Searching for the best Canon EOS-1D X Mark III lenses? Look no further. We’ve compiled a comprehensive list of the best Canon 1D X Mark III DSLR lenses for a variety of applications, including portraits, weddings, landscapes, street photography, macro photography, videography, sports, and wildlife photography.
The flagship Canon EOS-1D X Mark III is being built and created with feedback from the international community of EOS-1D X and EOS-1D X Mark III photographers. It is ideal for professional sports, photojournalism, wildlife, and wedding photographers.
The EOS-1D X Mark III, which builds on Canon’s long history of producing high-quality optical products, features an upgraded focusing mechanism, as well as drastically improved still and video picture quality and communication. The EOS-1D X Mark III is available now.
In addition to its rapid speed, the Canon EOS-1D X Mark III has excellent precision and dependability, as well as high-performance autofocus and subject tracking, giving photographers a tool that will assist them in capturing the image they are after.
A newly designed 20.1MP full-frame CMOS sensor, as well as an updated DIGIC X image processor, enable the Canon EOS-1D X Mark III DSLR camera to shoot at up to 16 frames per second with the optical viewfinder or 20 frames per second in live view while maintaining a 1000-shot buffer when shooting raw+JPEG.
Aside from being the most powerful DSLR for video shooting to date, the EOS-1D X Mark III is also equipped with 4K 60p video capability, as well as the ability to shoot 5.5K RAW video or 10-bit 4:2:2 video with Canon Log, all of which can be recorded to a CFexpress card in either or both of the available dual card slots.
With built-in Wi-Fi for the first time in an EOS-1D series camera for the first time ever, this groundbreaking, dust- and the weather-resistant camera provide the connection to share photographs and videos with customers, colleagues, and family members from nearly anywhere.
In terms of picture quality, we all know that the lenses (as well as your talents) make the difference between a mediocre shot and a professional-looking shot. To assist you in getting a professional-looking shot, I put together this buying guide: best lenses for Canon EOS-1D X Mark III, which includes the best choices for portraits, wide-angles, weddings and landscapes, macros, and other close-up photography, street photography, wildlife photography, and sports photography lenses for the Canon 1D X Mark III DSLR camera. Simply select the one you require!
Best Lenses for Canon EOS-1D X Mark III DSLR Camera
With the goal of assisting you in determining which lens is most suited for your intended usage, I have divided the lenses into the following categories. If you follow these instructions, you should have a lot simpler time finding the lens that you are seeking. Alternatively, you may click on any of the links in the table below to move directly to the sort of lens that most interests you.
Best All-in-one Lens for Canon EOS-1D X Mark III
1. Canon EF 28-300mm f/3.5-5.6L IS USM
This convenient, compact Canon EF 28-300mm f/3.5-5.6L IS USM is an all-in-one zoom lens with an ultra-high 11x zoom range that covers everything from wide-angle to super-telephoto, making it a flexible and straightforward subject selection tool for a variety of photography applications. In addition to having the greatest optical performance in its class, this lens has the convenience of being able to focus as near as 2.3 feet away across the whole magnification range.
Both chromatic and spherical aberrations are well-corrected across the zoom range thanks to the use of aspherical elements and ultra-low dispersion glass. The result is a noticeable increase in sharpness and clarity throughout the zoom range. It is possible to reduce the appearance of camera shake by up to three shutter speed stops when using an Optical Image Stabilizer. This helps to improve the ability to operate in low-light circumstances and with slower shutter speeds.
A ring-type Ultrasonic Motor (USM) is used in conjunction with an internal focusing mechanism to provide quick, precise, and silent autofocus performance, as well as full-time manual focus override. The Canon EF 28-300mm f/3.5-5.6L IS USM lens is exceptionally simple to operate and is well suited for a broad range of photographic tasks, including nature, wildlife, sports, and documentary photography. It is also extremely lightweight and compact.
2. Canon EF 85mm f/1.2L II USM
The best professional portrait lens on the market! It comes highly recommended! It is regarded as the ideal professional portrait photography lens because of its exceptionally wide aperture, which results in a small depth of field and dramatic focus fall-off.
The Canon EF 85mm f/1.2L II USM is a medium telephoto prime lens with an extraordinarily fast maximum aperture of f/1.2. Thanks to its excellent floating optical system and aspherical lens element, it produces pictures of exceptional quality with the least amount of reflections, glare, and ghosting.
It is the largest-aperture 85mm lens currently available, and it is great for low-light shooting indoors without the use of a flash in general, as well as for portrait photography in particular. Many professionals believe this to be the best portrait lens available.
3. Canon EF 85mm f/1.4L IS USM
85mm lens with image stabilization, weather sealing, and improved balance! The Canon EF 85mm f/1.4L IS USM is a remarkable medium-telephoto lens for portraiture applications, thanks to a fantastic mix of optics, performance, sophisticated features, and a sturdy build.
The Canon EF 85mm f/1.4L IS USM lens is Canon’s first 85mm L-series lens to include image stabilization (IS), and it features an advanced optical formula that includes a large-diameter aspherical lens as well as a bright f/1.4 maximum aperture to deliver gorgeous, sharp, and detailed images suitable for virtually any application. Its adaptable mix of built-in picture stabilization and superior design make it ideal for handheld usage in a variety of scenarios, including hostile environments.
