Accessories Buying Guide

Best Gimbal For Blackmagic URSA Mini Pro 4.6K G2

Best Gimbal For Blackmagic URSA Mini Pro 4.6K G2

With the URSA cinema camera range, Blackmagic Design has gone a long way from its inception. The URSA Mini Pro 4.6K is the most recent model to be released. It offers a slew of additional capabilities that were not available on the URSA Mini 4.6K, the previous URSA Mini model, which is a significant improvement.

Only a few years have passed since the full-sized URSA reached the market, and Blackmagic Design has been keeping track of what works and doesn’t work. Aside from SD card capture and ND filters, the URSA Mini Pro 4.6K has external controls and ND filters.

Using a Super-35mm CMOS sensor, the URSA Mini Pro 4.6K can capture images with resolutions of up to 4.6K (4,608 x 2,592) at up to 60 frames per second (fps). You have the option of capturing 12-bit CinemaDNG or ProRes up to 444 QT.

Built-in two, four, and six-stop ND filters will be available in addition to the option to capture on either CFast 2.0 or SD cards and output through the camera’s 12G-SDI output with timecode and REF input, as well as additional external controls. A variety of mounts are available to accommodate the two XLR inputs with phantom power on the unit’s back panel.

In addition to the URSA Mini 4K and URSA Mini 4.6K, Blackmagic Design also provides the URSA Mini Pro 4.6K, which replaces the previous URSA Mini Pro 4K model. Despite the fact that the sensor on the 4K version is different, both cameras provide you with more or less functionality depending on how much you pay.

Below is a list of the most effective picture stabilizers for the Blackmagic URSA Mini Pro:

Best Gimbal For Blackmagic URSA Mini Pro 4.6K G2 in 2022

1. DJI Ronin-M Gimbal Stabilizer V3 New Version

A camera stabilization solution from DJI called the Ronin-M 3-Axis Handheld Gimbal Stabilizer is intended to allow the user nearly as much freedom as unrestricted handheld shooting without the handshake. The Ronin-M has brushless motors that operate on three axes and is suitable for most camera configurations and weights up to 8 pounds.

one for tilt, one for pan, and one for side-to-side “roll” (maintaining the horizon level). The system has a 105° up/165° down tilt range and a 110° roll range, and it is computer-controlled. The system also offers a control precision of 0.02°, allowing for precise camera motions and stability correction against even extremely small movements.

The gimbal can be utilized in situations when mounting a vehicle or other abrupt motions would render tripods and rigid camera support devices problematic, in addition to handheld photography.

Dual operator shooting is possible with the Ronin-M, which is similar to using a jib that has a motorized pan/tilt head. In this mode, a second operator would manually control the camera pan and tilt using the accompanying transmitter (radio controller), regardless of which direction the Ronin-M is moving.

The unique 2.4 GHz transmitter and receiver equipment are provided. On the Ronin-M, there is a D-Bus connector where your own receiver may be installed if you would rather use a different transmitter.

Motorized gimbal systems need to be balanced before the operation, just like sled and vest-style stabilizers. Once balanced, you may use the Assistant Software on Bluetooth-enabled iOS and Windows (Desktop) devices to set up the Ronin-M for your specific camera setup.

Every camera and lens combination has a unique mass and weight distribution, thus there is an ATS (Auto Tune Stability) procedure that adjusts each axis separately and repeats the process until all three are in alignment. You won’t need to hold the rig by the hands during this process because a gimbal tuning stand is provided.

The Ronin-M can run continuously for up to six hours on the supplied 4S lithium-ion polymer battery. It is a “smart” battery, which means that, unlike many lithium-polymer batteries, power regulation and protection circuitry is built-in and there is no separate balancing line.

A charger is also provided, but due to the clever circuitry in the Ronin-M battery, it is crucial to only use chargers made for it. The camera base has two 12 VDC D-Tap connectors, one USB power port, and a place for you to charge on-camera accessories straight from the Ronin-M battery. This will make charging easier and save the needless addition of weight.

