Users using point-and-shoot cameras do not need to go through the effort of obtaining a lens, which is the primary advantage of these types of cameras. Lenses are pricey, and because you need a different lens for every single topic, the whole cost may quickly balloon into an outrageous amount.

The Canon Rebel T6 is an excellent camera, but if you choose the incorrect lens, you run the risk of limiting the camera’s capabilities. Because there is such a vast variety of lenses to choose from, you need to carefully consider the needs of your project before making any purchases.

Over the course of the last few days, we analyzed the performance of a number of lenses for your convenience and compared the outcomes to compile a trustworthy list of the best lenses for the Canon Rebel T6.

Best Lenses For Canon Rebel T6

1. Canon EF 50mm f/1.4 USM Lens

Among the many photographers’ go-to lenses is the Canon EF 50mm f/1.4, which has a number of desirable characteristics. This crisp, small-item gives an amazing performance without leaving you broke, and it does so without sacrificing any of its portability.

When compared to a wide variety of other cumbersome lenses, the Canon EF is noticeably more compact and lightweight. As a consequence of this, there won’t be any difficulties associated with transporting it in its mounted state on extended strolls.

At this budget point, the build quality is acceptable in our opinion, however, there are some difficulties with the fit and functionality of the focus ring. Moving on, the lens has a Micro USM motor that generates no noise and is compatible with FTM. This motor enables the lens to extend up to 5/16 inches while focusing, which is a significant advantage.

2. Canon EF 85mm f/1.8 USM Lens

In terms of its features, the Canon EF 85mm f/1.8 USM is a telephoto lens that is both extremely portable and capable of producing images with excellent contrast and definition. It is an excellent choice for anyone who values photographs that are crisp and clear regardless of the aperture (and who doesn’t?).

Although it has a rather big aperture, the Canon 85mm f/1.8 lens is surprisingly lightweight. On the other hand, it has a rather sturdy construction, and its well-balanced body ensures that it can be handled with ease. It also comes with a Canon ET-65II lens hood, which is just as lightweight as the lens itself but is yet big enough to protect the lens from light flares.

Because prime lenses of this focal length are great for flattering the facial features rather than elongating noses in frontal pictures, portrait photographers consider this lens to be a “lifesaver.” In addition, the long focal length works well for blurring away any distracting things that may be in the distance, and the soft corners work well for isolating the subjects that are close to the center of the frame.

The photos have soft edges and a soft center when the lens aperture is set to f/18, however, this softness is reduced when the lens aperture is set to f/4. From this point forward and throughout the rest of the aperture range, the center and the corners look to be a great deal crisper.

However, the range from f/2.8 to f/16 is where you’ll get the best results for excellent center sharpness. On the other side, there is a significant problem with corner sharpness when using bigger apertures, although it is excellent in all other circumstances. Moving on, the Canon 85mm f/1.8 lens luckily does not suffer from a significant problem with chromatic aberration.

3. Sigma 30mm F1.4 Art DC HSM Lens for Canon

The lens manufacturing company Sigma is renowned for producing cutting-edge optics that are exceptionally polished and robustly constructed. Thankfully, the Sigma 30mm F1.4 Art DC HSM Lens lives up to the claims that have been made about it. The thermally stable composite structure has a metallic texture, which contributes to the overall polished and expert appearance of the material. In addition, there is a lens hood included in the kit, which does an excellent job of obstructing the light coming from the sides.

For a lens that falls inside this price bracket, the Sigma 30mm F1.4 produces results that are shockingly crisp and a respectable performance overall. The focal length of 30 millimeters reveals that the lens has a wide-angle perspective, making it ideally suited for landscape and architectural photography. You should avoid taking portrait photographs, though, because the lens tends to extend face features rather than compressing them into a more uniform plane.

The good news is that Sigma does an excellent job of preventing any distortion or vignetting at the edges of the image. Even though the corners may appear blurry at certain apertures, the overall result is one that has a beautiful “bokeh” quality. The nine curved aperture blades are partially responsible for the bokeh of the lens since they provide a silky, almost ethereal blur when the aperture is wide open.

4. Samyang 14mm F2.8 Ultra Wide Angle Lens

The Samyang SY14M-C 14mm F2.8 Ultra Wide lens is a piece of equipment with a reasonable price tag that is capable of producing photos that are astonishingly crisp across full-frame sensors as well. Customers may make use of the fundamental features that one would anticipate seeing on a quality lens, such as a manual focus, manual aperture, and manual exposure settings.

The focal length of a lens is the most crucial characteristic since it determines the appropriate working distance. With an angle of vision that measures 115.7 degrees, Samyang is one of the widest rectilinear lenses that can be purchased.

As a consequence of this, it makes it possible for users to record the full landscape within a single frame, while also enabling current cameras to take superior panorama shots using this capability. In addition, wide-angle lenses are advantageous to employ while photographing landscapes and architectural subjects since they provide the impression that the foreground is significantly larger than the backdrop.

Further on, several APS-C lenses provide a focal length of 14 millimeters, although they almost never provide an aperture of f/2.8. Even though the vast majority of photographers never make use of this option, it is nevertheless essential to have it available to them since f/2.8 is a fantastic spot for halting motion in low light. As long as the depth of focus is sufficient, shooting with an aperture of f/2.8 is an efficient way to prevent blur without having to resort to extremely high ISO settings.

