Accessories Buying Guide

Best Gimbal For Blackmagic Studio Camera 4K Plus

Best Gimbal For Blackmagic Studio Camera 4K Plus

This camera, the Blackmagic Studio Camera 4K Plus, was created expressly to be the ideal camera for use with the ATEM Mini. It’s the same high-quality broadcast camera, but because of the HDMI-centric design, it eliminates all of the pricey broadcast connections, allowing it to be far less expensive.

When used in conjunction with the ATEM Mini, HDMI is extremely strong since it transmits video to the camera while also sending camera control, tally, and the remote record trigger to the camera over the same HDMI connection. As a result, setting up a task is quite quick.

Following are the best image stabilizer for Blackmagic Studio Camera 4K Plus:

Best Gimbal For Blackmagic Studio Camera 4K Plus in 2022

1. Flycam HD-3000 Stabilizer

With the HD-3000 Video Stabilizer from FLYCAM, you can take smooth, steady video with a range of cameras weighing up to 8 lb.

This stabilizer, has a three-axis gimbal and a foam handgrip, making it simple to record handheld video that looks professional. It may be used for panning, tilting, booming, or jogging. The stabilizer weighs only 2.6 lb and is built of lightweight aluminum.

The HD-3000 boasts a tool-free 15.7 to 23.6″ telescopic center post for balancing camera rigs up to 8 lb and a dynamic camera balance platform that enables balancing the camera on its X and Y axes. The included quick-release plate installs on the top plate and has 1/4″-20 and 3/8″-16 screws to mount a variety of cameras.

2. DJI Ronin-M Gimbal Stabilizer V3 New Version

A camera stabilization solution from DJI called the Ronin-M 3-Axis Handheld Gimbal Stabilizer is intended to allow the user nearly as much freedom as unrestricted handheld shooting without the handshake. The Ronin-M has brushless motors that operate on three axes and is suitable for most camera configurations and weights up to 8 pounds.

one for tilt, one for pan, and one for side-to-side “roll” (maintaining the horizon level). The system has a 105° up/165° down tilt range and a 110° roll range, and it is computer-controlled. The system also offers a control precision of 0.02°, allowing for precise camera motions and stability correction against even extremely small movements.

The gimbal can be utilized in situations when mounting a vehicle or other abrupt motions would render tripods and rigid camera support devices problematic, in addition to handheld photography.

3. Flycam Galaxy Dual Arm & Vest with Redking Video Camera Stabilizer 

With this B&H-assembled FLYCAM Galaxy Arm and Vest Kit with Redking Camera Stabilizer, you can take smooth motion pictures while relieving stress on your arms. The equipment comes with a Redking video camera stabilizer, a Galaxy universal-fit foam-padded vest, and a Galaxy stabilizer arm.

The cozy vest adjusts with buckles and hook-and-loop straps to fit waists 28 to 60 inches wide and chests 38 to 52 inches wide. The shock-absorbing arm fastens to the vest and may extend to a maximum length of 18″. It can sustain up to 22 lbs.

It includes 19 and 22-mm bushings in addition to a normal 16-mm mounting post for the Redking. The Redking camera stabilizer attaches to the post of the arm and can hold a camera rig weighing up to 7.5 lbs. As you run, walk, cycle, or climb, it has an adjustable balance system to keep your shots smooth and steady.

4. FLYCAM Flowline Master Professional Stabilizing Body Support

Body-worn vest support system from FLYCAM called the Flowline Master Stabilizing Accommodate Vest can support camera rigs weighing 8.8 to 26.5 lb. To support the weight of the gimbal rig, the system uses a suspension line, which relieves the strain on your shoulder, neck, and arm muscles and distributes it across your torso instead.

By adjusting a screw in the back of the tension line, you may adjust the tension to the ideal level for your setup. The vest, a support bar, a ratchet knob to prevent slipping, and a 17″ top bar with a 5″ support arm extension make up the system.

The vest provides enhanced lower back support that enables you to carry weights further from your body. It is adjustable for hip sizes ranging from 32 to 49″ and it is designed for use with motorized gimbal stabilizers. For easy storage and movement of the Flowline Master system, a carrying bag is also provided.

5. FLYCAM Redking Quick Balancing Video Camera Stabilizer with Dovetail Quick Release 

The FLYCAM Redking lets you follow your subject while achieving fluid, dramatic shots by centering the pan, tilt, and rolling axes around a handle. As you move about and walk, run, climb stairs, etc., it helps to balance and steady the camera horizontally.

In most circumstances, you can mount your camera together with a matte box, microphone, or other gear you might require for the shoot because the Redking can support loads up to 15 lbs.

To offer the best stabilization, the bottom base has 16 thin-weight plates that may be added or taken out to achieve the perfect counterbalance for your camera load.

To further aid in balancing, the base’s width can be increased. Additionally, the height of the center post can be telescopically adjusted from 21 to 32″ for vertical counterbalance.

6. FLYCAM Flowline Placid Two Axis Stabilizing 

Affixed to your Flowline camera support, the FLYCAM Flowline Placid Two-Axis Spring Arm isolates your camera, camera rig, or gimbal from vibration in two axes. The Flowline Placid accommodates cameras and rigs weighing from 11 to 44 pounds, making it ideal for creating fluid walking or jogging shots. It also works to reduce both vertical and side-to-side vibration.

The large weight range is provided by two replaceable tension springs, with the red spring handling loads from 26 to 44 pounds and the blue spring handling loads from 11 to 16 pounds.

You can fine-tune the spring’s tension using a manual tension knob to match it to the weight of your camera equipment. The Placid mounts on top of the Flowcine top arm and allows you to easily switch from low to high mode so you can line up and capture the picture.

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

Leave a Reply

Your email address will not be published.