The EF 85mm f/1.4L IS USM is a high-performance lens that is designed to perform and produce the results that photographers demand. It is ideal for portraiture and for generating a natural feeling of distance between the user and the subject with a range of scenarios and topics.
4. Sigma 85mm f/1.4 DG HSM Art
Professional Portrait Lenses at a great price! It is possible to obtain an ideal portrait lens that provides an appealing booked effect as well as exact focus by focusing on the pupils of the subject’s eyes while blurring the subject’s eyelashes.
The professionals at DPReview gave this Sigma 85mm f/1.4 Art lens a high overall rating of 93 percent and awarded it a Gold Award for its performance. Portrait photography, low-light photography, night photography, landscape photography, photojournalism, events, and wedding photography are all possible with this camera, which is ideal for both professional photographers and discerning photography amateurs.
5. Tamron SP 85mm f/1.8 Di VC USD
The world’s first fast-aperture telephoto lens incorporating Vibration Compensation (VC) (image stabilization). It has excellent low-light performance and provides edge-to-edge viewfinder brightness for ease of composition in low light.
Because of the F/1.8’s fast aperture, it is possible to achieve the ideal balance between subject clarity and bokeh, that dreamy blur that distinguishes your portrait subject from the backdrop. The 85mm focal length is great for capturing a pleasant photograph with true-to-life face characteristics that are in proper proportion to the subject.
6. Canon EF 85mm f/1.8 USM
A budget-friendly choice that delivers excellent performance! The Canon EF 85mm f/1.8 USM lens is a highly practical lens that can be used for a variety of tasks, including portraits, events, and landscape photography.
A very shallow depth of focus is achieved by using the wide-open f/1.8 aperture, resulting in stunning portraits and exquisite background bokeh. In addition, a ring-type USM is used to provide speedy and silent autofocus performance, as well as full-time manual focus control, throughout the camera body. Excellent value for money!
Best Macro Lenses for Canon EOS-1D X Mark III
7. Canon EF 100mm f/2.8L Macro IS USM
The Canon EF 100mm f/2.8L Macro IS USM lens, which boasts outstanding image quality, fast and positive autofocus, and one of the most effective image stabilization systems available, is one of the very best lenses we’ve seen, earning an incredible 92 percent overall score and a Gold Award from the experts at DPReview. With its 1:1 maximum magnification and 11.8-inch minimum focus distance, the Canon EF 100mm f/2.8L Macro IS USM is an excellent macro lens for close-up photography.
Close-up photography is enhanced by the inclusion of an Image Stabilizer that reduces camera shake by two stops at full 1:1 magnification and up to four stops at lesser magnifications for crisper handheld shooting. A ring-type USM and internal focusing design, which also contribute to smooth and intuitive operation, provide rapid, quiet, and accurate autofocus performance, as well as full-time manual focus override. The fact that this lens is part of the L series means that it is weather-sealed, which is ideal for working in adverse weather.
Canon’s EF 100mm f/2.8L Macro IS USM is primarily intended for close-up photography, but it is also a very capable and flexible short telephoto prime that is equally at home shooting portraits and other mid-range objects as it is macro photography.
8. Tamron SP 90mm f/2.8 Di VC USD Macro
This is an incredible lens! This lens is extremely sharp, auto-focuses swiftly and silently, and exhibits very little visible chromatic aberration, much less any distortion at ordinary apertures. ” With a life-size maximum magnification ratio of 1:1, this lens is particularly useful for dealing with small and adjacent subjects. It also features a Floating System, which ensures consistent picture quality across the 11.8′′ to infinity focusing distance.
Incorporated into the optical design are one Low Dispersion and two Extra-Low Dispersion glass elements that help to reduce chromatic aberrations and color fringing, resulting in clean, consistent sharpness and clarity across the magnification range of the microscope. Because of the lens’s quick F/2.8 aperture and outstanding bokeh quality, it is particularly well suited for macro photography as well as for portraiture photography.
9. Tokina atx-i 100mm f/2.8 FF Macro
This Tokina atx-i 100mm f/2.8 FF Macro lens is an incredibly enticing instrument for macro, portraits, landscapes, street art, commercial, and general-purpose photography because of its lightweight, compact size, high resolution, fast aperture, minimal distortion, low falloff, and gorgeous soft bokeh.
Designed for use with Tokina atx-i 100mm F2.8 FF Macro cameras, this midrange auto-focus telephoto lens has superb close focusing capabilities, with the ability to reproduce life-sized (1:1) images at 11.8 inches (30cm) from the sensor plane. When shooting in low light, the quick f/2.8 aperture makes it easy to focus while also producing soft and gorgeous bokeh, making it a fantastic choice for portraits, landscapes, video, and small-scale photography.
10. Canon EF 24-70mm f/2.8L II USM
Perfect lens for the job! This flexible lens features a zoom range that spans focal lengths ranging from landscape to portrait, is highly crisp, and has fast, silent, and precise autofocus. It also includes a built-in flash for low-light shooting. It is a near-flawless lens with optics that come very close to matching a set of high-quality primes in terms of performance and quality.