2. Flycam Galaxy Dual Arm & Vest with Redking Video Camera Stabilizer (FLCM-GLXY-RK)

With this B&H-assembled FLYCAM Galaxy Arm and Vest Kit with Redking Camera Stabilizer, you can take smooth motion pictures while relieving stress on your arms. The equipment comes with a Redking video camera stabilizer, a Galaxy universal-fit foam-padded vest, and a Galaxy stabilizer arm.

The cozy vest adjusts with buckles and hook-and-loop straps to fit waists 28 to 60 inches wide and chests 38 to 52 inches wide. The shock-absorbing arm fastens to the vest and may extend to a maximum length of 18″. It can sustain up to 22 lbs.

It includes 19 and 22mm bushings in addition to a normal 16mm mounting post for the Redking. The Redking camera stabilizer attaches to the post of the arm and can hold a camera rig weighing up to 7.5 lbs. As you run, walk, cycle, or climb, it has an adjustable balance system to keep your shots smooth and steady.

3. Flycam Basic Flowline with 180° Rotation (3-7.5kg/6-16lb) B-FLCM-FLN

The Basic Flowline Stabilizing Support Vest from FLYCAM transfers the weight of your camera from your shoulders and arms to your back.

This support vest is suitable for handheld camerawork and works with gimbals and camera rigs weighing between 6.6 and 16.5 lb. For effortless turning and tracking shots, a suspension line with a maximum length of 60″ threads through a top bar with a diameter of 22″.

The additional point of contact provided by the suspension line lessens vibrations, ensuring smooth and steady handheld photos. The camera’s position along the top bar can be adjusted forward or backward for improved balance. Its tension can be changed using the knob located on the back of the vest. For portability, the device collapses to a height of 23.6″ and fits in the provided carrying case.

4. SteadiCam AERO 15 Stabilizer System with V-Lock Battery Plate and 7″ Monitor

For cameras weighing up to 10 lb, Steadicam offers the Aero Stabilizer with A-15 Arm, Vest, and 7″ Monitor. The necessary battery mount is not included with this Aero unit, but numerous types are sold separately.

A lightweight, user-friendly addition to the Steadicam portfolio is the Aero Stabilizer. A sturdy camera stage, a camera quick-release mount, a two-section center post, and tool-free adjustments are among the features. For usage with extremely light cameras, balance weights are provided. With enough experience, you’ll be able to take steady, fluid dynamic images with the Aero Stabilizer.

The A-15 vest and arm, a 7″ on-board HD monitor, a quick release plate, a 1/2″ docking bracket, and eight 4 oz. balance weights are all included in this Aero combo. A number of pro-style battery mounts are available separately; it does not come with a battery plate. The A-15 vest’s arm socket block, vest length, and padded, adjustable chest and hip straps may all be altered to fit the wearer’s height and build.

The two-stage A-15 arm has side-to-side adjustment wheels and a socket fast-release pin for a secure fit.

5. SteadiCam Steadimate-S Aero 15 Arm & Aero Vest Kit with Mechanical Gimbal Collar/Yoke & Weighted Base

You can connect compatible handheld motorized gimbal stabilizers with the Steadicam Steadimate-S Aero 15 Arm & Aero Vest Kit, a body-worn stabilizer system. The DJI Ronin-S and Zhiyun-Tech Crane 2 stabilizers are supported.

The set comes with a Steadimate-S mechanical gimbal collar and base for mounting the handheld stabilizer, an Aero vest, and the entry-level Aero 15 stabilizer arm. The handheld stabilizer may be used more easily and steadily by resting on the arm and vest thanks to the gimbal collar’s connection to the stabilizer’s post. The payload capacity of the Aero 15 arm is 15 lbs.

Corey
About Author

Corey

Freelance journalist Corey has been writing about digital photography since 2006, first as a deputy editor and then as the editor of a variety of photographic journals. Featuring expert product reviews and in-depth features

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