The Canon EOS R5 C is a true hybrid camera, boasting many of the video formats and features from the Cinema EOS lineup as well as many of the still imaging capabilities of the EOS R5 camera in a body that is beautifully designed. The Canon EOS R5 C is both compact and lightweight, making it ideal for use in a variety of situations. Canon’s full-frame, 45-megapixel CMOS imaging sensor is at the core of the EOS R5 C camera’s great image quality, which also paves the way for exceptional 8K/60P RAW cinematic video recording.
This sensor is at the heart of the EOS R5 C camera’s superb picture quality. In addition, the EOS R5 C camera places a strong emphasis on both focus and speed. It is capable of capturing still images continuously at speeds of up to 20 frames per second and has Dual Pixel CMOS AF II, which can follow the split-second movements of even the most evasive subjects. With 1,053 Automatic AF zones, it is simple to take pictures of people by utilizing Eye, Face, and Head Detection AF.
Additionally, with Animal Detection AF, it is possible to intuitively follow the entire body, face, or eye of animals such as cats, dogs, or birds. Therefore, the Canon EOS R5 C is a great camera for a wide variety of content producers, such as those who produce videos for YouTube, films for weddings, independent films, and documentaries, operate drones, and cover multimedia stories.
Therefore, if you are one of the fortunate people who have already purchased a Canon EOS R5 C the next step is to locate the lenses that are most suitable for use with a Canon EOS R5 C. The Canon EOS R5 C incorporates Canon’s RF lens mount, making it compatible with the company’s entire catalog of RF-mount lenses.
Additionally, the design of this RF mount provides full compatibility with already existing lenses that use an EF or EF-S mount by using an extra EF-EOS R Mount Adapter. Therefore, if you already own certain EF and EF-S lenses, you can simply purchase one of the four mount adapters, each of which is specially crafted to cater to the specific requirements of a particular user.
- Canon Mount Adapter EF-EOS R (Basic)
- Canon Control Ring Mount Adapter EF-EOS R
- Canon Drop-In Filter Mount Adapter EF-EOS R with Circular Polarizer Filter
- Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter
If you are new to the world of mirrorless cameras using the Canon EOS R series, or if you just want to acquire some native RF-Mount lenses for your Canon EOS R5 C movie camera, then you have arrived at the correct spot. We have compiled a list of the best recommended and most suitable native full-frame RF-Mount lenses for the Canon EOS R5 C mirrorless cinema camera.
These lenses cover a range of focal lengths, from wide-angle to telephoto, and can be used for a variety of applications, such as video recording and vlogging, landscapes, portraits, wedding, macro, event, street, travel, walk around, birding, nature, photojournalism, sports, wildlife, and You need to pick the one that fits your requirements!
Canon EOS R5 C Kit Lens
1. Canon RF 24-105mm f/4L IS USM
With a zoom range that encompasses wide-angle, normal, and telephoto, the Canon RF 24-105mm f/4L IS USM excels in a number of photography circumstances, allowing astounding versatility with the turn of a zoom ring. This lens is ideal for capturing landscapes, portraits, and wildlife.
It is the first lens in the L series to incorporate Canon’s superfast NANO USM and it has a maximum aperture of f/4, which is fast and consistent. It also has 5 stops of image stabilization, which makes it perfect for landscapes, portraits, and other types of photography. In addition, the Canon RF 24–105mm F4 L IS USM lens incorporates 3 aspheric and 1 UD lens element, which work together to help correct aberrations, distortion, and astigmatism.
As a result, the lens is capable of producing images that are sharp and dynamic, with excellent detail and contrast throughout the entire zoom range. A nice, soft backdrop may be achieved with the aid of a circular aperture with 9 blades. It is truly an outstanding zoom lens for photography that takes place throughout the day.