5. Sigma 17-50mm f/2.8 EX DC OS Lens

A competitive lens among its competitors, the Sigma 17-50mm f/2.8 EX DC OS HSM FLD Zoom Lens offers a variety of useful features. In addition to this, it is the first lens produced by Sigma to include both a maximum aperture that cannot be changed and optical image stabilization. In addition to this, there are a number of additional noteworthy characteristics that contribute to the lens’s status as an excellent financial investment

With an effective field of view ranging from 27–80 millimeters for Canon and 26–75 millimeters for Nikon, the Sigma EX lens is compatible with all APS-C sized camera bodies. Throughout the entirety of the zoom range, we discovered that the performance in the center was exceptionally crisp, while the degree of softness at the periphery varied.

When we utilized the lens wide open at f/2.8, we saw a substantial degradation due to soft edges. This degradation was greatly reduced when we stopped down the lens to f/5.6; however, when we stopped the lens down any more to f/16 or f/22, the soft edges reappeared.

However, it is important to take note that even with the aperture set to its widest setting, the central portion of the image retains a high degree of sharpness. The lens performs at its very best when set at 50 millimeters at an aperture of eight, resulting in superb sharpness throughout the frame.

6. Canon EF-S 18-135mm f/3.5-5.6 IS STM Lens

Even though it was launched in 2009, the Canon EF-S 18-135mm f/3.5-5.6 lens is still highly sought after by many photographers today. It was developed to work only with APS-C cameras and offers a broad variety of capabilities, including but not limited to excellent image stabilization and quick autofocusing.

The Canon EF-S 18-135mm f/3.5-5.6 Design Lens has a smooth profile and a straightforward operating structure, which consists of zoom and manual focus rings. Not only are they positioned perfectly, but they also operate very smoothly, which prevents any unintentional adjustments from being made. In addition to that, they come with an excellent rotational dampening as well.

When examining a lens, the focal range is the first thing that catches our attention since it has such a significant impact on how the final image is composed in terms of both framing and perspective. The expansive focal range of the Canon cameras allows them to do admirably in this test, which indicates that they are suitable for photographing a broad variety of topics.

Only APS-C format cameras, which don’t need a wider image circle, are compatible with EF-S lenses since only those cameras can use them. This is helpful for framing the picture more narrowly, while the 1.6x magnification defines the full-frame angle of view. In this example, the full-frame angle of view is 28.8-216mm. When taking into consideration its focal length range, the Canon EF-S 18-135mm f/3.5-5.6 is a fantastic choice for a travel companion since it enables users to capture a wide variety of subjects, such as full-body portraits and landscapes.

Moving on, the maximum aperture of the lens ranges from f/3.5 to f/5.6, which, in comparison to the majority of other lenses available at this price point, is a rather respectable range. Simply said, a lower number will permit more light to reach the sensor, whereas each stop will alter the quantity of light entering the lens by a factor of two times.

Users are able to utilize a lower ISO level, which results in less noise when the aperture is larger. In addition to this, Canon cameras are equipped with an excellent image stabilization technology that enables users to keep the camera steady even in low-light environments and makes it simpler for them to work with low ISO values.

In addition, it reduces the amount of motion blur even when using long exposures when handheld. It’s possible that image stabilization isn’t required for the majority of wide-aperture lenses, but a lens with a tight aperture like this one can benefit considerably from having it.

7. Canon EF-S 55-250mm F4-5.6 IS STM Lens

The Canon EF-S 55-250mm F4-5.6 is a more cost-effective option for your Canon Rebel T6, and it comes with a variety of features. An improved model of the Canon 55-250mm IS II lens has been released, and with it comes an enhanced version of the stepping motor technology that considerably improves the lens’ overall performance.

The outstanding performance of the AF system is something that we are grateful for. It is quick and accurate, and it does not generate a lot of noise either. However, you won’t be able to use the full-time manual focus override feature when the manual focusing mode is being handled by the focusing motor. Users are able to make any necessary modifications after locking on to the subject of their choice when the camera is set to the single focus mode.

Even while the focusing ring is rather light to the touch, which makes it more likely that modifications will be made by accident, it is well-damped, which makes it simple to make minute adjustments to the settings. In addition, because focusing is accomplished internally, the lens is an excellent choice for polarizing and graded filters. Further on, users are able to capture photographs that are incredibly crisp at roughly 1/25 of a second provided they know how to handle the lens correctly. It doesn’t take the picture stabilization feature more than a second to get to a stable state and start catching up with your motion.

Moving on, the sharpness in the center is excellent even at the highest aperture, and the edges are crisp. The aperture of f/5.6 is considered by most photographers to be the sweet spot because it enables the lens to work to the best of its abilities and produces images that are very crisp throughout the frame.

When zoomed all the way into 135mm, there are no discernible shifts in the center sharpness even when the aperture is set to its highest value. For this focal range, the best results may be obtained by setting the aperture to f/8. This results in relatively crisp edges and exceptional performance in the middle of the image.

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Corey
Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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