This lens, which is available in a variety of focal lengths from wide-angle to portrait, is differentiated by its constant maximum aperture of f/2.8, which is beneficial when working in low-light circumstances and allows for more control over depth of field. A circular 9-blade diaphragm is also included with the lens, which allows for gorgeous, soft backgrounds. Silent and quick autofocusing is made possible with a ring-type USM and a high-speed CPU with enhanced AF algorithms. Given the camera’s rapid, precise focusing and weather-sealed design, it’s tough to identify any very severe flaws in it at all. With the Canon EF 24-70mm f/2.8L II USM lens, professional and serious amateur photographers who want to get the finest possible optics out of their “daily” regular zoom lens will be pleased.
11. Canon EF 35mm f/1.4L II USM
Look no farther than the Canon EF 35mm f/1.4L II USM if you want to capture stunning landscapes, portraits, and close-up photography. The Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime lens distinguished by its unique and superior optical composition. It has a fast maximum aperture of f/1.4, making it ideal for working in low-light situations. Blue Spectrum Refractive Optics is used in its optical design; this is a newly created element that helps to almost eliminate chromatic aberrations and color fringing, resulting in improved clarity and color accuracy.
It also boasts a fast, 9-blade maximum aperture of f/1.4, which allows it to perform admirably in low-light circumstances while also producing beautiful, soft backgrounds in general. In addition, like the other L-series lenses, the EF 35mm f/1.4L II USM is dust and water-resistant (dust seal). The Canon EF 35mm f/1.4L II USM is a versatile, fast, and elegant lens that will satisfy photographers who are searching for a brilliant, crisp, and responsive lens for their most essential photographs.
12. Canon EF 50mm f/1.4 USM
canon EF 50mm f/1.4 USM ($349): This lens is small, lightweight, and extremely sharp. In addition to being a fantastic choice for both casual and professional photographers, the Canon EF 50mm f/1.4 standard lens is also a fantastic traveling companion for full-frame DSLRs.
You can investigate the f/1.2 version ($1,349) if you require even clearer images and greater performance in low light (for pros), but for the majority of people, the Canon 50mm f/1.4 is already an exceptional lens and a fantastic value. Additionally, it receives an 87 percent overall score and a Gold Award from DPReview. There have been more than 1,800 customer reviews posted on Amazon in the United States thus far.
13. Sigma 35mm f/1.4 DG HSM Art
This lens has a fast maximum aperture of 1.4 seconds. It is a high-quality prime wide-angle lens with an ultra-fast, floating inner focusing mechanism and Hyper Sonic Motor for quick and precise focus, improved optics for attractive bokeh, and a brilliant f/1.4 maximum aperture. It is also available in black and silver. The brilliant f/1.4 maximum aperture aids in the creation of shallow depth of field and selective focus effects, and it is particularly well suited for working in challenging lighting circumstances.
And the professionals at DPReview give this Sigma 35mm f/1.4 art lens an overall score of 89 percent and a Gold Award for excellence. It is particularly well-suited for low-light photography, night photography, landscape photography, photojournalism, events photography, and wedding photography, and it is especially well-suited for professional photographers and discerning photography fans.
Best Standard Prime Lenses for Canon EOS-1D X Mark III
14. Canon EF 50mm f/1.2L USM
With an ultra-large aperture that creates a narrow depth of field and soft background blur that photographers all over the world adore the Canon EF 50mm f/1.2L USM lens is a peerless standard lens that is now the fastest autofocus lens in its class, making it an essential tool for many professional and advanced amateur photographers.
A shallow depth of field is created by the huge maximum aperture of f/1.2, which softens the backdrop and helps figures “jump” out of a portrait due to the big maximum aperture. In addition, photographers can make use of greater shutter speeds to capture images in low light while reducing the likelihood of blurring caused by the movement of the subject or camera shaking.
The lens is suited for every shooting condition, thanks to a lens coating and construction type that have been designed to reduce ghosting and flare, which are common when lenses are used with digital cameras. The lens is available in a variety of sizes and colors. This lens screams professional excellence in every element of its design, from its large 72mm filter diameter to its dust and moisture-resistant construction and structure. Really excellent, and I would suggest it to anyone!
15. Canon EF 50mm f/1.4 USM
While professional photographers might go for the f/1.2L version, the Canon 50mm f/1.4 is a fantastic lens that is a terrific value for the money for most individuals. The professionals at DPReview give the Canon EF 50mm f/1.4 USM an 87 percent overall rating and a Gold Award for its performance.
It does so in a package that is tiny, light, and reasonably affordable, while yet providing much greater optical performance than all but the most comprehensive zooms. Because of its outstanding quality and mobility, the Canon EF 50mm f/1.4 standard lens is a fantastic choice for both amateurs and professionals alike. It is particularly well suited for shooting landscapes and travel scenes, as well as portraits and news coverage, among other things.