Best All-in-one Lens for Canon EOS R5 C
2. Canon RF 24-240mm f/4-6.3 IS USM
With a high magnification of 10x optical zoom and coverage ranging from 24mm wide-angle to 240mm telephoto, the RF 24–240mm F4-6.3 IS USM is the ideal all-in-one travel lens that can be used for a variety of different shooting scenarios. This lens also offers coverage from 24mm wide-angle to 240mm telephoto. In addition to its 10x zoom capability, it features an Optical Image Stabilizer that can compensate for up to five stops of camera shaking, allowing for sharper images to be captured even when the camera is held manually.
Video recording is another area that benefits from dynamic since it better adjusts for footage captured when the subject is walking or moving. A Nano USM autofocus motor gives a rapid, quiet, and precise focusing performance, which is beneficial for both still images and video. The RF 24–240mm F4-6.3 IS USM range is extremely versatile and may be used for a wide variety of subjects, including landscapes, pictures, films, and anything else that strikes your eye.
Best Wide-angle Prime Lenses for Canon EOS R5 C
3. Canon RF 16mm f/2.8 STM
This Canon RF 16mm f/2.8 STM lens is great for landscape photographers, architects, travel photographers, and vloggers since it has an extremely wide field of view, is extremely lightweight (165g), and has a portable design. Additionally, the pricing of this lens is very reasonable.
It is a wonderful choice for capturing interior shots in confined locations, hunting for the perfect scenery, or as the ideal webcam lens when used in conjunction with an EOS camera and EOS Webcam Utility on a video chat since it provides an extremely wide field of view and a brilliant f/2.8 aperture. A bright maximum aperture of f/2.8 is suitable for working in available lighting circumstances, assists in the adjustment of the depth of focus, and contributes to the camera’s slim form factor.
This one-of-a-kind lens also features a close minimum focusing distance of 5.1 inches, making it ideal for close-up photography. Additionally, the STM AF motor offers smooth and silent focusing performance, making it suitable for use in both photography and videography. This lens is an attractive choice for vlogging and video creation because of its lightweight construction and wide field of vision. Very strongly suggested!
4. Rokinon AF 14mm f/2.8 RF
This Rokinon AF 14mm f/2.8 RF compact lens has a super-wide field of view along with an autofocus design. It also has a large angle of view that measures 113.9 degrees and a function that is both fast and precise when it comes to the autofocus function. Its optical design incorporates three aspherical and two low dispersion elements, which together help to reduce distortion and color fringing for improved clarity and sharpness. Its maximum aperture is f/2.8, which is relatively fast.
This makes it suitable for working in difficult lighting conditions. Each individual piece has been given an application of Ultra Multi-Coating in order to cut down on flare and ghosting, which will result in higher contrast and a more neutral color balance. In addition, the autofocus motor of the lens offers a focusing performance that is both rapid and accurate.
Additionally, manual focus override is available for those who need finer control. Therefore, this Rokinon AF 14mm f/2.8 RF lens is an excellent choice for taking photographs of landscapes, buildings, and other outside subjects.
5. Laowa 12mm f/2.8 Zero-D
With a 122-degree ultra-wide field of view, the Laowa 12mm f/2.8 Zero-D for Canon RF-mount allows you to take breathtaking landscape or architectural photographs that are unparalleled by any other lens on the market. The shooting of shots inside of buildings will also become considerably simpler. When working in low lighting circumstances or settings with problematic illumination, the brilliant maximum aperture of f/2.8 is an asset.
In order to achieve greater clarity and color neutrality, three components with extra-low chromatic aberrations help to eliminate color fringing and chromatic aberrations. In addition, the lens incorporates two aspherical elements, which help to control spherical aberrations and increase sharpness. This lens maintains correct rendering over the whole focus range, which extends from 7.09 inches to infinity, and benefits from both a fine manual focus design and a floating optical system.
The range of this lens’s focus range is 7.09 inches to infinity. The Laowa 12mm f/2.8 Zero-D for Canon RF-mount is, in a single phrase, a truly wide-angle prime lens that features a rectilinear optical design. This lens is specifically intended to limit distortion for the purpose of portraying landscapes and architectural subjects in a way that is clear and accurate.
