus, making it an excellent choice for the filming of videos in which voices are captured.

It also has characteristics similar to those of a macro lens, with a minimum focus distance of 19.7 inches when used with a focal length of 200 millimeters and a magnification ratio of 1:3.7. Excellent lens!

Best Wide-Angle Zoom Lenses for Canon EOS M50 Mark II

6. Canon EF-M 11-22mm f/4-5.6 IS STM

The Canon EF-M 11-22mm f/4-5.6 IS STM Lens provides a 35mm equivalent focal length of 18-35mm and features continuous AF with a built-in STM stepping AF motor to provide a smooth, near-silent performance that is especially beneficial to video recording. The lens has a maximum aperture range of f/4-5.6. Optical image stabilization can assist compensate for camera shaking of up to three stops, while dynamic image stabilization can adjust for a wide range of motion while the video is being shot.

A diaphragm with seven blades enables pleasant out-of-focus areas, and the inclusion of two UD lens elements contributes to the reduction of chromatic aberrations and the elimination of color blurring around the subject’s periphery. In addition, the combination of two aspherical lenses helps to minimize spherical aberration over the whole picture area as well as throughout the entire zoom range. Both of these benefits are brought about by the combination of the two lenses.

This Canon EF-M 11-22mm f/4-5.6 IS STM lens is a good choice for capturing group shots in confined locations, hunting for the right scenery, or as an all-around walk-around lens since it offers a wide field of view.

Best Wide-Angle Prime Lenses for Canon EOS M50 Mark II

7. Canon EF-M 22mm f/2 STM

The Canon EF-M 22mm f/2 STM Lens is a moderate wide-angle lens that is tiny and lightweight enough to carry everywhere. It has an ultra-thin and compact design and has a 35mm equivalent focal length of 35mm. In addition to a seven-blade circular aperture, it has a stepping motor built right in, which enables it to provide continuous and smooth autofocus.

Its brilliant f/2.0 lens aperture combines well with the big sensor of the EOS M series camera to deliver outstanding performance in low light and to generate attractive background blur in portraits. When shooting video with a digital camera from the Canon EOS M series, the EF-M 22mm f/2 STM has a built-in stepping motor that ensures smooth and silent continuous focusing.

This motor is designed specifically for filmmakers. The use of a circular aperture with seven blades produces out-of-focus backgrounds, and a minimum focusing distance of only 5.9 inches (0.15 meters) enables you to get closer to the subjects of your photographs.

8. Sigma 16mm f/1.4 DC DN Contemporary

The Sigma 16mm f/1.4 DC DN Contemporary lens for Canon EF-M provides a 25.6mm equivalent focal length and combines a comfortable wide-angle design with an ultra-fast maximum aperture. It is designed to achieve a balance between convenience and performance, and it meshes a compact, lightweight build and versatile handling with notable optical attributes. This lens is capable of functioning in low-light circumstances thanks to its brilliant maximum aperture of f/1.4.

It also allows enhanced control over the depth of field, which enables selective focus management. The optical design makes use of a number of low dispersion and aspherical components, which are responsible for controlling color fringing and different aberrations in order to give excellent levels of sharpness and clarity over the whole aperture range.

When working in high lighting situations, individual components have a Super Multi-Layer Coating that reduces flare and ghosting for improved contrast and color integrity. This coating also helps protect against glare. This lens is equipped with stepping autofocus (AF) motor that, in addition to enhancing the optical properties, allows for a rapid, quiet, and smooth focusing performance that is suitable for both still photography and video applications.

9. Rokinon 12mm f/2.0 NCS CS

This Rokinon 12mm f/2.0 NCS CS lens is ideal for taking photographs of interiors, exteriors, and landscapes since it has a focal length that is similar to 35mm and a wide field of view of 98.9 degrees. The focal length is 19.2 millimeters. Because it has a maximum aperture of f/2.0, it is particularly useful for capturing images in low light and has the ability to manage shallow depth of field, allowing for accurate subject focus with appealing backgrounds that are out of focus.