16. Canon EF 50mm f/1.8 STM
A terrific value-for-money lens with excellent performance! Its regular focal length, brilliant, wide aperture, and affordable price make the Canon EF 50mm f/1.8 STM lens a popular choice for photographers who want a lens that is compact, lightweight, and adaptable. It has rounded aperture blades for attractive out-of-focus details (bokeh), as well as unique lens coatings to decrease flare and encourage clean, contrasty pictures. It is available in black or white. In addition, because of its circular 7-blade design, it has a brilliant maximum aperture of f/1.8, which not only allows it to perform well in low light but also to capture lovely, clear photographs and movies with a beautiful background blur. This prime lens is ideal for portraiture, action photography, and even night photography.
17. Sigma 50mm f/1.4 DG HSM Art
This lens has a maximum aperture of f/1.4. With a huge 1.4 aperture, the Sigma 50mm 1.4 prime lens is a high-end performance that can be used for a wide range of photographic applications, including portraiture, landscape photography, studio photography, and street photography. The combination of a Hyper Sonic AF Motor and an enhanced AF algorithm results in focusing performance that is quiet, smooth, and quick, making this lens suitable for usage in a broad range of scenarios, including low-light conditions. Despite the fact that the lens has 13 elements in 8 groups, it provides exceptional performance even at wide apertures, and close-up photography is made simple by the 40cm minimum focusing distance. A wide range of videography and photography applications, including portraits, landscapes, studio work, and still life, are made possible by this Sigma 50mm f/1.4 DG HSM Art lens.
Best Standard Zoom Lenses for Canon EOS-1D X Mark III
18. Canon EF 24-70mm f/2.8L II USM
The Canon EF 24-70mm f/2.8L II USM Lens has a focal length of 24-70mm.
This is a fantastic lens! This flexible lens features a zoom range that spans focal lengths ranging from landscape to portrait, is highly crisp, and has fast, silent, and precise autofocus. It also includes a built-in flash for low-light shooting. It is a near-flawless lens with optics that come very close to matching a set of high-quality primes in terms of performance and quality.
Given the camera’s rapid, precise focusing and weather-sealed design, it’s tough to identify any very severe flaws in it at all. It is recommended for professional and serious hobbyist photographers who are searching for the best possible optics in a ‘daily’ standard zoom lens. The Canon EF 24-70mm f/2.8L II USM has an 87 percent overall score and receives a Gold Award from DPReview.
19. Sigma 24-35mm f/2 DG HSM Art
For Canon EF mount, the Sigma 24-35mm f/2 DG HSM Art Lens is available.
Another fantastic lens from Zeiss! In addition to being the world’s first full-frame F2 zoom lens, the Sigma 24-35mm f/2 DG HSM Art lens contains the most up-to-date Sigma technology, such as an enhanced autofocus (AF) algorithm for smooth, fast, and accurate focusing, as well as manual focus (MF) override capabilities.
The revolutionary aperture, along with the adaptable wide-angle 24-35mm focal length, enables photographers to simply replace three common lenses, the 24mm, 28mm, and 35mm, with a single piece of equipment, saving them time and money. It’s perfect for close-up photography, portraiture, and landscape photography with a shallow depth of field.
20. Tamron SP 24-70mm f/2.8 Di VC USD G2
This lens offers a wide range of focal lengths from 24-70mm. The Tamron SP 24-70mm f/2.8 Di VC USD G2 lens is an updated fast standard zoom lens with excellent focusing speed and image stabilization. It covers a flexible wide-angle to portrait-length range and is characterized by rapid focusing and image stabilization.
Consistent brightness across the zoom range is provided by the brilliant f/2.8 constant maximum aperture, which is particularly useful when working in low-light circumstances. The camera’s Vibration Compensation, which is 5-stop effective, helps to decrease the impression of camera shake, allowing for crisper handheld photography even in low-light situations.
The Tamron SP 24-70mm f/2.8 G2 lens is an appealing alternative to the considerably more costly Canon products, thanks to its vibrant colors, beautiful bokeh, and powerful autofocus and image stabilization technologies.
21. Canon EF 24-105mm f/4L IS II USM
This zoom lens covers a wide range of focal lengths. The Canon EF 24-105mm f/4L IS II USM lens has a zoom range of 24-105mm with a constant f/4 aperture, making it perfect for landscapes, portraits, sports, and other photography and videography applications. It provides great all-day performance for advanced photography and videography.
You can trust the EF 24-105mm f/4L IS II USM to deliver exceptional performance and beautiful results from wide-angle to mid-telephoto and everywhere in between. It is a sturdy, compact performer that can be used in a variety of situations and can be taken anywhere. Keep in mind that, despite the fact that it has image stabilization and rapid autofocus, the maximum aperture of f/4 implies that it will not perform well in low-light situations.
Consequently, professionals and people looking for a general-purpose lens for travel and portraiture that has excellent optics should select the Canon 24-70mm f/2.8.
Best Wide-angle Prime Lenses for Canon EOS-1D X Mark III
22. Canon EF 14mm f/2.8L II USM
This Canon EF 14mm f/2.8L II USM wide aperture lens features excellent optics and virtually no distortion, making it an excellent choice for architectural, wedding, and other professional-level photography applications. Its weatherproof and dustproof construction helps to ensure its long-term durability. Because of its relatively bright maximum aperture of f/2.8, this lens is well-suited for working in low-light situations and is also an excellent choice for astrophotography.