Best Wide-angle Zoom Lenses for Canon EOS R5 C
6. Canon RF 15-35mm f/2.8L IS USM
This Canon RF 15-35mm f/2.8L IS USM lens has a maximum aperture of f/2.8, a focal length range of 15-35mm, smooth image stabilization, and a number of other features that will assist you in capturing wide-angle shots such as landscapes, architecture, and other subjects in clear detail and with a full view. The Canon RF 15-35mm F2.8 L IS USM lens is Canon’s first F2.8 wide zoom lens equipped with IS for full-frame with a CIPA standard of five stops.
This lens has edge-to-edge sharpness throughout the zoom range, allowing it to capture clear images with high image clarity from the center of the image throughout the entire focal range. Three aspheric lenses give outstanding picture quality from the center to the corners, and two UD lenses assist eliminate aberrations, which results in images that are crisp with less distortion regardless of the subject matter. Up to five stops of stabilization can considerably minimize the blur caused by camera shaking in both still and moving images.
The RF 15-35mm F2.8 L IS USM lens can effortlessly offer breathtaking photographs with minimum distortion, regardless of whether you are shooting films, still shots of nature, close-ups, architecture, or sports.
7. Canon RF 14-35mm f/4L IS USM
The Canon RF 14-35mm f/4L IS USM is a perfect lens for all wide-angle demands, including landscapes, architecture, street shooting, group shots, dramatic, as well as vlogging, and live streaming. It provides the ultimate mix of ultra-wide-angle, L-series optics, and compact design. This lens is distinguished from others in the ultra-wide category by its Optical Image Stabilizer, which can compensate for up to 7 stops of shake when used in conjunction with the Canon EOS R3.
In addition, the RF 14-35mm F4 L IS USM differentiates itself by preserving an exceptionally high picture quality even while operating at its maximum aperture of f/4 across the whole zoom range. When it comes to optics, the lens lives up to its title as an L-series lens. It consists of three aspherical elements and three UD elements, all of which work together to produce an image that is highly corrected, has a high level of sharpness, and renders colors accurately. In addition, three different kinds of coatings have been used so that there would be less flare and ghosting across the zoom range.
The minimum focusing distance is just 7.9 inches for the entirety of the zoom range, allowing for creative wide-angle close-up shooting. Additionally, there is an apt Nano USM that provides quick and silent autofocus performance. The Canon RF 14-35mm F4 L IS USM is a perfect and lightweight wide-angle companion that is capable of producing high-quality, creative images and video anywhere, or it can simply be set up in the convenience of your own home for the purposes of vlogging or live streaming.
Best Standard Prime Lenses for Canon EOS R5 C
8. Canon RF 50mm f/1.2L USM
The Canon RF 50mm f/1.2L USM lens offers a huge maximum aperture of f/1.2 for greater light-gathering capability and breathtaking bokeh, as well as a ring-type USM AF system for quick and ultra-precise focusing. It was designed to give razor-sharp images even in low-light circumstances. Additionally, it has a tactile control ring that is located towards the front of the lens.
This ring allows you to alter exposure settings such as shutter speed and aperture without having to remove your eye from the electronic viewfinder. The RF 50mm f/1.2 L USM provides outstanding image clarity and a wealth of detail even in the corners or on the edges of the frame.
Additionally, it has a minimum focusing distance of approximately 40 centimeters, which makes it an excellent choice for a variety of applications, including portraiture, street shooting, and fine art photography.
9. Canon RF 50mm f/1.8 STM
This Canon RF 50mm f/1.8 STM is a sleek normal-length prime lens that offers a classic, versatile field of view. It is an excellent choice for everyday, walkaround shooting as well as portraits, landscapes, and food photography due to its compact size, lightweight construction, close-focusing ability, and affordable price.
Its small size makes it appealing to bring on any trip or excursion, and it is quite handy to have around, too. It has a fixed focal length of 50 millimeters, which allows you to be creative with composition, and because this focal length is similar to what the actual human eye sees, it provides a great representation to capture impressive portraits, landscapes, and food photos, and other types of photos.