The optical design includes three extra-low dispersion elements and two aspherical elements in order to eliminate chromatic aberrations and distortion and generate pictures that are crisper. This was done in order to produce clearer images. In addition, a Nano Coating System (NCS) has been added to the lens elements in order to avoid lens flare, ghosting, and surface reflections. This will result in increased light transmission as well as a more contrast-rich picture.

Best Standard Prime Lenses for Canon EOS M50 Mark II

10. Canon EF-M 32mm f/1.4 STM

For expert photographers and videographers using an EOS M series camera who are searching for high-end, exceptional image quality, the Canon EF-M 32mm f/1.4 STM lens is a good choice because of its compact size and lightweight. It has an equivalent focal length of 51.2 millimeters. The big maximum aperture of f/1.4 helps allow in lots of light for eye-catching detail and color accuracy.

Additionally, the 32mm focal length, which is comparable to 51mm on a full-frame camera, enables you to take spectacular photographs and movies in a broad variety of settings and environments. This Canon EF-M 32mm f/1.4 STM lens is suitable for a broad range of picture and video possibilities, including professional portraiture, video blogging, the capture of day-to-day situations, and more. It has a maximum aperture of f/1.4.

11. Sigma 30mm f/1.4 DC DN Contemporary

For APS-C-format mirrorless cameras with Canon EF-M mounts, the reasonably priced Sigma 30mm F1.4 DC DN Contemporary lens has a focal length comparable to 48 millimeters and delivers superb optical performance in a design that is both compact and lightweight. Users are thrilled by the lens’ stunning bokeh effects, which boast an excellent picture quality and a brightness of F1.4.

The lens’ versatility allows it to cover a broad variety of photo and video recording circumstances. Working in low-light environments is made easier by the large maximum aperture of f/1.4, which also provides a greater degree of control over the depth of field for the use of selective focus methods. The optical design incorporates one element with a high refractive index in addition to a pair of aspherical elements.

These elements work together to significantly reduce spherical aberrations and distortion, resulting in an image with increased clarity and definition and quality that is notably sharp. This tiny prime lens also features a stepping autofocus motor, which allows for smooth and nearly silent focusing operation. This motor is beneficial for both the shooting of still images and the recording of video.

12. Mitakon Speedmaster 35mm f/0.95 Mark II

This Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II lens is designed for APS-C-format Canon EF-M-mount mirrorless cameras and has a focal length comparable to 56 millimeters. It combines an extremely fast maximum aperture with a conventional focal length. Working in low-lit or otherwise challenging environments is made easier because of the large maximum aperture of f/0.95, which allows for more control over the depth of field and the focus of the image.

Controlling chromatic aberrations and reducing color fringing are two of the goals of a sophisticated optical design, which aims to maintain a high level of image quality across the entire aperture range. This is accomplished by incorporating elements with both low dispersion and a high refractive index. The optical components are balanced by a sturdy lens body made entirely of metal.

This lens body allows for a smooth manual focus design, and it also has a manually de-clicked aperture ring that allows for smooth and silent exposure adjustment. On the lens barrel are additional scales that indicate the depth of field and the distance, which will come in handy when dealing with pre-focusing techniques.

Best Telephoto Zoom Lenses for Canon EOS M50 Mark II

13. Canon EF-M 55-200mm f/4.5-6.3 IS STM

The Canon EF-M 55-200mm f/4.5-6.3 IS STM (35mm equivalent of 88-320mm) is a good choice to match with your EOS M series camera since it offers an expanded zoom range that can be used for photographing architecture, portraits, and other types of subjects. It has outstanding telephoto capabilities, and it has a sophisticated 5-group optical system that is designed to give high picture quality in a form that is portable.