Specifically, the optical design features two aspherical elements and two ultra-low dispersion elements, which work together to control both the spherical and the chromatic aberrations, resulting in a high degree of sharpness, clarity, and color accuracy overall. A ring-type USM and an internal focusing mechanism further contribute to the camera’s rapid, quiet, and accurate autofocus performance, as well as the ability to override the autofocus system completely. An outstanding extreme wide-angle prime lens that comes highly recommended!
23. Canon EF 24mm f/1.4L II USM
This versatile lens combines a popular wide-angle focal length with an exceptionally brilliant maximum aperture to create photographs that are suitable for photojournalists, landscape and event photographers, as well as anybody who appreciates photographing from a broader viewpoint.
Two elements with extremely low dispersion aid in the management of chromatic aberrations and color fringing, while a pair of aspherical elements minimize spherical aberrations and distortion, resulting in images with excellent clarity and sharpness. Working in low-light circumstances is substantially facilitated by the fast maximum aperture of f/1.4, which also allows for more control over the depth of focus.
Additionally, this lens is equipped with a ring-type USM that provides speedy and silent autofocus performance as well as full-time manual focus override capability. In addition to providing fast and precise auto-focus, pleasing bokeh, great build quality, and very crisp photos, the Canon EF 24mm f/1.4L II USM is an outstanding wide-angle prime lens!
24. Sigma 20mm f/1.4 DG HSM Art
For Canon EF mount, the Sigma 20mm f/1.4 DG HSM Art Lens is available.
This Sigma 20mm f/1.4 DG HSM Art lens has a focal length of 20mm and an aperture of F1.4, which allows it to produce superb large-aperture brightness and bokeh. The lens design, which is comprised of 15 elements in 11 groups, includes two “F” Low Dispersion (FLD) elements, five Special Low Dispersion (SLD) elements, and two aspherical elements to significantly reduce chromatic and spherical aberrations, as well as limit distortion, resulting in clean, sharp, and evenly illuminated imagery.
The lens is composed of 15 elements in 11 groups. When sophisticated optics and optimal lens power distribution are combined, spherical and axial chromatic aberration, as well as field curvature, are reduced, resulting in exceptionally high picture quality with little distortion. The wide-angle and excellent picture quality make this lens ideal for a variety of photographic applications, including seascape, cityscape, and astrophotography, as well as low-light photography, indoor photography, portraiture, and event and wedding photography.
25. Rokinon AF 14mm f/2.8
The Rokinon AF 14mm f/2.8 is a high-quality lens with a lot of features. Rokinon’s AF 14mm f/2.8 lens, which combines an autofocus design with a desirable ultra-wide field of view, is a bright, wide prime that is well-suited for landscape, nature, and astrophotography photography applications, among others.
A sophisticated 15-element, 10-group optical design incorporates one extra-low dispersion element, two aspherical elements, and four high refractive index elements to suppress chromatic and spherical aberrations, resulting in high sharpness, accurate color rendering, and even brightness from edge to edge across the entire image plane.
The autofocus mechanism, which works in conjunction with the optical design, makes use of a lightweight focusing group to provide rapid and silent performance that is beneficial for both picture and video applications.
26. Canon TS-E 17mm f/4L Tilt-Shift
This lens has a focal length of 17mm and a focal length of 4L. The Canon TS-E 17mm f/4L Tilt-Shift Lens offers an ultra-wide field of view, as well as enhanced perspective and focus adjustment. It is the widest tilt-shift lens in the Canon portfolio, and it is well-suited for architectural and interior photography, among other applications. Tilting the camera up to +/- 6.5° is possible for focus control, and shifting the camera up to +/- 12mm is possible for perspective and composition adjustment. The tilt-shift mechanism may be turned +/- 90° to allow for the application of movements in any direction, and a tilt-locking mechanism can be employed while shooting to increase the stability of the camera. Even when fully open, the edges are razor sharp. Ultra wide-angle applications like as architectural, landscape, and product photography benefit from this lens’s wide aperture.
Best Wide-angle Zoom Lenses for Canon EOS-1D X Mark III
27. Canon EF 11-24mm f/4L USM
The ultimate wide-angle lens for ultra-wide-angle photography! One of Canon’s greatest lenses, the EF 11-24mm f/4L USM lens, is the best ultra-wide-angle zoom lens available. It is also one of the best lenses the company has ever produced. With a vast wide-angle range of 11-24mm, this lens is great for landscape photography, interior photography, and capturing new views on things both close and far away from the camera.
There are two Super UD elements and one UD element in the lens, which contribute to a significant reduction in chromatic aberrations, and four aspherical elements, which help to minimize distortions throughout the zoom range while maintaining consistent edge-to-edge sharpness and illumination throughout. While a 9-blade circular aperture diaphragm offers lovely, blurred backgrounds, a Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to greatly minimize flare and ghosting.