A maximum aperture of f/1.8, which is both bright and allows improved control over depth of focus, is ideal for working in environments with challenging lighting circumstances. The optical design makes use of one aspherical element, which helps to decrease spherical aberrations and distortion. Additionally, the design has a Super Spectra coating, which helps to eliminate flare and ghosting for enhanced contrast and color accuracy.
In addition, an STM motor enables an autofocus performance that is remarkably quiet and smooth, in addition to providing full-time manual focus control. The compact RF 50mm F1.8 STM lens is ideal for bringing along on your day-to-day excursions due to the fact that it has an attractive size, is relatively light in weight and has a focal length that is comparable to what the human eye actually perceives.
10. Mitakon Speedmaster 50mm f/0.95 III
This Mitakon Speedmaster 50mm f/0.95 III lens is an extraordinarily fast normal-length prime with increased flare resistance. It thrives in low-light settings and allows great control over depth of focus, and its f/0.95 maximum aperture is obviously what sets it apart from other lenses. In addition to this, it enables a high level of control over the depth-of-field, which may be used to separate subjects from their backgrounds and provide selective focus effects.
The chromatic aberrations have been successfully reduced thanks to a meticulously designed optics system that consists of 10 elements in 7 groups, with one piece of HRI (High Refractive Index) and five pieces of UD (Ultra-low dispersion) elements. This system also produces an image that is of exceptional quality. A representation that is slightly soft and out of focus can be achieved with the use of an eleven-blade diaphragm (bokeh).
The manual focus construction of the lens enables the photographer to deal with subjects that are as near as 1.6 feet away, and the lens’s 11-blade diaphragm contributes to a pleasant bokeh quality. A wonderful tool for learning how to do things manually.
Best Standard Zoom Lenses for Canon EOS R5 C
11. Canon RF 24-70mm f/2.8L IS USM
The Canon RF 24-70mm F2.8 L IS USM lens is designed to offer clear and breathtaking photographs with a beautiful background blur and exceptional consistency. The lens has a maximum aperture that remains constant at f/2.8, 21 elements that are arranged in 15 groups, and a 9-blade aperture mechanism.
The dynamic Canon RF 24-70mm F2.8 L IS USM lens helps you cover everything, from portraits and landscapes to travel and everyday moments, and it was engineered with NANO USM technology, which ensures accurate and silent autofocus operation.
Additionally, the lens has reduced focus breathing, which results in more seamless focus transitions. The RF 24-70mm F2.8 L IS USM lens has an amazing performance in a variety of lighting situations, even in low-light areas, to deliver detailed images at a variety of focal lengths. This amazing performance is thanks to the large-diameter RF mount and the short back focus design. The lens also features a balanced and comfortable design for ease of operation and use.
12. Canon RF 28-70mm f/2L USM
This bright Canon RF 28-70mm f/2L USM all-around zoom lens is capable of utilizing faster shutter speeds and delivering professional-quality images for a variety of photography subgenres, including portraiture, landscape, and wedding photography, and photojournalism, thanks to its impressive constant maximum aperture of f/2. The focal range of this lens extends from wide-angle to portrait-length, and it has an impressive constant maximum aperture of f/2.
It is also capable of performing well in low-light circumstances and offering great bokeh quality with its nine rounded aperture blades, which can be used for both isolating subjects and creating more dramatic effects while shooting photographs and filming movies.
Users may anticipate quick and silent autofocus performance, in addition to smooth manual focus adjustment, thanks to the inclusion of Canon’s dependable Ultrasonic Motor (USM) ring in the camera’s design. The RF 28–70mm F2 L USM is the ideal lens for pros, advanced photographers, and everyone else who wishes to communicate their narrative with images of extraordinary quality.
Best Portrait Lenses for Canon EOS R5 C
13. Canon RF 85mm f/1.2L USM
The Canon RF 85mm F1.2 L USM lens features a focal length of 85 millimeters, a maximum aperture of f/1.2, and a fixed focal length of 85 millimeters. This lens is excellent for photographing portraits, weddings, fashion, and other subjects in low-light conditions, and it creates beautiful, soft backgrounds. EOS R Mechanism cameras have exceptional compatibility with Eye Detection AF, which helps capture detailed portraits with beautiful background blur and consistency.
