URSA Broadcast G2 is the ideal answer for broadcasters since it contains ENG camera controls that are strategically placed around the camera so that you can locate them by feel. It also has a low-light sensor, which allows you to capture stunning photographs even while utilizing natural light. That is the ideal combo for news and programming on television and radio.
URSA Broadcast is equipped with a built-in sophisticated YRGB color corrector as well as full remote camera control capabilities. B4 ENG lenses and big studio box lenses are also acceptable options, and you can even alter the lens mount and use any lens you want to. You may also control the lens from the tripod grips with the optional Blackmagic focus and zoom demands (available separately).
The URSA Broadcast G2 is equipped with a powerful 6K digital film sensor, and the lens mount may be swapped out. For digital film lenses, use a PL mount, while for photo lenses, use an EF mount. In addition, the high dynamic range, excellent low-light performance, and Blackmagic RAW means you get a digital film camera that is true “Hollywood” in quality.
You get the same imaging technology used in digital film cameras thanks to the big 6K sensor and Blackmagic generation 5 color science, which are both included in the package. This implies that broadcasters will be able to employ digital cinema quality in their broadcasts going forward. Its 6K sensor has a resolution of 6144 × 3456 pixels, which makes it suitable for use in broadcast and digital cinema applications. B4 lenses provide a 4K window on the sensor, which is ideal for Ultra HD broadcast applications. Then, if you switch to a PL or EF lens mount, you’ll be able to make use of the sensor’s full 6K resolution for digital film. Because it has 13 stops of dynamic range, it produces darker blacks and brighter whites, making it ideal for color correction work. The use of digital film in broadcast represents a quantum leap in visual quality.
Following are the best camera rig and stabilizers for Blackmagic Ursa Broadcast G2:
Best Gimbal For BlackmagicURSA Broadcast G2 in 2022
1. DJI Ronin-M Gimbal Stabilizer V3 New Version
A camera stabilization solution from DJI called the Ronin-M 3-Axis Handheld Gimbal Stabilizer is intended to allow the user nearly as much freedom as unrestricted handheld shooting without the handshake.
The Ronin-M uses brushless motors that operate in three axes: one for side-to-side “roll” (keeping the horizon level), one for tilt, and one for pan. It is suitable for most camera types and setups up to 8 pounds.
The system has a 105° up/165° down tilt range and a 110° roll range, and it is computer-controlled. The system also offers a control precision of 0.02°, allowing for precise camera motions and stability correction against even extremely small movements.
The gimbal can be utilized in situations when mounting a vehicle or other abrupt motions would render tripods and rigid camera support devices problematic, in addition to handheld photography.
2. Flycam Galaxy Dual Arm & Vest
With this B&H-assembled FLYCAM Galaxy Arm and Vest Kit with Redking Camera Stabilizer, you can take smooth motion pictures while relieving stress on your arms. The equipment comes with a Redking video camera stabilizer, a Galaxy universal-fit foam-padded vest, and a Galaxy stabilizer arm.
The cozy vest adjusts with buckles and hook-and-loop straps to fit waists 28 to 60 inches wide and chests 38 to 52 inches wide. The shock-absorbing arm fastens to the vest and may extend to a maximum length of 18″. It can sustain up to 22 lbs.
It includes 19 and 22mm bushings in addition to a normal 16mm mounting post for the Redking. The Redking camera stabilizer attaches to the post of the arm and can hold a camera rig weighing up to 7.5 lbs. As you run, walk, cycle, or climb, it has an adjustable balance system to keep your shots smooth and steady.
3. FLYCAM Galaxy Dual Arm and Vest Body Mounted Steadycam
The lightweight, foam-padded vest of the FLYCAM Galaxy Arm and Vest Stabilizer has a universal fit. The chest size ranges from 38 to 52 inches, while the waist size is adjustable between 28 and 60 inches.
Hook-and-loop fastening straps are used for this, and push-fit buckles are used to fix the vest. A height-adjustment pin located on the chest plate allows for height modification between the waist and shoulders as well. The vest is constructed from lightweight synthetic fabric and aluminum plates. All of these characteristics guarantee a fitting that is both light and cozy.