The EF 11–24mm f/4L USM is a must-have lens for photographers who seek great performance for genuinely expressive photographs everywhere they shoot. It has a small design that includes an integrated hood and is compatible with all EOS cameras.
28. Canon EF 16-35mm f/2.8L III USM
This is one of the greatest wide-angle zoom lenses Canon has ever produced, and it comes highly recommended! For its overall performance, the EF 16–35mm f/2.8L III USM received an amazing 91 percent rating and received the Gold Award from the professionals at DPReview. In nearly any situation, it is an important wide-angle zoom lens for both professional and amateur photographers who expect the highest level of operation and performance from their equipment. Your perspective will be superbly controlled thanks to the 16-35mm focal range, allowing you to shoot photographs and videos with spectacular, dramatic compositions that are only limited by your creativity.
The constant maximum aperture of f/2.8 provides consistent performance and superb light transmission across the zoom range of the lens. The EF 16–35mm f/2.8L III USM offers superb picture quality, a quick, constant aperture, and a durable build, resulting in eye-catching results whether photographing precise, subtle landscapes, dramatic interiors, or everything in between.
At extreme wide angles, both static and moving pictures can be taken with continuous edge-to-edge clarity, enhanced peripheral lighting, and decreased distortion, allowing for the acquisition of both still and moving images. Professional photographers and photography lovers who enjoy landscape, animal, wedding, and architectural photography will find this lens to be an excellent choice.
29. Tamron SP 15-30mm f/2.8 Di VC USD G2
The Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is a very appealing and more cheap alternative to similar wide-angle zoom lenses from Canon and Nikon, and it performs well. The stability, wide aperture, and ultra-wide focal length range of the Tamron SP 15-30mm f/2.8 are all outstanding qualities, but the lens also produces good image quality and is far less expensive than the Canon EF 11-24mm f/4L USM.
Aspherical and low dispersion glass elements are used in conjunction with three types of specialist lens coatings to reduce chromatic and spherical aberrations, as well as flare and ghosting, resulting in images that are clearer, more colorful, and more precise in detail. Consistent brightness across the zoom range is provided by the brilliant f/2.8 constant maximum aperture, which is particularly useful when working in low-light circumstances.
While used in conjunction with the camera’s Vibration Compensation (VC) image stabilization technology, it may minimize camera shaking by up to 4.5 stops, resulting in clearer photos and smoother movies even when shooting handheld or at slower shutter rates. A fantastic wide-angle zoom lens at a very reasonable price.
30. Canon EF 16-35mm f/4L IS US
This ultra-wide-angle lens from Canon offers high performance in a compact design and an optical image stabilizer that provides up to four stops of correction. Canon EF 16-35mm f/4L IS USM ($999): The EF 16-35mm f/4L IS USM is also a great ultra-wide-angle lens that offers high performance in a compact design. The EF 16-35mm f/4L IS USM is a high-performance, weather-resistant Canon L-series lens that offers a useful wide-angle focal length range.
It is differentiated by its constant f/4 maximum aperture, superior optical construction, and the use of image stabilization to produce clear pictures. It has three aspheric lens elements and two ultra-low dispersion lens elements to assist eliminate aberrations across the zoom range, as well as a fluorine coating to help reduce ghosting and flare.
It is crisp all the way to the corners, which is ideal for landscape photography and other wide-angle photography. Additionally, the f/4 version includes an image stabilization mechanism that performs admirably. Excellent optics!
31. Canon EF 17-40mm f/4L USM
The Canon EF 17-40mm f/4L USM ($549) is the best value wide-angle lens available anywhere. The Canon EF 17-40mm f/4L USM lens is the greatest choice for individuals who wish to save money on a wide-angle lens while still getting a good quality lens. The lens is crisp and precisely focused, and it offers a broad range of focal lengths for landscape and other wide-angle photography. It also has a good shooting quality in low light, and it is reasonably priced.
Additionally, this lens is weather-sealed, allowing it to be used in a variety of challenging environmental circumstances. It is also significantly less expensive and lighter than the Canon 16-35mm lens. The lack of image stabilization and the maximum aperture of f/4 are the two most significant drawbacks of the Canon 17-40mm.
Best Telephoto Prime Lenses for Canon EOS-1D X Mark III
32. Canon EF 135mm f/2L USM
The 135mm telephoto lens is the quickest in its class. A quick, lightweight telephoto lens with excellent image quality, the Canon EF 135mm f/2 L USM is an excellent choice for photographing indoor sports in low light circumstances and for taking portrait photographs. Despite the fact that the lens has complete automated focusing capabilities owing to its Ultra Sonic Motor (USM), you may still use the manual focus feature even while the camera is in automatic focus mode.
The lens also has two Ultra-low Dispersion (UD) glass elements that serve to eliminate chromatic aberrations, resulting in pictures with exceptional clarity and color. In addition, the Canon EF 135mm f/2 L USM lens is compatible with the optional EF 1.4X and EF 2X teleconverters, which may be purchased separately from Canon
33. Canon EF 200mm f/2L IS USM
In addition to portraiture, the Canon EF 200mm f/2L IS USM lens is great for indoor sports photography and other low-light, fast-action applications. The big f/2 maximum aperture is advantageous when working in low light conditions and also allows for significant control over the depth of field when selectively focusing on the subject matter.