The lens has 13 elements organized into 9 groups, and it has an aperture system with 9 blades. In addition, the minimum focusing distance of 2.79 feet or 0.85 meters and the highest magnification of around 0.12 times assist create clear, detailed photos from diverse distances with minimal distortion. This makes it an excellent choice for portraiture, still life, or close-up photography.
14. Canon RF 85mm f/1.2L USM DS
When utilized at or near its maximum aperture of f/1.2, the RF 85mm F1.2 L USM DS lens produces an even smoother bokeh and rendering of out-of-focus highlights, making it an excellent choice for shooting portraits, weddings, and fashion photography. Defocus Smoothing is another feature of this lens. When compared to Canon’s other RF 85mm f/1.2 lens, this RF 85mm f/1.2L USM DS version is distinguished by the presence of a DS (Defocus Smoothing) coating.
This coating helps to soften and smooth the bokeh quality when working at wider aperture settings, which makes it particularly suitable for applications that require a shallow depth of field. When you focus on something, it will be extremely crisp, and the edges of highlights in the background will be smoother than they were with the version of the RF 85mm lens that did not include DS.
The 85mm F1.2 L USM DS is a lens that helps produce closeness and intensity in photographs and films with the purpose of producing compelling results. It has 13 elements organized into 9 groups and a 9-blade aperture mechanism. With the RF 85mm F1.2 L USM DS lens, you can capture breathtaking images that include a bokeh that is both stunningly smooth and captivating.
15. Canon RF 50mm f/1.2L USM
Portraiture, wedding photography, fine art photography, and shooting on the street are all excellent uses for a conventional prime lens like the Canon RF 50mm f/1.2L USM. The Canon RF 50mm f/1.2L USM lens offers a huge maximum aperture of f/1.2 for greater light-gathering capability and breathtaking bokeh, as well as a ring-type USM AF system for quick and ultra-precise focusing. It was designed to give razor-sharp images even in low-light circumstances.
One UD element and one aspherical element are incorporated into the optical design of the layout. These elements contribute to the reduction of chromatic aberration as well as spherical aberration, which results in improved clarity and sharpness.
The quality of the bokeh produced by a rounded diaphragm with 10 blades is improved, making it more suitable for separating subjects with depth of field. In addition, the lens has a minimum focusing distance of 0.40 meters (1.31 feet) and a maximum magnification of around 0.19 times, which allows it to produce images that are clear and detailed from virtually any distance.
An appropriate ring-type Ultrasonic Motor, which provides quick, near-silent autofocus as well as full-time manual focus override, rounds out the capabilities of the camera’s image subsystem. Photographers and videographers can anticipate results that are exquisite, detailed, and crisp from the center of the picture to the perimeter of the image no matter what they are photographing or filming: portraits, still life, weddings, or everything in between.
Best Macro Lenses for Canon EOS R5 C
16. Canon RF 100mm f/2.8L Macro IS USM
The Canon RF 100mm f/2.8L Macro IS USM is the world’s first medium telephoto AF Macro lens with a maximum magnification ratio of 1.4x. It distinguishes itself by maintaining incredibly high image quality, edge-to-edge, even when wide open at its f/2.8 maximum aperture. This lens was designed specifically for close-up photography.
The RF 100mm F2.8 L MACRO IS USM lens features a fixed focal length of 100 millimeters, a bright f/2.8 maximum aperture for blurring backgrounds and shooting in low light, a fast, highly-precise AF, and a SA (spherical aberration) Control Ring. This lens enhances the look of portraits and macro shots by providing the option to create dreamlike or romantic images with a soft-focus look. Close-up photography and video recording are both significantly improved by Canon’s Hybrid IS technology, in addition to the camera’s powerful built-in optical image stabilization.
The RF 100mm F2.8 L MACRO IS USM is capable of taking detailed photos despite its remarkable versatility in operation. Its minimum focusing distance is 0.26 meters (0.86 feet), and it can focus down to that distance. The RF 100mm F2.8 L MACRO IS USM is a highly effective lens for macro photography. This lens may be used to capture classic macro images in addition to catching details of food and jewelry.