The impressive Image Stabilization technology of the EF-M 55–200mm f/4.5–6.3 IS STM helps you capture still and motion photography handheld, regardless of whether you are photographing a bird in flight or filming a performance in a dimly lit auditorium. Additionally, the EF-M 55–200mm f/4.5–6.3 IS STM has a speedy STM focusing system for quick, smooth, and quiet operation. The lens’s AF+MF mode makes it simple to switch between automatic and manual focusing, which enables you to make minute adjustments on the fly.

The EF-M 55–200mm f/4.5–6.3 IS STM is a fantastic lens for animal and bird photography, as well as landscape photography, wedding photography, and outdoor photography in general because it delivers exceptional picture quality in a lightweight, small, and user-friendly packaging.

Best Macro Lenses for Canon EOS M50 Mark II

14. Canon EF-M 28mm f/3.5 Macro IS STM

The Canon EF-M 28mm f/3.5 Macro IS STM is a compact prime lens designed for macro photography. It is a 44.8mm-equivalent lens designed for APS-C-format EF-M-mount mirrorless cameras, and it is the world’s lightest autofocus lens. Additionally, it is the world’s first macro lens with a built-in Macro Lite, which is intended to help new and more advanced users get closer to their subjects in order to capture incredible The forward-facing Macro Lite that is incorporated into the camera helps illuminate difficult-to-capture subjects, resulting in photographs that are brilliant, vivid, and show off large, dramatic details.

This slim lens is characterized not only by its 1.2x maximum magnification and 3.7″ minimum focusing distance but also by its embedded Macro Lite LED, which provides additional illumination to close-up subjects. Other distinguishing characteristics include these. The optical characteristics are enhanced with a hybrid image stabilization technology (Hybrid IS), which aims to decrease the appearance of camera shake in order to provide crisper results when operating handheld and in challenging lighting circumstances. Autofocus performance that is quick, smooth, and quietly produced by a lead screw-type STM stepping motor also helps to handle.

This performance is suitable for both still photography and video applications. You may manually override this AF motor at any moment by twisting the specialized focusing ring, which allows for fine-tuned changes to be made. Therefore, this EF-M 28mm f/3.5 Macro IS STM opens up a new world of macro photography for both novice and experienced users.

Best Fisheye Lenses for Canon EOS M50 Mark II

15. Laowa 4mm f/2.8 Fisheye

The Laowa 4mm f/2.8 Fisheye has a massive 210° angle of view and a 6.4mm equivalent focal length for Canon EF-M mirrorless cameras, presenting an extremely wide field of view in a remarkably compact form. It is compatible with Canon EF-M mirrorless cameras. This lens has a substantial amount of distortion and appears to have the look of a bulb due to the fact that it is a circular fisheye.

The field of vision is greater than 180 degrees, which enables entire 360-degree panoramas to be stitched together using only two photos. The lens also features a bright f/2.8 design for working in available lighting circumstances, and its manual focus design enables working with subjects as close as 8.1 cm away for genuine close-up shooting. Both of these features allow the lens to function in a variety of lighting conditions. In addition, the fisheye design keeps practically the whole depth of focus even when the aperture is reduced to f/5.6, which ensures uniform and consistent clarity.

Because of its small size and low weight (just 135 grams), it is ideal for use in a variety of shooting setups, including but not limited to selfies, vlogs, skateboard photography, 360-degree panoramas, and virtual reality imaging, virtual tours, and even flying with drones.

16. Rokinon 8mm f/2.8 UMC Fisheye II

The Canon EF-M mirrorless cameras are compatible with an excellent prime fisheye lens. The Rokinon 8mm f/2.8 UMC Fisheye II provides a focal length equivalency of 12.8mm in the 35mm format, in addition to a 180° field of view, and a minimum focus distance of 1 foot. Images that are crisp, have strong contrast, and are color-true are the results of having two aspherical elements and three ED elements in the optical design.

The front element is shielded from unwanted light and protected by a built-in lens hood in the shape of a flower petal. This lens is ideal for creative applications as well as interior and architectural scenes since it has a complete 180 degrees of angle of view and has a focal length that is similar to 35mm and measures 12.8 millimeters.

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Corey
Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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