With the internal USM and enhanced AF algorithms, autofocusing is quick and silent, and the circular aperture may even generate gorgeous out-of-focus shots. In addition to its image qualities, this 200mm f/2 lens is equipped with a four-stop-effective Image Stabilizer technology, which reduces the appearance of camera shake for smoother handheld photography.
Consequently, the Canon EF 200mm f/2L IS USM lens is truly remarkable, and it excels in a wide range of low-light situations, including indoor sports, theater work, fashion photography, and candid shots at events. If you can’t afford it, you might want to explore the less expensive Canon EF 200mm f/2.8L II USM ($749).
34. Canon EF 400mm f/2.8L IS III USM
The 400mm f/2.8 lens is the world’s smallest and lightest! The EF 400mm f/2.8L IS III USM is a Canon L-series lens that combines a popular super-telephoto focal length with a brilliant f/2.8 maximum aperture to create a lens that is well-suited for outdoor, wildlife, and sports photography applications. This highly regarded lens has been upgraded to version III, which has a reduced weight construction, a smart optical arrangement, and improved handling characteristics.
The quick maximum f/2.8 aperture allows for great control over depth of field when isolating subjects with selective focus, and it is especially advantageous when working in low-light settings or in low contrast situations. Both Super UD and fluorite elements are used in the optical design to help reduce color fringing and chromatic aberrations for high clarity and color accuracy, and Super Spectra and Air Sphere Coatings have been applied to individual elements to suppress flare and ghosting for increased contrast and color neutrality when working in backlit conditions. Super Spectra and Air Sphere Coatings have also been applied to individual elements to suppress flare and ghosting for increased contrast and color neutrality when working in backlit conditions.
Additionally, the Canon EF 400mm f/2.8L IS III USM is distinguished by its superior five-stop-effective Image Stabilizer technology, which features three distinct stabilization modes to accommodate a wide range of shooting situations and conditions. A combination of precise image quality and great operability allows pros and experienced photographers to carry the EF 400mm f/2.8L IS III USM with them wherever they go in order to create superb images of nature, sports, and other subjects.
35. Canon EF 600mm f/4L IS III USM
The 600mm f/4 lens is the world’s smallest and lightest! The EF 600mm f/4L IS III USM is a Canon L-series super-telephoto lens that is particularly well suited for sports and wildlife photography. Its innovative, lightweight construction, quick and intuitive handling and high-speed performance separate it from the competition. Both chromatic and spherical aberrations are minimized to a bare minimum by the use of fluorite, Super UD, and aspherical elements, resulting in crisp, clear picture quality with accurate rendering and color fidelity, as well as accurate rendering and color fidelity.
Both Super Spectra and Air Sphere Coatings serve to improve color accuracy while also reducing flare and ghosting while working in backlit or harsh lighting circumstances, respectively. As well to having outstanding optical performance, the 600mm f/4 has an innovative five-stop effective Image Stabilizer technology with three distinct stabilization settings to accommodate a wide range of shooting situations. Its handling is also enhanced by an advanced ring-type USM that delivers rapid, silent, and accurate autofocus performance while also providing full-time manual focus override.
Best Telephoto Zoom Lenses for Canon EOS-1D X Mark III
36. Canon EF 70-200mm f/2.8L IS III USM
In addition to being one of the most adaptable lenses available, the Canon EF 70-200mm f/2.8L IS III USM is an L-series telephoto zoom that stands out for its brilliant design and superior optical technology. In addition to being ideal for topics ranging from portraits to sports photography, the quick continuous f/2.8 maximum aperture shines in challenging lighting circumstances and also allows for more control over depth of focus when isolating subjects in a scene.
Because of its 8-blade circular aperture, the EF 70–200mm f/2.8L IS III USM lens is designed to generate dramatic shots with beautiful background blur when used in conjunction with other Canon lenses. With one fluorite element and five UD elements, the optical arrangement is designed to minimize chromatic aberrations as well as color fringing to provide a high level of clarity across the zoom range. Additionally, an Air Sphere Coating is included, which reduces flare and ghosting for improved color accuracy and contrast in all lighting situations and environments. In addition, this lens is equipped with an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake, making it easier to shoot handheld and in low-light conditions with more confidence.
A ring-type USM and an internal focusing mechanism further contribute to the camera’s rapid, quiet, and accurate autofocus performance, as well as the ability to override the autofocus system completely. Simply said, the EF 70-200mm f/2.8L IS III USM has superb performance and optics that will enable you to achieve new levels of creativity in high-level creative photography.
37. Canon EF 100-400mm f/4.5-5.6L IS II USM
The Canon EF 100–400mm f/4.5–5.6L IS II USM lens offers a wonderful mix of cutting-edge performance, compact design, and exceptional resolving power that makes it ideal for sports and wildlife photography, as well as general photography. There are two fluorite elements and one super UD element in the lens’ design, and each of these elements contributes to the reduction of aberrations and distortions across the zoom range, resulting in exceptional clarity, picture sharpness, and true color reproduction.