17. Canon RF 85mm f/2 Macro IS STM
The Canon RF 85mm f/2 Macro IS STM is a well-rounded lens that can be used for a variety of topics, including portraiture and macro subjects, thanks to its combination of a short-telephoto field of view, a sleek design, and close-focusing capabilities. An alternative to the professional-grade 85mm F1.2L, the Canon RF 85mm f/2 Macro IS STM is a more portable and cost-effective option. Although it is slower than the version with an aperture of f/1.2, the Canon RF 85mm f/2 Macro weighs just 500 grams (1.1 pounds), which is less than half the weight of the 85mm F1.2 lens.
The STM stepping motor provides a fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. The close focus design enables working with subject matter as close as 1.15 feet away with a maximum magnification of 1:2. In addition, the same as the RF 35mm F1.8 Macro IS USM, its close focus design enables working with subject matter as close as 1.15 feet away.
In addition, the Canon RF 85mm f/2 Macro IS STM has an integrated Optical Image Stabilization system that can correct for up to five stops of shaking and makes it easier to operate in low-light environments and with slower shutter rates. In addition, an option known as Hybrid IS helps to improve the quality of close-up photographs by mitigating the effects of angle and shift-type camera motions. A fantastic lens for taking portraits, wedding photos, street photography, and especially macro shots.
18. Canon RF 35mm f/1.8 IS Macro STM
The Canon RF 35mm f/1.8 IS Macro STM lens is a unique wide-angle prime that combines the versatility of a general wide lens with the specialization of a 1:2 macro optic. It is characterized by its compact size, lightweight, and ability to focus up close. This lens is perfect for taking photographs of anything from close-ups of plants to street scenes and landscapes since it can focus down to a distance of 6.7 inches when viewed at half life-size.
The maximum aperture of f/1.8 is not only suitable for working with a range of lighting settings, but also gives the photographer additional control over the depth of focus. Both the incorporated Dual Sensing IS (5-stop image stabilization) and the STM motor, which enables quiet focusing, make this an excellent lens for filmmaking. Both of these features contribute to the lens’s overall quality.
The 35mm f/1.8 IS MACRO STM lens, like other RF lenses, features a separate control ring that permits rapid, tactile exposure changes while the user is looking through the electronic viewfinder (EVF). Very strongly suggested!
Best Telephoto Prime Lenses for Canon EOS R5 C
19. Canon RF 400mm f/2.8L IS USM
Even when set to its maximum aperture, the RF 400mm F2.8 L IS USM maintains the same excellent picture quality as its predecessor, the EF 400mm f/2.8L IS III USM, thanks to the optics that it inherited. This results in exceptional sharpness and contrast throughout the whole image, from center to corner. The exceptional optical performance of this lens may be attributed to the utilization of both fluorite and Super UD (Ultra-low Dispersion) glass in its construction.
Images that are pin-sharp and have very little color fringing can be achieved by setting the aperture to its widest setting of f/2.8. This considerably reduces chromatic aberration. With up to 5.5 stops of shaking correction and three different IS operating modes, its optical image stabilization technology helps to give clear results, regardless of whether the camera is placed on a monopod or carried by the photographer’s hand. When shooting in circumstances where there is backlighting, having a circular nine-blade aperture gives lovely bokeh even at lower lens apertures.
Additionally, having Super Spectra and Air Sphere Coatings minimizes ghosting and flare, which delivers extraordinarily clear images. In addition, the optical design incorporates Super UD and fluorite components, both of which help to eliminate color fringing and chromatic aberrations, resulting in improved clarity and color precision.
In addition to this, the Canon RF 1.4x and 2x Extenders are compatible with the RF 400mm f/2.8L IS USM Lens, and the lens itself has a construction that makes it resistant to dust and water, as well as a fluorine coating on the front element that makes it simple to clean.