With the vest and arm supporting up to 22 lb, you can shoot for a long time while maintaining a high level of stability with almost no strain on your arms or shoulders.
You can virtually always follow your topic with the Galaxy Stabilizer. With your hips, legs, and body absorbing the weight of the load, you may walk, run, climb stairs, and do much more while keeping your hands free to focus on the camera angle.
4. Flycam HD-3000 Stabilizer
With the HD-3000 Video Stabilizer from FLYCAM, you can take smooth, steady video with a range of cameras weighing up to 8 lb. This stabilizer, which has a three-axis gimbal and a foam handgrip, making it simple to record handheld video that looks professional. It may be used for panning, tilting, booming, or jogging. The stabilizer weighs only 2.6 lb and is built of lightweight aluminum.
The HD-3000 boasts a tool-free 15.7 to 23.6″ telescopic center post for balancing camera rigs up to 8 lb and a dynamic camera balance platform that enables balancing the camera on its X and Y axes. The included quick release plate installs on the top plate and has 1/4″-20 and 3/8″-16 screws to mount a variety of cameras.
5. DJI Zenmuse Z15-BMPCC 3-Axis Gimbal
Keep the camera level and provide stabilization with the DJI Zenmuse Z15-BMPCC 3-Axis Gimbal for Blackmagic Pocket Cinema Camera, and you can turn a larger multi-rotor UAV, like the S1000, into a platform for expert aerial video and aerial photography.
The Z15-BMPCC offers three operating modes, two of which are suited for aerial video and photo use and one of which is for FPV (first person view) applications. It has a control angle precision of 0.02°. A dedicated stick on your transmitter (hand-held radio controller) is used to control the gimbal, and the receiver needs at least four open channels that can be used for gimbal operation.
Every variation of the Z15 Gimbal is made to work with a particular set of cameras and lenses. This version is for the Olympus M.ZUIKO Digital ED 12mm f/2.0 lens on the Blackmagic Pocket Cinema Camera.
Additionally, it is calibrated specifically for this setup. Filters, for example, can add weight to the camera or lens, alter the weight distribution, and possibly harm the gimbal.
6. FLYCAM Flowline Master Professional Stabilizing
An customizable body-worn vest support device, the FLYCAM Flowline Master Stabilizing Support Vest can hold camera rigs weighing 8.8 to 26.5 lb. A suspension line is used in the system to support the weight of the gimbal rig, relieving the strain on your neck, shoulders, and arm muscles and transferring it across your torso instead.
By rotating a screw on the back, the tension line’s tension can be adjusted to the ideal level for your setup. The system includes a vest, a support bar, a ratchet knob to prevent slipping, and a 17″ top bar with a 5″ support arm extension.
Hip sizes of 32 to 49 can be accommodated by the vest “, and it is designed to work best with motorized gimbal stabilizers. It offers more lower back support, enabling you to carry weights further from your body. The Flowline Master system comes with a carrying bag for easy storage and transportation.
- load range: 8.8 to 26.5 lbs
- line tension that can be changed to accommodate various camera setups
- a secure camera hook
- Ratchet knob with anti-slip surface to change tension
- Line goes 60 miles “when extended fully
- Adaptable vest and belt made of permeable material
- UPC: 099451552121
- From the Box
- Camera gimbal stabilizing support vest made by FLYCAM
- Travel Bag
- Limited Warranty of One Year
7. Flycam Basic Flowline with 180° Rotation (3-7.5kg/6-16lb) B-FLCM-FLN
The Basic Flowline Stabilizing Support Vest from FLYCAM transfers the weight of your camera’s weight from your shoulders and arms to your back.
This support vest is suitable for handheld camerawork and works with gimbals and camera rigs weighing between 6.6 and 16.5 lb. For effortless turning and tracking shots, a suspension line with a maximum length of 60″ threads through a top bar with a diameter of 22″.
The additional point of contact provided by the suspension line lessens vibrations, ensuring smooth and steady handheld photos. The camera’s position along the top bar can be adjusted forward or backward for improved balance. Its tension can be changed using the knob located on the back of the vest.
For portability, the device collapses to a height of 23.6″ and fits in the provided carrying case.