You may use specialty filters even when the lens hood is in place, providing an extra layer of protection. It also has a New Air Sphere Coating (ASC) that helps to decrease the “ghosting” that you notice with the cheaper lenses. This lens is positioned as a versatile alternative for sports and wildlife photographers, and its list of features makes it a potential telephoto zoom for a wide range of shooting situations and applications.
38. Canon EF 70-300mm f/4-5.6L IS USM
Canon EF 70-300mm f/4-5.6L IS USM ($1,349): This is an excellent lens for the money! The Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens is designed to offer very high-quality photographs while operating at breakneck speed. It is the latest addition to the well-established Canon L-series of lenses, which already includes a popular zoom range.
It incorporates two Ultra-Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration, as well as a floating focusing mechanism for sharpness from close up to infinity, as well as an IS system that increases usability by approximately four stops. It is available in black or silver.
A wide zoom range and excellent picture quality are combined in rugged and compact construction to create the Canon EF 70-300mm f/4-5.6L IS USM lens, which is ideal for nature, landscape, and sports photography as well as travel photography. The lens is available in black or silver. If you routinely shoot in low light conditions, the Canon EF 70-200mm f/2.8 IS STM is a good option.
39. Canon EF 70-200mm f/4L IS II USM
This lens has a focal length range of 70-200mm. A combination of performance and mobility is provided by the Canon EF 70-200mm f/4L IS II, which has high-quality optics, a flexible zoom range, a compact lens design, and sturdy, weather-sealed housing. This lens is intended to accompany a variety of photographic styles, from fast-paced sports to portraits.
It has a wide telephoto focal range and a constant maximum aperture of f/4, which enables consistent low-light performance at all focal lengths. Aside from that, it has nine rounded aperture blades for appealing bokeh, as well as Canon’s Optical Image Stabilization technology, which provides five stops of camera shaking correction as well as a new third model that only provides active stabilization during exposure to help preserve battery power.
A ring-type ultrasonic motor (USM) with an internal focusing mechanism is integrated into the dust- and water-resistant body, allowing for quick, silent, and accurate autofocus, as well as full-time manual focus override. If you want greater low-light performance, the f/2.8 variant is the better choice. Aside from that, the f/4 L IS is approximately half the price and half the weight of the f/4 L.
40. Canon EF 200-400mm f/4L IS USM Lens with 1.4x Extender
With the Canon EF 200-400mm f/4L IS USM Lens and 1.4x Extender ($10,000), you’ll have the best slow-moving telephoto zoom lens on the market! The Canon EF 200-400mm f/4L IS USM Extender 1.4x is a high-performance super-telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. It is designed to satisfy the discriminating needs of sports and wildlife photographers, as well as landscape and architecture photographers.
You may easily and simply switch between the native 200-400mm focal length and an effective 280-560mm focal length for extended reach, thanks to the inclusion of a built-in 1.4x extender. This functionality is highly beneficial in applications where it is not feasible to change lenses fast, as well as in safeguarding delicate equipment such as the image sensor of a digital SLR camera when operating in dusty or humid settings.
This lens incorporates one fluorite and four Ultra-Low Dispersion (UD) lens elements, which provide excellent chromatic aberration correction throughout the entire zoom range for professional quality images with high resolution, contrast, and color fidelity. A 9-blade circular aperture contributes to the creation of beautiful and soft backgrounds.
41. Sigma 150-600mm f/5-6.3 DG OS HSM Sports
Affordability and performance are the hallmarks of the Sigma 150-600mm f/5-6.3 DG OS HSM Sports ($1,999). The Sigma 150-600mm 5-6.3 DG HSM OS Sports lens is a telephoto zoom lens that has been designed and built for the most demanding sorts of photography. It is the new standard in telephoto zooms.
The Sigma 150-600mm Sports lens features two FLD glass elements (with performance comparable to fluorite) and three SLD glass elements, resulting in very crisp pictures over the whole zoom range. By optimizing the design of the glass elements at the long end of the focal length, chromatic aberration can be reduced, and the lens’s dust and splash-proof construction provide a high level of endurance.
A revised optical stabilizer (OS) now includes an accelerometer, which allows for superior panning photography both horizontally and vertically, which is crucial for birding, wildlife, and motorsports photography, among other things.
42. Sigma 120-300mm f/2.8 DG OS HSM
The Sigma 120-300mm f/2.8 DG OS HSM ($3,399) is an excellent “Fast” Telephoto Zoom Lens that delivers excellent results! A fast-moving subject such as wildlife, nature, aviation, racing, or other similar conditions is well-suited for this Sigma 120-300mm f/2.8 lens since it is the first lens built for Sigma’s new Sports line of lenses, which includes a variety of other lenses as well.
This lens has a dust- and splash-proof design, making it excellent for usage in outdoor and bad weather environments. A built-in Optical Stabilizer reduces the impression of camera shake by four stops (equivalent) or more, allowing for more comfortable handheld photography and low-light shooting. Fast, smooth, and silent autofocus is provided by the Hyper Sonic AF Motor, resulting in speedier performance, which is especially beneficial for video recording.