20. Canon RF 600mm f/4L IS USM
The high image quality of a Canon L-series lens is available to professional and experienced photographers with the Canon RF 600mm f/4L IS USM Lens. This lens is designed to be used for photographing sports, wildlife, and natural settings. This super-telephoto lens was developed specifically for use with Canon EOS R-series cameras. It is distinguished from other super telephoto lenses by its innovative and lightweight construction, as well as its rapid and intuitive handling and high-speed performance.
The lens is optically similar to the EF 600mm f/4 IS III USM lens, and it features three modes of optical image stabilization with up to 5.5 stops of shake correction. This allows the lens to give incredibly fine results whether it is mounted on a monopod or used hand-held. Additionally, its f/4 aperture and 9-blade circular aperture help create intimacy in background and foreground bokeh for both photos and videos.
Furthermore, the lens is extremely versatile and lightweight in comparison to other 600mm lenses, which makes it easier to not only bring it to the action but also capture it even from a distance. In addition, the optical design incorporates Super UD and fluorite components, both of which help to eliminate color fringing and chromatic aberrations, resulting in improved clarity and color precision.
Attach the appropriate Extender RF1.4x or Extender RF2x to the RF600mm F4 L IS USM and gain the equivalent of 840mm at f/5.6 focal length coverage with the Extender RF1.4x or 1200mm at f/8 with the Extender RF2x. This will let you get even closer to the subject. Because of its increased adaptability and versatility, the RF600mm F4 L IS USM is an excellent choice for photographing animals and a wide variety of other subjects.
21. Canon RF 600mm f/11 IS STM
The Canon RF 600mm f/11 IS STM is the first small and lightweight 600mm super-telephoto lens in the RF range. This lens is great for bird and animal photography, as well as outdoor sports and aviation photography.
The compact form of this lens, which has a retractable construction and a fixed aperture of f/11, making handheld super-telephoto photography a very real option. Optical image stabilization further assists in achieving precise pictures while working in challenging lighting circumstances. A distinct optical layout is another factor that has contributed to the reduction in size. This layout uses gapless dual-layer diffractive optics rather than multiple heavier individual elements.
In addition to contributing to the high level of clarity, this layout controls color fringing and chromatic aberrations very effectively. The technique of diffractive optics helps to cut down on the number of lenses that are required, which in turn brings down the overall cost of the lenses and makes them accessible to a wider variety of photographers. And the STM stepping motor provides focusing performance that is quick, quiet, smooth, and accurate, making it appropriate for the requirements of both still photography and video.
Additionally, the design of the lens has a Control Ring, which allows for simple and direct manipulation of the exposure settings directly from the lens itself. When used in conjunction with the 1.4x and 2x RF Extenders, the 600mm lens can achieve an effective focal length of 840 mm or 1200 mm, giving it greater reach if that is what you want.
22. Canon RF 800mm f/11 IS STM
The Canon RF 800mm f/11 IS STM is a one-of-a-kind telephoto prime lens that features a super long reach and very compact construction. This lens is great for bird, wildlife, outdoor sports, and aviation photography, as well as any situation in which you want to bring your subject closer to the camera. This lens has a retractable design and a fixed aperture of f/11.
Its sleek profile makes handheld super-telephoto shooting a very real possibility, and its optical image stabilization is effective for four stops, which further helps to achieve sharp imagery when working in challenging lighting conditions. Even though the lens has a constant aperture of f/11, it is nevertheless able to produce crisp pictures with very little to no color fringing because of its use of gapless dual-layered diffractive optical elements.
These elements assist decrease chromatic aberration, which is one of the causes of color fringing. In addition, the technology of diffractive optics helps to cut down on the number of lenses that are required, which in turn helps to bring down the overall cost of the lenses and makes them accessible to a wider range of photographers. In addition, this RF 800mm f/11 Super-Telephoto Lens is equipped with a lead screw-type STM focus motor that enables you to achieve smooth and silent focusing regardless of whether you are taking still photographs or tracking a subject while recording films.
In addition, the design of the lens has a Control Ring, which allows for direct and simple manipulation of the exposure settings directly from the lens. This lens is compatible with the 1.4x and 2x RF Extenders, allowing you to achieve an equivalent focal length of 1120mm or 1600mm, respectively when used in conjunction with those lenses if you require a longer focal length than 800mm.
Best Telephoto Zoom Lenses for Canon EOS R5 C
23. Canon RF 70-200mm f/2.8L IS USM
The Canon RF 70-200mm f/2.8L IS USM lens is an outstanding workhorse lens for professional and amateur photographers shooting sports, wildlife, wedding, and event action because of its big and brilliant f/2.8 aperture as well as its 70-200mm focal zoom ranges. The new RF 70-200mm F2.8L IS USM is a first for Canon lenses and contains two Nano USM motors.
These motors provide an even higher degree of high-speed autofocus for the taking of still images as well as a silent and smooth focusing for the shooting of the video. A floating focus control, another Canon first, is included within the lens as well. This control operates each of the two lens groups independently while making use of the two Nano USM motors that were previously described.
The floating focus lens element shortens the focusing distance and helps decrease breathing, which enables users to experience performance that is quick, consistent, and dependable. Very strongly suggested!
24. Canon RF 100-500mm f/4.5-7.1L IS USM
The Canon RF 100-500mm f/4.5-7.1L IS USM lens is a highly portable option for users of EOS R series cameras, from professionals to advanced amateurs shooting sports, wildlife, photojournalism, aviation subjects, and more. This lens offers a wide zoom range, from medium telephoto to super-telephoto, and produces high-quality images throughout the entire range.
The lens is both tiny and lightweight, and it boasts optical image stabilization with three distinct IS modes, including standard, panning, and during exposure only. The image stabilization can correct for shake by up to five stops. Two Nano USM motors are at the core of this lens, and they provide consumers with high-speed autofocus that is very smooth and silent, with a minimum focusing distance of three feet.
The RF100-500mm F4.5-7.1 L IS USM lens has a minimum focusing distance of 2.95 feet/0.9 meters (at 100mm) and 3.9 feet/1.2 meters (at 500mm), which enables it to take photos that are both crisp and detailed from a variety of distances. The combination of the RF100-500mm F4.5-7.1 L IS USM lens’ remarkable minimum focusing distance and a maximum magnification of 0.33x at 500mm delivers great adaptability and amazingly crisp photographs, regardless matter whether you’re taking pictures of birds, landscapes, or a sporting event. In addition, this 100-500mm lens includes a weather-sealing and a fluorine coating that protect it from the elements on both the front and the back.
This Canon RF 100-500mm f/4.5-7.1L IS USM lens, in a single word, is great for photography of sports, wildlife, and even aviation, while yet preserving a compact size and lightweight design that makes it fit for travel.
25. Canon RF 100-400mm f/5.6-8 IS USM
The Canon RF 100-400mm f/5.6-8 IS USM is a versatile telephoto-zoom lens with a portable form factor. This lens is ideal for shooting wildlife, sports, and travel because of its nimbleness and portability. This zoom has an extended range and a super-telephoto reach that is packed into a body that is reasonably slim and lightweight. Additionally, it has support for Coordinated IS, which may assist manage up to 6 stops of camera shaking, and Nano USM AF, which promotes quicker focusing performance.
Optically, the lens has a number of specialized components that work together to control a variety of aberrations and generate pictures that are extremely crisp and clear over the whole zoom range. It is also feasible to achieve close-focusing performance, with a maximum magnification of 0.41x when the lens is set to the 400mm position. This allows for close-up photography of things as small as a credit card.
In addition, for the first time ever in a lens that is not part of the L-series, the RF 100–400mm will accommodate the optional Canon RF 1.4x and 2x tele extenders. These add-ons will give you an effective maximum focal length of 560mm or 800mm, depending on which one you choose. When first starting out in the area of wildlife, nature, and sports photography, the Canon RF100–400mm is a wonderful lens to start with. However, the video content maker or vlogger may also take advantage of this lens and its super-telephoto capabilities while gathering films of the b-roll variety or when shooting persons that are at a considerable distance.